Yang, Dali L,Biblio.com
2.096 resultados
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ref. mon0003285040John Benjamins Publishing Compan 8/16/2021 12:00:01 A. hardcover. Like New. 0.5000 10.0000 6.7500. Brand New! Sealed in publisher's shrinkwrap. Never opened! No signs of wear. John Benjamins Publishing Compan hardcover
2014ref. 5617Barcelona: Editorial Joventut 2014. 1ª Edición. Encuadernación de tapa dura. Muy bien. Fotografies inèdites de l'album familiar. Amb dedicatòria manuscrita de l'autora. Volum en un estat perfecte. Editorial Joventut hardcover
1978ref. C31949Paris 1978. First Edition Thus. Wraps. Very good plus. 8vo. pp 176. Original publisher's illustrated black covers lettered yellow. Text in French. Reprint of 1963 edition. Nouvelle ed. augmentee. Illustrated in colour and b/w throughout. ISBN: 2720201189 paperback
1942ref. DALISALV001703Dial Press New York. 1942. First U.S. edition. Translated by Haakon Chevalier. Quarto. 400 pages. Black and white illustrations by the author. Buckram covers with pictorial labels on front and spine.From the library of publisher Peter Owen flamboyantly inscribed to him in blue ink on the half-title page by the author: ''Pour Peter OWEN Hommage de Dali 1972''. A line from the inscription carries over to the facing page where Dali has drawn a stylised Don Quixote in a desert landscape. The prelims of the book are mocked up by use of printed slips and Tippex for Peter Owen's edition of the book which appeared under his family's Vision Press imprint in 1948 this copy was evidently also used for the second and third editions. The inscription and drawing are most likely to have been made when Owen made one of his three visits to Dali in Spain to discuss copyright of the revised English edition of Dali's novel Hidden Faces which Owen published in 1973.Good only - has received some rough handling see above. No dustwrapper. Dial Press, New York. hardcover
1970ref. DALISALV001705Harry N. Abrams. New York. 1970. First U.S. edition. Translated by Eleanor R. Morse. Octavo. pp viii 157. Copiously illustrated. Full linen cloth.Inscribed extravagantly by Dali in pencil on the copyright page: ''OWEN - Dali 1973''. The recipient is the publisher Peter Owen who published the revised U.K. edition of Dali's novel Hidden Faces in 1973. Owen made three visits to Dali in Spain to discuss the novel's copyright and this copy was no doubt signed during one of these visits.Fine in very good dustwrapper rubbed and nicked at the top edge. Harry N. Abrams. New York. hardcover
1968ref. DALISALV001704Vision Press London. 1968. Third edition. Translated by Haakon Chevalier. Quarto. pp x 423. Black and white illustrations by the author.Publisher's copy: inscribed in pencil by Dali in typically flamboyant style with shooting star across the front endsheet ''Peter OWEN - Dali 1973''. Vision Press was Peter Owen's family firm founded by his father. He continued using the name often alongside the imprint Peter Owen Books. This copy was no doubt inscribed when Owen paid one of his three visits to Dali in Spain to discuss copyright of the revised English edition of the novel Hidden Faces which Owen published in 1973.Very good in very good dustwrapper rubbed and nicked at the edges. Vision Press, London. unknown
1959ref. P-24904Fresno CA: Academy Library Guild 1959. Hardcover. Fine/First Edition. Octavo. A poem inspired by Salvador Dali's The Madonna of Port Lligat which appears as the frontispiece Printed and bound by the Filmer Brothers Press of San Francisco. Stated first printing in the original blue gilt cloth. A fine clean copy. Academy Library Guild hardcover
1974ref. P-23562New York: William Morrow 1974. Hardcover. Fine/First Edition. Octavo. With the '1' in a number line. Dali's only published novel which he illustrated in his Surrealist style. A clean unmarked and unclipped copy in a Mylar jacket cover. William Morrow hardcover
ref. 1099713-6Taylor & Francis Group. Used - Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. Taylor & Francis Group unknown
1973ref. 1274243559Felicie Inc. 1973. Hardcover. Good. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More Spend Less.Dust jacket in good condition. Shelf and handling wear to cover and binding with general signs of previous use. Minor wear to cover boards and spine. Binding is sound. Secure packaging for safe delivery.Dust jacket quality is not guaranteed. Felicie Inc. hardcover
