2 147 résultats
1980réf. 44457Secaurus New Jersey Chartwell Books 1980. 4to. Orig. boards with dustjacket. 160 pp. Richly illustrated partly in colour. With 1 orig. double-page lithograph in colour. hardcover
1980réf. 51198New jersey Chartwell Books Inc. 1980. Large 4to. Orig. boards. with orig. cold. dustjacket. With 65 plates in colour and 112 in black and white. With a lithograph from an original work by Dali. hardcover
1967réf. 512145Paris: Hotel Meurice 1967. Softcover. Near Fine/Very Good. First edition. Text in French. Small quarto. With gravure illustrations and four color lithographs by Salvador Dali. Near fine in plain card covers and very good or better color pictorial dust jacket. Hotel Meurice unknown
réf. 67725Paris Hotel Meurice 1967. 4° Frontispiz o. P. 16 Bl. mit 4 ganzseit. farb. Orig.-Lithographien u. Abb. Brosch. m. OU OU tlw. randrissig u. -knittrig sowie an den Kapitalen läd. sonst nur min. gebrauchsspurig. Erstausgabe. 010 Paris, Hotel Meurice, 1967 unknown
1954réf. 154366Roma: Del Turco Editore 1954. 1st edition. Nice copy. folio. original folder 11pp. colour plates text ills. maps appends. bibliog. index Comprises 10 fine colour plates each tipped on to a heavy card backing. With an 11pp. autobiographical account on heavy textured paper. Presented in a gloss laminated folder with a colour illustration tipped into the front cover Del Turco Editore unknown
réf. 2931567H. Good. unknown
réf. 8477271542.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 189074Saint Raphael: Editions Des Maitres Contemporains 1974. One of 12 plates from Le Bestiaire de la Fontaine Dalinesé portfolio. Artist's proof aside from the edition of 250. Drypoint etching with hand coloured pochoir stencil on Arches paper upper and lower edges deckled. Signed in pencil lower right by Dalí A.E to lower left. Plate size: 40.5 x 58.5 cm. Sheet size: 56.5 x76 cm. Unframed. Light spotting to lower edge affecting the margins image in excellent condition. Field 74-1 B. Michler & Lopsinger 654. unknown
réf. 123471Paris: Jean Lavigne 1974. One of 25 artist's proofs aside from the edition of 195. Signed in pencil lower right by Dalí inscribed EA lower left. One of 12 prints from the La Conquête du Cosmos portfolio. Printed by Atelier Lithographique Paris. Although these were made in 1974 they were offered in two portfolios of six in 1974 and 1977. Drypoint etching over chromolithograph with embossing on Arches paper. Sheet size: 100 x 70 cm. Small vertical crease to top centre of image. Presented in a hand made white gold leaf frame with conservation acrylic glazing. Field 74-12K. Michler & Lopsinger 650. unknown
réf. 189084Saint Raphael: Editions Des Maitres Contemporains 1974. One of 12 plates from Le Bestiaire de la Fontaine Dalinesé portfolio. Artist's proof aside from the edition of 250. Drypoint etching with hand coloured pochoir stencil on Arches paper left and right edges deckled. Signed in pencil lower right by Dalí A.E to lower left. Plate size: 58.5 x 40.5 cm. Sheet size: 76 x 56.5 cm. Unframed. Light spotting to lower edge affecting the margins image in excellent condition. Field 74-1 K. Michler & Lopsinger 664. unknown
1935réf. 27818Paris: Editions Surrealistes. 1935. First Edition; First Printing. Softcover. Cardboard wraps with red wraparound band torn laid in. The wraparound band is printed 'Face au "realisme socialiste" ' This is near fine copy with a little soiling to rear wrap and two small marks on front wrap. The band is rarely seen. This is one of the 1200 copies that constitute the French edition of this notoriously fragile book. Splendid copy.; 12mo 7" - 7½" tall; 24 8 33 plates pp . Editions Surrealistes paperback
