[DALI (Salvador)] - BOSQUET (Alain).-Livre Rare Book
DALI] - BOSQUET, AlainLivre Rare Book
Entretiens avec Salvador Dali
1966réf. 21144Paris Belfond 1966
Librairie Transatlantique · Montréal, Canada20,00 $CA≈ 12,82 €
2 151 résultats
1966réf. 827851966 Paris, Belfond, 1966, in 12 broché, 190 pages ; couverture illustrée.
1966réf. 21144Paris Belfond 1966
1966réf. 102181966 Paris, Belfond, 1966. Pt. in-8°, 190p. Broché, couverture rempliée. Edition originale sur papier ordinaire
réf. 45860Paris : Editions France-Empire, 1962. Un volume 14,3x19,2cm broché de 288 pages avec un cahier de planches photographiques. Bon état.
réf. 6205769980.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 6630383834.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 4644Dijon, Centre d'Etudes et de Recherches hispaniques du XXe siècle, Université de Bourgogne, Hispanistica XX-9-1992, broché, couverture illustrée, 15x21 cm. 463 pages. Illustrations en noir et blanc
1947réf. 43647New York: Doubleday and Company 1947. tall8vo. 24cm The First Edition Limited edition of 1000 numbered and Signed copies this being #867 signed by Salvador Dali iii4721p. plus 16 colour plate illustrations and many half page illustrations inc a few full plate drawn illustrations all by Dali full blue cloth gilt spine titles and gilt illustration on the upper cover top edge gilt the binding has a few faint smudge the stamping is fine. There in a publisher or book sellers pencil stamp on the front free endpaper “26 A 4.98”. No other internal markings Doubleday and Company unknown
1947réf. 016016Doubleday & Company 1947. Book. Fine. Hardcover. Signed by Authors. Limited. 8vo - over 7¾ - 9¾" tall. Fine Copy In Blue Cloth Limited Edition Signed by Dali 1/1000 Copies # 613 Book Plate Beautiful Copy. Doubleday & Company Hardcover
1947réf. 016016Doubleday & Company 1947. Book. Fine. Hardcover. Signed by Authors. Limited. 8vo - over 7¾ - 9¾" tall. Fine Copy In Blue Cloth Limited Edition Signed by Dali 1/1000 Copies # 613 Book Plate Beautiful Copy. Doubleday & Company Hardcover books
réf. 8427Neufahrn, Classic Arts, o.J. Ringbuchbindung, Folie, gr-8°-querformat, 29 S., zahlreiche farbige Abbildungen; -Einband berieben, gutes Exemplar.
2000réf. BN81020Universal Music 2000. 2000. Etre Dieu: Opéra-Poèma Audiovisuel et Catharre en six parties Universal Music unknown
réf. 36073Barcelona: Editorial Mediterrania 1985. Near Fine. Barcelona: Editorial Mediterrania 1985. First Edition Limited to 500 sets of which this is no. 349. Three volumes; large square quartos 31.5cm; publisher's blue gilt-lettered moiré silk all edges gilt housed in two-piece clear acrylic slipcase; Vol. I: 228pp.; Vol. 2: Three 33 1/3 vinyl audio discs in original gilt card chemises; Vol. 3: Laid in color print "Autoretrat" by Dali. Vinyl chemises all show some finger-soiling scratches to acrylic slipcase with some cracks crudely tape-repaired; overall slipcase in Good condition contents Near Fine. Editorial Mediterrania unknown
réf. 2446Number 87 of only 500 copies printed. Contents measure to 12.5 x 12 in. Housed within two-part gilt-decorated acrylic case 13 3/4 x 14 in. Contains 3 different parts. All pieces are numbered 87/500 in pencil; case numbered the same in gilt. 1/3: Color lithograph of Dali's "Mao-Marilyn" painting housed in matching blue moire portfolio. 2/3: Etre Dieu book bound in blue moire; gilt title to cover. 3/3: 3 phonograph records each in gold paper slipcase. Dali's six-part poem opera "Etre Dieu" based on a libretto by Manuel Vazquez Montalban with music by French avant-garde artist Igor Wakhevitch features Dali as God and Brigitte Bardot as an artichoke. ; All shipments through USPS insured Priority Mail. Editorial Mediterrania hardcover
