2106 risultati
1949rif. 13064Paris: Pierre Seghers Éditeur 1949. Buono stato di conservazione con ordinaria brunitura delle carte e lievi segni del tempo: lieve sgualcitura del piatto anteriore legatura leggermente allentata un minimo strappo sul solo margine di una tavola 8mm. . Brossura editoriale a stampa con risvolti cm 26 x 19 pp 116 12 7 tavole a colori da acquerelli di Salvador Dalì. Buono stato di conservazione con ordinaria brunitura delle carte e lievi segni del tempo: lieve sgualcitura del piatto anteriore legatura leggermente allentata un minimo strappo sul solo margine di una tavola 8mm. Prima edizione nell'originale francese di questo romanzo composto a Roma nel 1940 e apparso in traduzione tedesca nel 1948. Stampato nell'ottobre 1949 dai torchi dell'Imprimerie Union di Parigi in una tiratura di 2500 esemplari numerati il volume è ornato da 7 tavole a colori di Salvador Dalì disegnate nel 1946. Di famiglia benestante chimico per formazione Sandoz fu viaggiatore cosmopolita compositore e collezionista d'arte orologi e automi; scrittore tra i maggiori della letteratura fantastica svizzera partecipò al movimento surrealista e fu vicino a Dalì che illustrò numerose delle sue opere nelle quali è frequente come in questo romanzo il tema della casa stregata. Pierre Seghers Éditeur
1930rif. 2476Paris: Éditions Surréalistes 1930. First edition. 72 pp. Original aluminum foil paper wrappers covered by red tissue paper title printed in black on the cover. Unbound sheets as this variant was issued. Photo-lithographed portrait of Gala heliogravure frontispiece retouched with a burin and six heliographic plates. A bit of wear to the extremities else a beautiful copy of a very fragile production. Of an edition of 204 copies one of the very few on Rodingold vellum in sheets justified on the colophon by the Service de Presse stamp. With Dalí’s autograph dedication on the half-title “Hommage de l’auteur. Salvador Dali.” Laid in is the prière d’insérer announcement with text by André Breton and Paul Eluard. This issue of La Femme Visible is unbound sheets laid into the foil and red wrappers. For these few copies Dali apparently often added a simple autograph homage. The book did not meet with great success as Eluard reveals in a letter to Gala on January 27 1931: “La Femme visible a une presse immonde. Pourquoi Dali n’a-t-il pas mis dans ses dédicaces le nom des gens. Comme cela on n’en parlera pas ou en mal.” La Femme Visible is receiving dreadful publicity. Why didn’t Dali put people’s names in his dedications That way people won’t talk about it or talk about it badly. Georges Sebbag in his bibliography of Editions Surréalistes does not mention these press copies nor the printing of the book in sheets. One of Dalí’s earliest books containing four texts: “L’Âne Pourri” “La Chèvre Sanitaire” “L’Amour” and “Le Grand Masturbateur.” In these writings inspired by Freudian and post-Freudian theories Dalí’s aim is to upset the frontiers between dream and reality and to break down the convictions that form the basis of so-called “bourgeois values.” He later spoke of it as “a spontaneous method of irrational knowledge based on the critical and systematic objectification of delirious associations and delirious interpretations.” References: Michler and Löpsinger. Salvador Dalí: Catalogue Raisonné of Etchings and Mixed-Media Prints 1924-1980 no. 4. Cowling. The Magic Mirror. Dada and Surrealism from a Private Collection Scottish National Gallery of Modern Art 1988 no. 92. Mundy ed. Surrealism: Desire Unbound. pp. 131-33; 148-49. Eluard. Letters to Gala 1989 trans. p. 98. Sebbag Les Editions Surréalistes 1993. pp. 63-64. Éditions Surréalistes unknown books
rif. 117889Paris Editions Surréalistes 1930. . Limited edition numbered 2/9 'auteur' on the justification seemingly out of series inscribed by Dali on the half-title in ink 'hommage de l'auteur Salvador Dali'; 4to 19 x 22 cm; 8 illustrations hors-texte of which one is a photo-lithographed portrait of Gala one an original etching three reproductions of Dali's drawings and three photographic prints; loose as issued in the original aluminium foil paper wrappers covered in red printed glassine very minor loss of wrappers to spine a very good copy. The first edition of Dali's first surrealist work inscribed. The first edition of Dali's first surrealist work. The 'femme visible' refers to Dalí's wife Gala who inspired him to create the book and to whom the work is dedicated. Her portrait is placed opposite the metallic covers to provide a reflection of her. It is Dali's manifesto for the paranoiac-critical method a surrealist technique which consists of the artist invoking a paranoid state resulting in a deconstruction of the psychological concept of identity subjectivity thereby becoming the primary aspect of the artwork. The present example is numbered '2/9 auteur' on the justification and signed by the artist on the half-title. The fragile red and metallic jacket which is often found damaged and torn is in remarkably fresh and unrestored condition. Michler-Lapsinger 4; Launay 288. Paris, Editions Surréalistes, 1930. unknown
