DALI, SalvadorBiblio.com
Child and Youth Well-being in China
2020réf. x-0367670364Routledge 2020. Paperback. New. 170 pages. 8.50x5.43x0.55 inches. Routledge paperback
Revaluation Books · Royaume-Uni40,37 £GB≈ 48,04 €
109 résultats
1973réf. 194903London: Peter Owen 1973. Signed by Salvador Dali First edition limited issue number 13 of 100 copies signed by Dali of Chevalier's famous translation of the surrealist's only novel. This copy includes the artist's previously unpublished 20-page Postface also numbered 13 loosely inserted as issued and a signed certificate from the publishing house authenticating Dali's signature dated 18th May 1994. Written in French in the autumn of 1943 Hidden Faces explores the lives and loves of a group of aristocrats. It was first published in Chevalier's English version in 1944 after the translator spent several weeks with Dalí on the estate of the Marquis de Cuevas in Franconia translating directly as the artist wrote. The original French appeared in print with the title Visages cachés in 1973. A professor of French literature at the University of California Chevalier 1901-1985 is also known for his friendship with the atom bomb pioneer Robert Oppenheimer and for serving as an official translator at the Nuremberg trials of 1945. Octavo. With 6 photographic illustrations after artworks by Dalí. Original vellum-backed marbled boards rounded spine lettered in gilt top edge gilt white silk book marker. With Postface loosely inserted as issued. Housed in publisher's red card slipcase. A fine copy. hardcover
2020réf. x-0367670364Routledge 2020. Paperback. New. 170 pages. 8.50x5.43x0.55 inches. Routledge paperback
réf. 186948Paris: Simon Wajntraub Peter Moore Ariane Lancel and Jacques Carpentier 1977. One of 12 plates from the Twelve Apostles portfolio also known as the Knights of the Round Table portfolio printed by Atelier Lithographique in Paris. Edition of 350. Original lithograph in 3 colours with gold embossing on Arches watermarked paper right and lower edges untrimmed. Signed in pencil lower right by Dalí numbered lower left. Plate size: 49.5 x 45.7 cm. Sheet size: 65 x 47.8 cm. Framed size: 78.3 x 66.5 cm. Presented in a handmade gold leaf frame with conservation acrylic glazing. Excellent condition. Field 72-14J. Michler & Lopsinger 1514. unknown
2026réf. x-3032219310Springer Nature Switzerland Ag 2026. Hardcover. New. 292 pages. 6.14x0.69x9.21 inches. Springer Nature Switzerland Ag hardcover
1967réf. 183327Paris & New York: Leon Amiel 1967. One of 12 images from the Twelve Signs of the Zodiac portfolio. There was also an edition of 250 on Arches paper. Edition of 50. Coloured lithograph after an original gouache on Japon paper. Signed in pencil lower right by Dali and numbered lower left. Sheet size: 72.8 x 51.8 cm. Framed size: 90.7 x 70.2 cm. Presented in handmade white gold frame with conservation acrylic glazing. Excellent condition. Field 67-6; Michler & Lopsinger 1186. unknown
1977réf. 189775Paris: Simon Wajntraub Peter Moore Ariane Lancel and Jacques Carpentier 1977. One of 12 plates from the Twelve Apostles portfolio also known as the Knights of the Round Table portfolio. Printed by Atelier Lithographique in Paris France. Edition of 350. Original lithograph in 3 colours with gold embossing on Arches watermarked paper right and lower edges deckled. Signed in pencil lower right by Dalí numbered lower left. Plate size: 49.5 x 45.7 cm. Sheet size: 65 x 47.8 cm. Framed size: 79 x 66.8 cm. Presented in a handmade gold leaf frame with conservation acrylic glazing. Small stray ink marks to extreme upper edge of sheet hidden behind mount. Otherwise excellent condition. Field 72-14G. Michler & Lopsinger 1513. unknown
