Georges BraqueBiblio.com
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rif. 1528523504.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
rif. 1853320609.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
rif. Z07OS-069Harcourt Brace and Company. Collectible - Acceptable. NY: Harcourt Brace and Company 1955. 1st American edition. Folio Hardcover. 157pp. B/W and color plates. Reading Copy and no dust jacket. Lacking front board. Most of backstrip chipped away. Rear board edgeworn rubbed and soiled. Pages toned. Slight dampstaining to the fore-edge. Creasing to the bottom corner of front free endpaper and to the fore-edge of rear free endpaper. Penciled notations to the rear pastedown. In polypropylene bag. art artist sketches Inquire if you need further information. NOT AVAILABLE FOR SHIPMENT OUTSIDE OF THE UNITED STATES. Harcourt, Brace and Company hardcover
1984rif. D11HS1071Galerie Greub Basel 1984. 1st Edition. HARDCOVER. Folio size in colour printed glossy boards. Unpaginated approx. 46pp text in English and German and 46 lavishly printed full page colour plates __CONDITION : An extremely well preserved AS NEW unread and unmarked copy merest hint of tanning to leaves. . __We always ship in PROTECTIVE CARD PARCELS Galerie Greub, Basel hardcover
1938rif. TN242526Arthur Tooth & Sons London 1938. 1st Edition. SOFTCOVER. 4to in printed stiff card covers unpaginated approx. 16pp on thick paper 34 item catalogu with 4 tipped-in b/w plates __CONDITION : A well preserved clean and tight VERY GOOD copy flat crease to top corner tip of front cover mildly mirrored by leaves and rear cover. A nice copy of a rare survival. . __We always ship in PROTECTIVE CARD PARCELS Arthur Tooth & Sons, London paperback
1968rif. TH219622Galerie Beyeler bale Basel 1968. 1st Edition. SOFTCOVER. Extra Large 4to. in colour printed stiff card covers unpaginated approx. 84 pp on stiff paper tipped-in colour plates etc. collated complete __CONDITION : A well preserved VERY GOOD clean and tight unmarked copy page-block edges tanned in a complete VERY GOOD printed clear acetate Dust Jacket tiny repaired tear to bottom corner tip of rear panel. . __To see more of our Art Monographs etc type DbbARTIST in the Keywords search box __We always ship in PROTECTIVE CARD PARCELS Galerie Beyeler bale, Basel paperback
1972rif. TH220186Marlborough Galerry London 1972. 1st Edition. SOFTCOVER. Large heavy 4to. in colour printed stiff glossy card covers with printed transparent plastic dust jacket 196pp on various types of paper colour plates etc __CONDITION : A well preserved FINE very clean and tight unmarked copy page-block edges slightly tanned in a torn but tape repaired VERY GOOD Dust Jacket. . __We always ship in PROTECTIVE CARD PARCELS Marlborough Galerry, London paperback
1961rif. 19148New York: Abrams 1961. First edition / First printing. Black cloth. Fine in a fine dust jacket. Abrams, hardcover
1939rif. 510479Editions De La Revue Verve 1939. First Edition. Trade Paperback. FINE. First American Edition printed in Paris. Tall 4to 35.5 cm. Sewn binding in lithographic printed wraps with original art by Aristide Maillol. Illustrated throughout with color and b/w in-text illustrations and photos color tipped-in plates COMPLETE with 16 full-page color lithograph prints by Constanin Guys Georges Braque Georges Rouault Andre Derain Fernand Leger Pierre Bonnard Henri Matisse and Paul Klee. Some trivial rubbing to the wrappers else FINE--very clean and sharp; in original publisher's printed slipcase with color mounted plate showing some wear around the edges but still holding strong and sound; an uncommonly nice example of book quite prone to wear as a massive volume printed in wraps. One of Verve's most elaborate productions and the first double issue a thematic issue devoted to the human figure-- 'a volume of exceptional rechness.' Michel Antonioz VERVE: The Ultimate Review of Art and Literature 105. Editions De La Revue Verve paperback
1952rif. 510480Editions De La Verve 1952. First Edition. Hardcover. FINE. Tall 4to 35.5cm. Sewn binding in lithographic printed paper over boards with original design by Braques. George Braque honorary double issue Profusely illustrated with original lithographs created for this issue by Miro Bores Chagall Matisse and others. Spine paper chipped at head moderately toned and splitting at a few points otherwise exceedingly clean and sharp internal text with crisp bright paper. COMPLETE with all lithographs. A binding very prone to wear--much nice than commonly seen. Editions De La Verve hardcover
