928 résultats
1950réf. ST16802Paris: Maeght 1950. No. 82 OF 101 COPIES. 408 x 280 mm. 16 x 11". 50 pp. 2 leaves. INGENIOUS DOVE GRAY CALF BY FRANÇOIS BRINDEAU stamp-signed on front doublure covers with geometric onlays that are variations of the number 5 "cinq" some highlighted with white-tooled parallel lines author's name and title lettered in blue on upper cover artist's name and date on lower smooth spine gray calf doublures gray suede free endleaves edges untrimmed. Original printed gray wrappers bound in. Housed in lightly scuffed matching gray linen clamshell box gray calf label lettered in blue and white on spine. With five half-page black etchings by Braque. HALF TITLE WITH ORIGINAL WATERCOLOR OF BLUE LEAVES AND INSCRIPTION BY BRAQUE: "Pour Max Pellequer bien amicalement G. Braque 1951." Peyré "Peinture et Poésie" p. 149; The Artist and the Book 1860-1960 37. Isolated faint marginal foxing slight crease to title page but a VERY FINE COPY clean fresh and bright internally in a pristine binding. Bound to a sculptural Art Deco design and elegantly illustrated and inscribed by a great 20th century artist this is a collection of five poems about "sapates"--valuable gifts hidden inside a gift of lesser value such as a diamond ring inside a cupcake. Our volume does not fall under this category: its outside is every bit as impressive as the contents. The celebrated French artist Georges Braque 1882-1963 was a painter collagist printmaker and sculptor who made important contributions to the Fauves movement in the early 20th century and to the development of Cubism in which he and Picasso were the leading lights. The illustrations here done near the end of his long career depict the five "sapates"--oil olives a jug a rough sketch of a fish a shutter--in simple black and white with more realism than his Cubist works but still in simple pared-down lines. To accompany the inscription of this volume to banker Max Pellequer d. 1974 nephew of Picasso's friend André Level Braque added a small painting of cerulean blue leaves a single note of color in the blacks whites and grays of the text and one picked up by binder François Brindeau who used that hue for the lettering on the covers. Brindeau studied at the École Estienne graduating in 1976 and then worked with Jean de Gonet. He created the present binding for bibliophile and former Olympic rowing medalist Maurice Houdayer 1931-2020 a connoisseur of contemporary bindings who had a great love of Art Deco. Houdayer served as president of the Amis de la Reliure Originale and assembled an impressive collection of illustrated books in bindings he commissioned from innovative designers. Montpellier-born poet Francis Ponge 1899-1988 was known as "the poet of things" because he wrote about simple everyday objects like the subjects of the present work. His poetry invites us to contemplate often overlooked commonplace objects and perhaps in doing so to discover something about the human psyche. Literary critic David Gascoyne noted that Ponge "addressed himself to the common reader in the hope of persuading us that poetry is not merely a preoccupation of the idle and overeducated.". [Maeght] unknown books
1960réf. 60326Pittsburgh PA: Carnegie Institute 1960. First Edition 1/250 copies. Braque. Folio little faded and soiled paper wraps. Designed and printed under the direction of Jack Stauffacher of the Carnegie Institute. Two Braque sketches reproduced from "The Intimate Sktchbooks of G. Braque. Carnegie Institute unknown books
1960réf. N - 2026 - 1Authors: Daisetz T. Suzuki E. Herrigel Georges Braque. Illustrator : George Braque Publisher : Paris Louis Broder1960. Artist's book "Le Tir à l'Arc" The Art of Archery. Selected texts from D.T Suzuki and E. Herrigel "Le Zen dans l'art cavaleresque" 1955 and aphorisms and thoughts by George Braque from his own notebooks "Cahiers d'Art de 1917 a 1952". Illustrated by Braque with eight lithographs of which six in color one in black and one in pink and white printed across the spread endpapers with a mirrored composition; together with a black‑and‑white etching on the front wrappers and two woodcuts on gray paper also reproduced on the protective chemise and box. Limited edition of 165 numbered copies printed on vélin de chiffon handmade at the Moulin d'Ambert with cover wrappers in Antaimoro paper. Loose as issued preserved in the original silk‑covered hard chemise and housed within the original Japanese‑style silk folding case with ivory clasp. Braque's images fuse seamlessly with the accompanying Zen texts creating a visual meditation on focus intuition and the "empty mind" that illuminates the