MAN RAY - Salvador DALÍ - Oscar DOMINGUEZLivre Rare Book
Salvador DALILivre Rare Book
LES COCUS DU VIEIL ART MODERNE
ref. 69294Grasset 2004 livre essai 19*12 116 pages les cahiers rouges
Librairie Keïmola · Saint Palais sur Mer, França€ 4,00
2.147 resultados
1966ref. 91822Jean Petithory | Paris 1966 | 26.5 x 30.2 cm | Relié sous étui
1968ref. RO80015993DENOEL. 1968. In-12. Broché. Etat d'usage, Couv. défraîchie, Dos satisfaisant, Intérieur frais. 324 pages. Couverture rempliée.. . . . Classification Dewey : 927-Artistes, sportifs
1968ref. R150205061DENOEL. 1968. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 324 pages- couverture contrepliée. . . . Classification Dewey : 927-Artistes, sportifs
ref. 11457Paris, J.-C. Lattès, 1994 15 x 24, 331 pp., illustrations en N/B, broché, bon état
ref. lc_10597Grasset (1 janvier 1989)
ref. 69294Grasset 2004 livre essai 19*12 116 pages les cahiers rouges
ref. 29Denoël, coll. Méditations, Paris, 1968, (14 x 22,5 cm), 326 pages, couverture illustrée à rabats. Édition originale en excellent état, à noter la discrète signature d'un ancien propriétaire en page de garde. Dali et Pauwels se connaissent depuis plus de quinze ans. Une amitié spirituelle est née entre eux, qui s'est précisée au cours du temps. En 1966 et 1967, ils passèrent de nombreuses matinées sans témoins, à Port-Lligat. Leurs conversations portaient sur les passions daliniennes. " De nos conversations enregistrées au magnétophone, dit Pauwels, j'ai composé les monologues que l'on va lire, où je me suis efforcé de restituer en langage clair les élans et les harmonies de la pensée de Dali, du moins telle qu'elle retentit en moi "
1956ref. 82887Couverture souple. Non coupé. Nombreuses illustrations en noir, certaines hors-texte.
ref. 25Paris, Draeger Éditeur, 1973. 31 x 22 cm, 324 pp. Reliure d'éditeur avec jaquette illustrée, E.O. Volume en très bel état intérieur, jaquette en bon état d'usage. Exemplaire enrichi d'un double envoi, de Dali ( « Hommage. Dali » ) et de Catherine et Peter Moore ( « Pour Evelyne avec les amitiés de Catherine et Peter Moore 1973 »). Catherine et Peter Moore étaient des familiers de Salvator Dalí. Les Dîners de Gala célèbrent la noce de la gastronomie et du surréalisme. Ce grand classique a récemment été réédité par Taschen. Provenance : vente Jean-Christophe Averty chez Pierre Bergé & associés, 2018.
2004ref. 54102Maisonneuve & Larose 2004 In-12 broché, 242 pages. Très bon état occasion.
1981ref. 58759Balland, Massin 1981 In-4 relié 34 cm sur 26. Jaquette en état moyen. 181 pages. Bon état d’occasion.
2010ref. 65586New York, NY : Parkstone Internat. c 2010. 255 S.: zahlr. Ill.; 33 cm Pappe 0
ref. 189081Saint Raphael: Editions Des Maitres Contemporains 1974. One of 12 plates from Le Bestiaire de la Fontaine Dalinesé portfolio. Artist's proof aside from the edition of 250. Drypoint etching with hand coloured pochoir stencil on Arches paper left and right edges deckled. Signed in pencil lower right by Dalí A.E to lower left. Plate size: 58.5 x 40.5 cm. Sheet size: 76 x 56.5 cm. Unframed. Light spotting to lower edge affecting the margins image in excellent condition. Field 74-1 H. Michler & Lopsinger 661. unknown
ref. 189073Saint Raphael: Editions Des Maitres Contemporains 1974. One of 12 plates from Le Bestiaire de la Fontaine Dalinesé portfolio. Artist's proof aside from the edition of 250. Drypoint etching on Arches paper left and right edges deckled. Signed in pencil lower right by Dalí A.E to lower left. Plate size: 58.5 x 40.5 cm. Sheet size: 76 x 56.5 cm. Unframed. Light spotting to lower edge affecting the margins image in excellent condition. Field 74-1 A. Michler & Lopsinger 653. unknown
1933ref. 88275Neuilly-sur-Seine: Le Phare de Neuilly 1933. Fine. One of the rarest and most iconic Surrealist magazines Le Phare de Neuilly Neuilly-sur-Seine S.d. 1933 18.20 x 25.10 cm 3 volumes brochés First edition of this important and very rare magazine complete with 4 issues in 3 volumes. Complete collection of this luxurious Surrealist magazine edited and funded by Lise Deharme and characterized by its emphasis on photography. Covers illustrated by Man Ray illustrations in black. Contributions by Salvador Dali Hans Arp Dora Maar Oscar Dominguez Brassaï Lee Miller Jacques Lacan James Joyce Georges Ribemont-Dessaignes Ilarie Voronca Nathalie Barney Benjamin Fondane Pierre Drieu La Rochelle Alejo Carpentier Eugène Jolas Lise Hirtz Lise Deharme Raymond Queneau Claude Sernet Roger Vitrac Robert Desnos Jean Follain Léon-Paul Fargue Pierre Keffer Jacques Baron Gottried Benn Céline Arnauld Monny de Boully Georgette Camille André de Richaud Jules Supervielle Claire Goll Paul Laforgue