Dali, SalvadorBiblio.com
2 106 résultats
réf. 0720619017.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1947réf. 299848London ; Brussels : Nicholson & Watson 1947. First Edition. Hardcover. Very good copy in the original gilt-blocked cloth. Slight suggestion only of dust-dulling to the spine bands and panel edges. Remains particularly well-preserved overall; tight bright clean and strong. Physical description: 359 pages ; 20 cm. Translation of: Rostros ocultos. Subjects: Dalí Salvador - 1904-1989. Aristocracy - Social class. Europe. London ; Brussels : Nicholson & Watson hardcover
réf. 140937150London: Peter Owens 1973. Signed Limited Edition. Near Fine. First English edition. One of a limited 100 copies signed by Salvador Dali; this copy is unnumbered and out of series. Publisher's gilt stamped vellum and marbled paper covered boards. Near Fine in Near Fine slipcase lacking 20-page Postface booklet. Slight yellowing to vellum and light wear at joints slipcase slightly marked and with one joint tender. The artist's only novel signed. Peter Owens unknown
réf. 304255London: Peter Owen 1973. Hardcover. Fine. Limited edition originally published in 1944. Translated by Haakon Chevalier. Illustrated by Dalí. Quarter vellum and marbled paper covered boards in slipcase. Fine. Dalí's only novel. Laid in is a 20 page booklet: Postface to Hidden Faces Comprising Objective Chance and Reverie by Dalí. One of 100 copies bound thus and with the additional Postface booklet Signed by the author. Peter Owen hardcover
1974réf. ALIddDAL59New York: William Morrow & Company Inc. 1974. 1974. 8vo. pp. 318 1. 7 illus. quartercloth. Hardcover. New York: William Morrow & Company, Inc. 1974. Hardcover
1944réf. 12260HIDDEN FACES Dial 1944 first edition a bright vg copy in a bright near vg dust-wrapper save for some chipping along the upper margins of the dust-wrapper and the dust-wrapper spine. Frontispiece tail piece and dust-wrapper executed by Dali expressly for this novel publication. Dial unknown
1973réf. 454608London : Owen 1973. First Edition. Hardcover. Near fine cloth copy in a very good somewhat dust-dulled and edge-torn dust wrapper slight stain inside bottom of spine. Not price-clipped. Remains well-preserved overall. Physical description; 318 pages : illustrations ; 23 cm. Notes; Translation of Rostros ocultos. In English translated from Spanish. Subjects; Spanish fiction 20th century Translations into English. Aristocracy Social class Europe Fiction. London : Owen hardcover
1974réf. Q-0688002374Morrow 1974-01-01. Hardcover. New. In shrink wrap. Looks like an interesting title! Morrow hardcover
1974réf. P-23562New York: William Morrow 1974. Hardcover. Fine/First Edition. Octavo. With the '1' in a number line. Dali's only published novel which he illustrated in his Surrealist style. A clean unmarked and unclipped copy in a Mylar jacket cover. William Morrow hardcover
1974réf. P-28081New York: William Morrow 1974. Hardcover. Fine/First Edition. Octavo. With the '1' in a number line. Dali's only published novel which he illustrated in his Surrealist style. A clean unmarked and unclipped copy in a Mylar jacket cover. William Morrow hardcover
1974réf. 107251William Morrow and Company Inc 1974. Hardcover. Very good/Very good. Very good condition. Jacket edges are gently shelf worn. Bottom corner of front jacket flap is creased. Binding is tight. Spine edges are gently bumped. Pages are clean and unmarked. William Morrow and Company, Inc hardcover
1973réf. 032153London: Peter Owen 1973. Book. Illus. by Salvador Dali. Near Fine. One Quarter Vellum. Signed by Authors. Limited Edition. 8vo - over 7¾ - 9¾" tall. One quarter vellum over marbled boards with gilt rules to front and back; gilt to spine. Signed by Dali. Limited edition of 100 copies this is copy # 43. Illustrated throughout by Dali with b&w plates and line drawings. White silk ribbon page marker. Inside clean and tight. Also includes 19 pp. publisher's pamphlet; "Postface to Hidden Faces Comprising Objective Chance and Reverie" by Salvador Dali laid in. Housed in red cloth slipcase. A near fine copy and case. One owner. . Peter Owen Hardcover
1980réf. 2111902154606855Futami shobo 1980. Soft Cover. Fine. The book is in fine condition. Futami shobo paperback
1980réf. 2111902158901459Futami shobo 1980. Soft Cover. Fine. Volume: 1 Futami shobo paperback
1980réf. 2081502112501841B6 first edition with box with box cover with main body vinyl cover Futami Shobo 1980. Soft Cover. Fine. Number of books: 1 B6 first edition with box with box cover with main body vinyl cover Futami Shobo paperback
1975réf. 2111902152902132Kinokuniya Bookstore 1975. Soft Cover. Fine. Size: A5 size Kinokuniya Bookstore paperback
1935réf. 33031Paris.: Editions Guy. Lévis. Mano. 1935. Original publisher's cream printed wrappers with titles in black to front cover. 8vo. 189 x 142 mm. Half-title printed title leaf with Eluard's preface recto and Penrose's verse final leaf with achevé d'imprimer and justification; the errata leaf is also included loosely inserted. Salvador Dali's copy with a presentation from Penrose.From the edition limited to 320 copies with this unopened copy one of 300 on 'Hélio' and with a presentation from Penrose in blue ink to the half-title: 'à Salvador Dalí / admiratif hommage de / V. Penrose'.Also included loosely inserted is the errata slip for the publication.Valentine Penrose 1898 - 1988 née Marcelle Bouée was the glamorous wife of the English Surrealist poet painter and photographer Roland Penrose. Muse to the Surrealists model for Man Ray Valentine Penrose also appeared in Bunuel's L'Age d'Or as a spirit. Profoundly influenced by Eastern spiritual thought Penrose was also a talented poet and collagist. This her first collection was followed in 1937 by Sorts de la Lueur and Poèmes and in 1951 by Dons des Féminines also with a preface by Eluard. In 1936 she left her husband to live on an ashram in India with fellow poet and Surrealist Alice Paalen. Editions G[uy]. L[évis]. M[ano]. unknown
