2100 resultados
1968ref. DALISALV001704Vision Press London. 1968. Third edition. Translated by Haakon Chevalier. Quarto. pp x 423. Black and white illustrations by the author.Publisher's copy: inscribed in pencil by Dali in typically flamboyant style with shooting star across the front endsheet ''Peter OWEN - Dali 1973''. Vision Press was Peter Owen's family firm founded by his father. He continued using the name often alongside the imprint Peter Owen Books. This copy was no doubt inscribed when Owen paid one of his three visits to Dali in Spain to discuss copyright of the revised English edition of the novel Hidden Faces which Owen published in 1973.Very good in very good dustwrapper rubbed and nicked at the edges. Vision Press, London. unknown
1959ref. P-24904Fresno CA: Academy Library Guild 1959. Hardcover. Fine/First Edition. Octavo. A poem inspired by Salvador Dali's The Madonna of Port Lligat which appears as the frontispiece Printed and bound by the Filmer Brothers Press of San Francisco. Stated first printing in the original blue gilt cloth. A fine clean copy. Academy Library Guild hardcover
1974ref. P-23562New York: William Morrow 1974. Hardcover. Fine/First Edition. Octavo. With the '1' in a number line. Dali's only published novel which he illustrated in his Surrealist style. A clean unmarked and unclipped copy in a Mylar jacket cover. William Morrow hardcover
ref. 1099713-6Taylor & Francis Group. Used - Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. Taylor & Francis Group unknown
1973ref. 1274243559Felicie Inc. 1973. Hardcover. Good. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More Spend Less.Dust jacket in good condition. Shelf and handling wear to cover and binding with general signs of previous use. Minor wear to cover boards and spine. Binding is sound. Secure packaging for safe delivery.Dust jacket quality is not guaranteed. Felicie Inc. hardcover
1974ref. P-28081New York: William Morrow 1974. Hardcover. Fine/First Edition. Octavo. With the '1' in a number line. Dali's only published novel which he illustrated in his Surrealist style. A clean unmarked and unclipped copy in a Mylar jacket cover. William Morrow hardcover
1966ref. 91822Paris: Jean Petithory 1966. Fine. Man Ray shoots Surrealist Mannequins Jean Petithory Paris 1966 26.5 x 30.2 cm Relié sous étui First edition one of 37 numbered copies ours one of a few hors commerce copies for collaborators and friends signed by Man Ray on the justification. 15 photographs on watermarked vélin Montgolfier mounted on guards each bearing Man Rays printed studio stamp Épreuve originale atelier Man Ray Paris. The copy exceptionally contains the original subscription prospectus and an invitation to the book launch exhibition opening night organised by Simone Loliée. Publishers binding by the renowned bookbinder Mercher bearing his signature in the negative of the photographic paper on each endpaper and pastedown flat black shagreen spine title author and date stamped in gilt lengthwise photographic boards with gilt background after an original composition by Man Ray specially designed for this work original wrappers preserved black paper slipcase. Illustrated with 15 original photographic prints of the mannequins photographed by Man Ray at the 1938 International Exhibition of Surrealism. The mannequins had been transformed by Man Ray himself Salvador Dalí Oscar Dominguez Marcel Duchamp Max Ernst Espinoza Maurice Henry Marcel Jean Léo Malet André Masson Sonia Mossé Joan Miró Wolfgang Paalen Kurt Seligmann and Yves Tanguy. They were presented within a Surrealist staging by Marcel Duchamp and lighting designed by Man Ray himself. During the 1930s the European Surrealists had a fetishistic interest in simulated woman-female mannequins that they transformed into playful sculptural works of art. In 1938 Man Ray photographed a series of their work at the Exposition Internationale du Surréalisme presented in the unsettling half-light of the Galerie des Beaux-Arts on the rue du Faubourg Saint-Honoré. Visitors walking down a corridor on the Rue Surréaliste saw a series of dressmakers mannequins inhabitants of a dreamlike Paris scantily clad or adorned with a jumble of incongruous objects and flanked by street signs bearing highly symbolic names: some real such as the Rue des Vieilles Lanternes where Gérard de Nerval took his own life or the Rue Vivienne where Lautréamont once lived alongside invented ones such as the Rue aux Lèvres the Rue de Tous-les-Diables and the Rue de la Transfusion-de-Sang. The installations of this first international Parisian Surrealist exhibition organised by André Breton and Éluard marked a decisive moment in the history of the movement. For the first time the event dispensed with a straightforward retrospective of individual artists in favour