940 resultados
1917ref. 71952Nord-Sud | Paris Décembre 1917 | 20 x 28 cm | agrafé
ref. 10080NORD-SUD. Collection suivie du n° 1 (mars 1917) au n° 14 (avril 1918). Ne manquent donc que les deux derniers numéros (n° 15 et 16) pour le complètement. Les 12 livraisons sont en très bon état. Le n° 13 est bien complet des deux planches hors texte de Georges Braque ; le n° 14 est bien complet des deux planches hors texte de Fernand Léger (ces deux numéros sont les seuls à proposer des illustrations). /// N.B. Le n° 3 est ici dans sa variante optimale, comprenant bien le texte de Pierre Reverdy, " Sur le Cubisme ", suivi de de sa traduction en anglais par Léonce Alexandre-Rosenberg, " On Cubism " (quatre pages, numérotées I à IV, greffées au centre du fascicule). Le " reprint " de Jean-Michel Place reproduit bien ces quatre pages de traduction, manifestement ajoutées postérieurement, mais sans les annoncer au sommaire. Dans le cas de notre exemplaire, cette " augmentation " est mentionnée au sommaire figurant sur la couverture : les exemplaires " ordinaires " annoncent deux textes de Pierre Reverdy (" Matin " et " Une Nuit dans la plaine ") ; notre exemplaire " augmenté " annonce bien " Sur le Cubisme " en plus des deux autres textes. A noter : " Sur le Cubisme " avait déjà paru dans le n° 1 de NORD-SUD, mais sans la traduction de Léonce Rosenberg. /// Une telle collection est aujourd'hui très difficile à réunir.
1960ref. 22039Paris: Albert Morance 1960. First edition. Hardcover. Orig. loose as issued text laid-in brown cloth portfolio front cover lettered in gilt. Near fine. Braque Georges. Text pages unopened. 38.5 x 29 cm. Limited edition copy 24 of 50 with a colored aquatint numbered and signed by Braque in pencil -- "Tete en profil et l'etoile" printed on Rives. VALLIER 152. Title page printed in red and black with additional 32 full page plates of which eight are in color. The plates reflect the influence of classic Greek art and sculpture on Braque emanating from his work during World War II when he produced a collection of small generally flat decorative pieces of sculpture in a style recalling again ancient Greece and centering on vaguely mythological themes. Front cover of portfolio toward the spine slightly toned. Albert Morance hardcover
ref. 19070Lombreuil, Nouvelles Images, 1973, 1 broché, couverture illustrée par Braque (extrait des Cahiers de Braque). in-8 carré de 16 pages, texte sur 2 colonnes ;
1960ref. 22039Paris: Albert Morance 1960. First edition. Hardcover. Orig. loose as issued text laid-in brown cloth portfolio front cover lettered in gilt. Near fine. Braque Georges. Text pages unopened. 38.5 x 29 cm. Limited edition copy 24 of 50 with a colored aquatint numbered and signed by Braque in pencil -- "Tete en profil et l'etoile" printed on Rives. VALLIER 152. Title page printed in red and black with additional 32 full page plates of which eight are in color. The plates reflect the influence of classic Greek art and sculpture on Braque emanating from his work during World War II when he produced a collection of small generally flat decorative pieces of sculpture in a style recalling again ancient Greece and centering on vaguely mythological themes. Front cover of portfolio toward the spine slightly toned. Albert Morance hardcover books
1959ref. 1719Alès, PAB, 1959. Un volume In-8° (232 x 175 mm), broché, couverture de papier bleu orné de papiers découpés (pour chaque exemplaire l'artiste a fait un découpage particulier et dessiné les étoiles à l'encre de Chine). 2 POINTES SÈCHES ORIGINALES EN BLEU, hors-texte à pleine page. Édition originale de ce court et spirituel poème pour enfant. Édition totale à 35 exemplaires + 5 HC, celui-ci bien signé à l'encre par l'auteur, l'artiste et l'éditeur au colophon.
ref. 25698Paris 1930. . Large 8vo. pp.112 printed paper wrappers 4 colour plates numerous b/w plates; light toning to page margins foxing to wrappers otherwise an unusually fine copy. Paris, 1930. unknown
2002ref. Q-087070110XThe Museum of Modern Art New York 2002-07-15. Hardcover. New. In shrink wrap. Looks like an interesting title! The Museum of Modern Art, New York hardcover
1989ref. 104215Tarascon Château du Roi René 1989 1 vol. broché in-8, broché, couverture en couleurs, 157 pp., nombreuses reproductions en noir et en couleurs. Bon état.