réf. 36073Barcelona: Editorial Mediterrania 1985. Near Fine. Barcelona: Editorial Mediterrania 1985. First Edition Limited to 500 sets of which this is no. 349. Three volumes; large square quartos 31.5cm; publisher's blue gilt-lettered moiré silk all edges gilt housed in two-piece clear acrylic slipcase; Vol. I: 228pp.; Vol. 2: Three 33 1/3 vinyl audio discs in original gilt card chemises; Vol. 3: Laid in color print "Autoretrat" by Dali. Vinyl chemises all show some finger-soiling scratches to acrylic slipcase with some cracks crudely tape-repaired; overall slipcase in Good condition contents Near Fine. Editorial Mediterrania unknown books
2008réf. ABE-1667247378959176 PAGES-16 CM X 24,5 CM-GEOFFREY BATCHEN, LES SNAPSHOTS L'HISTOIRE DE L'ART ET LE TOURNANT ETHNOGRAPHIQUE, 34 PAGES-IRENE JONAS, PORTRAIT DE FAMILLE AU NATUREL LES MUTATIONS DE LA PHOTOGRAPHIE FAMILIALE, 18 PAGES-ANDRE GUNTHERT, "SANS RETOUCHE" HISTOIRE D'UN MYTHE PHOTOGRAPHIQUE, 22 PAGES-NATHALIE MOUREAU DOMINIQUE SAGOT DUVAUROUX, LA CONSTRUCTION DU MARCHE DES TIRAGES PHOTOGRAPHIQUES, 22 PAGES-ASTRID RUFFA, DALI, PHOTOGRAPHE DE LA PENSEE IRRATIONNELLE UNE APPROPRIATION CREATIVE DES THEORIES PSYCHOLOGIQUES DE GABRIEL DROMARD, 18 PAGES-ERIK VERHAGEN, LA PHOTOGRAPHIE CONCEPTUELLE PARADOXES, CONTRADICTIONS ET IMPOSSIBILITES, 22 PAGES-JEAN PAUL FOURMENTRAUX, IMAGES MISES AU NET ENTRE ART, MEDIA ET COMMUNICATION NUMERIQUES, 14 PAGES-NOTES DE LECTURE-(11D)
1986réf. 2090502113712584Not Available 1986. Soft Cover. Fine. The book is in fine condition. Not Available paperback
réf. 6202545178.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1966réf. 620958New York: Evergreen Review 1966. Softcover. Very Good. Periodical. Cover illustration by Lester Waldman. Quarto. Illustrated. Pictorial wrappers. Stains on the bottom portion of interior covers and a few pages in the front and back rubbing on wraps about very good. Includes three poems by Pablo Neruda "Lenny Bruce: 1926-1966" by Jerry Tallmer "A Beast's Repast" by Salvador Dali and Werner Bokelberg "Applying Black Power: A Speculative Essay" by Nat Hentoff "Duke Ellington: One of a Kind" by Rex Stewart photographs by Lester Waldman and more. Evergreen Review unknown books
1966réf. 215929New York: Evergreen Review 1966. First edition. Softcover. 92 pages. Includes contributions by Pablo Neruda Hortense Calisher John Clellon Holmes Salvador Dali & Werner Bokelberg Nat Hentoff and others. An about very good copy with the covers detached. A solid reference copy. Evergreen Review unknown books
1966réf. 177363New York: Evergreen Review 1966. First edition. Softcover. 92 pages. Includes contributions by Pablo Neruda Hortense Calisher John Clellon Holmes Salvador Dali & Werner Bokelberg Nat Hentoff and others. A near fine copy in stapled wrappers. Evergreen Review unknown books
1930réf. 30659Ex-libris d'André Breton, en provenance de la vente [c. 1931]. 1 épreuve (65 x 40 mm) en noir, imprimée sur vergé, encadrée. Le célèbre ex-libris dessiné par Dali pour André Breton, titré « André Breton le Tamanoir » et signé dans la planche.
