2 147 résultats
réf. 1071706Encuadernación de tapa dura. Bien. . Bajo la dirección de René Toutain. Traducción de Janine Muls Mahy de Liarás. Barcelona. Edit. Labor. Imp. Grafos. 1974. 30x22 cm. 321 págs. texto a dos columnas. láms. e Ilust. a color y b/n. Arpillera Edit. Ilust. no conserva la sobrecubierta. # cocina hardcover
réf. SONG3836543877Used: Good unknown
réf. mon0003285040John Benjamins Publishing Compan 8/16/2021 12:00:01 A. hardcover. Like New. 0.5000 10.0000 6.7500. Brand New! Sealed in publisher's shrinkwrap. Never opened! No signs of wear. John Benjamins Publishing Compan hardcover
1933réf. 5493171933. Unbound. Fine. Broadside. Yellow quarto sheet printed recto only. Folded twice and with a very tiny stain else fine. A statement prepared by Salvador Dali before his arrival in New York in anticipation of his first solo exhibition at the Lucien Levy Gallery from November 21 to December 8 1933. The statement quotes fellow surrealist and later antagonist Andre Breton includes Dali's denial as to the meaning of his works: "I never have the slightest idea what my pictures mean"; how after painting his wife one autumn afternoon he was "finally able to attain images sufficiently lucid and 'appetizing' for exhibition in New York"; and ending with a final question; "New York: why why did you erect my statue long ago long before I was born higher than another more desperate than another" Confusion about this statement abounds with some claiming the broadside was distributed at the 1939 World's Fair where Dali had a pavilion or later in 1941 calling it a response to criticism from a statement by Breton. Our research - and Dali's own printed words "I have never been to America" - supports Dali biographer Ian Gibson's belief that this broadside was issued in late 1933 as advance publicity for the painter's first solo American exhibition close on the heels of increased interest in the artist following the Surrealist show the year before that debut his icon painting The Persistence of Memory. Rare. OCLC locates two copies and we have located at third the Queen's Public Library in New York. unknown
réf. 506754The Salvador Dali Museum 1974. Geb. met stofomslag oblong s.o. 2 scheurtjes verder mooi exemplaar 225 XXXVI pagina's. The Salvador Dali Museum 1974 unknown
2004réf. 180822New York: Howard Greenberg Gallery 2004. First edition. Softcover. Exhibition catalog for a show that ran February 6 through March 13 2004. Two portfolios bound dos a dos. Text by Mary Panzer. Includes with the covers over 30 black and white images. A very near fine copy in wrappers. An attractive catalog. Howard Greenberg Gallery unknown
2019réf. x-019882811XOxford Univ Pr 2019. Paperback. New. 336 pages. 9.50x6.50x1.00 inches. Oxford Univ Pr paperback
réf. DADAX2844266142New unknown
réf. DADAX382285008XNew unknown
1932réf. 89963Paris: Edward W. Titus 1932. First Edition. Octavo. Printed buff wrappers wallet edges; i-v;208vi-x pp; illus. Upper edge of text block foxed very mild toning to spine still a clean unopened copy Near Fine. Remnants of adhesive price sticker to front cover. Lacking the publisher's unprinted glassine wrapper. An excellent copy of this sought-after special issue of Edward Titus's expatriate literary and arts journal published from 1925 to 1932. Includes "experimental prose" works by Breton Eluard Char Crével and Duchamp; poetry by Dali Tristan Tzara and others; and Buñuel & Dali's scenario for "An Andalusian Dog" adapted from the 1929 film Un Chien Andalou. Edward W. Titus unknown
1963réf. 171640Paris: Galerie André François Petit 1963. Vintage catalog for the landmark 1963 exhibition. Illustrated in black-and-white and color. Very Good plus in saddle-stapled wrappers with light foxing to the first pages and wrapper versos. Galerie André François Petit unknown
réf. C73350London 2016. Limited Edition Of 750 Copies. . Near fine. Contents unmarked sound and bright. Some slight bumping at corners of clamshell box with very slight soiling mark at front towards bottom edge. Slight creases at back and head of spine of larger folio volume. . Folio; 8vo. Pp: Unpaginated; xvi 512. Limited edition of 750 copies numbered copy 418 in blue clamshell box with white and gold lettering at front. Publisher's blue and gold folio boards with stylised debossed Dali signature at front and gilt lettering at spine. Illustrated throughout in colour. Publisher's original blue boards with gilt at spine. Includes one volume containing 50 Salvador Dali illustrations and another smaller edition of the text to accompany them translated by Malcolm C. Lyons. This is a large and heavy set and may require extra postage. hardcover
