2.096 Ergebnisse
2017Best.-Nr. 2-8842823961Il Saggiatore 2017. Paperback. New. Italian language. 8.43x5.98x1.10 inches. Il Saggiatore paperback
1966Best.-Nr. 15369Editions Tchou 1966. In-8 reliure éditeur illustrée de 254 pages au format 11 x 21,5 cm. Couverture et amusantes illustrations de Copi in-texte. Très longue préface et choix de Michel Corvin. Textes de René Crevel, Ambrose Bierce, Ponge, Salvador Dali, André Breton, Francis Ponge, Paul Eluard, Henri Michaux, Tristan Tzara, Joseph Delteil, René Char, Giorgio de Chirico, Michaux, Benjamin Péret, etc. Edition originale en état superbe, proche du parfait. Rare.
2007Best.-Nr. 16949Barcelone, Editorial Mediterrània, 2007. In-4 broché sur agrafes de [16] pages, couverture couleurs. Anti-vol collé au second contreplat (pourtant illustré !! - voir 3e image), pour le reste en belle condition.
1984Best.-Nr. 19012Barcelone, Editorial Mediterrània, 1984. In-4 broché sur agrafes de [16] pages, couverture couleurs.
1934Best.-Nr. 147631934 Paris éditions Jeanne Bucher 1934 in8, broché, couverture couleur imprimée 166 pp illustrees de21 illustrations , édition originale enrichie du bulletin de souscription.
1978Best.-Nr. 1668Maeght, Paris 1978. Grand in-folio (515 x 408 mm), en feuilles sous couverture illustrée rempliée gaufrée, emboitage illustré toilé de l'éditeur. Édition originale de la traduction française, illustrée par Antoni TÀPIES (1923-2012) de 8 GRAVURES ORIGINALES À L'EAU-FORTE, AQUATINTE ET CARBORUNDUM AVEC GAUFRAGES dont une signée en frontispice et 6 hors-texte dont une remarquable double-page. Tirage : 175 + XX HC tous sur papier d'Auvergne à la main du Moulin de Larroque, celui-ci un des 175, signé par l'artiste et l'auteur au colophon.
Best.-Nr. 74778Salvador Dali Peter Keeper of the Keys from The Twelve Apostles 1977 Lithographs in colors with embossment on Arches paper Hand signed lower right Edition EA lower left Sheet size 64.5 x 47.5 cm Published by Wajntrob Moore Lancel & Carpentier LITERATURE: Field 72-14G
Best.-Nr. 74805Salvador Dali Phillip from The Twelve Apostles 1977 Lithographs in colors with embossment on Arches paper Hand signed lower right Edition EA lower left Sheet size 64.5 x 47.5 cm Published by Wajntrob Moore Lancel & Carpentier LITERATURE: Field 72-14
1979Best.-Nr. ABE-1530700864708HALSMAN POUR TOUJOURS LES IMAGES ETERNELLES DU GRAND MAGICIEN DISPARU, 20P, SALVADOR DALI, JEAN COCTEAU-CLERGUE COLORISTE, 8P-LE BRONX DE GAROFALO, 8P-STARS SUR UN PLATEAU, ROGER CORBEAU, 6P-HCB A LA QUESTION, CARTIER BRESSON, ARLES, 3P
Best.-Nr. ABE-2587012717TIRAGE ARGENTIQUE NOIR ET BLANC-17,5 CM X 23 CM-SUR LA GAUCHE DU CLICHE VITTORIO DE SICA VERRE ET CIGARETTE MAIN GAUCHE-HENRI LANGLOIS AU MILIEU-LE REPRESENTANT MGM EUROPE SUR LA DROITE-LA SCENE LORS D'UNE EXPOSITION-AU DOS CACHET HUMIDE DU PHOTOGRAPHE MICHEL BRODSKY (CP4)
Best.-Nr. 18925Charleroi, Palais des Beaux-Arts, 1985 1 volume 23,8 x 28cm Broché sous couverture à larges rabats, au 1er plat orné de 3 portraits. 273p., 1 feuillet; très nombreuses illustrations in texte, vignettes et pleines pages, en noir et en couleurs. Bon état (ex-libris manuscrit et 2 fautes d'orthographe corrigées à l'encre dans l'introduction).
Best.-Nr. 27612Charleroi, Palais des Beaux -Arts, 1985 softcover , couverture carton illustree aux rabats, 240 x 275mm., 273pp., illustration profonde en couleurs et en n/b. ISBN 8474834228.
Best.-Nr. 271Palais des Beaux-Arts / Charleroi, 1985, (24,2 x 27,8 cm), 274 pages, couverture à rabats. Textes de Julian Gallego, Jürgen Glaesemer, Werner Spies, Jacques Dupin, Pere Gimferrer, Renilde Hammacher-Van den Brande, Francisco Calvo Serrailler, Robert Descharnes. Riche iconographie, soit 286 illustrations noir et couleurs in et hors-texte. Grand format en très bon état, léger jaunissement en haut et bas des couvertures, et en bord des pages, un minime manque de pelliculage en haut du premier plat de couverture.