1930réf. 2476Paris: Éditions Surréalistes 1930. First edition. 72 pp. Original aluminum foil paper wrappers covered by red tissue paper title printed in black on the cover. Unbound sheets as this variant was issued. Photo-lithographed portrait of Gala heliogravure frontispiece retouched with a burin and six heliographic plates. A bit of wear to the extremities else a beautiful copy of a very fragile production. Of an edition of 204 copies one of the very few on Rodingold vellum in sheets justified on the colophon by the Service de Presse stamp. With Dalí’s autograph dedication on the half-title “Hommage de l’auteur. Salvador Dali.” Laid in is the prière d’insérer announcement with text by André Breton and Paul Eluard. This issue of La Femme Visible is unbound sheets laid into the foil and red wrappers. For these few copies Dali apparently often added a simple autograph homage. The book did not meet with great success as Eluard reveals in a letter to Gala on January 27 1931: “La Femme visible a une presse immonde. Pourquoi Dali n’a-t-il pas mis dans ses dédicaces le nom des gens. Comme cela on n’en parlera pas ou en mal.” La Femme Visible is receiving dreadful publicity. Why didn’t Dali put people’s names in his dedications That way people won’t talk about it or talk about it badly. Georges Sebbag in his bibliography of Editions Surréalistes does not mention these press copies nor the printing of the book in sheets. One of Dalí’s earliest books containing four texts: “L’Âne Pourri” “La Chèvre Sanitaire” “L’Amour” and “Le Grand Masturbateur.” In these writings inspired by Freudian and post-Freudian theories Dalí’s aim is to upset the frontiers between dream and reality and to break down the convictions that form the basis of so-called “bourgeois values.” He later spoke of it as “a spontaneous method of irrational knowledge based on the critical and systematic objectification of delirious associations and delirious interpretations.” References: Michler and Löpsinger. Salvador Dalí: Catalogue Raisonné of Etchings and Mixed-Media Prints 1924-1980 no. 4. Cowling. The Magic Mirror. Dada and Surrealism from a Private Collection Scottish National Gallery of Modern Art 1988 no. 92. Mundy ed. Surrealism: Desire Unbound. pp. 131-33; 148-49. Eluard. Letters to Gala 1989 trans. p. 98. Sebbag Les Editions Surréalistes 1993. pp. 63-64. Éditions Surréalistes unknown
2022réf. 3730211Figueres.: Fundación Gala-Salvador Dalí. 2022. Paperback. Good. 24 cm. 400 páginas 2 páginas de láminas sin numerar ilustraciones blanco y negro y color. Encuadernación en tapa blanda de editorial. Dalí Salvador 1904-1989. La vie secrète de Salvador Dalí. Traducción al castellano José Martínez. Autobiografías. Martínez José. traductor. traductor . ISBN: 8437024442615 Biografías 929 Dalí Salvador Arte en general. Bellas artes. Deportes 7 Dalí Salvador Fundación Gala-Salvador Dalí. paperback
2001réf. IPB1976Dasa Edicions 2001. 17 x 24 cm in very good condition Dasa Edicions unknown
réf. 102026045TABLE RONDE 1952. paperback. Acceptable. 5x1x9. Used copy. Pages look free of underlining and highlighting. Some pages feel a little loose. Wear to the exterior with tears on the spine. Pages have deckle edges. Handle delicately. TABLE RONDE paperback
1977réf. 189775Paris: Simon Wajntraub Peter Moore Ariane Lancel and Jacques Carpentier 1977. One of 12 plates from the Twelve Apostles portfolio also known as the Knights of the Round Table portfolio. Printed by Atelier Lithographique in Paris France. Edition of 350. Original lithograph in 3 colours with gold embossing on Arches watermarked paper right and lower edges deckled. Signed in pencil lower right by Dalí numbered lower left. Plate size: 49.5 x 45.7 cm. Sheet size: 65 x 47.8 cm. Framed size: 79 x 66.8 cm. Presented in a handmade gold leaf frame with conservation acrylic glazing. Small stray ink marks to extreme upper edge of sheet hidden behind mount. Otherwise excellent condition. Field 72-14G. Michler & Lopsinger 1513. unknown
