Louis Pauwels Salvador Dalí J.B.S. HaldaneLivre Rare Book
2.152 resultados
1970ref. 5002576191970 1970.
1956ref. 1745Guy Lévis Mano, Paris 1966. Un volume petit in-4 (195 x 130 mm) broché sous couverture blanche imprimée rempliée. ÉDITION ORIGINALE. Poèmes de Guy Lévis Mano. UNE EAU-FORTE ET AQUATINTE EN COULEURS SIGNÉE AU CRAYON PAR MIRÓ. Tirage : 15 + 60 ex sur vélin d'Arches avec la gravure. L'exemplaire est, de plus, personnalisé, sur le faux-titre, d'une dédicace autographe signée de l’auteur à G.D. « qui sait regarder le dedans ? ».
1933ref. 88275Le Phare de Neuilly | Neuilly-sur-Seine S.d. [1933] | 18.20 x 25.10 cm | 3 volumes brochés
ref. 28119Traduit de l'espagnol par Jean Saavedra - Paris : Lieu commun, 1986 - in-8 broché de 240 pages - bon état -
ref. 33259Fundacio Gala-Salvador Dali, 2004. 20 x 24, 63 pp., très nombreuses illustrations en couleurs, broché, très bon état.
ref. 266Jean-Jacques Pauvert, Paris, 1963, (21,5 x 27,5 cm), 112 pages. Reliure pleine toile beige de léditeur à la manière d'un dossier d'archives, avec une vignette de titre et une image représentant le tableau de Millet encollées sur le premier plat, ruban et boucle d'attache. 38 illustrations hors-texte en noir et couleurs, la plupart contrecollées sur papier couché. Édition originale de cette interprétation « paranoïaque-critique », ici dans une condition de toute fraîcheur, proche du neuf si on omet une ancienne trace de signature en page de garde. Bel exemplaire en excellent état.
1985ref. 85372Paris, Seghers, 1985, in-8, cartonnage éditeur (sans jaquette), 175 pages. Très bon état.
1962ref. 22763Skira, coll. « Le Goût de notre Temps » 1962 In-4 relié. Très bon état d’occasion.
1977ref. 189775Paris: Simon Wajntraub Peter Moore Ariane Lancel and Jacques Carpentier 1977. One of 12 plates from the Twelve Apostles portfolio also known as the Knights of the Round Table portfolio. Printed by Atelier Lithographique in Paris France. Edition of 350. Original lithograph in 3 colours with gold embossing on Arches watermarked paper right and lower edges deckled. Signed in pencil lower right by Dalí numbered lower left. Plate size: 49.5 x 45.7 cm. Sheet size: 65 x 47.8 cm. Framed size: 79 x 66.8 cm. Presented in a handmade gold leaf frame with conservation acrylic glazing. Small stray ink marks to extreme upper edge of sheet hidden behind mount. Otherwise excellent condition. Field 72-14G. Michler & Lopsinger 1513. unknown
ref. L9663Plaquette publicitaire pour la Maison Lancel. In folio en feuilles. Reproduction en fac-similé du Daligramme, sorte d'alphabet symbolique créé par S. Dali pour la collection de sacs " Daligramme " créée par Lancel. Texte, en français et en anglais, nombreuses photos. Complet du CD en fin de volume. E.O.
Paris, Club français du livre, vol 9 mémoires, 1954. In-8, cartonnage noir illustré de l'éditeur, 362 pp + 12 n.p. Tirage limité hors-commerce réservé aux membres du Club français du livre. Bien complet du catalogue tiré à part " Manifeste esthétique ", 16 pages d'illustrations. Bel exemplaire.