1967réf. 193881Milan: Rizzoli 1967. The magni luxus edition of 105 Dalí lithographs First edition signed by the publisher number XXXV from the deluxe magni luxus edition of 199 numbered I to CXCIX. Biblia Sacra is the largest and most ambitious of Dali's picture cycles. The series was commissioned by his close friend Guiseppe Albaretto. A devout Roman Catholic Albaretto hoped that the project and the close reading of the Bible it necessitated might strengthen Dali's own faith. Dalí took a tremendous amount of care with the project personally inspecting and ensuring the quality of the reproductions of the 105 paintings. Albert Field noted that when the original paintings were displayed alongside the prints "the prints are so like the originals that the only sure way to distinguish one from the other was that the paint on the originals made the surface uneven" p. 201. An extraordinary feat of printmaking presented in suitably beautiful fine bindings this is Dalí at his best. 5 vols folio. With 105 full-page offset lithographs on card after gouaches by Dalí. Text in Latin. Original dark green crushed morocco raised bands spines lettered in gilt with coloured morocco inlays outlined with gilt pale green moiré endpapers top edges gilt others untrimmed text printed on heavy laid paper with Dalí watermark. With original green moiré and morocco slipcases. Spines faded internally bright and clean; slipcases unevenly sunned edges lightly rubbed: a very good set. Albert Field The Official Catalog of the Graphic Works of Salvador Dali 1996. hardcover
1967réf. 183330Paris & New York: Leon Amiel 1967. One of 12 images from the Twelve Signs of the Zodiac portfolio. There was also an edition of 250 on Arches paper. Edition of 50. Coloured lithograph after an original gouache on Japon paper. Signed in pencil lower right by Dali and numbered lower left. Sheet size: 72.8 x 51.8 cm. Framed size: 90.7 x 70.2 cm. Presented in handmade white gold frame with conservation acrylic glazing. Excellent condition. Field 67-6; Michler & Lopsinger 1181. unknown
réf. 195255Paris: Édition Art & Valeur. 1974. Bas-relief stamped from a wax maquette created by Dalí based upon Michelangelo's Moses housed in the Basilica of San Pietro Rome. Cretaed by Dali to form the front cover of the Moise et Monothéism portfolio which itself was inspired and issued as a hommage to Sigmund Freud's last work on religion published in 1939. The cover is still part of the burgundy suede clamshell box as issued. Edition of 300. Metal bas-relief over a wooden board. Signed lower right by Dalí. Sheet size: 70 x 54.3 cm. Not framed Minor rubbing otherwise in excellent condition. Field 75-2; Michler & Lopsinger 723-732. unknown
réf. 120918New York Transworld Art 1974. . Etching with hand-colouring 1974 on BFK Rives paper signed inscribed 'F' and numbered from the French edition of 195 there was also an edition of 195 on Arches with text in English inscribed 'A' published by Transworld Art New York 655 x 508 mm. 25¾ x 20 in. Field 74-8 E. New York, Transworld Art, 1974. unknown
réf. 120922New York Transworld Art 1974. . Etching with hand-colouring 1974 on BFK Rives paper signed inscribed 'F' and numbered from the French edition of 195 there was also an edition of 195 on Arches with text in English inscribed 'A' published by Transworld Art New York 655 x 508 mm. 25¾ x 20 in. Field 74-8 I. New York, Transworld Art, 1974. unknown
1948réf. 1033H10London: Vision Press Ltd. 1948 . Cloth. Very Good/Good. 10" by 8". Salvador Dalí. The limited first British edition of Dalí's extraordinary Surrealist autobiography profusely illustrated by the artist and retaining its striking original dust wrapper one of one thousand copies. In the publisher's original black cloth binding. Complete with the original unclipped dust wrapper. First published in New York by Dial Press in 1942 this is the first British edition limited to 1000 copies. Profusely illustrated throughout with Dalí's drawings and sketches including a colour plate and seven double-sided photographic plates depicting the artist Gala his paintings and elements of his personal iconography. Collated