(Braque, Georges)Biblio.com
949 resultados
1963ref. 310001Paris: Maeght 1963. Limited edition "de tête" #72 of 150 copies on vélin de Rives. With 5 original lithographs by Braque including wrappers one double-page. Folio. Loose as issued in original lithographic wrappers. In chemise and paper-over-board slipcase. Fine. Limited edition "de tête" #72 of 150 copies on vélin de Rives. With 5 original lithographs by Braque including wrappers one double-page. Folio. Maeght unknown
1955ref. 310934New York: Harcourt Brace 1955. First American Edition of a double number 31-32 of Verve in the French edition. Produced under the direction of Teriade by the Master Printers Draeger Frères as for the heliogravures in black and in colours and by Mourlot Frères for the lithography in colours. Folio. Illustrated boards. Fine in chipped illustrated orange dust jacket. Bookplate. First American Edition of a double number 31-32 of Verve in the French edition. Produced under the direction of Teriade by the Master Printers Draeger Frères as for the heliogravures in black and in colours and by Mourlot Frères for the lithography in colours. Folio. Harcourt Brace unknown
ref. DADAX0810946955New unknown
1935ref. 89791The Hague: Servire Press 1935. First Edition. Octavo. Printed staple-bound self-wrappers; 15pp. Mild foxing to covers slight wear; Very Good. Uncommon pamphlet published as "Transition Pamphlet no. 1" and distributed as a supplement to Transition no. 23 1934-1935. The six authors defend themselves and their artistic movements against their characterization in Stein's Autobiography of Alice B. Toklas: "These documents invalidate the claim of the Toklas-Stein memorial that Miss Stein was in any way concerend with the shaping of the epoch she attempts to describe." The pamphlet was never available for sale separately. Servire Press unknown
1962ref. 238863Milano: Il Saggiatore 1962. Rilegato tela sovracoperta cloth dust jacket. Molto buono Very Good. Introduzione di Cesare Brandi. Bellissime tavole a colori stampate in offset dalla Offsetdruckerei Fricke di Stoccarda illustrazioni a un colore in rotocalco stampate da Graphischen Kunstanstalten und Kunstdruckereienn Meisenbach Riffarth & Co. di Berlino clichés per il catalogo delle opere grafiche eseguiti dalla zincotipia Helmut Brullmann di Stoccarda. Con il "Catalogo delle opere grafiche". Cm 32x28. pp. n.n. Molto buono Very Good. Prima edizione italiana First Italian Edition. Il Saggiatore, hardcover
1956ref. 206728Parigi: Editions Pierre Tisné 1956. Rilegato tela con tavola applicata al piatto anteriore original full cloth with inlay to front cover. Ottimo Fine. Testo di Maurice Gieure. 136 riproduzioni delle opere dell'Artista in tavole a colori applicate e in bianco e nero f.t. e 12 illustrazioni n.t. In appendice tavola cronologica catalogo delle opere bibliografia e attività espositiva. 8vo cm 295x235. pp. 132 tavole. Ottimo Fine. Prima edizione First Edition. Bella monografia dedicata all'opera di Georges Braque Editions Pierre Tisné, hardcover
1955ref. 27299New York - Paris: Harcourt Brace and Company - Verve 1955. Rilegato sovracoperta hard cover dust jacket. Molto buono Very Good. Testi di Will Grohmann e Antoine Tudal. Con un apprezzamento di Rebecca West. Questo libro la cui copertina è stata appositamente disegnata dallo stesso Braque costituisce un numero doppio 31-32 di Verve nell'edizione francese. È stato riprodotto sotto la direzione di Teriade dai Maestri Stampatori Draeger per quanto riguarda le eliografie in bianco e nero e a colori e da Mourlot per la litografia a colori. Cm 36x27. pp. 156. Molto buono Very Good. Sovracoperta leggermente sciupata ai margini con strappetti e una mancanza in corrispondenza del dorso Some chipping and nicks around top and bottom of dust jacket. Prima edizione First Edition. Verve Anthonioz 1988 Anthonioz Michel Verve. The Ultimate Review of Art and Literature 1937-1960. New York Harry N. Abrams 1988. Le illustrazioni del volume eliotipie e litografie realizzate dai maestri stampatori Draeger e Mourlot costituiscono una scelta curata direttamente dall'Artista di pagine dai carnets de travail che Braque aveva in precedenza sempre rifiutato di pubblicare. Per quasi 50 anni gli album di schizzi di Georges Braque sono stati il suo bene più prezioso. Le tele che gli hanno valso il primato tra i pittori viventi sono state da lui volentieri cedute a musei e collezioni private di tutto il mondo. Non così gli schizzi i guazzi e gli acquerelli da cui molti di questi dipinti sono stati tratti. Fino ad ora pochissime persone li hanno visti. E quando Braque ha finalmente acconsentito alla loro pubblicazione sotto la supervisione della grande casa editrice Verve non ha comunque permesso che gli album di schizzi fossero portati via dal suo studio; sono stati fotografati lì. La loro riproduzione in questo volume mette in luce i suoi metodi e rivela la reazione primaria dell'artista alla bellezza e al mistero del mondo esterno. Harcourt, Brace and Company - Verve, hardcover