writings of D.T. Suzuki and Eugen Herrigel. Herrigel's Zen in the Art of Archery a classic account of his six‑year immersion in Japanese archery KyūdÅ during the 1920s explores the discipline as a gateway to understanding Zen Buddhism while Suzuki one of the most influential figures in bringing Zen thought to the West provides the philosophical and spiritual framework that illuminates archery as a contemplative path. Woven into this dialogue are Braque's own aphorisms and reflections with their emphasis on nuance intuition and the quiet interior space from which art emerges. Together these elements create a rare and compelling bridge between modern abstract art and Zen philosophy. In very good condition but some age spotting on the paper inside. A small restoration has been carried out on the top inch of the spine of the endpaper barely visible. Reference: Dora Vallier 153 Louis Broder books
1949réf. 344617New York: Museum of Modern Art 1949. Softcover. Very Good. First edition wrappered issue. Quarto. Top corner bumped else very good or better. From the library of the artists Ben Shahn and Bernarda Bryson Shahn with an estate label designed by their son Jonathan Shahn. Museum of Modern Art unknown books
1959réf. 29364Paris: Maeght 1959. First edition. Folio wrappers fine 28 x 38 cm. 4 color lithographs including Miro's double-spread cover. Maeght unknown books
1955réf. 1401481New York: Harcourt Brace and Company 1955. First American Edition. Hardcover. Quarto 156 pages. In Very Good condition with a Good dust jacket. Spine orange with black lettering. Dust jacket protected with a mylar covering price uncut: "$25.00." Rubbing with mild tearing along most of edges of dust jacket. Large tear to dust jacket at top edge of rear cover. Some material loss to dust jacket at top corner of rear board and at head of spine. Mild scuffing to dust jacket. Rubbing to head and tail of book spine and to edges and corners of boards. Textblock clean. Shelved in Case 11. 1401481. Shelved Dupont Bookstore. Harcourt, Brace and Company hardcover books
1971réf. 1400431New York: Harry N. Abrams 1971. Hardcover. Quarto 261 pages. In Good plus condition with a Good dust jacket. Spine is multicolored with white print. Dust jacket in mylar; light edge wear. Price clipped. Boards in blue cloth white illustration black print; slight wear to spine caps slight bump to rear bottom edge. Illustrated: b&w and color. Signed in ink by translator Howard on the title page. Oversized books. Additional postage necessary for expedited/international orders. Economy International shipping unavailable due to size/weight restrictions. For international/expedited customers please inquire for rates. NOTE: Shelved in Locked Annex Area Quarto and Folio Case. 1400431. FP New Rockville Stock. Harry N. Abrams hardcover books
1955réf. 11943Paris: Maeght 1955. Hardcover. Orig. boards with illustrated wrapper in three colors. Near fine. Braque Georges. 117 pages. 31 x 23 cm. More than 100 pen and ink illustrations in black and white by Georges Braque together with text by him. This is the expanded edition which contains the separate supplement of sketches and drawings for the years 1947-1955. Fresh crisp copy slight extremity rubbing. Maeght hardcover books
1961réf. 4700New York: Abrams 1961. First edition. Hardcover. Orig. illustrated black cloth. Fine in very good dust wrapper. Braque Georges. Approx. 120 pages. 31 x 27 cm. Introduction by Werner Hofmann. 174 reproductions including nine in full-color. Bibliography. List of Reproductions. Catalogue of Braque's Graphic Work. FREITAG 1037. Abrams hardcover books
1961réf. 005927New York: Harry N. Abrams 1961. First Edition. Cloth. Fine -/Very Good . some light foxing on endpapers a very small coffee stain at bottom of dustwrapper original acetate wrapper missing. Harry N. Abrams unknown books
1962réf. 1299323Paris: Sauret 1962. First Edition. Hardcover. Large quarto; VG; Numbered 2201 of a limited edition of 4125; Off white spine with black lettering; Book is in original glassine cover which has some small tears and a chip missing;; Wraps are toned interior clean; 146 plates on 183 pages; Shelved in Case 11. Features three original color lithographs Cover frontispiece and design on title page. Text in French. 1299323. Shelved Dupont Bookstore. Sauret hardcover books
