1988rif. 217563Kruishoutem Belgium: Stichting Fondation Veranneman 1988. First edition. Softcover. Exhibition catalog for a show that ran March 12 through April 20 1988. Text in English. Features a contribution by Albert Field. Includes numerous color illustrations and a biography as well. A very good plus copy in wrappers and from the library of the Marlborough Gallery with their marks. Uncommon. Stichting Fondation Veranneman unknown books
1972rif. 021298New York and Fribourg: Pamela Verlag and Transworld Art 1972. First Edition. Hardcover. Fine in a Near Fine case. Salvador Dali. Portfolio with loose sheets 12-1/4" x 17-1/2" laid in a paper cover and cloth portfolio lettered in silver on the backstrip as issued. Copy #26 of 150 with English text and 10 ORIGINAL DRYPOINT ENGRAVINGS in color image size 5" x 7-1/4" on 12-1/4" x 17-1/2" sheets each SIGNED by the illustrator. (Pamela Verlag) and (Transworld Art) hardcover books
1975rif. 69411Los Angeles: Black Sparrow 1975. First edition. 12 pp. Edges toned else near fine in stapled wrappers. INSCRIBED by Malanga on the front cover “for Andrei / With mucho love / Gerard 12:IX:75 / NYC.” Sparrow 35. Morrow & Cooney 214. Los Angeles: Black Sparrow, unknown books
1975rif. 68054Los Angeles: Black Sparrow 1975. First edition. 12 pp. Very near fine in stapled wrappers. Sparrow 35. Morrow & Cooney 214. Young 2458. Los Angeles: Black Sparrow, unknown books
1994rif. 82226Paris:: Flammarion. Fine in Fine dust jacket. 1994. Hardcover. 2080304666 . Black and white photographs throughout. Eighth printing thus. Fine in a fine dust jacket. . Flammarion, hardcover books
1968rif. 211036New York: Harry N. Abrams 1968. First edition and first printing. Hardcover. Edited and arranged by Max Gerard and with text in English translated by Eleanor R. Morse. Includes 271 illustrations with 80 color plates and 23 toned in gravure. A near fine copy in illustrated cloth boards and in a very good plus gold foil dust jacket with some of the usual rubbing and other light wear. Still a pleasing copy of this attractive book that is highly susceptible to wear. Harry N. Abrams unknown books
1981rif. 281164Barcelona: Dasa Edicions 1981. hardcover. fine. Dali Salvador. Many color and b/w Illus. by Salvador Dali. 4to black pictorial boards. Barcelona: Dasa Edicions 1981. Fine. Dasa Edicions unknown books
1962rif. 207887New York: Harper & Row Publishers 1962. First edition and first printing. Hardcover. 227 pages. A relatively early monograph on Spanish surrealist artist Salvador Dali. Features an introduction by Theodore Rousseau and text by Descharnes. Includes numerous tipped in color illustrations and some color and black and white images as well. A clean and tight near fine copy in cloth boards and in a very good dust jacket with some edge tears and other wear. This is a heavy and oversized book and will require extra shipping. Harper & Row, Publishers unknown books
1965rif. 161169New York: Gallery of Modern Art 1965. Stated First. Paperback. VG-/VG- Mostly clean and tight but with light age toning to page margins. A bit of foxing to page edges when closed with no bleed onto page faces. Former owner's address label on ffep and part of one sentence underlined on page IV. A bit of ruffling to top edge of dj. Cornflower blue card wraps; gilt script lettering. White dj with blue/white image and blue lettering. 160 pp. with color and bw images throughout. 7-page catalogue supplement laid in; errata slip attached to last page. Catalogue from an exhibition in the Gallery of Modern Art including the Huntington Harford Collection held 18 December 1965 to 28 February 1966 with The Reynolds Morse Collection. Introduction by Carl J. Weinhardt Jr. Foreword by Theodore Rousseau an Appreciation by Sanchez Canton the Resume of History and of the History of Painting by Salvador Dali "For Gala the Unknown Gradiva" by A. Reynolds Morse an Homage to Dali the plates a chronology and the catalogue of the exhibition. Gallery of Modern Art paperback books
rif. 12119982016. 32 Seiten; Illustr. (auch farbig); 27 cm; geheftet.