1930rif. 2476Paris: Éditions Surréalistes 1930. First edition. 72 pp. Original aluminum foil paper wrappers covered by red tissue paper title printed in black on the cover. Unbound sheets as this variant was issued. Photo-lithographed portrait of Gala heliogravure frontispiece retouched with a burin and six heliographic plates. A bit of wear to the extremities else a beautiful copy of a very fragile production. Of an edition of 204 copies one of the very few on Rodingold vellum in sheets justified on the colophon by the Service de Presse stamp. With Dalí’s autograph dedication on the half-title “Hommage de l’auteur. Salvador Dali.” Laid in is the prière d’insérer announcement with text by André Breton and Paul Eluard. This issue of La Femme Visible is unbound sheets laid into the foil and red wrappers. For these few copies Dali apparently often added a simple autograph homage. The book did not meet with great success as Eluard reveals in a letter to Gala on January 27 1931: “La Femme visible a une presse immonde. Pourquoi Dali n’a-t-il pas mis dans ses dédicaces le nom des gens. Comme cela on n’en parlera pas ou en mal.” La Femme Visible is receiving dreadful publicity. Why didn’t Dali put people’s names in his dedications That way people won’t talk about it or talk about it badly. Georges Sebbag in his bibliography of Editions Surréalistes does not mention these press copies nor the printing of the book in sheets. One of Dalí’s earliest books containing four texts: “L’Âne Pourri” “La Chèvre Sanitaire” “L’Amour” and “Le Grand Masturbateur.” In these writings inspired by Freudian and post-Freudian theories Dalí’s aim is to upset the frontiers between dream and reality and to break down the convictions that form the basis of so-called “bourgeois values.” He later spoke of it as “a spontaneous method of irrational knowledge based on the critical and systematic objectification of delirious associations and delirious interpretations.” References: Michler and Löpsinger. Salvador Dalí: Catalogue Raisonné of Etchings and Mixed-Media Prints 1924-1980 no. 4. Cowling. The Magic Mirror. Dada and Surrealism from a Private Collection Scottish National Gallery of Modern Art 1988 no. 92. Mundy ed. Surrealism: Desire Unbound. pp. 131-33; 148-49. Eluard. Letters to Gala 1989 trans. p. 98. Sebbag Les Editions Surréalistes 1993. pp. 63-64. Éditions Surréalistes unknown
rif. 324961987. Paris Editions d'art Les Heures claires / Joseph Foret 1963. 6 vol. au format pt in-folio 348 x 278 mm de 183 189 182; 204 188 et 193 pp. en feuilles sous couverture titre rabats remplis et tui-chemise de plein cartonnage crÂme plats orns de jeux de filets dors et frapps l'oser se prolongeant sur les dos lisses titre frapp en long l'oser tomaison frappe. Ensemble complet des 6 volumes le constituant ; ainsi que de ses 100 compositions pleine-page et en couleurs d'aprÂs les aquarelles de Salvador Dali ; ici en premier tirage. Un des exemplaires du tirage numrot du tirage sur vlin pur-chiffon de Rives. Ces ''100 aquarelles graves sur bois ont ncessit 3.500 bois''. in Monod. ''Les cent gravures sur bois en couleur comptent parmi les plus excitantes et les plus suggestives de l'histoire des illustrations de Dante". in Wnschel. "Dal himself saw this work as one of the peaks of his creative powers''. ''Dali travailla prÂs de 10 annes sur la ralisation de l'illustration et il fallut encore l'diteur 4 ans pour graver les 3500 bois capables de restituer les couleurs des illustrations originales''. L'Ãuvre narre le voyage imaginaire du narrateur qui se retrouve brusquement plong dans une forÂt sombre. L il rencontre Virgile qui l'invite pntrer dans le monde de l'au-del. Dante le suit et c'est par la visite de l'enfer et de ses neuf cercles que commence son priple. Monod I Manuel de l'amateur de livres illustrs modernes 3398 - Wnschel/Tuchel III 1-100. LgÂres altrations superficielles affectant les coffrets ; dont un prsente un dbut de fente sur deux coupes. Prsence de quelques rares et claires rousseurs dans les corps d'ouvrages ; dont 4 feuillets sont toutefois davantage pourvus. Du reste ensemble en belle condition. b42961 unknown
