Armand Israël; Georges BraqueBiblio.com
263 résultats
réf. 18-7670Barcelona: Fine Art Gallery 2006. 4to. 94 pp. Very Good. Hard Cover. Illustrated paper covered boards. Color and B&W plates throughout. Text in Spanish and French.ISBN: 2909225232 9782909225234 Barcelona: Fine Art Gallery, 2006. hardcover
réf. 15-8124New York: Perls Gallery 1950. 8vo. 4 pp. Printed Wraps Very Good. Illustrated cover. Scarce.The Perls Gallery in New York was founded in 1937 by Klaus Gunther Perls 1912-2008 and his brother Franz R. Perls1910-1975 after having worked at their mother's Galerie Kate Perls in Paris. Following his marriage to Amelia Blumenthal of Philadelphia in 1940 Klaus and Amelia B. Perls jointly ran the gallery. They specialized in modern French painting while Franz established the Frank Perls Gallery in Beverly Hills. He originally dealt in works by Maurice Utrillo Maurice de Vlaminck and Raoul Dufy that his mother sent from Paris until the Nazi occupation. When she was forced to flee France he began dealing in now little known contemporary American artists including Darrel Austin and in Mexican and South American art such as Mario Carreno. After the war Klaus again dealt in French art from the School of Paris.Artists in the Perls' stable included Rouault Picasso Léger Derain Dufy Matisse Modigliani Pascin Soutine and Vlaminck. The Perls Galleries closed in 1997. New York: Perls Gallery, 1950. paperback
réf. 15-8091New York: Perls Gallery 1957-60. The Perls Gallery in New York was founded in 1937 by Klaus Gunther Perls 1912-2008 and his brother Franz R. Perls1910-1975 after having worked at their mother's Galerie Kate Perls in Paris. Following his marriage to Amelia Blumenthal of Philadelphia in 1940 Klaus and Amelia B. Perls jointly ran the gallery. They specialized in modern French painting while Franz established the Frank Perls Gallery in Beverly Hills He originally dealt in works by Maurice Utrillo Maurice de Vlaminck and Raoul Dufy that his mother sent from Paris until the Nazi occupation. When she was forced to flee France he began dealing in now little known contemporary American artists including Darrel Austin and in Mexican and South American art such as Mario Carreno. After the war Klaus again dealt in French art from the School of ParisArtists in the Perls' stable included Rouault Picasso Léger Derain Dufy Matisse Modigliani Pascin Soutine and Vlaminck. The Perls Galleries closed in 1997. New York: Perls Gallery, 1957-60. unknown
réf. 18-8427London England: London Arts Group 1967 . Exhibition catalogue. 8vo. 16 pp. Stiff glossy blue and black illustrated wraps with white and black lettering. Good with chipping and tearing along spine. 39 Black and white plates. Catalogue compiled to illustrate a representative exhibition of Braque's graphic work prepared for the eighty-fifth anniversary of his birth in 1967. From the library of Pasquale Iannetti as indicated by stamp and library card on end papers. London, England: London Arts Group, 1967, paperback
réf. 15-8094New York: Perls Gallery 1959. 8vo. Oblong French Fold Sheets Deckled Laid Paper Very Good. Illustrated Cover. Scarce. 4 pp.The Perls Gallery in New York was founded in 1937 by Klaus Gunther Perls 1912-2008 and his brother Franz R. Perls1910-1975 after having worked at their mother's Galerie Kate Perls in Paris. Following his marriage to Amelia Blumenthal of Philadelphia in 1940 Klaus and Amelia B. Perls jointly ran the gallery. They specialized in modern French painting while Franz established the Frank Perls Gallery in Beverly Hills He originally dealt in works by Maurice Utrillo Maurice de Vlaminck and Raoul Dufy that his mother sent from Paris until the Nazi occupation. When she was forced to flee France he began dealing in now little known contemporary American artists including Darrel Austin and in Mexican and South American art such as Mario Carreno. After the war Klaus again dealt in French art from the School of ParisArtists in the Perls' stable included Rouault Picasso Léger Derain Dufy Matisse Modigliani Pascin Soutine and Vlaminck. The Perls Galleries closed in 1997. New York: Perls Gallery, 1959. unknown
1960réf. 60326Pittsburgh PA: Carnegie Institute 1960. First Edition 1/250 copies. Braque. Folio little faded and soiled paper wraps. Designed and printed under the direction of Jack Stauffacher of the Carnegie Institute. Two Braque sketches reproduced from "The Intimate Sktchbooks of G. Braque. Carnegie Institute unknown
