1924réf. 198218Paris: Editions des Quartre Chemins 1924. Both volumes #96 on Arches Vellum. Paperback. Good Wraps are moderately toned/scuffed/smudged/bumped; glassine is moderately chipped at corners and edges; spines are moderately bumped; spine strips are peeling a bit at both ends; pages are unopened; textblock edges are tanned/bumped; some tissue guards are loose and bent; interior is lightly toned with occasional foxing/smudging. White wraps with green and brown illustration with glassine DJ; two volumes; unpaginated; pages are unopened; tissue guards; richly illustrated some color. Text in French. Filled with absolutely gorgeous illustrations and facsimiles throughout. Volume I contains "Un article et un portrait de Georges Auric par Jean Cocteau un article de Louis Laloy une page de la partition de Georges Auric et 23 dessins en couleurs de Georges Braque." Volume II has the subtitle "Realisation Scenique." Editions des Quartre Chemins paperback books
1960réf. 801Paris, Maeght éditeur, 1960. In-folio (380 x 280 mm) en feuilles, 36 pages. Édition originale et 1er tirage des 12 lithographies hors-texte, soit : 8 LITHOGRAPHIES ORIGINALES EN COULEURS de Braque (double-page), Chagall, Mirò (double-page), Bazaine (double-page), Ubac, Palazuelo, Tal-Coat (double-page) et Chillida ; 2 LITHOGRAPHIES ORIGINALES EN NOIR de Fiedler et Giacometti ; 2 LITHOGRAPHIES EN COULEURS d'après Wassily Kandinsky et Fernand Léger (double-page). DLM publié en mars 1960 pour l'exposition d'œuvres de Braque, Chagall, Kandinsky, Léger, etc. Textes de Char, Cendrars, Volboudt, Brossa, Queneau, Leclercq, Frénaud, Tardieu, Hernandez, Guillén et du Bouchet. Magnifique numéro, ici à l'état de neuf.
1958réf. 1381LITHOGRAPHIE EN COULEURS (36 x 52,8 cm) exécutée par Mourlot, d'après l'œuvre originale de 1952 en papiers découpés d'Henri Matisse, pour figurer dans Verve 35-36 (1958). BELLE ÉPREUVE SUR VÉLIN D'ARCHES À GRANDES MARGES, non pliée au centre. Tirage non mis dans le commerce, il était réservé à Tériade, à ses collaborateurs et amis. Parfait état.
réf. EXE-840Paris, Maeght Éditeur, 1964. In-folio en feuilles, chemise et étui de l’édition. Illustré d’une zincographie en couleur de Pierre Tal Coat, et 4 lithographies. Tirage à 350 exemplaires sur vélin de Rives, CELUI-CI LE NUMÉRO 160, COMPRENANT L’EAU-FORTE TROIS OISEAUX SUR FOND VIOLET DE GEORGES BRAQUE.
1956réf. B-2022-0733Maegth Editeur Paris 1956. First edition of a special issue of Derrière le Miroir magazine published in the occasion of its tenth anniversary. Illustrated with 2 original lithographs in color in double page by Chagall and Miro one original lithograph by Bazaine 2 etchings with cancellation line by Miro and Giacometti and a two-tone woodcut of Ubac on the cover. Photogravure artists portraits Braque Miro Chagall Giacometti by Mariette Lachaud. Very good condition. Maeght Editeur paperback
1956réf. B-2022-0733Maegth Editeur Paris 1956. First edition of a special issue of Derrière le Miroir magazine published in the occasion of its tenth anniversary. Illustrated with 2 original lithographs in color in double page by Chagall and Miro one original lithograph by Bazaine 2 etchings with cancellation line by Miro and Giacometti and a two-tone woodcut of Ubac on the cover. Photogravure artists portraits Braque Miro Chagall Giacometti by Mariette Lachaud. Very good condition. Maeght Editeur paperback books
1948réf. 46361K éditeur | Paris 1948 | 13.50 x 19.50 cm | broché
1964réf. 015745Alès Pab - Pierre André Benoit 1964 In-4 carré En feuilles, couverture à rabat