1941réf. 172170New York: The Museum of Modern Art MOMA 1941. First Edition. Hardcover. First Edition. Illustrated in black-and-white with four color plates. Bottom board edges rubbed bump to the top right corner of the front board overall Very Good plus in a Very Good dust jacket. Jacket moderately rubbed with light toning and wear to the spine and a short closed tear to the bottom right corner of the front panel. The Museum of Modern Art [MOMA] unknown
réf. FRE114A monochrome photogravure portrait reproduction on a single leaf signed in ink by Helena Rubinstein 1872–1965 beneath the image in the original grey folder bearing her name and the printed wording “City of Paris / Autograph Party . . . November 13 1951.” Image: 22.9 × 17.3 cm 9 × 6.8 in.; leaf: 35.1 × 27.9 cm 13.8 × 11 in.; folder: 40.6 × 29.2 cm 16 × 11.5 in. Folder slightly browned and with minor tears; portrait in near fine condition. An apparently unrecorded promotional souvenir reproducing Dalí’s portrait of his patron Helena Rubinstein issued for her autograph party at San Francisco’s City of Paris department store and bearing her autograph. Born into a Jewish family in Kraków Rubinstein began her cosmetics business in Australia before expanding to Europe and the United States. Her international success supported an extensive collection of modern art and African and Oceanic sculpture. Art also became part of the public presentation of her business and personality: this souvenir brings together the cosmetics entrepreneur her celebrated surrealist portrait and a personal appearance at a San Francisco department store. Rubinstein and Dalí had known one another since the early 1930s and she was among the patrons who welcomed him to New York following his wartime departure from Europe. In 1942 she commissioned three murals for the dining room of her Park Avenue apartment; the following year he painted the portrait reproduced here catalogued by the Dalí Foundation as Princess Artchil Gourielli or Portrait of Princess Gourielli Helena Rubinstein. Exhibited at Knoedler’s in 1943 it presents Rubinstein’s youthful face emerging from a monumental rocky coastal formation with necklaces encircling the stone beneath her head. The transformation of the sitter into landscape places this commissioned society portrait firmly within Dalí’s surrealist imagery. The signed reproduction documents the subsequent use of that portrait in Rubinstein’s publicity. Its dated folder ties the image to a particular San Francisco promotional event illustrating the intersection of modern art cosmetics advertising and the cultivation of a woman entrepreneur’s public identity. Reference: Fundació Gala-Salvador Dalí online catalogue raisonné of paintings P 556 the original painting. unknown
1985réf. 933620Salem New Hampshire: Salem House 1985. SIGNED/INSCRIBED/DATED "Spring Equinox 1990" - An evidently Unread copy. Dust Jacket clipped light extremity wear otherwise Fine see scan. First Edition/First Printing. Hard Cover/Full Cloth/Sewn. Fine/Near Fine. Illus. by Salvador Dali. 8vo size - 8¾" tall. Salem House hardcover
réf. 2931567H. Good. unknown
1973réf. 1885496876Felicie Inc. 1973. Hardcover. Good. Missing dust jacket; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More Spend Less.Dust jacket missing. Shelf and handling wear to cover and binding with general signs of previous use. Wear commensurate with age and use. Clean unmarked copy. Light bumping visible to corners of boards and ends of spine strip. Light scuffing and smudging to boards and spine strip. Secure packaging for safe delivery.Dust jacket quality is not guaranteed. Felicie Inc. hardcover
1964réf. 239285New York.: The Illustrated Modern Library. 1964. First edition. Gilt decorated hard cover. Dali pastedown on front cover. Fine copy. As new. Octavo. Illustrated by Salvador Dali. Very scarce in this condition. The Illustrated Modern Library. hardcover
1951réf. 239156Barcellona: Luis De Caralt 1951. Rilegato tela cloth. Molto buono Very Good. Con numerose illustrazioni in nero n.t. ed alcune tavole a colori f.t. Cm 315x245. pp. 190. Molto buono Very Good. Tela delle copertine leggermente sbiadita. Un alone giallo nella parte inferiore delle ultime 30 pagine. Comunque una copia in buono stato Lightly faded covers. A yellow halo at the bottom of the last 30 pages. However a copy in good condition. Prima edizione First Edition. Luis De Caralt, hardcover