ref. 102026045TABLE RONDE 1952. paperback. Acceptable. 5x1x9. Used copy. Pages look free of underlining and highlighting. Some pages feel a little loose. Wear to the exterior with tears on the spine. Pages have deckle edges. Handle delicately. TABLE RONDE paperback
ref. 59520Club francais du livre 1954 In-8 370pp. illustr. reliure pleine toile illustree de l'editeur complet du livret: Manifeste Misthique exemplaire hors commerce numerote Nb-0323 unknown
1952ref. 80093Paris: La Table Ronde 1952. Fine. La Table Ronde Paris 1952 14.50 x 20 cm broché First edition of the French adaptation by Michel Déon one of 120 numbered copies on pur fil paper the only deluxe copies. Illustrated. Handsome copy despite two crease marks on the covers. La Table Ronde unknown
ref. 841031763X.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
ref. 848109921X.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
2022ref. 3730211Figueres.: Fundación Gala-Salvador Dalí. 2022. Paperback. Good. 24 cm. 400 páginas 2 páginas de láminas sin numerar ilustraciones blanco y negro y color. Encuadernación en tapa blanda de editorial. Dalí Salvador 1904-1989. La vie secrète de Salvador Dalí. Traducción al castellano José Martínez. Autobiografías. Martínez José. traductor. traductor . ISBN: 8437024442615 Biografías 929 Dalí Salvador Arte en general. Bellas artes. Deportes 7 Dalí Salvador Fundación Gala-Salvador Dalí. paperback
2001ref. IPB1976Dasa Edicions 2001. 17 x 24 cm in very good condition Dasa Edicions unknown
ref. 11162819like new. unknown
ref. 11162819-nnew. unknown
2023br. «Da questo momento non ci lasceremo mai, lo sa?» Con queste parole Salvador Dalí saluta Amanda Lear dopo il loro primo pranzo insieme a Parigi. Si erano conosciuti soltanto la sera prima, un giorno d'ottobre del 1965, in un ristorante di rue Princesse: lei giovane studentessa di Belle Arti che aveva da poco cominciato a posare come modella per pagarsi l'affitto e le lezioni di disegno; lui genio indiscusso del surrealismo all'apice del successo internazionale. Le prime impressioni che l'artista sortisce su Amanda Lear non sono affatto lusinghiere, lo considera presuntuoso nei suoi modi cerimoniosi e ridicolo con quei suoi baffi impomatati, ma il fascino che emana la sua figura, la sua estrema vitalità, il suo modo di osservare la realtà finiscono per conquistarla. «Lei ha proprio un bel cranio» sarà il primo, bizzarro complimento che le rivolgerà: nessuno le aveva mai detto che aveva un bel cranio. Comincia così una relazione che durerà più di quindici anni: Amanda Lear diventerà per Salvador Dalí una «musa», un «angelo», un «papavero orientale» da proteggere, amare e trasfigurare nei suoi dipinti. "La mia vita con Dalí" racconta questa storia: l'incontro tra due destini che hanno saputo sconcertare il mondo, che lo hanno reso più visionario, che hanno cambiato il modo di pensare la parola «amore».
1949ref. HAY383621949 - tiré à 2500 exemplaires sur Alpha-Marais numéroté celui-ci portant le numéro 1524 - . Paris Pierre Seghers Éditeur. broché couverture souple à rabats. Très bon état. gd in-8. illustré et bien complet des 7 planches en couleurs de Salvador Dali. unknown
1949ref. 13064Paris: Pierre Seghers Éditeur 1949. Buono stato di conservazione con ordinaria brunitura delle carte e lievi segni del tempo: lieve sgualcitura del piatto anteriore legatura leggermente allentata un minimo strappo sul solo margine di una tavola 8mm. . Brossura editoriale a stampa con risvolti cm 26 x 19 pp 116 12 7 tavole a colori da acquerelli di Salvador Dalì. Buono stato di conservazione con ordinaria brunitura delle carte e lievi segni del tempo: lieve sgualcitura del piatto anteriore legatura leggermente allentata un minimo strappo sul solo margine di una tavola 8mm. Prima edizione nell'originale francese di questo romanzo composto a Roma nel 1940 e apparso in traduzione tedesca nel 1948. Stampato nell'ottobre 1949 dai torchi dell'Imprimerie Union di Parigi in una tiratura di 2500 esemplari numerati il volume è ornato da 7 tavole a colori di Salvador Dalì disegnate nel 1946. Di famiglia benestante chimico per formazione Sandoz fu viaggiatore cosmopolita compositore e collezionista d'arte orologi e automi; scrittore tra i maggiori della letteratura fantastica svizzera partecipò al movimento surrealista e fu vicino a Dalì che illustrò numerose delle sue opere nelle quali è frequente come in questo romanzo il tema della casa stregata. Pierre Seghers Éditeur