complete. Dalí's characteristically extravagant autobiography tracing his childhood in Catalonia artistic education in Madrid emergence within the Surrealist movement relationship with Gala and development of the highly theatrical public persona that became inseparable from his art. In the publisher's original cloth binding. Externally generally smart. Slight rubbing and bumping to extremities. The odd light mark to boards. Slight fading to spine. Slight offsetting to half-title and verso of final page. Dust wrapper a little worn. Tape repairs along to upper and lower edges. Edge wear resulting in the odd crease chip and closed tear with slight loss. Slight loss to head of spine. Slight sunning to spine. One or two marks to wraps. Internally hinges slightly strained in places but firm. Pages bright and clean with one or two minor handling marks. Very Good Vision Press Ltd. hardcover
réf. 1179281977 . Drypoint and etching on heliogravures in colours on Rives paper 1977 signed in pencil and numbered from the edition of 200 there were also 20 artist's proofs printed by Ateliers Rigal Paris published by Berggreuen Editions Paris sheet: 44.5 x 31 cm. 17½ x 12¼ in. This work is from the suite of 80 etchings by Salvador Dali based on Francisco Goya's 18th century series Los Caprichos. Goya's series served as a satirical commentary on Spanish society at the end of the 18th century particularly targeting the nobility and clergy as well as superstitions and irrationality prevalent at the time. In 1977 Dali reproduced the series as heliogravures subsequently reworking each of the plates with Surrealist drypoint additions and stencil colouring. 'Goya was preoccupied with dreams dreamlike states and nightmares - the varying states of consciousness that allowed him to explore allusive subjects.The Caprichos provide the earliest concentrated evidence of Goya's interest in dreams."Truth to life" is the essence of what Goya achieved through his graphic work. His prints and drawings quietly observe confront dissect and reflect the many facets of what it means to be human. This truth to life has fueled the works' relevance over the course of two centuries as they continue to provoke audiences to engage with Goya's profound insights'. Mark McDonald 'Goya's Graphic Imagination' The Metropolitan Museum of Art 2021. Michler and Löpsinger 866; Field 77-3 62 1977 unknown
réf. 1179331977 . Drypoint and etching on heliogravures in colours on Rives paper 1977 signed in pencil and numbered from the edition of 200 there were also 20 artist's proofs printed by Ateliers Rigal Paris published by Berggreuen Editions Paris sheet: 44.5 x 31 cm. 17½ x 12¼ in. This work is from the suite of 80 etchings by Salvador Dali based on Francisco Goya's 18th century series Los Caprichos. Goya's series served as a satirical commentary on Spanish society at the end of the 18th century particularly targeting the nobility and clergy as well as superstitions and irrationality prevalent at the time. In 1977 Dali reproduced the series as heliogravures subsequently reworking each of the plates with Surrealist drypoint additions and stencil colouring. 'Goya was preoccupied with dreams dreamlike states and nightmares - the varying states of consciousness that allowed him to explore allusive subjects.The Caprichos provide the earliest concentrated evidence of Goya's interest in dreams."Truth to life" is the essence of what Goya achieved through his graphic work. His prints and drawings quietly observe confront dissect and reflect the many facets of what it means to be human. This truth to life has fueled the works' relevance over the course of two centuries as they continue to provoke audiences to engage with Goya's profound insights'. Mark McDonald 'Goya's Graphic Imagination' The Metropolitan Museum of Art 2021. Michler and Löpsinger 923; Field 77-3 5 1977 unknown