1963ref. 171640Paris: Galerie André François Petit 1963. Vintage catalog for the landmark 1963 exhibition. Illustrated in black-and-white and color. Very Good plus in saddle-stapled wrappers with light foxing to the first pages and wrapper versos. Galerie André François Petit unknown
1974ref. P-28081New York: William Morrow 1974. Hardcover. Fine/First Edition. Octavo. With the '1' in a number line. Dali's only published novel which he illustrated in his Surrealist style. A clean unmarked and unclipped copy in a Mylar jacket cover. William Morrow hardcover
1966ref. 91822Paris: Jean Petithory 1966. Fine. Man Ray shoots Surrealist Mannequins Jean Petithory Paris 1966 26.5 x 30.2 cm Relié sous étui First edition one of 37 numbered copies ours one of a few hors commerce copies for collaborators and friends signed by Man Ray on the justification. 15 photographs on watermarked vélin Montgolfier mounted on guards each bearing Man Rays printed studio stamp Épreuve originale atelier Man Ray Paris. The copy exceptionally contains the original subscription prospectus and an invitation to the book launch exhibition opening night organised by Simone Loliée. Publishers binding by the renowned bookbinder Mercher bearing his signature in the negative of the photographic paper on each endpaper and pastedown flat black shagreen spine title author and date stamped in gilt lengthwise photographic boards with gilt background after an original composition by Man Ray specially designed for this work original wrappers preserved black paper slipcase. Illustrated with 15 original photographic prints of the mannequins photographed by Man Ray at the 1938 International Exhibition of Surrealism. The mannequins had been transformed by Man Ray himself Salvador Dalí Oscar Dominguez Marcel Duchamp Max Ernst Espinoza Maurice Henry Marcel Jean Léo Malet André Masson Sonia Mossé Joan Miró Wolfgang Paalen Kurt Seligmann and Yves Tanguy. They were presented within a Surrealist staging by Marcel Duchamp and lighting designed by Man Ray himself. During the 1930s the European Surrealists had a fetishistic interest in simulated woman-female mannequins that they transformed into playful sculptural works of art. In 1938 Man Ray photographed a series of their work at the Exposition Internationale du Surréalisme presented in the unsettling half-light of the Galerie des Beaux-Arts on the rue du Faubourg Saint-Honoré. Visitors walking down a corridor on the Rue Surréaliste saw a series of dressmakers mannequins inhabitants of a dreamlike Paris scantily clad or adorned with a jumble of incongruous objects and flanked by street signs bearing highly symbolic names: some real such as the Rue des Vieilles Lanternes where Gérard de Nerval took his own life or the Rue Vivienne where Lautréamont once lived alongside invented ones such as the Rue aux Lèvres the Rue de Tous-les-Diables and the Rue de la Transfusion-de-Sang. The installations of this first international Parisian Surrealist exhibition organised by André Breton and Éluard marked a decisive moment in the history of the movement. For the first time the event dispensed with a straightforward retrospective of individual artists in favour of a series of phantasmagorical stagings live performances and ephemeral artworks prefiguring the modern concepts of installation and happening. Nearly 3000 visitors are said to have thronged to this 1938 Paris exhibition by the light of electric torches: One has the feeling of leaning over certain exhumed walls and of being the first to decipher their signs. Jean Fraysse Le Figaro littéraire 29 January 1938. From Hausmanns sculpture and de Chiricos paintings to the works of Hans Bellmer the mannequin had long occupied a central place in the Dada and Surrealist artistic vocabulary and was cited in Bretons 1924 Manifeste. These woman-objects staged in the spirit of the Musée Grévin offered infinite possibilities for the transformation of the body and the exploration of the unconscious. Some have remained enduringly celebrated such as Le Bâillon vert à bouche de pensée André Massons mannequin enclosed in a birdcage or Duchamps considered the only three-dimensional version of his alter ego Rrose Sélavy taking the form of a man cross-dressed as a woman in the style of Claude Cahun. The mannequin of lesbian artist Sonia Mossé friend of Artaud and photographed by Man Ray with Nusch is her only known artwork and the sole mannequin in the installation created by a woman artist. Man Ray had incorporated Jean Petithory hardcover