1955rif. 510473Harcourt Brace and Company 1955. First Edition. Hardcover with Dust Jacket. FINE/Very Good. First American Edition printed in Paris. Large 4to sewn binding in Braque's own lithographic paper-over-board covers. Unpaginated with 20 full-page color lithographs many of wich were original creations for the Verve issue. FINE copy exceedingly clean and sharp with crisp clean pages and tight square binding; DJ edges worn with some tears now wrapped in mylar. From the colophon: 'The illustrations in this volume are reproduced from the sketch-books - carnets de travail - which Georges BRAQUE has been keeping up for thirty years and more and which constitute a daily record of fragments of the visible world that have caught his attention and ideas for paintings that have occurred to him. In fact the only difference between these sketch-books and the diaries kept by so many writers is that here the entries are not written but take the form of gouache or watercolor sketches. Hitherto Braque has always refused to make public these albums which be takes with him wherever be goes and which comprise the bulk of his work as a draftsman. Now at long last be has authorized the reproduction of a number of pages of these albums selected by himself with our co-operation. This book whose cover has been specially designed by Braque himself constitutes a double number 31-32 of VERVE in the French edition. The American Edition is published by HARCOURT BRACE and Company New York. It has been reproduced under the direction of Teriade by the Master Printers DRAEGER Frères as for the heliogravures in colors and in black and by MOURLOT Frères for the lithography in colors. Printing was completed in Paris 1955 on the 20th day of September.'. Harcourt, Brace and Company hardcover
1937rif. 510540Verve 1937. First Edition. Paperback. FINE. Complete run of the first four issues of Teriade's legendary art magazine. Beginning with a stunning cover produced by Matisse for the first issue Verve would incorporate fresh artwork into its cover designed newly commissioned by artists such as Miro Picasso Chagall and other leading lights of the French art world. Each issue offered spectacular color lithographs printed by the Paris lithographers Mourlot. Early issues came in litho-printed card wrappers in boxes later volumes would be in paper-over board with litho covers. This choce allowed Teriade to feature the fresh lithographic artwork in the cover design but left the books themselves extremely fragile and succeptible to wear. Additionally the full-page lithographs have been continuous targets for art dealers looking to excise the plates. So condition seen here is quite rare with each volume preserved COMPLETE FINE with no signs of the wear and toning so commonly seen. 'The cover of Verve No. 1 is by Henri Matisse; it consists of three unmodulated colors--red blue and black--that the master cut directly from printers' ink specimen books. . Mattisse's cover for the first issue lithographed by Fernand Mourlot printers was an original work of art created expressly for the magazine--as would be practically all of the Verve's covers. . The painter took great pains to make sure that the cover would turn out exactly as he wished. . THe care Matisse lavished on what others might consider a minor undertaking was one of the hallmarks of Teriade's publications. How did he induce the greatest artists of this century to give the very best of themelves . Matisse and Teriade shared a common ideal. For both of them painting was life itself.' Michel Antonioz VERVE: The Ultimate Review of Art and Literature 35-36. Verve paperback
1940rif. 510631Editions de la Revue Verve 1940. First Edition. Hardcover. FINE/NEAR FINE. First American Edition with tipped in 'Occupation of Paris' notice. Tall 4to 35.5cm. sewn binding in Henri Matisse-designed lighograph printed cover on black paper over cards often mistaken for the DJ itself with original brown kraft paper lithographed dust jacket. The dust jacket was often treated as a throwaway especially since it was taped over making it impossible to see the beautiful Matisse covers without tearing it; they are quite uncommonly seen. We have not attempted removing the dust jacket here though we have supplied a photograph from another copy showing the design. This is a unique opportunity to for a collector to have not only a copy of the book as issued with the jacket but a uniquely clean and fresh copy of the cover itself entombed within the protection of the jacket. The book itself is exceedingly clean and sharp. Illustrated throughout in color and black and white with contributions from Verve's usual suspects: Matisse Miro Picasso Rouault Braque and a spectacular center-fold lithograph by Pierre Bonnard. In spite of the statement in the 'Occupation notice that half the American edition was lost this is not a terribly scarce book -- perhaps because subscribers immediately recognized the significance of what it represented namely the destruction of the thriving modern art movement in France at the hands of the neo-classical obsessed Nazis. But the jacket and condition make this an uncommon survival. Editions de la Revue Verve hardcover