1962ref. 106417Ginevra: Edwin Engelberts 1962. Brossura wrappers. Ottimo Fine. Dedica e firma autografe di Edwin Engelberts al gallerista Bruno Herlitzka Inscribed and signed by the gallerist Engelberts. Plaquette édité par la Galerie Edwin Engelberts à Genève à l'occasion du concert privé donné le 15 Mai 1962 en hommage à Georges Braque pour son quatre-vingtième anniversaire. La couverture est ornée d'une lithographie originale en couleurs par Georges Braque tirée sur les presses de Fernad Mourlot à Paris. Textes d'Apollinaire Reverdy et Char. Programme de la soirée. Illustrations de l'artiste et portrait de Braque par Mariette Lachaud / Plaquette originale pubblicata a cura della galleria Edwin Engelberts di Ginevra per il concerto privato tenutosi il 15 maggio 1962 Sala del Conservatorio di Musica di Ginevra in onore di Georges Braque per il suo ottantesimo compleanno. In copertina una litografia originale in verde di Georges Braque tirata sui torchi di Fernad Mourlot di Parigi. Testi di Apollinaire Reverdy e Char. Con il programma della serata. Illustrazioni in nero n.t. e un ritratto di Braque di Mariette Lachaud. 8vo cm 27x19. pp. 12. Dedica e firma autografe di Edwin Engelberts al gallerista Bruno Herlitzka Inscribed and signed by the gallerist Engelberts. Ottimo Fine. Edizione originale di 450 es. numerati. Edwin Engelberts, unknown
1963ref. 95886Monte Carlo: André Sauret 1963. Brossura custodia wrappers slip-case. Molto buono Very Good. Préface de Francis Ponge. Notices et catalogue établis par Fernand Mourlot. 3 lithographies originales couverture lithographie en 5 couleurs - frontispice lithographie en 6 couleurs - décor page de titre lithographie en 6 couleurs / Con 146 riproduzioni a colori e 3 litografie originali copertina litografia a 5 colori de 1961 - antiporta litografia a 6 colori del 1962 - frontespizio litografia a 6 colori del 1962. Cm 32x245. pp. 190. Molto buono Very Good. Prima edizione di 4125 esemplari numerati First edition of 4125 numbered copies. André Sauret, unknown
1991ref. 77155Mendrisio: Edizione a cura del Museo 1991. Rilegato sovracoperta hard cover dust jacket. Ottimo Fine. Catalogo di mostra Museo d'Arte Mendrisio 24 marzo - 18 agosto 1991. Catalogo a cura di Matthias Barmann e Gian Pio Fontana. Con 95 tavole in nero e a colori e dettagliata descrizione delle opere grafiche. Biografia ed elenco delle opere esposte. 8vo cm 30x23. pp. 160. Ottimo Fine. Edizione di 2200 esemplari. Edizione a cura del Museo, hardcover
1949ref. b31022Paris 1949. First Edition . Soft cover. Near Fine. Near fine in original wrappers with slight wear. paperback
1962ref. 34038Paris: XXe siecle 1962. Very Good. First edition softcover 12 1/2 x 9 3/4" 31.5 x 24.5 cm with the front cover illustrated by Georges Braque 92 pp. not including supplements. Another issue of XXe Siècle published under the direction of G. di San Lazzaro surveying the landscape of the visual Arts on Christmas 1962. This number contains a wealth of reproductions in black and white and color by such artists as Van Gogh Kandinsky Bonnard and Lam. Most notably No. 20 includes three original color lithographs by Max Ernst Manessier and Baj. These reproductions are accompanied by articles in French by Brion Hodin and Kokoschka amongst others followed by the supplement Chroniques du Jours containing more articles and reviews of exhibitions including the 31st Venice Biennale. This copy is in good to very good condition with a small tear on the bottom right cover. Continuing the tradition of the wonderful Di San Lazzaro directed XXe Siecle Art series this issue offers the bonus of 3 original color lithographs. A wonderful homage to these artists. XXe siecle unknown
1963ref. 163008Paris: Maeght Editeur 1963. 1st edition. Nice copy. oversize. card covers 28pp. colour & b/w plates map notes index 4 colour lithographs after Georges Braque inc. one double page Maeght Editeur unknown
ref. 33932Monte Carlo André Sauret 1963. First edition numbered 3610 of 4125 total copies softcover with original five colour mylar-protected lithograph dustjacket12.5" x 9.5" 32 x 24.5 cm in a red slipcase 183pp. Edited by Andre Sauret with French preface contributed by Francis Ponge. Braque's entire lithographic oeuvre is presented and catalogued by date by Fernand Mourlot. Besides the three original lithographs front and back cardboard dustjacket frontispiece and title page this book contains all of his lithographic output 146 in total from 1921 to 1962 in chronological order. Famous for his Cubist collaborations with Picasso and unfortunately often eclipsed by him Braque continued in this style with a freer application of fragmentation and an intensification of colour creating some wonderful prints along the way. Printed at Mourlot Frères this lovely copy of LITHOGRAPHE is in fine condition with only some very slight wear showing on the slipcase. Monte Carlo, André Sauret, 1963 unknown
