2 152 résultats
1944réf. 12260HIDDEN FACES Dial 1944 first edition a bright vg copy in a bright near vg dust-wrapper save for some chipping along the upper margins of the dust-wrapper and the dust-wrapper spine. Frontispiece tail piece and dust-wrapper executed by Dali expressly for this novel publication. Dial unknown
1944réf. 13718scsNew York: The Dial Press 1944. First Edition. Octavo black cloth hardcover gilt letters xviii 413 pp. Very Good with lightly rubbed edges light foxing & tiny hairline tear to title. From jacket: As was to be expected Dali’s first venture as a novelist has produced a highly original disconcerting and fascinating masterpiece that has the passion intensity and brilliant color that characterize his paintings. Through a small number of characters who with their private passions are caught up in the maelstrom of history the author evokes a decadent European society as it sinks into vice sterility and irresponsibility and becomes engulfed in the catastophe of war.Love is the central theme and it is played with several varieations one or two of which are the strangest to be found in literature since the writings of Marquis de Sade. War politics friendship loyalty love of the land heroism are among the subsidiary themes which the author develops in his own original way. The Dial Press, 1944. First Edition. hardcover
1980réf. 74222E-387: Secaucus : Chartwell Books. 1980. Hardcover. Very Good. Hardcover. 4to. Chartwell Books Inc Secaucus NJ. 1980. 160 pgs. Lithograph frontispiece present image of Christ on the cross. Illustrated with 65 colour plates and 112 monochrome illustrations throughout. First Edition/First Printing. DJ has light shelf-wear present to the DJ extremities. Bound in red cloth boards with gilt titles present to the spine. No ownership marks present. Text is clean and free of marks binding tight and solid boards clean with no wear present. Authors of the articles on all the aspects of Dali's work include: Pierre Volboudt Michel Deon Marcel Brion Luis Romero Pierre Courthion Julian Clay Daniel Le Comte Jean-Louis Ferrier Antonio Urrutia Catherine Iglesias Georges Borgeaud Gerard Xuriguera Nicolas Calas Pierre Argillet Wolfgang Saure Stephane Lupasco.; 8vo 8" - 9" tall; 160 pages . 0890093695 . Secaucus : Chartwell Books hardcover
1980réf. 44457Secaurus New Jersey Chartwell Books 1980. 4to. Orig. boards with dustjacket. 160 pp. Richly illustrated partly in colour. With 1 orig. double-page lithograph in colour. hardcover
1980réf. 51198New jersey Chartwell Books Inc. 1980. Large 4to. Orig. boards. with orig. cold. dustjacket. With 65 plates in colour and 112 in black and white. With a lithograph from an original work by Dali. hardcover
1967réf. 512145Paris: Hotel Meurice 1967. Softcover. Near Fine/Very Good. First edition. Text in French. Small quarto. With gravure illustrations and four color lithographs by Salvador Dali. Near fine in plain card covers and very good or better color pictorial dust jacket. Hotel Meurice unknown
réf. 67725Paris Hotel Meurice 1967. 4° Frontispiz o. P. 16 Bl. mit 4 ganzseit. farb. Orig.-Lithographien u. Abb. Brosch. m. OU OU tlw. randrissig u. -knittrig sowie an den Kapitalen läd. sonst nur min. gebrauchsspurig. Erstausgabe. 010 Paris, Hotel Meurice, 1967 unknown
1954réf. 154366Roma: Del Turco Editore 1954. 1st edition. Nice copy. folio. original folder 11pp. colour plates text ills. maps appends. bibliog. index Comprises 10 fine colour plates each tipped on to a heavy card backing. With an 11pp. autobiographical account on heavy textured paper. Presented in a gloss laminated folder with a colour illustration tipped into the front cover Del Turco Editore unknown
réf. 2931567H. Good. unknown
réf. 8477271542.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 189074Saint Raphael: Editions Des Maitres Contemporains 1974. One of 12 plates from Le Bestiaire de la Fontaine Dalinesé portfolio. Artist's proof aside from the edition of 250. Drypoint etching with hand coloured pochoir stencil on Arches paper upper and lower edges deckled. Signed in pencil lower right by Dalí A.E to lower left. Plate size: 40.5 x 58.5 cm. Sheet size: 56.5 x76 cm. Unframed. Light spotting to lower edge affecting the margins image in excellent condition. Field 74-1 B. Michler & Lopsinger 654. unknown