réf. 149869New York: Harry N. Abrams Inc. Publishers 1974. The New Concise Nal Edition of this lavishly illustrated work by Salvador Dali. Quarto original pictorial wrappers with 98 illustrations in both black and white and color interspersed with text. Boldly signed and dated by Dali in thick felt tip purple marker on the verso of the front cover and the front free endpaper with his enormous signature and a large drawing of a flower “Dali 1975.” In near fine condition with creasing and rubbing. Text by Max Gérard. Introduction by Dr. Pierre Roumeguère. The infamous Surrealist in full colour and in his own words Picasso called Dali "an outboard motor that's always running." Dali thought himself a genius with a right to indulge in whatever lunacy popped into his head. Painter sculptor writer and film maker Salvador Dali 1904-1989 was one of the century's greatest exhibitionists and eccentrics -- and was rewarded with fierce controversy wherever he went. He was one of the first to apply the insights of Sigmund Freud and psychoanalysis to the art of painting. He brought extraordinary sensitivity imagination and concern for precision to bear upon submerged levels of consciousness. Harry N. Abrams, Inc., Publishers unknown
réf. 149870New York: Ballantine Books 1974. First edition second printing of this illustrated work by Salvador Dali. Quarto original pictorial wrappers illustrated with 40 glossy color plates. Presentation copy boldly inscribed by Salvador Dali in black felt tip on the verso of the front cover and half-title page with his enormous signature and a large drawing of a woman's head wearing a conical hat to the bottom left. In fine condition. Edited by David Larkin. Introduction by J.G. Ballard. The infamous Surrealist in full colour and in his own words Picasso called Dali "an outboard motor that's always running." Dali thought himself a genius with a right to indulge in whatever lunacy popped into his head. Painter sculptor writer and film maker Salvador Dali 1904-1989 was one of the century's greatest exhibitionists and eccentrics -- and was rewarded with fierce controversy wherever he went. He was one of the first to apply the insights of Sigmund Freud and psychoanalysis to the art of painting. He brought extraordinary sensitivity imagination and concern for precision to bear upon submerged levels of consciousness. Ballantine Books unknown
1980réf. 239634Secaucus: Chartwell Books 1980. Rilegato sovracoperta hard cover dust jacket. Molto buono Very Good. Con 65 tavole a colori e 112 illustrazioni in bianco e nero. Una litografia originale a colori di Dalì. Cm 32x24. pp. 160. Molto buono Very Good. Abrasione al risguardo Damage on front panel. . Pubblicata a Parigi dal 1951 al 1974 XX Siecle fu una rivista d'arte moderna e contemporanea fondata da Gualtieri di San Lazzaro. Tra i suoi collaboratori ci furono i piu importanti scrittori artisti e critici d'arte del periodo. fra questi Alain Jouffroy Gilbert Lascault Dora Vallier Marino Marini Pierre Courthion Dino Buzzati Giuseppe Marchiori Eugéne Ionesco Pierre Francastel Franco Russoli Jacques Lassaignr Pierre Restany André Verdet e molti altri. Di norma ogni fascicolo contiene da 1 a 4 litografie originali dei maggiori artisti del '900 quali Pablo Picasso Vasilij Kandinskij Joan Mirò Max Ernst Marino Marini Fernand Leger Renato Guttuso Henry Moore Wifredo Lam Dennis Maurice Esteves Giuseppe Capogrossi Marc Chagall Vieira da Silva Chartwell Books, hardcover
1973réf. 1676902464Felicie Inc. 1973. Hardcover. Good. Missing dust jacket; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More Spend Less.Dust jacket missing. Shelf and handling wear to cover and binding with general signs of previous use. Book has scuffing and shelf rubbing to boards with slight bumping to corners. Binding is lightly shaken. Page edges have minor foxing. Interior text and images are clean and unmarked. Secure packaging for safe delivery.Dust jacket quality is not guaranteed. Felicie Inc. hardcover
réf. 186950Paris: Simon Wajntraub Peter Moore Ariane Lancel and Jacques Carpentier 1977. One of 12 plates from the Twelve Apostles portfolio also known as the Knights of the Round Table portfolio printed by Atelier Lithographique in Paris. Edition of 350. Original lithograph in 3 colours with gold embossing on Arches watermarked paper right and lower edges untrimmed. Signed in pencil lower right by Dalí numbered lower left. Plate size: 49.5 x 45.7 cm. Sheet size: 65 x 47.8 cm. Framed size: 78.3 x 66.5 cm. Presented in a handmade gold leaf frame with conservation acrylic glazing. Excellent condition. Field 72-14B. Michler & Lopsinger 1510. unknown
réf. ANAIS-0810908026Harry N. Abrams. hardcover. Good. 1.8x09x2.1. Buy with confidence. Excellent Customer Service & Return policy. Harry N. Abrams hardcover