1947ref. 73965Genève-Paris: Éditions des Trois Collines / Fernand Mourlot 1947. Limited edition. Portfolio. Near Fine. 34 x 24 cm. Folio. 181pp. Illustrated wrappers loose in boards and slipcase. Limited to 90 copies of which this is copy 17 of 25 deluxe numbered copies. The deluxe edition includes a color lithograph laid-in signed and numbered by the artist. Printed on Velin d'Arches paper. Signed by the author and artist on the limitation page. Two additional original color lithographs: the cover in three colors and decorating the first page of the main text p.15 in two colors. 57 additional reproductions of paintings including 1 in color. Light wear to the wrappers. Outer slipcase shows some edgewear. Reference: Vallier Braque: The Complete Graphics 28. Éditions des Trois Collines / Fernand Mourlot unknown
ref. DADAX0870706756New unknown
1988ref. BN253906München : Prestel 1988. 1988. Georges Braque : Kunsthalle d. Hypo-Kulturstiftung München 4. März - 15. Mai 1988 ; Solomon-R.-Guggenheim-Museum New York Juni - September 1988. veranst. von d. Kunsthalle d. Hypo-Kulturstiftung München. Hrsg. von Jean Leymarie. Mit Beitr. von Jean Leymarie . Übers.: Christine Goetz Georges Braque : Kunsthalle d. Hypo-Kulturstiftung München 4. März - 15. Mai 1988 ; Solomon-R.-Guggenheim-Museum New York Juni - September 1988. veranst. von d. Kunsthalle d. Hypo-Kulturstiftung München. Hrsg. von Jean Leymarie. Mit Beitr. von Jean Leymarie . Übers.: Christine Goetz Braque Georges und Jean Leymarie München : Prestel unknown
1987ref. BN338777Elsevier Masson 1987. 1987. Biogéographie des continents Biogéographie des continents René Braque Elsevier Masson unknown
ref. BN424795Maeght Editeur. Cahier de Georges Braque 1917-1947. Cahier de Georges Braque 1917-1947. Georges Braque Maeght Editeur unknown
1988ref. BN627896Prestel 1988. 1988. Softcover. Georges Braque : Solomon R. Guggenheim Museum New York ; publ. in conjunction with the Exhibition Georges Braque held at the Solomon R. Guggenheim Museum New York June - September 1988 / by Jean Leymarie. With contributions by Jean Leymarie . Georges Braque : Solomon R. Guggenheim Museum New York ; publ. in conjunction with the Exhibition Georges Braque held at the Solomon R. Guggenheim Museum New York June - September 1988 / by Jean Leymarie. With contributions by Jean Leymarie . Braque Georges Ill. ; Leymarie Jean Hrsg. Prestel paperback
ref. BN107307Allemandi. Hardcover. Georges Braque. Order and emotion. Ediz. illustrata Georges Braque. Order and emotion. Ediz. illustrata Allemandi hardcover
ref. DADAX3791308823New unknown
1959ref. MIROBRAQ012776Maeght Paris. 1959. First edition. Folio. Unstitched sheets in wrappers. Double-sheet colour lithograph on the cover by Miro. Also colour lithographs after Braque Bazaine and Giacometti. Black and white lithograph by Tal-Coat. Essays by Yves Bonnefoy Michel Leiris et al.Very near fine. Maeght, Paris. unknown
ref. 25698Paris 1930. . Large 8vo. pp.112 printed paper wrappers 4 colour plates numerous b/w plates; light toning to page margins foxing to wrappers otherwise an unusually fine copy. Paris, 1930. unknown
1961ref. 91893Mourlot 1961. Fine. Braque's celestial inferno Mourlot s. d. 1961 25.4 x 32 cm Une feuille encadrée Original lithograph printed by Mourlot on nacré Japan paper signed in pencil by Georges Braque. In 1961 Georges Braque created four lithographs to illustrate Marcel Jouhandeau's Descente aux Enfers published by the Nouveau Cercle parisien du livre in 200 copies on Rives paper. A suite on Japan paper was included with a small number of copies most of them unsigned. This lithograph is one of the rare Japan paper proofs bearing a magnificent original signature by the artist. Like Picasso after him Braque worked directly on the stone in the workshop of Fernand Mourlot the foremost address in Parisian lithography collaborating closely with the pressroom craftsmen to execute his compositions himself. The bird motif which first appeared in the artist's work in 1929 runs throughout this final period in his paintings as in his prints including this lithograph from Descente aux Enfers one of the very last illustrated books Georges Braque would produce. Rare in his uvre the remarkable lightness of colour in this work sets it apart from the other compositions in the book. Birds clouds and sky are woven together with the natural undulations of the Japan paper. Form and colour seem poised to dissolve into the sheet itself leaving for a moment the impression that the artist has signed bare space. A rare and superb lithograph on Japan paper with the artist's manuscript signature in pencil. Two small traces of adhesive on the verso. Mourlot unknown