1960réf. 22039Paris: Albert Morance 1960. First edition. Hardcover. Orig. loose as issued text laid-in brown cloth portfolio front cover lettered in gilt. Near fine. Braque Georges. Text pages unopened. 38.5 x 29 cm. Limited edition copy 24 of 50 with a colored aquatint numbered and signed by Braque in pencil -- "Tete en profil et l'etoile" printed on Rives. VALLIER 152. Title page printed in red and black with additional 32 full page plates of which eight are in color. The plates reflect the influence of classic Greek art and sculpture on Braque emanating from his work during World War II when he produced a collection of small generally flat decorative pieces of sculpture in a style recalling again ancient Greece and centering on vaguely mythological themes. Front cover of portfolio toward the spine slightly toned. Albert Morance hardcover books
1956réf. B-23-030010Jeanne qu'on brûla verte. Georges Braque René CHAR. Published by P.A. Benoit Alès Summer 1956.Rene Char poem on Joan of Arc burned in the greenness of her youth with a reproduction of a drawing of George Braque for the title. Total edition of 99 numbered copies this one is n. 37 of 87 in Velin de Rives signed by PAB Pierre Andre Benoit. In tiny format 85 x 85 mm PAB (Pierre Andre Benoit) books
1955réf. B-23-030012BENOIT Pierre-André. Salut à René Char. Alès PAB March 1955. First edition. Total edition of 99 numbered copies from 1 to 95 on Velin de Rives five in Roman numbers from I to IV on China paper with an added engraving. This copy is n 60 of 95 on velin de Rives signed and numbered by PAB Pierre Andre Benoit in pencil with a reproduction of Braque drawing in the title page and a poem in homage to René Char. In-12th 175 x 115 mm. PAB (Pierre Andre Benoit) books
1956réf. B-2022-0733Maegth Editeur Paris 1956. First edition of a special issue of Derrière le Miroir magazine published in the occasion of its tenth anniversary. Illustrated with 2 original lithographs in color in double page by Chagall and Miro one original lithograph by Bazaine 2 etchings with cancellation line by Miro and Giacometti and a two-tone woodcut of Ubac on the cover. Photogravure artists portraits Braque Miro Chagall Giacometti by Mariette Lachaud. Very good condition. Maeght Editeur paperback books
1963réf. B-2022-1121Derrière le Miroir n.135-136 "Pierre Reverdy Georges Braque" Maeght Editeur 1962. With 1 original lithograph in cover and 5 color lithographs of which one in double page. One picture of Braque by Mariette Lachaud. Includes "Chroniques". Loose as issued. Maeght Editeur books
1962réf. 000010Paris: G. Di San Lazzaro 1962. French art review. Directed by Gualtieri di San Lazzaro. N. 20 Noel 1962. With one original color lithograph by Max Ernst one original color lithograph by Manessier and one original color lithograph by Enrico Bay. Text in French. Soft cover illustrated by George Braque. Very good conditions crack between the cover and the text bloch. G. Di San Lazzaro paperback books
réf. 553New York & London Alpine Fine Arts Collection Ltd. 1982. unknown books
réf. 473Paris. Mourlot Freres. 1948. Maeght. Folio. 94 compositions and writings in the artist's hand. Original lithograph wrappers bound in. Folio. One of 750 copies on velin du Marais from a total edition of 850 copies. Bound in 3/4 white vellum and marble boards. Originally issued loose in publishers wrappers. unknown books
réf. 1890318140-9-1St. Augustines Press. New. The item is brand new never used or read. It's in perfect condition and may include supplements and/or access codes or come shrink-wrapped. St. Augustines Press unknown
1938réf. 1203161938. First Edition. TRIADE Efstratios ELEFTHERIADES Efstratios. Verve. Volume 1 Numbers 2-4 Spring 1939 to January-March 1939. Paris: Imprimerie des Beaux-Arts 1937-1939. Thick folio contemporary red cloth. $2200.First American editions of the second third and fourth issues of Verve published in Paris from 1938-39 featuring cover art by Braque Bonnard and Rouault original lithographs by Mir Chagall Matisse Derain Kandinsky and Klee along with numerous hliogravure photographs including Bill Brandt and Brassa first appearances of select writings by Hemingway and Joyce and articles by Lorca Sartre Gide Bataille Malraux and Valry. Assembled in a single folio volume with the three original lithographic front covers bound in.""Fifty years ago in Paris the magazine to look for was Verve which first came out in December 1937 and kept going in one form or another till 1960. That first cover by Henri Matisse sang out from the other side of the street in a way that made us run across the road to look at it more closely. And when we turned its pages Verve had a bosomy full-fleshed slightly slithery quality that this former subscriber would know in his sleep"" John Russell. Art critic Efstratios Eleftheriades under the nom de plume ""Triade"" founded Verve with the financial assistance of David Smart publisher of Esquire. ""The magazine a