réf. 123471Paris: Jean Lavigne 1974. One of 25 artist's proofs aside from the edition of 195. Signed in pencil lower right by Dalí inscribed EA lower left. One of 12 prints from the La Conquête du Cosmos portfolio. Printed by Atelier Lithographique Paris. Although these were made in 1974 they were offered in two portfolios of six in 1974 and 1977. Drypoint etching over chromolithograph with embossing on Arches paper. Sheet size: 100 x 70 cm. Small vertical crease to top centre of image. Presented in a hand made white gold leaf frame with conservation acrylic glazing. Field 74-12K. Michler & Lopsinger 650. unknown
réf. 189084Saint Raphael: Editions Des Maitres Contemporains 1974. One of 12 plates from Le Bestiaire de la Fontaine Dalinesé portfolio. Artist's proof aside from the edition of 250. Drypoint etching with hand coloured pochoir stencil on Arches paper left and right edges deckled. Signed in pencil lower right by Dalí A.E to lower left. Plate size: 58.5 x 40.5 cm. Sheet size: 76 x 56.5 cm. Unframed. Light spotting to lower edge affecting the margins image in excellent condition. Field 74-1 K. Michler & Lopsinger 664. unknown
1935réf. 27818Paris: Editions Surrealistes. 1935. First Edition; First Printing. Softcover. Cardboard wraps with red wraparound band torn laid in. The wraparound band is printed 'Face au "realisme socialiste" ' This is near fine copy with a little soiling to rear wrap and two small marks on front wrap. The band is rarely seen. This is one of the 1200 copies that constitute the French edition of this notoriously fragile book. Splendid copy.; 12mo 7" - 7½" tall; 24 8 33 plates pp . Editions Surrealistes paperback
réf. 117889Paris Editions Surréalistes 1930. . Limited edition numbered 2/9 'auteur' on the justification seemingly out of series inscribed by Dali on the half-title in ink 'hommage de l'auteur Salvador Dali'; 4to 19 x 22 cm; 8 illustrations hors-texte of which one is a photo-lithographed portrait of Gala one an original etching three reproductions of Dali's drawings and three photographic prints; loose as issued in the original aluminium foil paper wrappers covered in red printed glassine very minor loss of wrappers to spine a very good copy. The first edition of Dali's first surrealist work inscribed. The first edition of Dali's first surrealist work. The 'femme visible' refers to Dalí's wife Gala who inspired him to create the book and to whom the work is dedicated. Her portrait is placed opposite the metallic covers to provide a reflection of her. It is Dali's manifesto for the paranoiac-critical method a surrealist technique which consists of the artist invoking a paranoid state resulting in a deconstruction of the psychological concept of identity subjectivity thereby becoming the primary aspect of the artwork. The present example is numbered '2/9 auteur' on the justification and signed by the artist on the half-title. The fragile red and metallic jacket which is often found damaged and torn is in remarkably fresh and unrestored condition. Michler-Lapsinger 4; Launay 288. Paris, Editions Surréalistes, 1930. unknown
1930réf. 2476Paris: Éditions Surréalistes 1930. First edition. 72 pp. Original aluminum foil paper wrappers covered by red tissue paper title printed in black on the cover. Unbound sheets as this variant was issued. Photo-lithographed portrait of Gala heliogravure frontispiece retouched with a burin and six heliographic plates. A bit of wear to the extremities else a beautiful copy of a very fragile production. Of an edition of 204 copies one of the very few on Rodingold vellum in sheets justified on the colophon by the Service de Presse stamp. With Dalí’s autograph dedication on the half-title “Hommage de l’auteur. Salvador Dali.” Laid in is the prière d’insérer announcement with text by André Breton and Paul Eluard. This issue of La Femme Visible