1955rif. 208845Paris: Maeght Editeur 1955. Hardcover. VG. Light scuffing along spine light edge wear and toning. Quarto. Hardcover. Bound in illustrated paper wraps with white titles. 117 pages : illustrations ; 32 cm. Facsimile of pages from Braque's notebooks including sketches drawings and text in the artist's own handwriting. Maeght Editeur hardcover
1953rif. 209138Paris: Berggruen & Cie 1953. Softcover. VG. Some tearing and loss to the plastic jacket otherwise clean and unmarked. Skinny Octavo. Softcover. Illustrated litho wraps printed by Mourlot. In thin plastic cover. 4 unnumbered pages : 19 plates some color ; 22 cm. Text by Michel Seuphor pseud. of F.L. Berckelaers./ Catalog of an exhibition held at Berggruen & Cie from Nov.-Dec. 1953./ Color plates are rendered in pochoir by Jacomet. Cf. colophon. Berggruen & Cie paperback
1924rif. 198218Paris: Editions des Quartre Chemins 1924. Both volumes #96 on Arches Vellum. Paperback. Good Wraps are moderately toned/scuffed/smudged/bumped; glassine is moderately chipped at corners and edges; spines are moderately bumped; spine strips are peeling a bit at both ends; pages are unopened; textblock edges are tanned/bumped; some tissue guards are loose and bent; interior is lightly toned with occasional foxing/smudging. White wraps with green and brown illustration with glassine DJ; two volumes; unpaginated; pages are unopened; tissue guards; richly illustrated some color. Text in French. Filled with absolutely gorgeous illustrations and facsimiles throughout. Volume I contains "Un article et un portrait de Georges Auric par Jean Cocteau un article de Louis Laloy une page de la partition de Georges Auric et 23 dessins en couleurs de Georges Braque." Volume II has the subtitle "Realisation Scenique." Editions des Quartre Chemins paperback
1946rif. 175441Geneve: Albert Skira 1946. Softcover. Good light tanning to wrap and pages overall shelfwear with nicks to covers interior is clean. Tan portfolio with brown lettering 14 pages illustrations part mounted color 14 color plates in portfolio. Written in French. Albert Skira paperback
rif. elala2527Geneva: Edwin Engelberts 1958. First Edition Limited to 106 numbered copies signed by Braque and Char - this one of 40 on Arches with original colour lithograph ‘Le Poète’ by Braque on the wrappers. The first six copies also with a lithographed cover were entirely printed on Japon nacré. The remaining 60 copies were unillustrated. A further 115 copies of the lithograph were separately issued. “Perhaps more than any other contemporary painter Braque has been the subject of handsomely printed tributes to his art.” The Artist and the Book Char was a close friend and collaborator of Braque. He wrote more on Braque than any other painter and Braque illustrated more works by Char than any other artist. All five of Char’s poems in hommage to Braque are printed here for the first time. The Artist & The Book 40. Mourlot 60. Vallier 131. oblong 8vo. ff. 8. lithographed wrs. printed in colour on Japon nacré some wear to extremities neat repair to head of spine Geneva: [Edwin Engelberts], 1958
rif. 3734072The Hague: Servire Press February 1935. 15pp. Octavo 8¾ x 5½ inches. Printed self-wrappers. Overall toning and some light foxing to wraps and margins of some pages; very good. “In later years Braque Eugene Jolas Matisse Andre Salmon and Tristan Tzara published jointly a Testimony against Gertrude Stein 1935 in which they denied her understanding of their work of Cubism and of painting in general. According to Braque ‘Miss Stein understood nothing of what went on around her’; and Salmon echoed this condemnation: ‘I had thought along with all our friends that she had really understood things. It is evident that she understood nothing except in a superficial way.’” NAW Published as “Transition Pamphlet no. 1. This is a supplement to Transition 1934–1935 no. 23 Not for sale separately.” unknown