1985Catalogue de l'exposition présentée en 1985 au Palais des beaux-arts de Charleroi (Belgique), consacrée à 3 grands noms de l'avant-garde artistique du début du XXè siècle et à leur "espagnolité": 43 oeuvres de Pablo Picasso, 27 de Juan Miro, 42 de Salvador Dali avec notices et reproductions couleurs; précédé de 3 textes sur Pablo Picasso (1881-1973): de Julian GALLEGO sur ses thèmes espagnols, de Jürgen GLAESEMER sur Picasso et son père don Jose Ruiz Blasco, de Werner SPIES sur "Songe et mensonge de Franco"; de 2 textes sur Juan Miro (1893-1983): de Jacques DUPIN sur l'artiste et la Catalogne, de Pere GIMFERRER sur Miro "de Montroig à Varengeville" (années 1920-1930); de 4 textes sur Salvador Dali: de Renilde HAMMACHER-VAN DEN BRANDE sur ses "Impressions d'Afrique", suivi d'une notice chronologique sur "Dali-Lorca-Bunuel" de 1919 à 1936, de Francisco CALVO SERRALLER sur sa "prédestination surréaliste", de Robert DESCHARNES sur "Dali conquistador"; textes illustrés de nombreuses vignettes en noir; biographies illustrées de photos. Français
2009Best.-Nr. 004924Paris Librairie Emmanuel Hutin 2009 In-8 Broché Edition originale
1986Best.-Nr. Alibris.0035209Barcelona: Àmbit Serveis Editorials. 1986. Hard cover. Very good in good dust jacket. dust jacket has 5-inch internal clean cut on front cover slightly affecting illustration. 79 p. illustrations. In Spanish Catalan and English. Àmbit Serveis Editorials hardcover
1965Best.-Nr. ABE-1588763918399160 PAGES-17,5 CM X 20 CM-APRES L'ART ABSTRAIT, QUOI?, PAR PIERRE RESTANY, 16 PAGES, YVES KLEIN, TINGUELY, ARMAN-SCULPTURE: UN MAITRE DU REALISME FANTASTIQUE: JEAN TINGUELY, 1P PAR PIERRE RESTANY, PHOTO-PEINTURE: DALI, TEL QU'AU DELA DE LUI MEME IL FAUT LE VOIR, 2P PAR LOUIS PAUWELS ILL-(8E)
Best.-Nr. 6139591430.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
Best.-Nr. 1179281977 . Drypoint and etching on heliogravures in colours on Rives paper 1977 signed in pencil and numbered from the edition of 200 there were also 20 artist's proofs printed by Ateliers Rigal Paris published by Berggreuen Editions Paris sheet: 44.5 x 31 cm. 17½ x 12¼ in. This work is from the suite of 80 etchings by Salvador Dali based on Francisco Goya's 18th century series Los Caprichos. Goya's series served as a satirical commentary on Spanish society at the end of the 18th century particularly targeting the nobility and clergy as well as superstitions and irrationality prevalent at the time. In 1977 Dali reproduced the series as heliogravures subsequently reworking each of the plates with Surrealist drypoint additions and stencil colouring. 'Goya was preoccupied with dreams dreamlike states and nightmares - the varying states of consciousness that allowed him to explore allusive subjects.The Caprichos provide the earliest concentrated evidence of Goya's interest in dreams."Truth to life" is the essence of what Goya achieved through his graphic work. His prints and drawings quietly observe confront dissect and reflect the many facets of what it means to be human. This truth to life has fueled the works' relevance over the course of two centuries as they continue to provoke audiences to engage with Goya's profound insights'. Mark McDonald 'Goya's Graphic Imagination' The Metropolitan Museum of Art 2021. Michler and Löpsinger 866; Field 77-3 62 1977 unknown
Best.-Nr. 1179311977 . Drypoint and etching on heliogravures in colours on Rives paper 1977 signed in pencil and numbered from the edition of 200 there were also 20 artist's proofs printed by Ateliers Rigal Paris published by Berggreuen Editions Paris sheet: 44.5 x 31 cm. 17½ x 12¼ in. This work is from the suite of 80 etchings by Salvador Dali based on Francisco Goya's 18th century series Los Caprichos. Goya's series served as a satirical commentary on Spanish society at the end of the 18th century particularly targeting the nobility and clergy as well as superstitions and irrationality prevalent at the time. In 1977 Dali reproduced the series as heliogravures subsequently reworking each of the plates with Surrealist drypoint additions and stencil colouring. 'Goya was preoccupied with dreams dreamlike states and nightmares - the varying states of consciousness that allowed him to explore allusive subjects.The Caprichos provide the earliest concentrated evidence of Goya's interest in dreams."Truth to life" is the essence of what Goya achieved through his graphic work. His prints and drawings quietly observe confront dissect and reflect the many facets of what it means to be human. This truth to life has fueled the works' relevance over the course of two centuries as they continue to provoke audiences to engage with Goya's profound insights'. Mark McDonald 'Goya's Graphic Imagination' The Metropolitan Museum of Art 2021. Michler and Löpsinger 907; Field 77-3 21 1977 unknown