of a series of phantasmagorical stagings live performances and ephemeral artworks prefiguring the modern concepts of installation and happening. Nearly 3000 visitors are said to have thronged to this 1938 Paris exhibition by the light of electric torches: One has the feeling of leaning over certain exhumed walls and of being the first to decipher their signs. Jean Fraysse Le Figaro littéraire 29 January 1938. From Hausmanns sculpture and de Chiricos paintings to the works of Hans Bellmer the mannequin had long occupied a central place in the Dada and Surrealist artistic vocabulary and was cited in Bretons 1924 Manifeste. These woman-objects staged in the spirit of the Musée Grévin offered infinite possibilities for the transformation of the body and the exploration of the unconscious. Some have remained enduringly celebrated such as Le Bâillon vert à bouche de pensée André Massons mannequin enclosed in a birdcage or Duchamps considered the only three-dimensional version of his alter ego Rrose Sélavy taking the form of a man cross-dressed as a woman in the style of Claude Cahun. The mannequin of lesbian artist Sonia Mossé friend of Artaud and photographed by Man Ray with Nusch is her only known artwork and the sole mannequin in the installation created by a woman artist. Man Ray had incorporated Jean Petithory hardcover
ref. 41720531-nnew. unknown
1973ref. 032153London: Peter Owen 1973. Book. Illus. by Salvador Dali. Near Fine. One Quarter Vellum. Signed by Authors. Limited Edition. 8vo - over 7¾ - 9¾" tall. One quarter vellum over marbled boards with gilt rules to front and back; gilt to spine. Signed by Dali. Limited edition of 100 copies this is copy # 43. Illustrated throughout by Dali with b&w plates and line drawings. White silk ribbon page marker. Inside clean and tight. Also includes 19 pp. publisher's pamphlet; "Postface to Hidden Faces Comprising Objective Chance and Reverie" by Salvador Dali laid in. Housed in red cloth slipcase. A near fine copy and case. One owner. . Peter Owen Hardcover
1933ref. 88275Neuilly-sur-Seine: Le Phare de Neuilly 1933. Fine. One of the rarest and most iconic Surrealist magazines Le Phare de Neuilly Neuilly-sur-Seine S.d. 1933 18.20 x 25.10 cm 3 volumes brochés First edition of this important and very rare magazine complete with 4 issues in 3 volumes. Complete collection of this luxurious Surrealist magazine edited and funded by Lise Deharme and characterized by its emphasis on photography. Covers illustrated by Man Ray illustrations in black. Contributions by Salvador Dali Hans Arp Dora Maar Oscar Dominguez Brassaï Lee Miller Jacques Lacan James Joyce Georges Ribemont-Dessaignes Ilarie Voronca Nathalie Barney Benjamin Fondane Pierre Drieu La Rochelle Alejo Carpentier Eugène Jolas Lise Hirtz Lise Deharme Raymond Queneau Claude Sernet Roger Vitrac Robert Desnos Jean Follain Léon-Paul Fargue Pierre Keffer Jacques Baron Gottried Benn Céline Arnauld Monny de Boully Georgette Camille André de Richaud Jules Supervielle Claire Goll Paul Laforgue David Herbert Lawrence Marcel Jouhandeau Paul Dermée Jean Painlevé Nadar Pétrus Borel and Stendhal. Sunned spine on the No. 3/4 issue. Spine-ends and corners slightly rubbed otherwise a wonderfully preserved copy. A very fine example of this rare avant-garde magazine which ""came into being over the course of a few dinners that brought together the dissidents of Surrealism and other poets in this hospitable abode of Lise Deharme. Robert Desnos provided the title. Georges Ribemont-Dessaignes was the editor. Man Ray had designed the cover: a silhouette of a lighthouse against a photographic background of sailing boats. . It contains curiosities: a tale by Petrus Borel a photo by Nadar popular songs an investigation into the neurosis of war epitaphs taken from a cemetery of animals. Among other curiosities a sonnet by the famous psychoanalyst Jacques Lacan. It is entitled Hiatus irrationalis."" Jacques Baron Cahiers de l'Herne Raymond Queneau p. 333. Le Phare de Neuilly unknown
2006ref. C200137Opera Gallery 2006. Hardcover Hardcover. Fine. Oblong quarto. 255pp. Original quarter red vinyl cloth over illustrated boards. Slight wear to covers otherwise very good indeed. No jacket. Opera Gallery hardcover
ref. 50509London Vision 1973. 450pp. 4to. Original boards in dustwrapper. Colour and black and white illustrations; previous owner's name. a very good copy. . Fourth edition - new and revised. London, Vision, 1973. hardcover
1973ref. 86530Paris: Nouvelles Editions Françaises 1973. Fine. Nouvelles Editions Françaises Paris 1973 24.50 x 32.50 cm reliure de l'éditeur Illustrated edition with 48 color plates reproducing works by Salvador Dalí. Leaves slightly warped at upper margin. Publisher's binding in full olive green skyvertex smooth spine minor rubbing traces to joints. Rich iconography. Large and beautiful signature with a shooting star drawing in blue felt-tip pen by Salvador Dalí covering the half-title page and the facing page. Nouvelles Editions Françaises unknown