réf. 70-3142PariÌs : Fernand Hazan 1958. 12mo. 27 pp. Very Good. Soft Cover. Illustrated stiff paper wraps. Minor shelf wear. Color plates throughout. Penciled notation on title page.Provenance: From the estate of Gerald Nordland 1927-2019. Nordland was a museum director art critic educator and author. Dean of the Chouinard Art Institute 1960-64 Director of the San Francisco Museum of Art now SFMoMA 1966-73 Milwaukee Art Museum 1977-85 and the UCLA Wight Art Gallery 1973-77. He is the author of over 60 publications including books on Lachaise Nakian Diebenkorn and Frank Lloyd Wright. PariÌs : Fernand Hazan, 1958. paperback
réf. 18-7763Paris: Galerie Adrien Maeght 1985. Folio. 46 pp. Very Good. Soft Cover. Illustrated paper wraps. Some wear and creasing on wraps. Color and B&W plates throughout. From the library of Pasquale Iannetti as indicated by stamp and library card on end papers. Text in French. Scarce. Paris: Galerie Adrien Maeght, 1985. paperback
réf. 17-5022Paris France: Galerie Schmit 2001. . 8vo. Ca. 100 pp. Softcovers. Very Good. Color Plates. Text in French. Paris, France: Galerie Schmit, 2001. paperback
réf. 71-9991Pasadena CA: Pasadena Art Museum 1960. 4to. 25 pp. Soft Cover. Stapled binding. Color and B&W illustrations. Very Good minor surface rubs small holes in the back cover. Pasadena, CA: Pasadena Art Museum, 1960. paperback
réf. 18-7964Minneapolis: The Minneapolis Institute of Arts 1975. 4to. 83 pp. Very Good. Soft Cover. Illustrated paper wraps. Minor shelf wear and some creasing on corners. Pages fine. Color and B&W plates throughout.From the Collection of the Art Historian Peter Selz. Minneapolis: The Minneapolis Institute of Arts, 1975. paperback
1984réf. D11HS1071Galerie Greub Basel 1984. 1st Edition. HARDCOVER. Folio size in colour printed glossy boards. Unpaginated approx. 46pp text in English and German and 46 lavishly printed full page colour plates __CONDITION : An extremely well preserved AS NEW unread and unmarked copy merest hint of tanning to leaves. . __We always ship in PROTECTIVE CARD PARCELS Galerie Greub, Basel hardcover
réf. 379130870X.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. 1013803337.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1943réf. 71093Villeneuve-lès-Avignon: Pierre Seghers 1943. Fine. Pierre Seghers Villeneuve-lès-Avignon Mars-Avril 1943 13.50 x 21.50 cm broché First edition. Contributions by Jean Paulhan ""Braque le patron"" Georges Ribemont-Dessaignes ""Le grand désert"" and ""D'une figure de cire"" André Frénaud ""Nöel 39"" Robert Ganzo and Eugène Guillevic ""Poèmes"". Spine slightly sunned one gathering poorly cut with marginal lacks on one leaf. Illustrations by Georges Braque. Pierre Seghers unknown
réf. 2070209776.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. B9781013803338Hardback. New. hardcover
réf. 1528523504.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1988réf. 049009Prestel Pub. CLEAN Fine 19988 first printing hardcover with a very good dust jacket. . Fine. Hardcover. First Edition. 1988. Prestel Pub hardcover
1962réf. OP-1298Galerie Bayeler Basel 1962. paperback. fine. Galerie Bayeler, Basel unknown
réf. 12369350612Hardcover. GOOD. Hardcover No DustjacketShelf wear Tight binding Clean unmarked text hardcover
1946réf. 269573Editions des Trois Collines 1946. First Edition. Trade Paperback. 171 pages. 1 tipped on color plate and 56 B/W illustrations. Text in French. 9.75 x 7.5 inches. First edition first printing. A near fine copy in stiff pink and blue wrappers paperback. Partially unopened. Slightly frayed at edges. Editions des Trois Collines paperback
1961réf. 904Harry N. Abrams. Near Fine in Very Good dustjacket. 1961. First Edition. Hardcover. Revolutionary of modern art. 174 reproductions 9 in color. ; 4to 11" - 13" tall . Harry N. Abrams hardcover
réf. 0365563412.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1972réf. TH220186Marlborough Galerry London 1972. 1st Edition. SOFTCOVER. Large heavy 4to. in colour printed stiff glossy card covers with printed transparent plastic dust jacket 196pp on various types of paper colour plates etc __CONDITION : A well preserved FINE very clean and tight unmarked copy page-block edges slightly tanned in a torn but tape repaired VERY GOOD Dust Jacket. . __We always ship in PROTECTIVE CARD PARCELS Marlborough Galerry, London paperback