David Herbert Lawrence Marcel Jouhandeau Paul Dermée Jean Painlevé Nadar Pétrus Borel and Stendhal. Sunned spine on the No. 3/4 issue. Spine-ends and corners slightly rubbed otherwise a wonderfully preserved copy. A very fine example of this rare avant-garde magazine which ""came into being over the course of a few dinners that brought together the dissidents of Surrealism and other poets in this hospitable abode of Lise Deharme. Robert Desnos provided the title. Georges Ribemont-Dessaignes was the editor. Man Ray had designed the cover: a silhouette of a lighthouse against a photographic background of sailing boats. . It contains curiosities: a tale by Petrus Borel a photo by Nadar popular songs an investigation into the neurosis of war epitaphs taken from a cemetery of animals. Among other curiosities a sonnet by the famous psychoanalyst Jacques Lacan. It is entitled Hiatus irrationalis."" Jacques Baron Cahiers de l'Herne Raymond Queneau p. 333. Le Phare de Neuilly unknown
1983ref. 125122Ray Internacional 1983. Hardcover. very good. 1st Edition. unpaginated. Thin quarto black cloth with gilt on front cover and spine. Black endpapers. Illustrated with full-page plates from photography as well as paintings. Scarce. Majority of text done in english with minor additions done in french. very good 1983 Ray Internacional hardcover
1969ref. 173928Switzerland: Graphic Europa Anstalt 1969. Edition of 100 signed in pencil lower right by Dalí numbered lower left Dali blind stamp lower right. One of 11 plates from the Hippies portfolio. Hand coloured drypoint etching on Japon paper. Plate size: 39.4 x 31.5 cm. Sheet size: 66 x 51 cm. Framed size: 75.8 x 59.4 cm. Tape residue to extreme upper edge from previous hinging otherwise in excellent condition. Presented in a white gold leaf frame with conservation acrylic glazing. Field 69-13K. Michler & Lopsinger 381. unknown
1963ref. 27828Paris: Jean-Jacques Pauvert. 1963. First Edition; First Printing. Hardcover. Handsome book bound in oatmeal textured cloth with paper labels on front board held together by a striped belt and buckle. A very good copy of this example of Dali's paranoiac-critical method. Text in French. Small stain on spine some toning to edges. ; 4to 11" - 13" tall; 105 pp . Jean-Jacques Pauvert hardcover books
1968ref. 109473Paris : Jean-Jacques Pauvert 1968. reliure d'éditeur. Dali.Le mythe tragique d’Angélus de Millet. Paris Jean-Jacques Pauvert1968 275x215mm 105 pages reproductions n/b et couleurs contrecollées reliure d'éditeur. toile écrue vignette de titre et image de l’Angelis fermoir en tissus et boucle en métal. Très bel exemplaire. No hidden customs fees for orders shipped to the U.S.A with a value of up to 800 USD PDDP shipping we pay the VAT in advance Jean-Jacques Pauvert unknown
ref. 28715Paris Pauvert 15 octobre 1963. 1 vol. 215 x 275 mm de 166 p. Cartonnage éditeur 33 planches hors-texte dont 3 en couleurs 2 illustrations dans le texte de Dali dont l'une d'après Millet. . Édition originale. Envoi signé : « Monsieur Max-Pol Fouchet Dali 1963 ». . Analysant l’œuvre de Jean-François Millet à coup d’associations personnelles irrationnelles et on ne peut plus obsessionnelles Salvador Dali en vint à des interprétations dont on ne résiste pas à donner ici un aperçu : la fourche fichée en terre par le paysan signifie la pénétration sexuelle mais aussi un scalpel de dissection ; le chapeau que ce même homme tient contre lui « essaie de cacher son état d’érection » tandis que les poignées de la brouette derrière la femme répondent à la prière d’une mante religieuse. La suite et l’ensemble de cette interprétation « paranoïaque-critique » selon la définition de l’auteur figure dans un texte écrit en 1938 que Dali laissera longtemps de côté avant de l’éditer chez Jean-Jacques Pauvert en 1963. Les exemplaires dédicacés sont peu fréquents. Parfait état. Paris, Pauvert, (15 octobre) 1963. 1 vol. (215 x 275 mm) de 166 p. Cartonnage éditeur, 33 planches hors-texte dont 3 en couleur unknown
1978ref. C31949Paris 1978. First Edition Thus. Wraps. Very good plus. 8vo. pp 176. Original publisher's illustrated black covers lettered yellow. Text in French. Reprint of 1963 edition. Nouvelle ed. augmentee. Illustrated in colour and b/w throughout. ISBN: 2720201189 paperback