ref. 41720531-nnew. unknown
1973ref. 032153London: Peter Owen 1973. Book. Illus. by Salvador Dali. Near Fine. One Quarter Vellum. Signed by Authors. Limited Edition. 8vo - over 7¾ - 9¾" tall. One quarter vellum over marbled boards with gilt rules to front and back; gilt to spine. Signed by Dali. Limited edition of 100 copies this is copy # 43. Illustrated throughout by Dali with b&w plates and line drawings. White silk ribbon page marker. Inside clean and tight. Also includes 19 pp. publisher's pamphlet; "Postface to Hidden Faces Comprising Objective Chance and Reverie" by Salvador Dali laid in. Housed in red cloth slipcase. A near fine copy and case. One owner. . Peter Owen Hardcover
2012ref. 167262Paris: Centre Pompidou 2012. Hardcover. First French Edition. Text in French. As New. Published in conjunction with an exhibition held at the Centre Pompidou from November 21 2012 through March 25 2013 and at the Museo Nacional Centro de Arte Reina Sofía from April 23 through September 2 2013. About Fine with no dust jacket as issued. Centre Pompidou unknown
1933ref. 88275Neuilly-sur-Seine: Le Phare de Neuilly 1933. Fine. One of the rarest and most iconic Surrealist magazines Le Phare de Neuilly Neuilly-sur-Seine S.d. 1933 18.20 x 25.10 cm 3 volumes brochés First edition of this important and very rare magazine complete with 4 issues in 3 volumes. Complete collection of this luxurious Surrealist magazine edited and funded by Lise Deharme and characterized by its emphasis on photography. Covers illustrated by Man Ray illustrations in black. Contributions by Salvador Dali Hans Arp Dora Maar Oscar Dominguez Brassaï Lee Miller Jacques Lacan James Joyce Georges Ribemont-Dessaignes Ilarie Voronca Nathalie Barney Benjamin Fondane Pierre Drieu La Rochelle Alejo Carpentier Eugène Jolas Lise Hirtz Lise Deharme Raymond Queneau Claude Sernet Roger Vitrac Robert Desnos Jean Follain Léon-Paul Fargue Pierre Keffer Jacques Baron Gottried Benn Céline Arnauld Monny de Boully Georgette Camille André de Richaud Jules Supervielle Claire Goll Paul Laforgue David Herbert Lawrence Marcel Jouhandeau Paul Dermée Jean Painlevé Nadar Pétrus Borel and Stendhal. Sunned spine on the No. 3/4 issue. Spine-ends and corners slightly rubbed otherwise a wonderfully preserved copy. A very fine example of this rare avant-garde magazine which ""came into being over the course of a few dinners that brought together the dissidents of Surrealism and other poets in this hospitable abode of Lise Deharme. Robert Desnos provided the title. Georges Ribemont-Dessaignes was the editor. Man Ray had designed the cover: a silhouette of a lighthouse against a photographic background of sailing boats. . It contains curiosities: a tale by Petrus Borel a photo by Nadar popular songs an investigation into the neurosis of war epitaphs taken from a cemetery of animals. Among other curiosities a sonnet by the famous psychoanalyst Jacques Lacan. It is entitled Hiatus irrationalis."" Jacques Baron Cahiers de l'Herne Raymond Queneau p. 333. Le Phare de Neuilly unknown
2006ref. C200137Opera Gallery 2006. Hardcover Hardcover. Fine. Oblong quarto. 255pp. Original quarter red vinyl cloth over illustrated boards. Slight wear to covers otherwise very good indeed. No jacket. Opera Gallery hardcover
ref. 50509London Vision 1973. 450pp. 4to. Original boards in dustwrapper. Colour and black and white illustrations; previous owner's name. a very good copy. . Fourth edition - new and revised. London, Vision, 1973. hardcover
1973ref. 86530Paris: Nouvelles Editions Françaises 1973. Fine. Nouvelles Editions Françaises Paris 1973 24.50 x 32.50 cm reliure de l'éditeur Illustrated edition with 48 color plates reproducing works by Salvador Dalí. Leaves slightly warped at upper margin. Publisher's binding in full olive green skyvertex smooth spine minor rubbing traces to joints. Rich iconography. Large and beautiful signature with a shooting star drawing in blue felt-tip pen by Salvador Dalí covering the half-title page and the facing page. Nouvelles Editions Françaises unknown