1968réf. CTC-191Catalogue de l'oeuvre de Georges Braque, entre 1924 et1957 divisé en 5 volumes, Editions Maeght
réf. 51-1947Paris: Maeght Editeur 1947-1956. Bound volume of five issues comprising DLM Nos. 4 25/26 48/49 71/72 &85/86. Each with illustrations by Georges Braque including 12 color lithographs several double page. Folio 37x27 cm 14½x10¾" brown cloth.Five of the Braque issues of this famous art periodical presented in a single volume. Paris: Maeght Editeur, 1947-1956 hardcover
1922réf. 17942Collection "Z", Jacques Povolozky & Cie, Paris 1922. Un volume petit in-4 (23,5 x 20,5 cm) broché, 42 pages sous couverture illustrée en deux tons. Édition originale. 3 BOIS ORIGINAUX DE LOUIS MARCOUSSIS : la couverture en couleur et deux hors-texte en noir monogrammés dans la composition. 1 DES 10 EX. JUSTIFIÉS SUR HOLLANDE, À GRANDES MARGES (n°XIII). ÉNIGMATIQUE ET HISTORIQUE ENVOI DE L'AUTEUR. Il a été tiré de cet ouvrages 216 exemplaires numérotés dont : 1 Chine (I), 5 Japon (II à VI), 10 Hollande (VII à XIV) et 200 Vélin. Notre exemplaire a ses témoins conservés, ce qui n’est ni le cas des Japon ni de la plupart des Hollande, est donc d’un format plus large que ceux-ci et bien sûr des velin.
1944réf. 2410240339xbvkParis, Louis Carré Éditeur, MCMXLIV (1944); Presses de L'Imprimérie Union, Reproduction des Dessins: Georges Duval. 40 untrimmed folded sheets (=160 pages overall) of thick paper 'Vélin d'Arches' (with watermarks), including foretitle-, partly red-printed titlesheet, 'Justification du Tirage' and colophone, text by Louis Carré until page 19, titlesheets to each section (I. 'La Mer', II. 'Paysages', III. 'Châteaux', IV. 'Venise - Côte d'Azur et Roussillon', V. 'Tarascon et Alger', VI. 'Dessins de Nus et Portraits', VII. 'Les Courses', VIII. 'Le Théâtre et le Monde', IX. 'La Musique') with many quarter- to doublepage illustrations (intaglio) and transparent tissueguards loosely inserted. - Loose in another 2 blank doublesheets which hold the publisher's light-brown large-paper dustjacket, again loose in publ. stiff cardboard folder with cloth-joints and large printed artist's name at spine; Folio (ca. 36 x 24 x 4 cm; ca. 2 kg.).
1960réf. 801-1Paris, Maeght éditeur, 1960. In-folio (380 x 280 mm) en feuilles, 36 pages. Édition originale et 1er tirage des 12 lithographies hors-texte, soit : 8 LITHOGRAPHIES ORIGINALES EN COULEURS de Braque (double-page), Chagall, Mirò (double-page), Bazaine (double-page), Ubac, Palazuelo, Tal-Coat (double-page) et Chillida ; 2 LITHOGRAPHIES ORIGINALES EN NOIR de Fiedler et Giacometti ; 2 LITHOGRAPHIES EN COULEURS d'après Wassily Kandinsky et Fernand Léger (double-page). DLM publié en mars 1960 pour l'exposition d'œuvres de Braque, Chagall, Kandinsky, Léger, etc. Textes de Char, Cendrars, Volboudt, Brossa, Queneau, Leclercq, Frénaud, Tardieu, Hernandez, Guillén et du Bouchet. Magnifique numéro.
1960réf. 91440Paris Maeght, N° spécial de la revue "Derrière le miroir", n° 119 1960 1 vol. Broché in-folio, en feuilles, sous couverture illustrée d'une lithographie en couleurs de Raoul Ubac, 36 p. avec 12 lithographies de Braque, Chagall, Léger, Kandinsky, Miro, Giacometti, Ubac, Bazaine, Chillida, Palazuelo, Tal-Coat et Fiedler. Textes de René Char, Blaise Cendrars, Pierre Volboudt, Joan Brossa, Raymond Queneau, Léna Leclercq, André Frénaud, Jean Tardieu, Miguel Hernandez, Jorge Guillen, André Du Bouchet et Jacques Dupin. Petites traces de colle à deux pages, sinon bonne condition.