1948rif. ABE-1767306040682Maeght Editeur Paris 1948 Folio original wraps. One of 750 copies of the 1948 original edition "sur Velin du Marais" with the front wrapper constituting an original color lithograph. Printed by Mourlot Freres the principal printers for Maeght Editeur and including 93 b/w compositions. Loosely inserted in 14 different signatures as issues in addition to the afore mentioned color lithograph. Inscribed by Braque to Famous Hollywood Film Producer Sam Jaffe. Dated 1949. Covers good with closed tear about 4" at the top left of the cover spine wear with loss at the foot. Interior very good. Inscribed by Authors. 1st Edition. Soft cover. Good/Good. Maeght Editeur, Paris paperback
1948rif. ABE-1688163931690Samuel M. Kootz Editions 1948 Softcover folio 1st edition. Decorated wraps. 11 oversized printed folders w/ tipped in plates. Work by Picasso Braque Leger Baziotes Bearden Browne Gottlieb Hare Hofman Holty Motherwell Galantiere Goodman Greenberg Kees Peret Rosenberg Sartre Ulanov Williams Wolfson. 1st Edition. Soft cover. Very Good. Samuel M. Kootz Editions paperback
1950rif. ST16802Paris: Maeght 1950. No. 82 OF 101 COPIES. 408 x 280 mm. 16 x 11". 50 pp. 2 leaves. INGENIOUS DOVE GRAY CALF BY FRANÇOIS BRINDEAU stamp-signed on front doublure covers with geometric onlays that are variations of the number 5 "cinq" some highlighted with white-tooled parallel lines author's name and title lettered in blue on upper cover artist's name and date on lower smooth spine gray calf doublures gray suede free endleaves edges untrimmed. Original printed gray wrappers bound in. Housed in lightly scuffed matching gray linen clamshell box gray calf label lettered in blue and white on spine. With five half-page black etchings by Braque. HALF TITLE WITH ORIGINAL WATERCOLOR OF BLUE LEAVES AND INSCRIPTION BY BRAQUE: "Pour Max Pellequer bien amicalement G. Braque 1951." Peyré "Peinture et Poésie" p. 149; The Artist and the Book 1860-1960 37. Isolated faint marginal foxing slight crease to title page but a VERY FINE COPY clean fresh and bright internally in a pristine binding. Bound to a sculptural Art Deco design and elegantly illustrated and inscribed by a great 20th century artist this is a collection of five poems about "sapates"--valuable gifts hidden inside a gift of lesser value such as a diamond ring inside a cupcake. Our volume does not fall under this category: its outside is every bit as impressive as the contents. The celebrated French artist Georges Braque 1882-1963 was a painter collagist printmaker and sculptor who made important contributions to the Fauves movement in the early 20th century and to the development of Cubism in which he and Picasso were the leading lights. The illustrations here done near the end of his long career depict the five "sapates"--oil olives a jug a rough sketch of a fish a shutter--in simple black and white with more realism than his Cubist works but still in simple pared-down lines. To accompany the inscription of this volume to banker Max Pellequer d. 1974 nephew of Picasso's friend André Level Braque added a small painting of cerulean blue leaves a single note of color in the blacks whites and grays of the text and one picked up by binder François Brindeau who used that hue for the lettering on the covers. Brindeau studied at the École Estienne graduating in 1976 and then worked with Jean de Gonet. He created the present binding for bibliophile and former Olympic rowing medalist Maurice Houdayer 1931-2020 a connoisseur of contemporary bindings who had a great love of Art Deco. Houdayer served as president of the Amis de la Reliure Originale and assembled an impressive collection of illustrated books in bindings he commissioned from innovative designers. Montpellier-born poet Francis Ponge 1899-1988 was known as "the poet of things" because he wrote about simple everyday objects like the subjects of the present work. His poetry invites us to contemplate often overlooked commonplace objects and perhaps in doing so to discover something about the human psyche. Literary critic David Gascoyne noted that Ponge "addressed himself to the common reader in the hope of persuading us that poetry is not merely a preoccupation of the idle and overeducated.". [Maeght] unknown
rif. 0870706764New. New. Satisfaction Guaranteed or your money back. unknown
rif. 0265861217.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1960rif. 60326Pittsburgh PA: Carnegie Institute 1960. First Edition 1/250 copies. Braque. Folio little faded and soiled paper wraps. Designed and printed under the direction of Jack Stauffacher of the Carnegie Institute. Two Braque sketches reproduced from "The Intimate Sktchbooks of G. Braque. Carnegie Institute unknown