1989ref. 104215Tarascon Château du Roi René 1989 1 vol. broché in-8, broché, couverture en couleurs, 157 pp., nombreuses reproductions en noir et en couleurs. Bon état.
1973ref. 170098Paris: Galerie Berggruen 1973. First Edition. First Edition. Catalog for the May 1973 exhibition at Galerie Berggruen Paris. Text in French. Near Fine and unread in Near Fine perfect-bound illustrated card wrappers. Galerie Berggruen unknown
1973ref. 010293Paris Berggruen 1973 In-12 oblong Broché, couverture ilustrée Edition originale
1973ref. 170098Paris: Galerie Berggruen 1973. First Edition. First Edition. Catalog for the May 1973 exhibition at Galerie Berggruen Paris. Text in French. Near Fine and unread in Near Fine perfect-bound illustrated card wrappers. Galerie Berggruen unknown books
ref. 42171Paris Centre Georges Pompidou 1982. 4° 223 S. teilw. farb. Abb. Brosch. Tadell. 010 Paris, Centre Georges Pompidou, 1982 unknown
ref. 531548P., Centre G. Pompidou, 1982. In-4 broché, couv. rempliées, 223 pp., très nbr. reprod. en noir et coul. dans le texte, biographie, expositions, bibliogr.
1963ref. 38629Paris: Maeght 1963. Browning of former passepartout visible. Else in very good condition. 60 x 435 cm 23.5 x 1725 inches. Original lithograph. Printed by ARTE in 1963 on behalf of the Galerie Maeght in Paris. Color lithograph after Georges Braque for an exhibition at Galerie Maeght in 1967 here the special edition on Velin BFK Rives without the text of the poster. "Oiseau et Lotus" Bird and Lotus is a work by Georges Braque one of the leading figures of the Cubist movement alongside Pablo Picasso. Braque's contribution to modern art particularly through Cubism emphasized abstraction the breaking up of objects into fragmented shapes and the exploration of multiple perspectives simultaneously.Though I can't provide specific details about a single artwork titled "Oiseau et Lotus" without more context it's likely that this work would reflect Braque's characteristic use of geometric forms and muted color palettes to depict natural subjects in an abstract way.In the context of his later works Braque moved away from the strict geometric forms of early Cubism and started incorporating more organic shapes and elements of nature. Birds Oiseaux and plants Lotus were recurring motifs in his post-Cubist period when he focused on the lyrical still-life approach that is often seen in his paintings from the 1930s and 1940s. Georges Braque was a major 20th-century French painter collagist draughtsman printmaker and sculptor. His most notable contributions were in his alliance with Fauvism from 1905 and the role he played in the development of Cubism. Braque's work between 1908 and 1912 is closely associated with that of his colleague Pablo Picasso. Their respective Cubist works were indistinguishable for many years yet the quiet nature of Braque was partially eclipsed by the fame and notoriety of Picasso. Maeght unknown
1962ref. 39526Paris: Au Vent d'Arles 1962. FIRST EDITION of this important collection of poetic reflections on Braque's birds. 37 pp. A SPECIAL COPY PRINTED ESPECIALLY FOR SAINT-JOHN PERSE aside from the 150 numbered copies. Printed on extremely fine thick Richard de Bas laid paper. 4to. Original printed wraps. UNCUT AND UNOPENED WITH NO DEFECTS. ABSOLUTELY PRISTINE AND PERFECT AND EXTREMELY RARE AS SUCH. Au Vent d'Arles paperback