is unbound sheets laid into the foil and red wrappers. For these few copies Dali apparently often added a simple autograph homage. The book did not meet with great success as Eluard reveals in a letter to Gala on January 27 1931: “La Femme visible a une presse immonde. Pourquoi Dali n’a-t-il pas mis dans ses dédicaces le nom des gens. Comme cela on n’en parlera pas ou en mal.” La Femme Visible is receiving dreadful publicity. Why didn’t Dali put people’s names in his dedications That way people won’t talk about it or talk about it badly. Georges Sebbag in his bibliography of Editions Surréalistes does not mention these press copies nor the printing of the book in sheets. One of Dalí’s earliest books containing four texts: “L’Âne Pourri” “La Chèvre Sanitaire” “L’Amour” and “Le Grand Masturbateur.” In these writings inspired by Freudian and post-Freudian theories Dalí’s aim is to upset the frontiers between dream and reality and to break down the convictions that form the basis of so-called “bourgeois values.” He later spoke of it as “a spontaneous method of irrational knowledge based on the critical and systematic objectification of delirious associations and delirious interpretations.” References: Michler and Löpsinger. Salvador Dalí: Catalogue Raisonné of Etchings and Mixed-Media Prints 1924-1980 no. 4. Cowling. The Magic Mirror. Dada and Surrealism from a Private Collection Scottish National Gallery of Modern Art 1988 no. 92. Mundy ed. Surrealism: Desire Unbound. pp. 131-33; 148-49. Eluard. Letters to Gala 1989 trans. p. 98. Sebbag Les Editions Surréalistes 1993. pp. 63-64. Éditions Surréalistes unknown
2022réf. 3730211Figueres.: Fundación Gala-Salvador Dalí. 2022. Paperback. Good. 24 cm. 400 páginas 2 páginas de láminas sin numerar ilustraciones blanco y negro y color. Encuadernación en tapa blanda de editorial. Dalí Salvador 1904-1989. La vie secrète de Salvador Dalí. Traducción al castellano José Martínez. Autobiografías. Martínez José. traductor. traductor . ISBN: 8437024442615 Biografías 929 Dalí Salvador Arte en general. Bellas artes. Deportes 7 Dalí Salvador Fundación Gala-Salvador Dalí. paperback
2001réf. IPB1976Dasa Edicions 2001. 17 x 24 cm in very good condition Dasa Edicions unknown
réf. 102026045TABLE RONDE 1952. paperback. Acceptable. 5x1x9. Used copy. Pages look free of underlining and highlighting. Some pages feel a little loose. Wear to the exterior with tears on the spine. Pages have deckle edges. Handle delicately. TABLE RONDE paperback
1977réf. 189775Paris: Simon Wajntraub Peter Moore Ariane Lancel and Jacques Carpentier 1977. One of 12 plates from the Twelve Apostles portfolio also known as the Knights of the Round Table portfolio. Printed by Atelier Lithographique in Paris France. Edition of 350. Original lithograph in 3 colours with gold embossing on Arches watermarked paper right and lower edges deckled. Signed in pencil lower right by Dalí numbered lower left. Plate size: 49.5 x 45.7 cm. Sheet size: 65 x 47.8 cm. Framed size: 79 x 66.8 cm. Presented in a handmade gold leaf frame with conservation acrylic glazing. Small stray ink marks to extreme upper edge of sheet hidden behind mount. Otherwise excellent condition. Field 72-14G. Michler & Lopsinger 1513. unknown
réf. 143123Paris & New York: Jean Lavigne Levine & Levine Graphics 1974. Edition of 195. Signed in pencil lower right by Dalí numbered in roman numerals lower left. One of 12 prints from the La Conquête du Cosmos portfolio printed by Atelier Lithographique Paris. Although these were made in 1974 they were offered as two portfolios of six in 1974 and 1977. Drypoint etching over chromolithograph with embossing on BFK Rives watermarked paper. Sheet size: 100 x 70 cm. Framed size: 111.6 x 78 cm. Light creasing to the margins hidden by the mount image extremely bright. Presented in a white gold leaf frame with conservation acrylic glazing. Field 74-12D; Michler & Lopsinger 647. unknown
