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1995rif. C86304Fonds Mercator. As New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 515 pages with many illustrations. Catalogue Raisonné Catalogue Raisonne Catalog Raisonnee Complete Works -- with a bonus offer-- - May be EITHER: out of print OOP and extremely rare in this pristine condition; signed by author or contributor; or a first or special edition; inquire for details . 1995. Fonds Mercator hardcover
rif. 1409t'Amsterdam: By Jan Ten Hoorn 1698 AND t'Amsterdam: By Jan Ten Hoorn 1699. Hardcover. Very Good. Quarto. 4 volumes. Ad I by Bosch in three volumes: I: 1 480 300pp.; II: 2 403 431pp.; III: 3 331 281pp. With an engraved title-page added. Ad II by Zanten: Four parts in one volume. I: xvi 192pp.; II: iv 128pp.; III: iv 159pp.; IV: iv 198pp. With the half-title and the engraved title-page present. Contemporary uniform blindstamped vellum with a half inch crack to the upper joint of the second volume of Bosch work. With 24 engraved plates by Jan Van Luyken to Bosch's work and 12 engraved plates again by Jan Van Luyken to Zanten's work. A fine copy. t'Amsterdam: By Jan Ten Hoorn, 1698 [AND] t'Amsterdam: By Jan Ten Hoorn, 1699. hardcover
rif. 002774t'Amsterdam: By Jan ten Hoorn 1699 AND t'Amsterdam: By Jan Ten Hoorn 1698. Hardcover. Very Good. Quarto. 4 volumes. Ad I by Zanten: Four parts in one volume. I: xvi 192pp.; II: iv 128pp.; III: iv 159pp.; IV: iv 198pp. With the half-title and the engraved title-page present. Ad II by Bosch in three volumes: I: 1 480 300pp.; II: 2 403 431pp.; III: 3 331 281pp. With an engraved title-page added. Contemporary uniform blindstamped vellum with a half inch crack to the upper joint of the second volume of Bosch's work. With 12 engraved plates by Jan Van Luyken to Zanten's work and 24 engraved plates again by Jan Van Luyken to Bosch's work. A fine copy. t'Amsterdam: By Jan ten Hoorn, 1699 [AND] t'Amsterdam: By Jan Ten Hoorn, 1698. hardcover
1995rif. 86304Fonds Mercator. New. 1995. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 515 pages with many illustrations. Catalogue Raisonné Catalogue Raisonne Catalog Raisonnee Complete Works Fonds Mercator hardcover
rif. ABC_48894Leeuwarden: printed by Abraham Ferwerda and Gerrit Tresling 1770. Later half vellum boards covered with paper manuscript title in black ink on the spine blue sprinkled edges. Small folio ca. 31 x 20 cm. With the title page set within a red decorative border 21 full-page mezzotint portraits with 3- or 4-line captions in Dutch and 10 woodcut tailpieces. Rare first and only edition of a concise history of the Stadtholders of the Dutch provinces of Friesland Groningen and Drenthe written by Johannes van den Bosch 1713-1784. It contains short biographies and genealogies of various members of the House of Orange-Nassau and their wives covering the period of 800-1769. The text ends with a description of the tombs of the Frisian Nassaus located in the Grote of Jacobijnerkerk in Leeuwarden. Van den Bosch was a Dutch merchant and director of the bank of loan in Leeuwarden. He dedicated this work to Stadtholder William V Prince of Orange 1748-1806 dated Leeuwarden 2 July 1770.The biographies are illustrated with 21 full-page engraved portraits all executed in the rare mezzotint technique using a black background for the effect of half-tones. The identity of the printmaker of these remarkable engravings is still not identified although Van Someren ascribes it to Rienk Jelgerhuis 1729-1806 a Dutch artist and engraver who was born in Leeuwarden. This attribution is understandable due to the fact that this work is sometimes accompanied by Jelgerhuis' print series of a royal funeral not present in our copy titled Nauwkeurige afbeelding der lijk-statie van . Maria Louisa geboren Princesse van Hessen-Kassel douarière van Johan Willem Friso . which was published in 1765 in Leeuwarden by Abraham Ferwerda and Rienk Jelgerhuis cf. FM 4160.From the celebrated library of the Dutch jurist Mr. F.C. Koch 1873-1957 with his bookplate and label mounted on the front pastedown including a few annotations in pencil regarding the possible identity of the engraver. Previously from the collection of the Dutch bookseller A.J. van Tetroode 1796-1875 with his oval labels in respectively Dutch and French mounted in the lower blank margin of the title page and on the blank verso of p. 87. Also with the collectors mark of the Dutch architect and artist C. Kramm 1797-1875 on the title page. Further with an extensive manuscript annotation in black ink on the first free endpaper concerning a portrait of William I Count of Nassau-Siegen 1487-1559 and with a green owner's stamp on the back pastedown. The spine and back board are slightly soiled the paper over the boards is partly worn lacking part of the bottom left corner on the back board front hinge slightly weakened inner blank margin of 2 preliminary leaves and 1 mezzotint portrait water stained a few annotations in black ink in the text. Otherwise in good condition.l Van der Aa II pp. 1009-1010; Eekhoff De stedelijke bibliotheek van Leeuwarden p. 255; Gabriëlse De rondreizende portrettist Rienk Jelgerhuis 1729-1806 in: Antiek 17 nr. 4 1982; Lipperheide vol. 2 945m; STCN 157630110 9 copies; Van Someren I no. 127; WorldCat 64807065 66978886 78838216 458354432 557949324 1199131938 22 copies; cf. for the collectors marks: Lugt L.585 and L.2390. printed by Abraham Ferwerda and Gerrit Tresling, hardcover