réf. 143123Paris & New York: Jean Lavigne Levine & Levine Graphics 1974. Edition of 195. Signed in pencil lower right by Dalí numbered in roman numerals lower left. One of 12 prints from the La Conquête du Cosmos portfolio printed by Atelier Lithographique Paris. Although these were made in 1974 they were offered as two portfolios of six in 1974 and 1977. Drypoint etching over chromolithograph with embossing on BFK Rives watermarked paper. Sheet size: 100 x 70 cm. Framed size: 111.6 x 78 cm. Light creasing to the margins hidden by the mount image extremely bright. Presented in a white gold leaf frame with conservation acrylic glazing. Field 74-12D; Michler & Lopsinger 647. unknown
réf. 189079Saint Raphael: Editions Des Maitres Contemporains 1974. One of 12 plates from Le Bestiaire de la Fontaine Dalinesé portfolio. Artist's proof aside from the edition of 250. Drypoint etching with hand coloured pochoir stencil on Arches paper left and right edges deckled. Signed in pencil lower right by Dalí A.E to lower left. Plate size: 58.5 x 40.5 cm. Sheet size: 76 x 56.5 cm. Unframed. Light spotting to lower edge affecting the margins image in excellent condition. Field 74-1 F. Michler & Lopsinger 659. unknown
réf. 189075Saint Raphael: Editions Des Maitres Contemporains 1974. One of 12 plates from Le Bestiaire de la Fontaine Dalinesé portfolio. Artist's proof aside from the edition of 250. Drypoint etching with hand coloured pochoir stencil on Arches paper upper and lower edges deckled. Signed in pencil lower right by Dalí A.E to lower left. Plate size: 40.5 x 58.5 cm. Sheet size: 56.5 x 76 cm. Unframed. Light spotting to lower edge affecting the margins image in excellent condition. Field 74-1 E. Michler & Lopsinger 655. unknown
réf. 180554New York: Transworld Art 1974. One of 12 plates from the After 50 Years of Surrealism portfolio. Transworld blind stamp lower left. Publisher's copyright printed to verso. Edition of 195 on Rives paper from a total edition of 460. Signed in pencil lower right by Dalí numbered lower left. Drypoint etching with pochoir stencil on Rives wove paper. Plate size: 40 x 30 cm. Sheet size: 66 x 50 cm. Excellent condition. Field 74-8K. Michler & Lopsinger 676. unknown
1963réf. 358173Paris France: Jean-Jacques Pauvert 1963. Special Limited Edition. Hardcover. Fine. Large 8vo 9" - 10. Salvador Dali. A truly fine exemplar of the Special Limited Edition of only 100 copies printed by Societe d'Impressions Publicitiaires in October of 1963. Table Des Matieres at book's end with Prologue I Partie II Partie III Partie with Appendice et Notes. Epigraph reads "Le scenario 'secret' le plus bouleversant pour selui qui osera le film le plus ambitieux." Translated: "The most upsetting 'secret' scenario for him who dares to make the most ambitious film." From the personal library of Dr. Sue Taylor noted Professor Emerita of Portland State University Hans Bellmer expert and lecturer-extraordinaire but ultimately from the personal library of her friend the fine-art curator and impresario Don Baum 1922 – October 28 2008 and who purchased the item straight from the publisher. Baum was an American curator artist and educator according to his Wikipedia entry "most known as a key impresario and promoter of the Chicago Imagists a group of artists that had an enduring impact on American art in the later twentieth century." Taylor asserted that Baum was known for "lively and irreverent" exhibitions and that blended elements of popular culture with those of Surrealism. He enabled artists such as "Ed Paschke Jim Nutt Roger Brown Gladys Nilsson and Karl Wirsum" Wikipedia. This exemplar is bound in an attractive Imperial octavo format featuring oatmeal sailcloth over boards measuring 10 3/4" by 8 1/2" tall and wide respectively augmented with a black-and-white reproduction of a Millet painting inset barely abraded typed paper label to front cover and with original cloth belt and clasp fully intact. Twenty-eight tipped-in images several in full-page a couple in full-page format evincing inventive use of post-cards from the past some being mildly scurrilous others being of grasshopper proboscisces. The inset Millet painting reproduction at front cover is repeated again and again and again at verso of many leaves of fine typescript; the font-bite is a bit faint here and there but still easy to read. The most representative exemplar of Dali's "paranoiac-critical method" say art critics; all French-language text. Laid in loosely are two invitations from the publisher Editions Jean-Jacques Pauvert in effect invitations to receive their catalogues periodically. All in a fairly arresting exemplar of an unusual S.D. item and with tight provenance and valuable association. 