réf. 1179311977 . Drypoint and etching on heliogravures in colours on Rives paper 1977 signed in pencil and numbered from the edition of 200 there were also 20 artist's proofs printed by Ateliers Rigal Paris published by Berggreuen Editions Paris sheet: 44.5 x 31 cm. 17½ x 12¼ in. This work is from the suite of 80 etchings by Salvador Dali based on Francisco Goya's 18th century series Los Caprichos. Goya's series served as a satirical commentary on Spanish society at the end of the 18th century particularly targeting the nobility and clergy as well as superstitions and irrationality prevalent at the time. In 1977 Dali reproduced the series as heliogravures subsequently reworking each of the plates with Surrealist drypoint additions and stencil colouring. 'Goya was preoccupied with dreams dreamlike states and nightmares - the varying states of consciousness that allowed him to explore allusive subjects.The Caprichos provide the earliest concentrated evidence of Goya's interest in dreams."Truth to life" is the essence of what Goya achieved through his graphic work. His prints and drawings quietly observe confront dissect and reflect the many facets of what it means to be human. This truth to life has fueled the works' relevance over the course of two centuries as they continue to provoke audiences to engage with Goya's profound insights'. Mark McDonald 'Goya's Graphic Imagination' The Metropolitan Museum of Art 2021. Michler and Löpsinger 907; Field 77-3 21 1977 unknown
réf. 120921New York Transworld Art 1974. . Etching with hand-colouring 1974 on BFK Rives paper signed inscribed 'F' and numbered from the French edition of 195 there was also an edition of 195 on Arches with text in English inscribed 'A' published by Transworld Art New York 655 x 508 mm. 25¾ x 20 in. Field 74-8 H. New York, Transworld Art, 1974. unknown
réf. 120923New York Transworld Art 1974. . Etching with hand-colouring 1974 on BFK Rives paper signed inscribed 'F' and numbered from the French edition of 195 there was also an edition of 195 on Arches with text in English inscribed 'A' published by Transworld Art New York 655 x 508 mm. 25¾ x 20 in. Field 74-8 J. New York, Transworld Art, 1974. unknown
réf. 29132Salem NH: Salem House. 1985. First edition. First edition. Deluxe limited edition. Publisher's original full navy blue morocco two raised bands gilt ruled and with titles in gilt on red labels to the spine. Onlaid illustration of Salvador Dali's 'Eight of Swords' to the upper board. Illustrated with 78 colour reproductions of Salvador Dali's Tarot designs for the major and minor arcana with explanatory text. All edges gilt. An excellent near fine copy with a little light rubbing to the extremities and spine the upper board a touch bowed the leather bright and fresh. The contents with a few light marks to the text block fore-edge and endpapers are otherwise clean throughout and without inscriptions or stamps. Scarce. Salvador Dali began work on his tarot cards in the early 1970's when he was approached by Albert Broccoli to create a custom deck of tarot as a prop for the James Bond film 'Live and Let Die' 1973. The prop contract fell through due to Broccoli not wanting to meet Dali's fee but his wife Gala who was interested in mysticism encouraged the artist to continue the project. Over the following decade Dali created an entirely new deck which he described as a 'Universal Tarot' featuring himself as the Magician and his wife Gala as the Empress. In 1984 a limited edition set of cards was printed by Naipes Comas which quickly sold out. This first book publication by Rachel Pollack leading expert in modern Tarot and author of 'Seventy-Eight Degrees of Wisdom' 1980 provides an explanatory guide to the imagery and symbolism in his cards. Issued in a 'deluxe' edition of just 125 copies from which this example is numbered 80 it is decidedly scarce in commerce. Further details and images for any of the items listed are available on request. All items are catalogued by humans. Lucius Books welcomes direct contact with our customers. Salem, NH: Salem House. 1985 hardcover