2016Sehr gutes Exemplar; mit farb. Umschlag. - Texte deutsch; englisch. - ... Salvador Dali und Gala waren als Paar seit fast 10 Jahren zusammen, als die Idee zu "Tristan Fou" um 1937 ihren Anfang nahm und noch vor der Flucht in die Vereinigten Staaten arbeitete Dali an seinem Ballett "Bacchanal". 1938 wohnte er zeitweise in der Villa von Coco Chanel in Roquebrune. Sie sollte die Ballett-Kostüme anfertigen, die jedoch Frankreich für die Premiere in New York 1939 nicht verlassen können. In seinen Briefen an Coco machte der Künstler einen verstörten, möglicherweise auch einen depressiven Eindruck. Er bittet sie unaufhörlich zu kommen. Als hätten sie eine Liebesbeziehung. Ich glaube jedoch nicht, dass dies der Fall war. Gala hatte ein wachsames Auge und Chanel muss daran gelegen gewesen sein, ein intaktes Arbeitsverhältnis zu bewahren. Aber vielleicht gab es bei Dali seit dieser Zeit eine seelische Verletzung. Könnte sich das Paar in einer Krise befunden haben? Analyse des Bühnenvorhangs: Tristan: Tristan ist links auf dem Vorhang mit einer Löwenzahnblüte dargestellt, die seinen Kopf verdeckt. Unwillkürlich denkt man an den Lufthauch, der die Blume zur explosiven Auflösung bringen wird. Dieses poetische Bild verweist auf die Fragilität des Daseins, aber auch auf das phantastische, phänomenale Geschehen, bei dem die Blütenfragmente in der Luft schwebend sich als Samen verbreiten - es ist das Leitmotiv des Dictionnaire Larousse: "Je seme a tout vent" (Ich säe aus in alle Winde). Allein dieser Akt würde durch die Ausbreitung der Explosion auf poetische Weise Tristan unsterblich machen. An dieses Bild schließen auch die "Liebesgeister" des Balletts an, sie tragen auf ihren Köpfen Pusteblumen (s. Vergleichsabb. 2). In seiner 1942 erschienenen Autobiographie "Das geheime Leben des Salvador Dali" klagt der Künstler über Plagiate und verwendet nicht zuletzt hier das Bild der Löwenzahnblumen, die "gefährliche Ideen" säten. Im Jahr 1959 bittet er Robert Descharnes, die Metapher der Löwenzahnblüte in einem Porträtfoto von sich zu verewigen. Der Körper, respektive der Rumpf von Tristan, präsentiert sich als beinahe geologisches Element, bewachsen mit Zypressen als Symbolen des Todes … (Seite 19)
1997rif. 38294Köln : DuMont 1997. 455 S. : 675 farb. u. 220 einfarb. Abb., 230 Fotos. ; 37 cm, mit Schutzumschlag Pp., gebundene Ausgabe, Hardcover/Pappeinband
1942rif. 1402326New York: Burton C. Hoffman Dial Press 1942. Hardcover. Octavo vii 400 pages. In Fair condition. Spine is tan with tan paper title label. Boards in black cloth illustrated pastedown on front; toning to spine peripheral toning tear to spine label. Text block ha shaken binding tanning to endpapers slight foxing to frontispiece and title page. Illustrated: b&w text drawings b&w and color plates. NOTE: Shelved in Netdesk Column V. 1402326. FP New Rockville Stock. Burton C. Hoffman, Dial Press hardcover books
1993rif. 1254510Stuttgart : Hatje, 1993. 168 S. : Ill. ; 22 cm kart.
1990223 pages. Text in French. "Ce catalogue a ete publie a l'occasion de l'exposition 'Salvador Dali' presentee au Musee des Beaux-Arts de Montreal du 27 avril au 29 juillet 1990 et organisee par Pierre Theberge, directeur." - from copyright page (with apologies for the lack of accents, etc.) Printed on glossy stock. Profusely illustrated in colour and black and white. Clean and bright with minimal wear. Relatively few library markings. A very nice copy. Book
1959rif. 70189Greenwich CT: The New York Graphic Society 1959. Very Good. 67pp. Thin quarto 28.5cm. 1/4 black cloth with subtly marbled beige boards. Bit of toning and soiling to the boards and light bumping and scuffing to the spine ends and corners. Binding a touch shaky in spots. Library marking on the head of the spine and the rear pastedown. Lacking the slipcase. With 25 vibrant tipped in plates. Captions by Salvador Dalí. From the collection of the Owen Cheatham Foundation. The New York Graphic Society unknown books
1984rif. D12359New York: Harry N. Abrams 1984. Hardcover. Fine/Fine. Blue cloth; full-color dust jacket; folio; pp. 455 with more than 1100 illustrations including 672 plates in full-color. Harry N. Abrams hardcover books
1943rif. 128895New York New York: M. Knoedler and Company 1943. Limited edition of 3000. Softcover. VG. tanning & darkening to covers & spine. scuffs & scratches to covers. Cream wraps with black printing 48 pp. 25 bw illustrations. Includes an essay for the exhibition written by Salvador Dali. M. Knoedler and Company paperback books