1960réf. 91440Paris Maeght, N° spécial de la revue "Derrière le miroir", n° 119 1960 1 vol. Broché in-folio, en feuilles, sous couverture illustrée d'une lithographie en couleurs de Raoul Ubac, 36 p. avec 12 lithographies de Braque, Chagall, Léger, Kandinsky, Miro, Giacometti, Ubac, Bazaine, Chillida, Palazuelo, Tal-Coat et Fiedler. Textes de René Char, Blaise Cendrars, Pierre Volboudt, Joan Brossa, Raymond Queneau, Léna Leclercq, André Frénaud, Jean Tardieu, Miguel Hernandez, Jorge Guillen, André Du Bouchet et Jacques Dupin. Petites traces de colle à deux pages, sinon bonne condition.
1967réf. 21266961967. Basel: Les Editions Phoebus . 15 September 1962. Folio. Housed in the original card drop-backed case with internal pocket facsimile Braque signature to upper board. 10 collotype prints within card frames accompanied by a 10-pp. autobiographical note by Braque as recorded by Dora Vallier pamphlet-stitched in plain wrappers using twine; slight wear to corners of case upper joint of case neatly restored; the prints and text remain in fine condition.Very rare limited edition no. 236 of 600 signed by the artist of these ten collotype plates spanning much of Braque's 1882-1963 career as a Cubist published the year before his death.The plates comprise two Compositions; Mandoline et Compotier; Tete; Profil et palette; Le Cygne; Tete Greque; Nature morte au pichet; A tire d'aile ; and La Charrue ; of the ten works produced between 1914 and 1959 six are from the artist's own collection and three use Braque's papier colle collage technique developed jointly with Pablo Picasso. They are preceded by 'Braque la peinture et nous' an autobiographical reflection on his work as a painter as recorded by Dora Vallier art historian and the author of the catalogue raisonne of Henri Rousseau. The text had first been published in Cahiers d'art vol. I 1954. The first sixty copies of Dix oeuvres featured an original lithograph signed by the artist produced by Mourlot Freres in Paris and a two hundred-copy 'limited edition in facsimile' was published in London in the same year as Ten Works with Vallier's essay translated by Sonia Joyce.OCLC finds three copies outside France at the Universities of Quebec and Laval in Canada and the Museum of Contemporary Art in Tokyo. No copies traced in the US or the UK. unknown
réf. 1236751944 . Lithograph in colours 1944 on wove paper annotated in pencil by Eric Mourlot: 'epreuve de l'atelier Mourlot' an unsigned as issued printer's proof signed in the plate printed by Mourlot Editions 47.6 x 64.8 cm. 18¾ x 25½ in. Founded in 1852 by the Mourlot family Atelier Mourlot revolutionised and brought about the resurgence of modern lithography. Collaborating with renowned artists such as Pablo Picasso Joan Miró and Fernand Léger the studio elevated art posters and prints to coveted masterpieces in their own right. Inviting prominent artists to work directly on the lithographic stone used in the process of lithography Mourlot positioned the lithograph as a painter's medium. Refining the lithographic technique through precise experiments the studio facilitated the creation of long-lasting vibrant and original artworks accessible to the wider public. This piece is annotated in pencil by Eric Mourlot. 1944 unknown
1967réf. W2194Paris: Maeght 1967. The deluxe edition of Derrière le Miroir No. 166: number 73 of only 150 examples that were printed on vellum paper made by Lana Papeterie in Strasbourg. Includes 4 original lithographs by Braque. Everything is in almost as-new condition. Limited Edition. Hardcover. Fine/Fine. Illus. by Georges Braque. Folio - over 12" - 15" tall. Magazine. Maeght Hardcover
réf. 51-5753Paris: Maeght 1959. Color lithograph on wove paper paper. Two stabilized marginal tears. 28.5 x 19.75 in 72.4 x 50.2 cm. Note: this is the original full size version. This image of a face was chosen for an exhibition of Georges Braque at the Maeght galerie in Paris in 1959.Printed by Mourlot and published by Galerie Maeght. Ed 1000. Ref. Sauret #98. Paris: Maeght, 1959. unknown
