2.106 resultados
2018ref. x-0367086131Taylor & Francis 2018. Hardcover. New. 182 pages. 8.50x5.43x0.60 inches. Taylor & Francis hardcover
2004ref. x-0521837308Cambridge Univ Pr 2004. Hardcover. New. illustrated edition. 316 pages. 8.75x6.25x0.50 inches. Cambridge Univ Pr hardcover
1996ref. x-0804725578Stanford Univ Pr 1996. Hardcover. New. 351 pages. 9.75x6.50x0.75 inches. Stanford Univ Pr hardcover
2023ref. x-1538167778Rowman & Littlefield Pub Inc 2023. Hardcover. New. 308 pages. 9.25x6.25x1.00 inches. Rowman & Littlefield Pub Inc hardcover
2019ref. x-1498574793Lexington Books 2019. Hardcover. New. 268 pages. 9.50x6.25x0.75 inches. Lexington Books hardcover
2011ref. x-1591583535Libraries Unltd Inc 2011. Hardcover. New. 1st edition. 526 pages. 10.00x7.25x1.50 inches. Libraries Unltd Inc hardcover
2009ref. x-9812834249World Scientific Pub Co Inc 2009. Hardcover. New. illustrated edition. 200 pages. 9.50x6.25x1.00 inches. World Scientific Pub Co Inc hardcover
1991ref. x-0873327802M E Sharpe Inc 1991. Hardcover. New. 240 pages. 9.50x6.50x1.00 inches. M E Sharpe Inc hardcover
2020ref. x-0367404494Taylor & Francis 2020. Paperback. New. 192 pages. 9.00x6.00x0.50 inches. Taylor & Francis paperback
1933ref. 5493171933. Unbound. Fine. Broadside. Yellow quarto sheet printed recto only. Folded twice and with a very tiny stain else fine. A statement prepared by Salvador Dali before his arrival in New York in anticipation of his first solo exhibition at the Lucien Levy Gallery from November 21 to December 8 1933. The statement quotes fellow surrealist and later antagonist Andre Breton includes Dali's denial as to the meaning of his works: "I never have the slightest idea what my pictures mean"; how after painting his wife one autumn afternoon he was "finally able to attain images sufficiently lucid and 'appetizing' for exhibition in New York"; and ending with a final question; "New York: why why did you erect my statue long ago long before I was born higher than another more desperate than another" Confusion about this statement abounds with some claiming the broadside was distributed at the 1939 World's Fair where Dali had a pavilion or later in 1941 calling it a response to criticism from a statement by Breton. Our research - and Dali's own printed words "I have never been to America" - supports Dali biographer Ian Gibson's belief that this broadside was issued in late 1933 as advance publicity for the painter's first solo American exhibition close on the heels of increased interest in the artist following the Surrealist show the year before that debut his icon painting The Persistence of Memory. Rare. OCLC locates two copies and we have located at third the Queen's Public Library in New York. unknown
2019ref. x-019882811XOxford Univ Pr 2019. Paperback. New. 336 pages. 9.50x6.50x1.00 inches. Oxford Univ Pr paperback
ref. DADAX382285008XNew unknown
1978ref. Alibris.0018784New York: Harry N. Abrams Inc. 1978. Hard cover. Very good in very good dust jacket. 296 p. Contains: Unspecified. Includes Unspecified. Audience: General/trade. . Harry N. Abrams, Inc. hardcover
ref. C73350London 2016. Limited Edition Of 750 Copies. . Near fine. Contents unmarked sound and bright. Some slight bumping at corners of clamshell box with very slight soiling mark at front towards bottom edge. Slight creases at back and head of spine of larger folio volume. . Folio; 8vo. Pp: Unpaginated; xvi 512. Limited edition of 750 copies numbered copy 418 in blue clamshell box with white and gold lettering at front. Publisher's blue and gold folio boards with stylised debossed Dali signature at front and gilt lettering at spine. Illustrated throughout in colour. Publisher's original blue boards with gilt at spine. Includes one volume containing 50 Salvador Dali illustrations and another smaller edition of the text to accompany them translated by Malcolm C. Lyons. This is a large and heavy set and may require extra postage. hardcover
ref. FRE114A monochrome photogravure portrait reproduction on a single leaf signed in ink by Helena Rubinstein 1872–1965 beneath the image in the original grey folder bearing her name and the printed wording “City of Paris / Autograph Party . . . November 13 1951.” Image: 22.9 × 17.3 cm 9 × 6.8 in.; leaf: 35.1 × 27.9 cm 13.8 × 11 in.; folder: 40.6 × 29.2 cm 16 × 11.5 in. Folder slightly browned and with minor tears; portrait in near fine condition. An apparently unrecorded promotional souvenir reproducing Dalí’s portrait of his patron Helena Rubinstein issued for her autograph party at San Francisco’s City of Paris department store and bearing her autograph. Born into a Jewish family in Kraków Rubinstein began her cosmetics business in Australia before expanding to Europe and the United States. Her international success supported an extensive collection of modern art and African and Oceanic sculpture. Art also became part of the public presentation of her business and personality: this souvenir brings together the cosmetics entrepreneur her celebrated surrealist portrait and a personal appearance at a San Francisco department store. Rubinstein and Dalí had