1930ref. 2476Paris: Éditions Surréalistes 1930. First edition. 72 pp. Original aluminum foil paper wrappers covered by red tissue paper title printed in black on the cover. Unbound sheets as this variant was issued. Photo-lithographed portrait of Gala heliogravure frontispiece retouched with a burin and six heliographic plates. A bit of wear to the extremities else a beautiful copy of a very fragile production. Of an edition of 204 copies one of the very few on Rodingold vellum in sheets justified on the colophon by the Service de Presse stamp. With Dalí’s autograph dedication on the half-title “Hommage de l’auteur. Salvador Dali.” Laid in is the prière d’insérer announcement with text by André Breton and Paul Eluard. This issue of La Femme Visible is unbound sheets laid into the foil and red wrappers. For these few copies Dali apparently often added a simple autograph homage. The book did not meet with great success as Eluard reveals in a letter to Gala on January 27 1931: “La Femme visible a une presse immonde. Pourquoi Dali n’a-t-il pas mis dans ses dédicaces le nom des gens. Comme cela on n’en parlera pas ou en mal.” La Femme Visible is receiving dreadful publicity. Why didn’t Dali put people’s names in his dedications That way people won’t talk about it or talk about it badly. Georges Sebbag in his bibliography of Editions Surréalistes does not mention these press copies nor the printing of the book in sheets. One of Dalí’s earliest books containing four texts: “L’Âne Pourri” “La Chèvre Sanitaire” “L’Amour” and “Le Grand Masturbateur.” In these writings inspired by Freudian and post-Freudian theories Dalí’s aim is to upset the frontiers between dream and reality and to break down the convictions that form the basis of so-called “bourgeois values.” He later spoke of it as “a spontaneous method of irrational knowledge based on the critical and systematic objectification of delirious associations and delirious interpretations.” References: Michler and Löpsinger. Salvador Dalí: Catalogue Raisonné of Etchings and Mixed-Media Prints 1924-1980 no. 4. Cowling. The Magic Mirror. Dada and Surrealism from a Private Collection Scottish National Gallery of Modern Art 1988 no. 92. Mundy ed. Surrealism: Desire Unbound. pp. 131-33; 148-49. Eluard. Letters to Gala 1989 trans. p. 98. Sebbag Les Editions Surréalistes 1993. pp. 63-64. Éditions Surréalistes unknown books
ref. 117889Paris Editions Surréalistes 1930. . Limited edition numbered 2/9 'auteur' on the justification seemingly out of series inscribed by Dali on the half-title in ink 'hommage de l'auteur Salvador Dali'; 4to 19 x 22 cm; 8 illustrations hors-texte of which one is a photo-lithographed portrait of Gala one an original etching three reproductions of Dali's drawings and three photographic prints; loose as issued in the original aluminium foil paper wrappers covered in red printed glassine very minor loss of wrappers to spine a very good copy. The first edition of Dali's first surrealist work inscribed. The first edition of Dali's first surrealist work. The 'femme visible' refers to Dalí's wife Gala who inspired him to create the book and to whom the work is dedicated. Her portrait is placed opposite the metallic covers to provide a reflection of her. It is Dali's manifesto for the paranoiac-critical method a surrealist technique which consists of the artist invoking a paranoid state resulting in a deconstruction of the psychological concept of identity subjectivity thereby becoming the primary aspect of the artwork. The present example is numbered '2/9 auteur' on the justification and signed by the artist on the half-title. The fragile red and metallic jacket which is often found damaged and torn is in remarkably fresh and unrestored condition. Michler-Lapsinger 4; Launay 288. Paris, Editions Surréalistes, 1930. unknown