2016rif. 2353178Koln: Taschen 2016. Large Hardcover. Near Fine/Near Fine. 8x11x0. Minimal wear to corners jacket lightly rubbed. Binding tight and square pages clean bright and unmarked. 2016 Large Hardcover. 321 pp. Translated into English from the original Spanish by J. Peter Moore. Les diners de Gala is uniquely devoted to the pleasures of taste. If you are a disciple of one of those calorie-counters who turn the joys of eating into a form of punishment close this book at once; it is too lively too aggressive and far too impertinent for you. - Salvador Dali Food and surrealism make perfect bedfellows: sex and lobsters collage and cannibalism the meeting of a swan and a toothbrush on a pastry case. The opulent dinner parties thrown by Salvador Dali 1904-1989 and his wife and muse Gala 1894-1982 were the stuff of legend. Luckily for us Dali published a cookbook in 1973 Les diners de Gala which reveals some of the sensual imaginative and exotic elements that made up their notorious gatherings. This reprint features all 136 recipes over 12 chapters specially illustrated by Dali and organized by meal courses including aphrodisiacs. The illustrations and recipes are accompanied by Dali's extravagant musings on subjects such as dinner conversation: 'The jaw is our best tool to grasp philosophical knowledge.' All these rich recipes can be cooked at home although some will require practiced skill and a well-stocked pantry. This is cuisine of the old school with meals by leading French chefs from such stellar Paris restaurants as Lasserre La Tour d'Argent Maxim's and Le Train Bleu. Taschen hardcover books
1973rif. 54755New York: Felicie Inc 1973. First printing. Very good plus in a very good jacket. First edition of this fantastic and fantastical cookbook of the many dishes that graced the table of Dalí and his wife Gala illustrated with incredible surrealist collages and photographs. From hors-d'œuvres "délices petits martyrs" to aphrodisiacs "je mange GALA" and from Hieronymous Bosch to melting clocks LES DÎNERS DE GALA is a fabulously surreal culinary adventure. "Elaborated with great precision by a 'chef' wishing to remain in the most secret anonymity" colophon this large cookbook features recipes from Lasserre Maxim's la Tour d'Argent and le Buffet de la gare de Lyon many of which featured in Dalí and Gala's extravagant dinner parties. A beautiful copy of this classic culinary book from one of the 20th century's most iconic and recognizable artists. 12'' x 8.25''. Original color cloth boards. Original unclipped no price as issued stiff color pictorial dust jacket with metallic elements. Color pictorial endpapers of Dalí paintings that incorporate food. Lavishly illustrated in color. 324 pages. Rubbing to jacket as common. Minor edgewear. Some faint shelf-soil to book shelfwear to extremities. Overall sound. Felicie, Inc unknown books
2004rif. 70176Barcelona and Madrid: Lunwerg Editores 2004. Bilingual edition. Hardcover. Very Good/Very Good. 153pp. Quarto 30 cm Black paper over boards. Boards are just a trifle wavy. In the dust jacket with general light rubbing and scratching to the surface. Text in Spanish and English. Six-panel brochure entitled "L'ull Invisible" is tucked in produced by Museu de Cadaques for the exhibition; it prints a short written piece of the same title by Enrique Sabater in English Spanish and French. A survey of Enrique Sabater's photographs of Dalí. Enrique Sabater was Dalí's secretary adviser accountant driver bodyguard confidant and best friend for many years. This collection offers a different view of Dalí reflecting the relaxed mood of a man alone a man observed by someone who knows all there is to know about him. Lunwerg Editores hardcover books
2003rif. 70170Eccart 2003. French Edition. Hardcover. Very Good/Very Good. 285pp. Large quarto 32 cm Black paper over boards with lettering in white on the backstrip and front board. Decorative endpapers. Extremities moderately bumped and rubbed. In the dust jacket with a number of light scratches to the rear panel. Text in French. A lavish work revolving around Dalí's sculptures and objects of art. Authors Robert et Nicolas Descharnes are international experts on the works of Salvador Dalí. Robert Descharnes was also Dalí's biographer in addition to his friend and artistic collaborator. Eccart hardcover books
1942rif. 15601942. DALI Salvador. The Secret Life of Salvador Dali. 400 pp. illustrated throughout. 4to 258 x 190 mm. cloth and illustrated dust jacket in a new cloth folding box. New York: Dial 1942. With an elaborate double page inscription cum drawing by Dali. From the library of the photographer Arnold Crane with his signature on the front endpaper. hardcover books
2002rif. 6974CBBarcelona, Editions de 1984, 2002. 8°, 139 S. mit s/w-Abbildungen (Text: Englisch) illustr. original Kartonage (Paperback), erste Auflage dieser Ausgabe untere Ecke des Einbanddeckels minimal bestoßen, sonst schönes, sauberes Exemplar.
1945rif. 152495New York: Bignou Gallery 1945. Softbound. Fine/Near-Mint. White card wraps with bw line drawing over both covers; black lettering. 20 with 7 bw plates. Catalogue from the exhibition of November to December 1945. Lists 11 works plus several suites of illustrations for books. The foreword and the illustrations' annotations are by Dali and are charming enlightening amusing cheeky etc. but give a wonderful insight into the man and his love of his craft and life. "Fortis imaginatio generat casum." = A strong imagination generates reality. - quote on the cover. So Dali. Bignou Gallery paperback