known one another since the early 1930s and she was among the patrons who welcomed him to New York following his wartime departure from Europe. In 1942 she commissioned three murals for the dining room of her Park Avenue apartment; the following year he painted the portrait reproduced here catalogued by the Dalí Foundation as Princess Artchil Gourielli or Portrait of Princess Gourielli Helena Rubinstein. Exhibited at Knoedler’s in 1943 it presents Rubinstein’s youthful face emerging from a monumental rocky coastal formation with necklaces encircling the stone beneath her head. The transformation of the sitter into landscape places this commissioned society portrait firmly within Dalí’s surrealist imagery. The signed reproduction documents the subsequent use of that portrait in Rubinstein’s publicity. Its dated folder ties the image to a particular San Francisco promotional event illustrating the intersection of modern art cosmetics advertising and the cultivation of a woman entrepreneur’s public identity. Reference: Fundació Gala-Salvador Dalí online catalogue raisonné of paintings P 556 the original painting. unknown
2016ref. 245488Köln: Taschen 2016. First printing thus. Hardcover in dust jacket. Fine in near fine lightly rubbed dust jacket in mylar cover. 12" x 8.5 Taschen hardcover
ref. 186948Paris: Simon Wajntraub Peter Moore Ariane Lancel and Jacques Carpentier 1977. One of 12 plates from the Twelve Apostles portfolio also known as the Knights of the Round Table portfolio printed by Atelier Lithographique in Paris. Edition of 350. Original lithograph in 3 colours with gold embossing on Arches watermarked paper right and lower edges untrimmed. Signed in pencil lower right by Dalí numbered lower left. Plate size: 49.5 x 45.7 cm. Sheet size: 65 x 47.8 cm. Framed size: 78.3 x 66.5 cm. Presented in a handmade gold leaf frame with conservation acrylic glazing. Excellent condition. Field 72-14J. Michler & Lopsinger 1514. unknown
1964ref. 239285New York.: The Illustrated Modern Library. 1964. First edition. Gilt decorated hard cover. Dali pastedown on front cover. Fine copy. As new. Octavo. Illustrated by Salvador Dali. Very scarce in this condition. The Illustrated Modern Library. hardcover
2004ref. 59350Fundacion La Caixa De Pensiones. Very Good. 2004. Paperback. 8476648405 . Card wrappers lightly shelf-marked corners and spine bumped very small tear to upper spine but no loss small black markings to lower edge of front cover; binding is tight; pages are unmarked with colour plates and black and white photographic illustrations. ; 9.5 x 1 x 11.75 inches; 284 pages . Fundacion La Caixa De Pensiones paperback
ref. ANAIS-0960069216Felicie Incorporated. hardcover. Good. 9.5X6.5X1.5. Buy with confidence. Excellent Customer Service & Return policy. Felicie, Incorporated hardcover
ref. ANAIS-3791316028Prestel Pub. hardcover. Good. 0x0x0. Buy with confidence. Excellent Customer Service & Return policy. Prestel Pub hardcover
ref. 186950Paris: Simon Wajntraub Peter Moore Ariane Lancel and Jacques Carpentier 1977. One of 12 plates from the Twelve Apostles portfolio also known as the Knights of the Round Table portfolio printed by Atelier Lithographique in Paris. Edition of 350. Original lithograph in 3 colours with gold embossing on Arches watermarked paper right and lower edges untrimmed. Signed in pencil lower right by Dalí numbered lower left. Plate size: 49.5 x 45.7 cm. Sheet size: 65 x 47.8 cm. Framed size: 78.3 x 66.5 cm. Presented in a handmade gold leaf frame with conservation acrylic glazing. Excellent condition. Field 72-14B. Michler & Lopsinger 1510. unknown
ref. 189073Saint Raphael: Editions Des Maitres Contemporains 1974. One of 12 plates from Le Bestiaire de la Fontaine Dalinesé portfolio. Artist's proof aside from the edition of 250. Drypoint etching on Arches paper left and right edges deckled. Signed in pencil lower right by Dalí A.E to lower left. Plate size: 58.5 x 40.5 cm. Sheet size: 76 x 56.5 cm. Unframed. Light spotting to lower edge affecting the margins image in excellent condition. Field 74-1 A. Michler & Lopsinger 653. unknown
1959ref. 189120Greenwich: The New York Graphic Society 1959. First edition of this photobook collecting images of Dalí's singular work with jewels and precious metals. The artist writes "Paladin of a new Renaissance I too refuse to be confined. My art encompasses physics mathematics architecture nuclear science - the physico-nuclear the mystico-nuclear - and jewelry - not paint alone." The jewellery was made in New York by the Argentinean goldsmith Carlos Alemany and was acquired by the Owen Cheatham Foundation in 1958 which exhibited them at various premises. The collection is currently held at the Dalí Theater-Museu in Figueres. A numbered edition of 100 copies signed by the artist was also issued. Quarto. Frontispiece after photograph of the artist 24 tipped-in full colour photographs by Philip Roedel. Original grey boards with black cloth spine lettering to spine and front board in gilt. With the publisher's slipcase. Foxing and wear to slipcase. A near-fine copy. hardcover
ref. 11162819-nnew. unknown