ref. AT 9780197756263USA Edition . New. Brand New! Fast Delivery This is an International Edition and ship within 24-48 hours. Deliver by FedEx and Dhl & Aramex UPS & USPS and we do accept APO and PO BOX Addresses. Order can be delivered worldwide within 6-10 days and we do have flat rate for up to 2LB. Extra shipping charges will be requested if the Book weight is more than 5 LB. This Item May be shipped from India United states & United Kingdom. Depending on your location and availability. unknown
1968ref. 84456Paris: Le Soleil Noir 1968. Fine. Le Soleil Noir Paris 1968 29 x 31 cm reliure de l'éditeur - Dali's famous snail drawing -First edition. Publisher's binding smooth spine with its illustrated dust jacket. Numerous illustrations. Outstanding signed and inscribed copy across the title page and facing endpaper by Salvador Dali to Ms Elisa Hanioti painter herself and close friend of Gen Paul. Dali's intial D takes the form of his famous ""snail drawing"". Former British officer Captain Moore alleged secret agent during WW2 and Dali's secretary from 1956 to 1974 added the words ""Paris 1969"" and signed at the bottom of the title page. Le Soleil Noir unknown
1985ref. 70783Ayuntamiento de Elche 1985. paperback. Bueno. Elche 1985. Ayuntamiento de Elche. 58 pp. 28x22. Rústica. Ilustrado. Pequeña mancha borde inferior páginas 49-55 no afecta texto. Ayuntamiento de Elche paperback
1984ref. 19442AB1984. Heidelberg Edition Rom y Rom 1984. 4°. 180 S. Mit zahlr. z.T. farb. Abb. Orig.-Ln. Mit Schutzumschlag. = Meisterwerke des 20. Jahrhunderts. unknown
1972ref. 021298New York and Fribourg: Pamela Verlag and Transworld Art 1972. First Edition. Hardcover. Fine in a Near Fine case. Salvador Dali. Portfolio with loose sheets 12-1/4" x 17-1/2" laid in a paper cover and cloth portfolio lettered in silver on the backstrip as issued. Copy #26 of 150 with English text and 10 ORIGINAL DRYPOINT ENGRAVINGS in color image size 5" x 7-1/4" on 12-1/4" x 17-1/2" sheets each SIGNED by the illustrator. (Pamela Verlag) and (Transworld Art) hardcover
2002ref. 053763Taschen 2002. 1st Edition 1st Printing. Hardcover. Fine. 780 Pp. Illustrated Boards. First Printing 1993 Hardcover. Fine No Wear Or Marks. Taschen hardcover
1952ref. 80093Paris: La Table Ronde 1952. Fine. La Table Ronde Paris 1952 14.50 x 20 cm broché First edition of the French adaptation by Michel Déon one of 120 numbered copies on pur fil paper the only deluxe copies. Illustrated. Handsome copy despite two crease marks on the covers. La Table Ronde unknown
ref. 506754The Salvador Dali Museum 1974. Geb. met stofomslag oblong s.o. 2 scheurtjes verder mooi exemplaar 225 XXXVI pagina's. The Salvador Dali Museum 1974 unknown
1970ref. 78140Paris 1970. Fine. Paris 1970 14.90 x 20.20 cm une photographie Photographic portrait of Salvador Dalí Paris 1970 149 x 202 cm one photographPhotographic portrait of Salvador Dalí contemporary silver print in black and white. Interpress stamp at the bottom of the photograph and handwritten annotations in pencil. Roneotyped sticker: « Service spécial page radio TV FR3 Dimanche 6 avril 20 heures. Une certaine idée de la Correra avec Salvador Dalí » Special service radio TV page FR3 Sunday 6 April 8 pm ""A certain idea of the Correra with Salvador Dalí"". A very beautiful photograph taken at a press conference given by Salvador Dali at the Gustave Moreau Museum in Paris on 1st April 1970 about the creation of the Dalí Theatre-Museum in Figueras. The artist poses cane in hand behind a wax reproduction of his head placed on a giant chocolate bar. It was indeed at this time that the painter advertised for Lanvin chocolates. unknown
1930ref. 78323Paris: Editions Surréalistes 1930. Fine. Editions Surréalistes Paris 1930 20.50 x 26.50 cm une feuille Publisher's slip written jointly by Paul Eluard and André Breton for the first edition of ""La Femme visible"" by Salvador Dali published by Editions surréalistes de José Corti in 1930. Two very light marginal tears and two small crease marks at the foot of the document. Handsome copy. Editions Surréalistes unknown
1964ref. 78518Paris: La Table Ronde 1964. Fine. La Table Ronde Paris 1964 14 x 20 cm broché First edition on ordinary paper. Iconography. A very handsome copy complete with its transparent dust jacket illustrated by François Salvat after a design by Dali. La Table Ronde unknown
1959ref. 018929Boston: Little Brown & Company 1959. First American Edition. Hardcover. Fine in a close to Fine dustwrapper. An early illustrated biography of the eccentric artist uncommon in dustwrapper. Little, Brown & Company hardcover