932 résultats
1948réf. 013037Paris Gallimard NRF 1948 In-12 Broché, couverture illustrée Dédicacé par l'auteur
1948réf. 014253Paris Gallimard NRF 1948 In-12 Broché, couverture illustrée Dédicacé par l'auteur
réf. 2124In 12 broché faux-titre,titre,218 pages Gallimard éditeur 1948 édition originale numérotée sur papier de châtaignier. Couverture illustrée d'un petit dessin de BRAQUE
réf. ORD-12861Paris. Gallimard. 1948. In-12 (108 x 166mm) broché, couverture illustrée en vert par Georges Braque, 217 pages. Un des 2200 exemplaires sur papier de châtaignier, n°1601. Bon exemplaire. Edition originale.
1963réf. N5061aParis: Andre Sauret 1963. Limited/Numbered . Original Cardboard. Very Good. 4to. 183pp. EXEMPLAIRE SUR GRAND VELIN D'ARCHES. ONE OF 125 COPIES THIS COPY 55 SIGNED BY ANDRE SAURET AT COLOPHONE. Cover is an original lithograph by BRAQUE. Missing the frontispice and the title page both were original lithographs FINE PRINTING BY THE MOURLOT PRESS IN PARIS.SUPERB COLOUR ILLUSTRATIONS OF THE WORKS OF BRAQUE. A VERY GOOD AND CLEAN COPY. Andre Sauret unknown
1963réf. 43686Monte Carlo: Andre Sauret 1963. Limited first edition. Softcover. vg- to near fine. 1/4125. Small folio. 12.5x9.5". 183pp. 5. Tan paper-covered slipcase housing a softcover binding with a lithographically illustrated dust jacket over stiff white cardstock wrappers. Dj protected by mylar. This is #3838 from a total limited edition of 4125 copies. The publication is a complete catalogue raisonné of George Braque's lithographs containing 3 original lithographs covers frontispiece and title page and 146 lithographic reproductions in color and b/w. The lithograph's are arranged chronologically and date from 1921-1962. Each of the reproductions is protected by a coated waxpaper guard and contains physical and historical information about the work on the opposite page. Detailed list of works at the back of the book. Text in French. Slipcase with with some light rubbing to extremities and some light stains scratches and smudges. Dj with very minor foxing. Mylar with some small chips at corners. Interior with minor sporadic foxing to a few pages with images almost entirely unaffected clean and bright. Slipcase in very good- covers and interior in overall very good to near fine. Andre Sauret unknown
1948réf. 014223Paris Gallimard 1948 In-16 Broché, couverture illustrée Ed. originale
1963réf. 43686Monte Carlo: Andre Sauret 1963. Limited first edition. Softcover. vg- to near fine. 1/4125. Small folio. 12.5x9.5". 183pp. 5. Tan paper-covered slipcase housing a softcover binding with a lithographically illustrated dust jacket over stiff white cardstock wrappers. Dj protected by mylar. This is #3838 from a total limited edition of 4125 copies. The publication is a complete catalogue raisonné of George Braque's lithographs containing 3 original lithographs covers frontispiece and title page and 146 lithographic reproductions in color and b/w. The lithograph's are arranged chronologically and date from 1921-1962. Each of the reproductions is protected by a coated waxpaper guard and contains physical and historical information about the work on the opposite page. Detailed list of works at the back of the book. Text in French. Slipcase with with some light rubbing to extremities and some light stains scratches and smudges. Dj with very minor foxing. Mylar with some small chips at corners. Interior with minor sporadic foxing to a few pages with images almost entirely unaffected clean and bright. Slipcase in very good- covers and interior in overall very good to near fine. Andre Sauret unknown books
1963réf. 64101963 Monte-Carlo, André Sauret, 1963. Broché sous emboitage: 24.5 x 32 cm, 183-[5] pp. Édition originale du texte de Francis Ponge. Avec 3 lithographies originales de Braque (couverture, frontispice et vignette de titre) et 146 oeuvres reproduites dans le catalogue. Tirage limité à 4125 exemplaires numérotés (no. 3112). Magnifique impression des presses Mourlot. Bel exemplaire.
1971réf. 154183-1Stgt., Belser 1971. 4°. 266 S., 2 Bll. Mit 139 teils farb. Abb. Original-Leinenband mit Schutzumschlag.
1971réf. 60373Stuttgart, Belser 1971. 1971. 4°, 266 S. 2 Bl., mit vielen s/w Abbildungen, farbig illustrierter Orig.-Leinen und illustrierter Orig.-Umschlag.
réf. 5627(Paris): Gallimard (1948).Pictorial wrappers, 217 pp. Cover illustrated by Georges Braque. First edition. Of 2250 copies constituting the édition originale,broché. bon état
1971réf. 1400431New York: Harry N. Abrams 1971. Hardcover. Quarto 261 pages. In Good plus condition with a Good dust jacket. Spine is multicolored with white print. Dust jacket in mylar; light edge wear. Price clipped. Boards in blue cloth white illustration black print; slight wear to spine caps slight bump to rear bottom edge. Illustrated: b&w and color. Signed in ink by translator Howard on the title page. Oversized books. Additional postage necessary for expedited/international orders. Economy International shipping unavailable due to size/weight restrictions. For international/expedited customers please inquire for rates. NOTE: Shelved in Locked Annex Area Quarto and Folio Case. 1400431. FP New Rockville Stock. Harry N. Abrams hardcover books
1956réf. 19558The Royal Scottish Academy, Edinburgh 1956 In-8, broché couv. illustrée, photographies pleines pages en n. & b., 51pp., 24 planches. En anglais. Couv. poussièreuse. Assez bon état.