1929réf. 1748Paris, Éditions du Carrefour, Collection Bifur, 1929. Un volume in-12 (198 x 180 mm), 252 pp. + fnch., couverture de papier jonquille imprimée en noir. ÉDITION ORIGINALE. 1 des 12 premiers exemplaires sur Japon impérial (I à X + A et B), celui-ci le n° II. Conservé tel que paru avec ses témoins. À propos de l'œuvre : "Hebdomeros", c’est le fantôme paisible, le spectre lumineux de Giorgio De Chirico, Dante et Virgile en une seule personne ! Il accomplit un périple complet à travers le monde créé par le peintre. De même que les peintures de Chirico demandent à être lues, ce livre exige qu’on le « regarde » ainsi que l’on regarde un tableau. « L’un des livres les plus superbement personnels qui nous aient jamais été offerts. Je pense que l’on suivra avec ravissement les détours du beau rêve romantique qui prend la place de la banale existence à condition que l’on ne s’arrête pas à l’aspect superficiel de la réalité… Aller jusqu’au fond de l’ordinaire, c’est le secret et c’est la méthode de Chirico comme de Kafka, et c’est le seul moyen efficace d’accéder à un univers fantastique », écrivait André Pieyre de Mandiargues. Un extrait avait paru dans le numéro 2 de Bifur en juillet 1929. Le célèbre sous-titre "Le peintre et son génie chez l'écrivain" ne fut apposé que sur la jaquette illustrée de l'édition courante et il disparaîtra dans l'édition de la collection "L'Âge d'or" en 1964 chez Flammarion. Cette fantaisie autobiographique de Giorgio De Chirico fait figure de paradoxe : si relativement peu d'études lui ont été consacrées, sa place hors ligne dans le cadre de la littérature surréaliste n'a jamais été mise en doute. L'ouvrage a été réédité par 21 maisons d'édition jusqu'en 2017 ! et traduit en huit langues. Conrado Tostado (traducteur), lors d'une réédition au Mexique en 2004, le décrit ainsi : « un roman caniculaire et métaphysique, surréaliste et mythologique ; de la mythologie contemporaine la plus respectable faite par un immense créateur de mythes. Brûlant pour agiter symboliquement et changeant comme les saisons chaudes des années. Il est circulaire et voluptueux dans différents temps et espaces. Surréaliste au-delà de l'écriture automatique… Avec plaisir, nous devons parler de Hebdomeros dispersés, aussi dispersés que dans les rêves, la mythologie et ses champs infinis et sa métaphysique »
1963réf. 171640Paris: Galerie André François Petit 1963. Vintage catalog for the landmark 1963 exhibition. Illustrated in black-and-white and color. Very Good plus in saddle-stapled wrappers with light foxing to the first pages and wrapper versos. Galerie André François Petit unknown books
1963réf. 171640Paris: Galerie André François Petit 1963. Vintage catalog for the landmark 1963 exhibition. Illustrated in black-and-white and color. Very Good plus in saddle-stapled wrappers with light foxing to the first pages and wrapper versos. Galerie André François Petit unknown
réf. 73-3801St. Petersburg: Salvador Dali Museum 1985. 89x61 cm. Color poster. Very Good. In plastic.Item in plastic sleeve new photos of item can be sent to customer upon request. St. Petersburg: Salvador Dali Museum, 1985 unknown
2004réf. 21032New York: Howard Greenberg Gallery 2004. First edition. Stiff Wraps. Orig. illustrated stiff wrappers. Fine. Unpaginated. 25 x 20.5 cm. Signed and inscribed by Morine Halsman. 16 photographic plates. Unpaginated text by Mary Panzer -- Exhibition catalogue February 5 - March 13 2004. Halsman met Dali in New York in 1941; photographs of Dali and their collaborative effort from 1942 through 1965. Howard Greenberg Gallery unknown books
2004réf. 21032New York: Howard Greenberg Gallery 2004. First edition. Stiff Wraps. Orig. illustrated stiff wrappers. Fine. Unpaginated. 25 x 20.5 cm. Signed and inscribed by Morine Halsman. 16 photographic plates. Unpaginated text by Mary Panzer -- Exhibition catalogue February 5 - March 13 2004. Halsman met Dali in New York in 1941; photographs of Dali and their collaborative effort from 1942 through 1965. Howard Greenberg Gallery unknown
2004réf. 180822New York: Howard Greenberg Gallery 2004. First edition. Softcover. Exhibition catalog for a show that ran February 6 through March 13 2004. Two portfolios bound dos a dos. Text by Mary Panzer. Includes with the covers over 30 black and white images. A very near fine copy in wrappers. An attractive catalog. Howard Greenberg Gallery unknown books
2004réf. 180822New York: Howard Greenberg Gallery 2004. First edition. Softcover. Exhibition catalog for a show that ran February 6 through March 13 2004. Two portfolios bound dos a dos. Text by Mary Panzer. Includes with the covers over 30 black and white images. A very near fine copy in wrappers. An attractive catalog. Howard Greenberg Gallery unknown