1963ref. 358173Paris France: Jean-Jacques Pauvert 1963. Special Limited Edition. Hardcover. Fine. Large 8vo 9" - 10. Salvador Dali. A truly fine exemplar of the Special Limited Edition of only 100 copies printed by Societe d'Impressions Publicitiaires in October of 1963. Table Des Matieres at book's end with Prologue I Partie II Partie III Partie with Appendice et Notes. Epigraph reads "Le scenario 'secret' le plus bouleversant pour selui qui osera le film le plus ambitieux." Translated: "The most upsetting 'secret' scenario for him who dares to make the most ambitious film." From the personal library of Dr. Sue Taylor noted Professor Emerita of Portland State University Hans Bellmer expert and lecturer-extraordinaire but ultimately from the personal library of her friend the fine-art curator and impresario Don Baum 1922 – October 28 2008 and who purchased the item straight from the publisher. Baum was an American curator artist and educator according to his Wikipedia entry "most known as a key impresario and promoter of the Chicago Imagists a group of artists that had an enduring impact on American art in the later twentieth century." Taylor asserted that Baum was known for "lively and irreverent" exhibitions and that blended elements of popular culture with those of Surrealism. He enabled artists such as "Ed Paschke Jim Nutt Roger Brown Gladys Nilsson and Karl Wirsum" Wikipedia. This exemplar is bound in an attractive Imperial octavo format featuring oatmeal sailcloth over boards measuring 10 3/4" by 8 1/2" tall and wide respectively augmented with a black-and-white reproduction of a Millet painting inset barely abraded typed paper label to front cover and with original cloth belt and clasp fully intact. Twenty-eight tipped-in images several in full-page a couple in full-page format evincing inventive use of post-cards from the past some being mildly scurrilous others being of grasshopper proboscisces. The inset Millet painting reproduction at front cover is repeated again and again and again at verso of many leaves of fine typescript; the font-bite is a bit faint here and there but still easy to read. The most representative exemplar of Dali's "paranoiac-critical method" say art critics; all French-language text. Laid in loosely are two invitations from the publisher Editions Jean-Jacques Pauvert in effect invitations to receive their catalogues periodically. All in a fairly arresting exemplar of an unusual S.D. item and with tight provenance and valuable association. 105 pp.Member I.O.B.A. C.B.A. and adherent to the highest ethical standards. Additional postage may be required for oversize or especially heavy volumes and for sets. Jean-Jacques Pauvert hardcover
1963ref. 150996Paris: Jean-Jacques Pauvert 1963. Inscribed by Dali First edition inscribed by the artist across the title page "Pour Christine Vaclasmy Dali 1963" with a loose sketch of a figure possibly a girl skipping a common motif in Dalí's work. The Angelus by Jean-Francois Millet is an oil painting completed between 1857 and 1859. It depicts two figures in a field heads bowed over a basket of potatoes in their recitation of the Catholic devotional prayer. It had a significant impact on Dali who saw a print of the painting early in life and insisted that it did not depict a prayer but a funeral scene. The Louvre at his request had the painting examined by x-ray and showed that there was originally a small coffin-shaped object painted in place of the basket. This discovery is included in the prologue and much of the text depends upon Dalí's interpretation of The Angelus as a tragic image of American folklore. Dalí created several paintings inspired by the titular work: The Architectural Angelus of Millet and Gala 1933 and Gala and the Angelus of Millet Preceding the Imminent Arrival of the Conical Anamorphoses 1933. These were followed two years later by a similar pair of paintings which included a partial reproduction of Millet's Angelus called The Angelus of Gala and Archaeological Reminiscence of Millet's Angelus. Quarto. Illustrated throughout by Salvador Dali 33 plates tipped in. Original beige cloth with woven strap and buckle titles to front cover on octagonal plate in red and black black and white illustration of The Angelus to front cover on rectangular plate. Housed in a custom box illustrated with photographs of this copy. Lightly foxed with a few marks and one small scratch to covers a little shelfwear a few slight bumps to head of front board a touch of foxing to end matter and occasionally toned box a little rubbed and tips lightly bumped else bright and clean. A very good copy indeed square and firm. hardcover
1963ref. 27828Paris: Jean-Jacques Pauvert. 1963. First Edition; First Printing. Hardcover. Handsome book bound in oatmeal textured cloth with paper labels on front board held together by a striped belt and buckle. A very good copy of this example of Dali's paranoiac-critical method. Text in French. Small stain on spine some toning to edges. ; 4to 11" - 13" tall; 105 pp . Jean-Jacques Pauvert hardcover