1994réf. 9962Saint-Paul, Fondation Maeght, 1994. Gr. 8°, 301 Seiten. mit 124 meist farbigen Abbildungen und mehrere s/w. Photos. Farbig illustrierter Orig.Karton.
1987réf. 49201Paris, Editions du Centre Pompidou 1987. 1987. 14 Bll. mit zahlr. farbigen Abbildungen, Bastelbögen u.ä., 4 Pauschbögen. Orig.-Pappbd.
1951réf. 78357Jaques Damase, Èditeur, 1951. Original-Mappe mit einem Beiheft von 6 Blatt und 35 Tafeln.
réf. 0365563412.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1986réf. 26991Frankfurt/Main ; New York : Edition Qumran im Campus-Verl. 1986. 207 S. : 16 Abb. ; 21 cm, mit Schutzumschlag kart., Softcover/Paperback, Exemplar in gutem Erhaltungszustand
1987réf. BN338777Elsevier Masson 1987. 1987. Biogéographie des continents Biogéographie des continents René Braque Elsevier Masson unknown
1949réf. 83047Paris: Henri Matarasso 1949. Fine. With an exceptional and unrecorded artist's proof Henri Matarasso Paris 1949 23 x 28.50 cm Broché sous chemise et étui First edition one of 170 numbered copies on vélin du Marais the only issue after 30 copies on Arches. Custom chemise and slipcase chemise in half blue box calf flat spine with blind and palladium-stamped lettering date in palladium at foot patterned paper boards slipcase edged in blue box calf patterned paper boards sides and spine in petrol blue paper signed by Boichot. A very fine copy. Illustrated with 3 original etchings in black by Georges Braque and one in black and grey as frontispiece. Signed by René Char and Georges Braque on the colophon with an exceptionally added original artist's proof signed in pencil on onionskin paper signed by Braque in pencil alongside the autograph inscription ""EA"" épreuve d'artiste artist's proof. Faint traces of previous white adhesive in the upper margin of the verso. Superb feminine profile framed by stars and leaves an artist's proof signed by Georges Braque for his last illustration of René Char's Soleil des eaux. ""Le Soleil des eaux : spectacle pour une toile des pêcheurs was presented by René Char as a commissioned work. The original idea conceived in 1946 was to make a film but it ultimately Le Soleil des eaux cam to life as a radio production. Broadcast in 1948 with music by Pierre Boulez the text was published the following year by the bookseller Henri Matarasso."" René Char dans le miroir des eaux 2008 no. 35. Following this trial proof the work was printed in an edition of 200 copies on Marais vellum by the Lacourière press. This proof remains unrecorded even in the latest catalogue raisonné by Orozco. Dora Vallier recounts the genesis of the collaboration between Char and Braque that paved the way for one of his finest illustrated books: ""During the summer of 1947 Braque had travelled to Avignon for the exhibition of Peintures et sculptures contemporaines organised by Christian and Yvonne Zervos at the Palais des Papes and it was there in René Char's native region of Vaucluse that the meeting between the painter and the poet took place. This meeting lead to the illustration of Le Soleil des eaux. Braque knew Provence well as he stayed there on numerous occasions since 1906 and was thus perhaps more attuned than anyone to the evocation of that other Provence condemned to disappear which forms the central theme of Le Soleil des eaux."" Braque l'uvre gravé : catalogue raisonné no. 47. Henri Matarasso hardcover
réf. 65064Imprimerie de la gare Jean Jamois 1998 périodique revue 31*25 28 pages
réf. 65065Imprimerie de la gare Jean Jamois 1998 périodique revue 31*25 28 pages
1949réf. 83047Henri Matarasso | Paris 1949 | 23 x 28.50 cm | Broché sous chemise et étui
1921réf. 1775Paris, Editions de la Galerie Simon, [D.H. Kahnweiler], 1921. Petit in-4 (235 x 165 mm mm), non paginé, broché sous couverture de papier ivoire imprimée sur le premier plat. Édition en partie originale, illustrée de 8 bois gravés par Manolo, dont quatre à pleine page. Tirage limité à 112 exemplaires, celui-ci un des 90 exemplaires sur Hollande (n°76) signés à l'encre par le poète et l'artiste. Le seul livre illustré par Manuel Martinez Hugué, dit Manolo. Manolo (1872-1945), sculpteur et peintre catalan né à Barcelone, vint à Paris dès 1892, puis de 1901 à 1910. Juan Gris, Braque et Picasso vinrent le rejoindre, pour d'assez longs séjours, lorsqu'il se fixa à Céret dans les Pyrénées. « Il était un des rares aînés de Picasso à le traiter comme un jeune homme » (Pierre Daix). À partir de 1910, grâce au soutien de D.-H. Kahnweiler, son marchand et l'éditeur de l'ouvrage présenté ici, il obtient du succès : il expose à l’Armory Show de 1913 à New York puis en Allemagne et à Paris. Par la suite, il présente régulièrement ses œuvres aux Etats-Unis, en Espagne et en France. En 1932, la France le célèbre en lui consacrant une importante exposition au Grand Palais. Comme pour les toreros ou les gitanes, la maternité constitue l’un des sujets récurrents de l’œuvre de Manolo : Mère et fils (1929), Maternité au baiser (1929), Maternité (1938), Maternité à la grappe de raisin (1940). Manolo utilise chaque occurrence du thème pour explorer une solution plastique nouvelle.