rif. ria9786209370571_inpPaperback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; L'articulation entre les normes pénales civiles et les comportements matériels des utilisateurs des technologies de l'information et de la communication a rendu la rédaction de cet ouvrage fort intéressant. Les premiers cybercafés son paperback
2019rif. 2-6138444221Editions universitaires europeennes EUE 2019. Paperback. New. French language. 8.66x5.94x1.26 inches. Editions universitaires europeennes EUE paperback
1935rif. 27818Paris: Editions Surrealistes. 1935. First Edition; First Printing. Softcover. Cardboard wraps with red wraparound band torn laid in. The wraparound band is printed 'Face au "realisme socialiste" ' This is near fine copy with a little soiling to rear wrap and two small marks on front wrap. The band is rarely seen. This is one of the 1200 copies that constitute the French edition of this notoriously fragile book. Splendid copy.; 12mo 7" - 7½" tall; 24 8 33 plates pp . Editions Surrealistes paperback books
rif. 44322Editions Surrealistes In-12 32pp. illustr. frontispice et 33 planches hors-texte quelques marques d'usage au dos ecr unknown
1935rif. 27818Paris: Editions Surrealistes. 1935. First Edition; First Printing. Softcover. Cardboard wraps with red wraparound band torn laid in. The wraparound band is printed 'Face au "realisme socialiste" ' This is near fine copy with a little soiling to rear wrap and two small marks on front wrap. The band is rarely seen. This is one of the 1200 copies that constitute the French edition of this notoriously fragile book. Splendid copy.; 12mo 7" - 7½" tall; 24 8 33 plates pp . Editions Surrealistes paperback
grand in-8°, 170 pp., 81 reproductions en couleurs pleine page, et nombreuses photographies en noir des artistes dans le texte, broche, couverture illustree. Tres bel exemplaire. [GD8-9] Catalogue d'exposition.
rif. 74791Salvador Dali La Cogida y la Muerte 1973 Etching on Arches FRANCE watermark. Hand-signed lower right Edition 98/400 Image Size: 395 x 32cm. Sheet Size: 66 x 505cm. Notation: Inscribed and numbered. Publisher: Graphik International Literature: ML. 637.
rif. 189084Saint Raphael: Editions Des Maitres Contemporains 1974. One of 12 plates from Le Bestiaire de la Fontaine Dalinesé portfolio. Artist's proof aside from the edition of 250. Drypoint etching with hand coloured pochoir stencil on Arches paper left and right edges deckled. Signed in pencil lower right by Dalí A.E to lower left. Plate size: 58.5 x 40.5 cm. Sheet size: 76 x 56.5 cm. Unframed. Light spotting to lower edge affecting the margins image in excellent condition. Field 74-1 K. Michler & Lopsinger 664. unknown
rif. 123471Paris: Jean Lavigne 1974. One of 25 artist's proofs aside from the edition of 195. Signed in pencil lower right by Dalí inscribed EA lower left. One of 12 prints from the La Conquête du Cosmos portfolio. Printed by Atelier Lithographique Paris. Although these were made in 1974 they were offered in two portfolios of six in 1974 and 1977. Drypoint etching over chromolithograph with embossing on Arches paper. Sheet size: 100 x 70 cm. Small vertical crease to top centre of image. Presented in a hand made white gold leaf frame with conservation acrylic glazing. Field 74-12K. Michler & Lopsinger 650. unknown
1971rif. ABE-16246519139100 PAGES FORMAT 22,5 CM X 28 CM-LA MAUVAISE FOI DE FRANCOIS NOURISSIER, 2P PAR MICHEL POLAC-LE RETOUR DES HUSSARDS, ROGER NIMIER, 2P PAR JEAN PIERRE COLIN-POP, PAR JEAN BERNARD HEBEY, LE NOUVEAU STYLE LE SUCCES "LE RETOUR A LA TERRE", PHOTO NEIL YOUNG-DALI DELIRE, ENTRETIEN SUR 3P, CARICATURE PAR CALVI-PREMIERE CITE POLYCHROME DE VASARELY, 2P, 3 PHOTOS-(PRART3)
1989rif. ABE-553817590698 PAGES-FORMAT PETIT IN4-LES FILMS-ENTRETIEN:OLIVER STONE/5P-JEAN JACQUES BEINEIX L'ADVERSAIRE C'EST SOI/7P-BIGAS LUNA UN CINEASTE PANIQUE/6P-JACK CLAYTON MADE IN ENGLAND/6P-STEPHEN FREARS ET LES LIAISONS DANGEREUSES/11P-CINE SCOOP-PREMIERS REGARDS SALVADOR DALI CRITIQUE D'ART/ARTICLE DE JEAN GABRIEL NANCEY SUR 2 PAGES/PHOTO-REGARDS SUR LA DIFFERENCE (PRCIN1)
rif. 88954Le Club Français du Livre, 1954, 362 p., cartonnage éditeur, avec le Manifeste Misthique, dos insolé, bon état.