réf. 189079Saint Raphael: Editions Des Maitres Contemporains 1974. One of 12 plates from Le Bestiaire de la Fontaine Dalinesé portfolio. Artist's proof aside from the edition of 250. Drypoint etching with hand coloured pochoir stencil on Arches paper left and right edges deckled. Signed in pencil lower right by Dalí A.E to lower left. Plate size: 58.5 x 40.5 cm. Sheet size: 76 x 56.5 cm. Unframed. Light spotting to lower edge affecting the margins image in excellent condition. Field 74-1 F. Michler & Lopsinger 659. unknown
réf. 189075Saint Raphael: Editions Des Maitres Contemporains 1974. One of 12 plates from Le Bestiaire de la Fontaine Dalinesé portfolio. Artist's proof aside from the edition of 250. Drypoint etching with hand coloured pochoir stencil on Arches paper upper and lower edges deckled. Signed in pencil lower right by Dalí A.E to lower left. Plate size: 40.5 x 58.5 cm. Sheet size: 56.5 x 76 cm. Unframed. Light spotting to lower edge affecting the margins image in excellent condition. Field 74-1 E. Michler & Lopsinger 655. unknown
réf. 180554New York: Transworld Art 1974. One of 12 plates from the After 50 Years of Surrealism portfolio. Transworld blind stamp lower left. Publisher's copyright printed to verso. Edition of 195 on Rives paper from a total edition of 460. Signed in pencil lower right by Dalí numbered lower left. Drypoint etching with pochoir stencil on Rives wove paper. Plate size: 40 x 30 cm. Sheet size: 66 x 50 cm. Excellent condition. Field 74-8K. Michler & Lopsinger 676. unknown
1963réf. 358173Paris France: Jean-Jacques Pauvert 1963. Special Limited Edition. Hardcover. Fine. Large 8vo 9" - 10. Salvador Dali. A truly fine exemplar of the Special Limited Edition of only 100 copies printed by Societe d'Impressions Publicitiaires in October of 1963. Table Des Matieres at book's end with Prologue I Partie II Partie III Partie with Appendice et Notes. Epigraph reads "Le scenario 'secret' le plus bouleversant pour selui qui osera le film le plus ambitieux." Translated: "The most upsetting 'secret' scenario for him who dares to make the most ambitious film." From the personal library of Dr. Sue Taylor noted Professor Emerita of Portland State University Hans Bellmer expert and lecturer-extraordinaire but ultimately from the personal library of her friend the fine-art curator and impresario Don Baum 1922 – October 28 2008 and who purchased the item straight from the publisher. Baum was an American curator artist and educator according to his Wikipedia entry "most known as a key impresario and promoter of the Chicago Imagists a group of artists that had an enduring impact on American art in the later twentieth century." Taylor asserted that Baum was known for "lively and irreverent" exhibitions and that blended elements of popular culture with those of Surrealism. He enabled artists such as "Ed Paschke Jim Nutt Roger Brown Gladys Nilsson and Karl Wirsum" Wikipedia. This exemplar is bound in an attractive Imperial octavo format featuring oatmeal sailcloth over boards measuring 10 3/4" by 8 1/2" tall and wide respectively augmented with a black-and-white reproduction of a Millet painting inset barely abraded typed paper label to front cover and with original cloth belt and clasp fully intact. Twenty-eight tipped-in images several in full-page a couple in full-page format evincing inventive use of post-cards from the past some being mildly scurrilous others being of grasshopper proboscisces. The inset Millet painting reproduction at front cover is repeated again and again and again at verso of many leaves of fine typescript; the font-bite is a bit faint here and there but still easy to read. The most representative exemplar of Dali's "paranoiac-critical method" say art critics; all French-language text. Laid in loosely are two invitations from the publisher Editions Jean-Jacques Pauvert in effect invitations to receive their catalogues periodically. All in a fairly arresting exemplar of an unusual S.D. item and with tight provenance and valuable association. 105 pp.Member I.O.B.A. C.B.A. and adherent to the highest ethical standards. Additional postage may be required for oversize or especially heavy volumes and for sets. Jean-Jacques Pauvert hardcover