1955rif. 85075s. l. Paris 1955. Fine. ""Bon gré mal gré comme tous les rêves on est retenu à l'intérieur de ce b. mental où interfèrent les symbolismes chrétien alchimique sexuel sinon d'autres encore et dont les desservants ne le cèdent pas en impassibilité aux protagonistes d'Histoire d'O . En dépit de la météorologie toujours un peu ""à la traîne"" le printemps de 1955 s'annonce magnifique à Paris"" s. l. Paris 1955 21 x 27 cm 2 pages sur 2 feuillets Autograph manuscript signed by André Breton written in black ink on two sheets of green paper. Horizontal fold to each sheet pagination in red pencil on the 2nd sheet. Published in the journal Art 1955. Breton delivers an impeccable literary and artistic chronicle for spring 1955 focusing on the feminine explored through painting and poetry. He marvels at a copy of Hieronymus Bosch's Garden of Delights soon to be auctioned and compares it to Histoire d'O praises the merits of Roger Droguet's collection of poems Féminaire and pays tribute to the continuous celebration of femininity in the surrealist canvases of Max Walter Svanberg exhibited at the gallery « L'Etoile scellée » in March and April 1955. ""Ce printemps qui tarde à naître tout au moins ajourne ici l'exaltation de la chair de la femme par cette brusque floraison de toilettes légères qui est la grande fête de l'année semble d'abord vouloir se faire quêter dans les tableaux et dans les livres. Auront pu jouir de son triomphe latent ceux qui ont eu loisir de contempler la réplique ancienne du panneau central du Jardin des Délices exposée à la galerie Charpentier avant sa mise aux enchères . il s'offre ainsi dans un dévoilement résolument impudique de toute grandeur . La dominante chair créée par la profusion de nus et qui gagne jusqu'aux édifices fantastiques du registre supérieur fait tourner l'esprit dans sa cage comme un écureuil . Le Jardin des Délices. N'ayons garde de rejeter dans le passé et sachons quand il y a lieu en percevoir autour de nous les effluves. . Depuis longtemps n'avait paru de recueil de poèmes qui en soit aussi chargé que Féminaire de Roger Droguet. Rien d'aussi osé non plus du fait que constamment appliqué à maintenir le désir à l'état d'effervescence . Quand bien même ce que la femme chevauche ne serait plus ici une licorne mais bien une 'selle de moto' et par la même occasion on en serait quitte une fois pour toutes avec le 'péché' le grand vertige demeure et le dernier mot reste à l'éperdu"". unknown
rif. 51-4346Antwerp: Cornelis van Tienen early 17th Century. Original engraving on old laid paper. Watermark of a scroll crosse or bird's head in profile similar to the Briquet series. 1272-1319.; 220 x 282 mm. and Heawood's Crozier series 1172-1236. Trimmed close to the image.Ref: The Prints of Hieronymus Bosch by Paul Lafond and Susan Gilchrist.San Francisco Alan Wofsy Fine Arts 2002.no. 19; ; Hollstein 25.; De Pauw-De Veen State III of V. Antwerp: Cornelis van Tienen, early 17th Century. unknown
rif. 51-4348Antwerp: Joannes Galle early 17th Century. Original engraving on old laid paper. 223 x 257 mm. Thread margins.Ref: The Prints of Hieronymus Bosch by Paul Lafond and Susan Gilchrist San Francisco Alan Wofsy Fine Arts 2002.no. 16; ; Hollstein 21.; De Pauw-De Veen State IV of V.1600-1676BiographyEngraver and print dealer son of Theodor Galle q.v.; based in Antwerp where he became a master in the Antwerp Guild of St Luke in 1627-8 and its dean in 1638-9. The correct date of his death is 20 December 1676. Antwerp: Joannes Galle, early 17th Century. unknown
rif. 72294ca. 1965. Bronze sculpture. Ca. 175 x 100 x 75 cm. = A beautiful cold-painted bronze of three different species of Amazon parrots on the branches of a tree made by the Dutch sculptor Gerda van den Bosch born 1929. "Gerda van den Bosch was born . on the Island of Java then part of the Dutch East Indies. Pre-war Java was a child's paradise with exotic plants and animals. But her idyllic life was shattered by war and internment. Gerda was deprived of her greatest joy her pets. Some 50 pigeons. In the internmentcamp she created her lost friends from pieces of wood and on small paper cuttings. All her 50 pigeons were portrayed. Today these miniatures remain a personal memoriam to these dark years. After the war Gerda completed her education by becoming a teacher. In Biology too so enhancing her knowledge about the structure of life forms. However. the next ten years she worked together with the very skilled sculptor Marcus Ravenswaay who became her teacher. Her first major commission that brought her to the attention of the public was a bronze dog waiting for his master. This figure stands in front of a railway station. This expressive bronze produced a flood of further commissions. Her work was soon expanded to cover other animals and the human form her figures ranging from miniatures to larger groups destined for either private collections or public display." from her website. The species depicted in this bronze are a blue-and-yellow macaw Ara ararauna Linnaeus; a scarlet macaw Ara macao L. and a military macaw Ara militaris L. or perhaps a hybrid. One "feather" partly broken otherwise in very good condition; the birds accurately modelled in lively positions the colours bright and natural. A unique item of great beauty. unknown