1940réf. 510631Editions de la Revue Verve 1940. First Edition. Hardcover. FINE/NEAR FINE. First American Edition with tipped in 'Occupation of Paris' notice. Tall 4to 35.5cm. sewn binding in Henri Matisse-designed lighograph printed cover on black paper over cards often mistaken for the DJ itself with original brown kraft paper lithographed dust jacket. The dust jacket was often treated as a throwaway especially since it was taped over making it impossible to see the beautiful Matisse covers without tearing it; they are quite uncommonly seen. We have not attempted removing the dust jacket here though we have supplied a photograph from another copy showing the design. This is a unique opportunity to for a collector to have not only a copy of the book as issued with the jacket but a uniquely clean and fresh copy of the cover itself entombed within the protection of the jacket. The book itself is exceedingly clean and sharp. Illustrated throughout in color and black and white with contributions from Verve's usual suspects: Matisse Miro Picasso Rouault Braque and a spectacular center-fold lithograph by Pierre Bonnard. In spite of the statement in the 'Occupation notice that half the American edition was lost this is not a terribly scarce book -- perhaps because subscribers immediately recognized the significance of what it represented namely the destruction of the thriving modern art movement in France at the hands of the neo-classical obsessed Nazis. But the jacket and condition make this an uncommon survival. Editions de la Revue Verve hardcover
1962réf. 39526Paris: Au Vent d'Arles 1962. FIRST EDITION of this important collection of poetic reflections on Braque's birds. 37 pp. A SPECIAL COPY PRINTED ESPECIALLY FOR SAINT-JOHN PERSE aside from the 150 numbered copies. Printed on extremely fine thick Richard de Bas laid paper. 4to. Original printed wraps. UNCUT AND UNOPENED WITH NO DEFECTS. ABSOLUTELY PRISTINE AND PERFECT AND EXTREMELY RARE AS SUCH. Au Vent d'Arles paperback
1963réf. 015746Alès Pab - Pierre André Benoit 1963 En feuilles, couverture à rabats <
1956réf. 970Paris, Maeght éditeur, 1955. In-folio (380 x 280 mm) broché, 78 pages. DEUX EAUX-FORTES ORIGINALES rayées de Joan Mirò et Alberto Giacometti. DEUX LITHOGRAPHIES ORIGINALES À DOUBLE PAGE de Joan Miro et de Marc Chagall. Lithographie de Jean Bazaine et bois gravé original de Raoul Ubac en couverture. Catalogue général des éditions Maeght de 1946 à 1956. Parfait état. 2 original etchings by Alberto Giacometti and Joan Miro. 2 original lithographs in color by Marc Chagall and Joan Miro on double-pages. Photographs and reproductions in back. A beautiful and complete copy.
1956réf. 971Paris, Maeght éditeur, 1955. In-folio (380 x 280 mm) broché, 78 pages + catalogue. 2 SUPERBES EAUX-FORTES DE MIRO ET GIACOMETTI tirées avec les cuivres rayés. LITHOGRAPHIES ORIGINALES EN COULEURS À DOUBLE PAGE de Joan Miro et de Marc Chagall. Lithographie de Jean Bazaine et bois gravé original de Raoul Ubac en couverture. DLM publié en décembre 1956. Texte de Georges Limbour. Nombreuses illustrations et reproductions en noir. Complet. ENGLISH : 2 original lithographs in color by Marc Chagall and Joan Miro on double-pages. Photographs and reproductions in back. A beautiful and complete copy.
1963réf. N5061aParis: Andre Sauret 1963. Limited/Numbered . Original Cardboard. Very Good. 4to. 183pp. EXEMPLAIRE SUR GRAND VELIN D'ARCHES. ONE OF 125 COPIES THIS COPY 55 SIGNED BY ANDRE SAURET AT COLOPHONE. Cover is an original lithograph by BRAQUE. Missing the frontispice and the title page both were original lithographs FINE PRINTING BY THE MOURLOT PRESS IN PARIS.SUPERB COLOUR ILLUSTRATIONS OF THE WORKS OF BRAQUE. A VERY GOOD AND CLEAN COPY. Andre Sauret unknown