rif. 7565Editions Surréalistes 1935. In-12 broché de 64 pages au format 12,3 x 15,5 cm. Couverture avec portrait photo de l'auteur au 1er plat et dessin au 4ème plat. Texte de 25 pages accompagné d'un frontispice et de 35 reproductions photographiques hors-texte. Dos muet qui est resté bien carré. Plats légèrement brunis. Intérieur frais. Rarissime édition originale en très bel état général, ornée d'une dédicace autographe, non nominative, signée, de Salvador Dali .
1972rif. 107704Paris, Henri Veyrier, Denoël 1972 Fort in-4 28 x 19,5 cm. Reliure éditeur simili-cuir moiré or, XVI-1458 pp., texte à 2 colonnes, 40 planches en couleurs hors-texte. Exemplaire en bon état.
rif. 13127P., Pierre Seghers éditeur, 1949 ; petit in-4 (19x26 cm) broché, couverture imprimée rempliée. 116 pp-5 ff. Illustrés de 7 planches hors-texte en couleurs par Salvador Dali. Très bon état.
1959rif. 826251959 Paris, Les Heures Claires, 1959-1963, 6 volumes in folio, en feuilles, sous couvertures rempliées et doubles emboitages décorés de l'éditeur.
2001rif. LFA-126744128Revue hebdomadaire des ventes publiques : 178 pages, format 230 x 300 mm, illustrée, brochée couverture couleurs, bon état
1963rif. 1060821963 6 [Rome – Florence] Arti e scienze Salani, (octobre 1963 – avril 1964).6 volumes in-folio (334 x 263 mm). Vol. 1 : [ii] 158 [4] p. et 17 planches. Vol. 2 : p. [x] 173-326 [8], planches 18-34. Vol. 3 : [ii] 162 [4] p. et 17 planches. Vol. 4 : p. [x] 173-328 [8], planches 18-33. Vol. 5 : [ii] 163 [3] p. et 17 planches. Vol. 6 : p. [x] 173-320 [8], planches 18-33. Au total, 100 planches xylographiques en couleurs. Feuillets libres conservés dans des chemises et des étuis cartonnés, ornés d’un motif abstrait en rouge et or (Enfer), fuchsia et or (Purgatoire), bleu et or (Paradis). Reliure réalisée par l’atelier Torriani de Milan. Les trois colophons définitifs numérotés sont inclus dans l’enveloppe de l’éditeur.
rif. 5787P., Eugène Renduel, 1832, 2 vol. in-8, rel. 1/2 percaline rouge, papier imprimé sur les plats, pièce de titre chagrin, 318 et 350 p. Edition originale avec mention de “seconde édition”. 2 frontispices de Tony Johannot. Quelques rousseurs. Exemplaire d’André BRETON, comportant son ex-libris gravé par Salvador DALI sur la garde de chacun des deux volumes. Cet ex-libris, gravure sur papier (4,2 X 6,1 cm.) intitulée André Breton le Tamanoir fut exécuté par Dali en 1931 (Michler & Löpsinger, 5).
rif. ART7006M2005, Fundacion Caixa Galicia. Catalogue de l'exposition Pintura del 27. In-4, broché, 145pp. Nb reproductions couleurs d'artistes tels que Wilfredo Lam, Dali ou Benjamin Palencia. Très bon exemplaire