réf. 186950Paris: Simon Wajntraub Peter Moore Ariane Lancel and Jacques Carpentier 1977. One of 12 plates from the Twelve Apostles portfolio also known as the Knights of the Round Table portfolio printed by Atelier Lithographique in Paris. Edition of 350. Original lithograph in 3 colours with gold embossing on Arches watermarked paper right and lower edges untrimmed. Signed in pencil lower right by Dalí numbered lower left. Plate size: 49.5 x 45.7 cm. Sheet size: 65 x 47.8 cm. Framed size: 78.3 x 66.5 cm. Presented in a handmade gold leaf frame with conservation acrylic glazing. Excellent condition. Field 72-14B. Michler & Lopsinger 1510. unknown
réf. 189073Saint Raphael: Editions Des Maitres Contemporains 1974. One of 12 plates from Le Bestiaire de la Fontaine Dalinesé portfolio. Artist's proof aside from the edition of 250. Drypoint etching on Arches paper left and right edges deckled. Signed in pencil lower right by Dalí A.E to lower left. Plate size: 58.5 x 40.5 cm. Sheet size: 76 x 56.5 cm. Unframed. Light spotting to lower edge affecting the margins image in excellent condition. Field 74-1 A. Michler & Lopsinger 653. unknown
réf. 189081Saint Raphael: Editions Des Maitres Contemporains 1974. One of 12 plates from Le Bestiaire de la Fontaine Dalinesé portfolio. Artist's proof aside from the edition of 250. Drypoint etching with hand coloured pochoir stencil on Arches paper left and right edges deckled. Signed in pencil lower right by Dalí A.E to lower left. Plate size: 58.5 x 40.5 cm. Sheet size: 76 x 56.5 cm. Unframed. Light spotting to lower edge affecting the margins image in excellent condition. Field 74-1 H. Michler & Lopsinger 661. unknown
réf. 189075Saint Raphael: Editions Des Maitres Contemporains 1974. One of 12 plates from Le Bestiaire de la Fontaine Dalinesé portfolio. Artist's proof aside from the edition of 250. Drypoint etching with hand coloured pochoir stencil on Arches paper upper and lower edges deckled. Signed in pencil lower right by Dalí A.E to lower left. Plate size: 40.5 x 58.5 cm. Sheet size: 56.5 x 76 cm. Unframed. Light spotting to lower edge affecting the margins image in excellent condition. Field 74-1 E. Michler & Lopsinger 655. unknown
réf. 189074Saint Raphael: Editions Des Maitres Contemporains 1974. One of 12 plates from Le Bestiaire de la Fontaine Dalinesé portfolio. Artist's proof aside from the edition of 250. Drypoint etching with hand coloured pochoir stencil on Arches paper upper and lower edges deckled. Signed in pencil lower right by Dalí A.E to lower left. Plate size: 40.5 x 58.5 cm. Sheet size: 56.5 x76 cm. Unframed. Light spotting to lower edge affecting the margins image in excellent condition. Field 74-1 B. Michler & Lopsinger 654. unknown
réf. 189077Saint Raphael: Editions Des Maitres Contemporains 1974. One of 12 plates from Le Bestiaire de la Fontaine Dalinesé portfolio. Artist's proof aside from the edition of 250. Drypoint etching with hand coloured pochoir stencil on Arches paper lower and upper edges deckled. Signed in pencil lower right by Dalí A.E to lower left. Plate size: 40.5 x 58.5 cm. Sheet size: 56.5 x 76 cm. Unframed. Light spotting to lower edge affecting the margins image in excellent condition. Field 74-1 D. Michler & Lopsinger 657. unknown
réf. 189079Saint Raphael: Editions Des Maitres Contemporains 1974. One of 12 plates from Le Bestiaire de la Fontaine Dalinesé portfolio. Artist's proof aside from the edition of 250. Drypoint etching with hand coloured pochoir stencil on Arches paper left and right edges deckled. Signed in pencil lower right by Dalí A.E to lower left. Plate size: 58.5 x 40.5 cm. Sheet size: 76 x 56.5 cm. Unframed. Light spotting to lower edge affecting the margins image in excellent condition. Field 74-1 F. Michler & Lopsinger 659. unknown