1958ref. B1624Illustrated with tipped-in photo frontis and black and white plates. 4to original pochoir wraps chips and loss to lower spine and a larger loss to glassine wrap lower left first signature detached otherwise very good. Limited to 1500 numbered copies. Inscribed to the publisher E. Engelberts on the frontis photograph. Exhibition catalogue of Braque's work. Charles Pezzotti,
1984ref. 12563À l'état de neuf. Broché sous couverture illustrée Très bon Paris Gervis 1984 1 volume in-4°
1965ref. 186884Paris: Maeght Éditeur 1965. First edition number 81 of 150 copies printed on velin de Rives. This issue of Derrière le miroir No. 138 was published to coincide with an exhibition of Braque's works at Galerie Maeght. Most of the artworks exhibited are reproduced at the rear. Folio. With 5 lithographs 4 in colour in three sizes: covers 38 x 57 full-page 38 x 28.5 cm or double-page 38 x 55.5 cm. 8 pages of monochrome photographic illustrations. Original lithographed wrappers lettering to front cover in grey sheets loosely inserted as issued. All housed in the publisher's beige boards with lettering to spine in black with matching slipcase paper label to front lettered in black. A little rubbing to slipcase. A fine copy. hardcover
1981ref. ABE-1694708011197124 PAGES-MARCEL HAEDRICH RACONTE SON AMI FRANCOIS MITTERRAND, 8P-DOUBLE PAGE PUBLICITAIRE PEUGEOT AVEC MICHEL PICCOLI-CLAUDIA CARDINALE EN FAMILLE, 4P-ALAIN BOMBARD, 2P-JOHNNY HALLYDAY A BANGKOK, 2P-ROMY SCHNEIDER AVEC SON FILS DAVID, 2P-ANTOINE, 2P-MICK JAGGER SUR LE TOURNAGE DE "FITZCARRALDO" DE WERNER HERZOG, 2P-GUNTER SACHS PREPARE SON ALBUM DES PLUS BELLES FILLES DU MONDE, 2P-LES 4 QUI INQUIETENT LE MONDE; MINISTRES COMMUNISTES AU GOUVERNEMENT; ANICET LE PORS, MARCEL RIGOUT, CHARLES FITERMAN, JACK RALITE, 8P-LES 20 ANS DE LADY DI, 8P-LES TRESORS RETROUVES, LA GALERIE DES BEAUX ARTS DE BORDEAUX ACCUEILLE LES TABLEAUX FRANCAIS DU METROPOLITAN MUSEUM OF ART DE NEW YORK, 4P-JEAN PAUL II, LA SEMAINE FATIDIQUE, 3P-DITES NOUS LAURENT FABIUS, 1P-CAROLINE GRIMALDI, AVEC ROBERTINO ELLE NE SE CACHE PLUS, 4P-ESSEI SAGAWA LE JAPONAIS CANNIBALE, 2P-CRASH DU "DOUGLAS INVADER" AU MEETING AERIEN DE BIGGIN HILL, 4P-FLORENCE ARTHAUD ET FRANCOIS BOUCHER, LES AMOUREUX DE LA TRANSAT, 4P-THIBAULT D'ORLEANS, LA CONFESSION D'UN PRINCE D'AVENTURE, 4P-CARTE BLANCHE A ART BUCHWALD, 1P
1988ref. ABE-1713882699962FORMAT 23 CM X 30 CM-108 PAGES-FRANCOIS MITTERRAND, MAIS QUI EST IL VRAIMENT ? PAR CATHERINE NAY ET DOMINIQUE JAMET, 3P-EXTRAITS DE "LES CULOTTES COURTES" DE JEAN CAU, 4P-MICHAEL DOUGLAS, ENTRETIEN, 4P-OLIVIA BRUNAUX, 2P-GERARD LANVIN, 4P-PATRICK SEBASTIEN, 2P-JEANE MANSON, 2P-ISRAEL L'ENLISEMENT, 8P-CHARLES ET DIANA MOUNTBATTEN WINDSOR EN AUSTRALIE, 6P-JEAN CLAUDE DUVALIER, ENTRETIEN, 4P-PIERRE MERIEL L'ACCUSATEUR ACCUSE, 4P-LES RESCAPES DU "JEAN SEBASTIEN", 4P-LE CHOC YVES SAINT LAURENT; COLLECTION CUBISTE, 8P-LES STATUES DES CAVES DE L'ECOLE DES BEAUX ARTS, 6P-DITES NOUS LOUIS MERMAZ, 1P-LE CANADA ARCTIQUE, 11P-CARTE BLANCHE A JACQUES PAGET, 1P-
ref. 51-2111Paris: Editions O. Lazar-Vernet 1962. . Folio. 385 x 288 mm. 15-1/8 x 11-3/8 inches. Sheets loose as issued in original cloth chemise and slipcase. One of 150 numbered portfolios on Johannot paper. With 14 original color etchings by Chagall "Granada" Cramer 51; Kornfeld 121; Braque "Oiseaux" Vallier 183; Max Ernst Spies/Leppien 85 Magnelli Zadkine Gilioli Ubac Bissière Jacobsen Fiorini Bona Dufour Lepâtre Vieillard Paris: Editions O. Lazar-Vernet, 1962. hardcover
1970ref. 31224Marnay Eddy 1970
1994ref. 30209Paris Bibliothèque Nationale De France / Réunion Des Musées Nationaux 1994 In-4 287 pp, un impact sur la couverture presque invisible