réf. 30659c. 1931. 1 épreuve 65 x 40 mm en noir imprimée sur vergé encadrée. . Le célèbre ex-libris dessiné par Dali pour André Breton titré « André Breton le Tamanoir » et signé dans la planche. . C'est dans son poème « Sludge le meÌdium » traduit de l'anglais en 1922 que Robert Browning s'identifie au fourmilier placide dans son attente et pourtant vif à saisir sa proie : ce poème André Breton le cite dans une lettre à DaliÌ du 10 janvier 1931 avant de lui préciser la mention qu'il souhaite apporter à son ex-libris : « l'inscription à faire figurer en banderole sur l'ex-libris serait de préférence à ‘André le Fourmilier' ‘AndreÌ le Tamanoir' fourmilier est trop générique. D'autre part il fait un peu plus pléonasme en raison des fourmis. Enfin il sert à désigner par ailleurs d'assez médiocres animaux ». Chez le peintre catalan le tamanoir est présent dès sa première exposition en 1929 à la galerie Goëmans à Paris : dans la préface du catalogue on trouve ainsi ces vers de Robert Desnos : « Avez-vous vu le tamanoir Ciel bleu ciel gris ciel blanc ciel noir. - Avez-vous vu le tamanoir oeil bleu oeil gris oeil blanc oeil noir. - Avez-vous vu le tamanoir Vin bleu vin gris vin blanc vin noir. Je n'ai pas vu le tamanoir ! Il est rentreÌ dans son manoir. Et avec son éteignoir il a coiffeÌ tous les bougeoirs Il fait tout noir. » Belle épreuve anciennement et soigneusement encadrée. Elle provient de la Bibliothèque André Breton et figurait sur son exemplaires des Œuvres posthumes de Vauvenargues Paris 1821 passé en vente lors de la vente de 2003 lot n° 825. La page de titre du volume a été conservée au verso de l'encadrement. [c. 1931]. 1 épreuve (65 x 40 mm) en noir, imprimée sur vergé, encadrée. unknown
1933réf. 549298New York: Julien Levy Gallery 1933. Softcover. Near Fine. Program. Single sheet measuring 5½" x 12½". Purplish-pink foil on one side and white on the other printed in black folded twice to form a 5½" x 4¼" pamphlet with two illustrations. Near fine with crease to lower right corner and light edgewear. An original program to Salvador Dalí's first solo New York exhibition held at the Julien Levy Gallery from November 21 to December 8 1933. The announcement includes a list of the 26 paintings on exhibit and includes two illustrations; one of those being Dali's iconic painting The Persistence of Memory which debuted only the year before at Levy's Surrealist Exposition alongside other notable artist such as Max Ernst and Marcel Duchamp. Dali would embrace New York over the next decade staging a series of shows and attracting enormous attention with his works and outrageous persona cementing his place as one of the world's most influential artist of the 20th Century. Rare. OCLC locates no copies of this important program. Julien Levy Gallery unknown
1933réf. 22613New York: Julien Levy Gallery 1933. Single sheet. Very Good. A wonderful piece of Surrealist ephemera and one of the great early Julien Levy catalogues. The scarce historic November-December 1933 catalogue/announcement of Salvador Dali's first solo exhibition in America. 26 listed paintings followed by a Dali essay and 2 Dali illustrations. All on a single purple sheet folded into thirds. Light creasing at all 3 panels renders this copy a VG to VG rather than a Near Fine but happily the fragile catalogue remains bright and very presentable. This copy also boasts superb provenance having come directly from the family of artist --and Julien Levy patron-- Joseph Cornell and before that from his house itself famously on Utopia Parkway in Flushing Queens New York. Julien Levy Gallery unknown