quarterly review of arts and letters was lavish in design and challenging in content. Teriade's view of the world of art and literature was personal bold and compelling"" Rick Gagliano. Once called ""the most beautiful magazine in the world"" Verve contained original lithographs by the most famous artists of the dayÑ Matisse Picasso Braque Lger Mir ChagallÑ many of which appearing here for the first time. The premiere issue of Verve in addition to its original cover by Matisse features original lithographs by Mir and Lger photographs by Man Ray and Brassa articles by Matisse Gide Dos Passos and Garcia Lorca previously unpublished letters and drawings by Czanne and the first printed illustration of Picasso's Guernica. The second issue with its original lithographic front cover by Braque includes original lithographs by Kandinsky and Masson photographs by Bill Brandt and Brassa and the first publication of Hemingway's The Heat and the Cold together with his piece on the filming of The Spanish Earth that was later included in the book The Spanish Earth 1938 as well as the first appearance of James Joyce's Phoenix Park Nocturne. Number 3 with an original front cover by Bonnard offers original lithographs by Chagall Mir Rattner and Klee together with articles by such leading French writers as Valry Malraux Claudel and Bataille. The culminating issue in this exceptional collection features an original lithographic front cover by Rouault an original double-page lithograph of Matisse's The Dance photographs by Brandt and Brassa and articles by Michaux Garcia Lorca and Sartre. First American edition published same year as the French with text translated into English by Robert Sage. Hanneman C278. Slocum C93. See also Slocum C70 C90. Owner signature. Plates and text fine minor wear to cloth binding. An excellent copy. hardcover
1935réf. 614517The Hague: Servire Press 1935. Transition Pamphlet No. 1. Staplebound paperback 15 pages in acceptable condition. Both covers have detached from the spine however remain present. Covers are marked tanned and scuffed. Edges are creased and nicked including small tears. Previous owner's name penned to front cover and inside front cover. Pages within remain tightly bound and are clear. LW. Paperback. Acceptable. Used. Servire Press Paperback
1982réf. SKU1182143Maeght 1982. Hardcover. Very Good/Good. 1982 tan cloth covered boards; bottom corners bumped; illustrated jacket good- with crown of back strip chipped; corner wear; 4to9 3/4" to 12" tall; Previous owner's name on free front end paper; Interior is clean and unmarked; 308 pages; Additional shipping charges may need to be requested due to size or weight of book. Maeght hardcover
1959réf. 184233Paris: Maeght 1959. A handsome French production First edition deluxe issue number 5 of 50 copies printed on Montval paper and signed by the artist and the poet. This is Pierre Reverdy's final poetry collection "The Freedom of the Seas" illustrated in this grand edition by his lifelong friend George Braque. Reverdy stopped writing poetry during the Second World War but had a surge of inspiration resulted in this collection and one other "Au soleil du plafond". This collection was completed in 1955 but was unpublished until Braque finished his illustrations in 1959 just before the poet's death. A further 200 signed copies on Grand Velin D'arches paper were issued simultaneously. This copy is without the additional lithographs issued with the deluxe limitation. Large folio. With 7 full-page colour plates including cover and frontispiece monochrome lithographs throughout. Original brown illustrated wrappers sheets loosely inserted as issued. With the original grey cloth folder and slipcase. Occasional foxing to contents especially to final gathering; folder and slipcase mottled with a few splits at joins. A very good copy. hardcover
1963réf. 186882Paris: Maeght Éditeur 1963. First edition limited issue number 104 of 150 numbered copies printed on velin de Rives paper. This issue of Derrière le miroir No 135-136 reproduces text and artwork from two previous collaborations Aventure Méthodique and La Liberté des mers in which Braque provides illustrations for Reverdy's poetry. Folio. With 4 colour lithographs in three sizes: covers 38 x 57 cm full-page 38 x 28.5 cm or double-page 38 x 55.5 cm. Illustrations in the text throughout. Original lithographed wrappers lettering to front cover in black sheets loosely inserted as issued. All housed in the publisher's grey boards with lettering to spine in black with matching slipcase paper label to front lettered in black. Slipcase a little rubbed. A fine copy. hardcover