Best.-Nr. 1179331977 . Drypoint and etching on heliogravures in colours on Rives paper 1977 signed in pencil and numbered from the edition of 200 there were also 20 artist's proofs printed by Ateliers Rigal Paris published by Berggreuen Editions Paris sheet: 44.5 x 31 cm. 17½ x 12¼ in. This work is from the suite of 80 etchings by Salvador Dali based on Francisco Goya's 18th century series Los Caprichos. Goya's series served as a satirical commentary on Spanish society at the end of the 18th century particularly targeting the nobility and clergy as well as superstitions and irrationality prevalent at the time. In 1977 Dali reproduced the series as heliogravures subsequently reworking each of the plates with Surrealist drypoint additions and stencil colouring. 'Goya was preoccupied with dreams dreamlike states and nightmares - the varying states of consciousness that allowed him to explore allusive subjects.The Caprichos provide the earliest concentrated evidence of Goya's interest in dreams."Truth to life" is the essence of what Goya achieved through his graphic work. His prints and drawings quietly observe confront dissect and reflect the many facets of what it means to be human. This truth to life has fueled the works' relevance over the course of two centuries as they continue to provoke audiences to engage with Goya's profound insights'. Mark McDonald 'Goya's Graphic Imagination' The Metropolitan Museum of Art 2021. Michler and Löpsinger 923; Field 77-3 5 1977 unknown
1967Best.-Nr. ABE-159930837866017,5 CM X 20 CM-168 PAGES-ENTRETIEN SANS COMPLEXE AVEC MONSIEUR STRIP TEASE, ALAIN BERNARDIN, CRAZY HORSE SALOON 11 PAGES, PHOTOS-CARTE BLANCHE DALI, 10 PAGES-SAN ANTONIO A L'ETAT CHRONIQUE JE DEBLOQUE-NOTE, HEIN?, 7 PAGES-UNE NOUVELLE ENBARRASSANTE DE EUGENE IONESCO "ORIFLAMME", ILLUSTRATIONS DE MITSCHKE, 8 PAGES-RIMBAULT CE DESSINATEUR A VINGT ET UN ANS, 7 PAGES-PICASSO S'AMUSE SIX DESSINS SUR LE THEME LE PEINTRE ET SON MODELE, 5P-ARPAD ELFER ET SES FEMMES EN POINTILLE, 6 PAGES-CLOVIS TROUILLE, 12 PAGES, DEPLIANT-ROLDAN OU L'OBSESSION DE LA PLENITUDE, 4 PAGES-BRUXELLES NOCTURNE ET SES BELBES DE NUIT, PAR JACQUES STERNBERG, 8 PAGES-LES PIEDS NICKELES, PAR MICHEL CAEN, 3 PAGES (5E)
1943Best.-Nr. 3168New York, Nierendorf Gallery, 1943. Une plaquette in-folio (39 x 25,8 cm) de 4 pages de texte et 1 feuillet pour la gravure, couverture rouge à rabats imprimée. Première édition illustrée du poème de Breton "Pleine marge", écrit à Salon-Martigues fin 1940. Tirage unique à 50 exemplaires, celui-ci marqué HC. Le poème est signé au crayon rouge par André Breton. Et la très belle eau-forte originale de Kurt Seligmann est signée au crayon noir. - ENGLISH: Pleine Marge by André BRETON. Portfolio with complete text and 1 signed etching by Kurt SELIGMANN, 1940-43. (sheets: 390x258 mm), full margins, loose as issued. One of 50 numbered copies. This one justified HC on the justification page. The etching signed in pencil, lower right. The poem signed by Breton signed in red crayon, on the last page. Published by the Nierendorf Gallery, New York. Original printed paper wrappers. (biblio. Masson 112).
Best.-Nr. 13982346Madrid: Ministerio de Cultura, 1987 in-8, 155 pages, illustrations en noir et en couleurs. Cartonné, très bon état. Texte espagnol.
Best.-Nr. 100Vigo, Dapor, [1978], brochure publicitaire en trois volets, 16 x 33,5 cm. Bon état. Brochure éditée par Dapor pour la série d'assiettes en porcelaine « Zodiaco Daliniano » décorées des signes du zodiaque d'après les oeuvres de Salvador Dali (1904-1989). « 12 interprétations différentes du symbolisme astral dans un cadre d'alchimie, dessinées par le génie de Salvador Dali »