105 pp.Member I.O.B.A. C.B.A. and adherent to the highest ethical standards. Additional postage may be required for oversize or especially heavy volumes and for sets. Jean-Jacques Pauvert hardcover
1963réf. 150996Paris: Jean-Jacques Pauvert 1963. Inscribed by Dali First edition inscribed by the artist across the title page "Pour Christine Vaclasmy Dali 1963" with a loose sketch of a figure possibly a girl skipping a common motif in Dalí's work. The Angelus by Jean-Francois Millet is an oil painting completed between 1857 and 1859. It depicts two figures in a field heads bowed over a basket of potatoes in their recitation of the Catholic devotional prayer. It had a significant impact on Dali who saw a print of the painting early in life and insisted that it did not depict a prayer but a funeral scene. The Louvre at his request had the painting examined by x-ray and showed that there was originally a small coffin-shaped object painted in place of the basket. This discovery is included in the prologue and much of the text depends upon Dalí's interpretation of The Angelus as a tragic image of American folklore. Dalí created several paintings inspired by the titular work: The Architectural Angelus of Millet and Gala 1933 and Gala and the Angelus of Millet Preceding the Imminent Arrival of the Conical Anamorphoses 1933. These were followed two years later by a similar pair of paintings which included a partial reproduction of Millet's Angelus called The Angelus of Gala and Archaeological Reminiscence of Millet's Angelus. Quarto. Illustrated throughout by Salvador Dali 33 plates tipped in. Original beige cloth with woven strap and buckle titles to front cover on octagonal plate in red and black black and white illustration of The Angelus to front cover on rectangular plate. Housed in a custom box illustrated with photographs of this copy. Lightly foxed with a few marks and one small scratch to covers a little shelfwear a few slight bumps to head of front board a touch of foxing to end matter and occasionally toned box a little rubbed and tips lightly bumped else bright and clean. A very good copy indeed square and firm. hardcover
1963réf. 27828Paris: Jean-Jacques Pauvert. 1963. First Edition; First Printing. Hardcover. Handsome book bound in oatmeal textured cloth with paper labels on front board held together by a striped belt and buckle. A very good copy of this example of Dali's paranoiac-critical method. Text in French. Small stain on spine some toning to edges. ; 4to 11" - 13" tall; 105 pp . Jean-Jacques Pauvert hardcover
1963réf. 71472Paris: Jean-Jacques Pauvert 1963. First edition first printing. Quarto. Illustrated throughout by Salvadore Dali with many tipped in plates. Original beige cloth with woven strap and buckle titles to front cover on octagonal plate in red and black black and white illustration to front cover on rectangular plate. A fine copy. hardcover
1969réf. 173928Switzerland: Graphic Europa Anstalt 1969. Edition of 100 signed in pencil lower right by Dalí numbered lower left Dali blind stamp lower right. One of 11 plates from the Hippies portfolio. Hand coloured drypoint etching on Japon paper. Plate size: 39.4 x 31.5 cm. Sheet size: 66 x 51 cm. Framed size: 75.8 x 59.4 cm. Tape residue to extreme upper edge from previous hinging otherwise in excellent condition. Presented in a white gold leaf frame with conservation acrylic glazing. Field 69-13K. Michler & Lopsinger 381. unknown
