944 resultados
1960ref. 222681960 Monte-Carlo, Éditions du Cap, [v. 1960], in-8, suédine verte éd., 84 pp. Très jolies aquarelles en couleurs de Georges BRAQUE. Exemplaire sur offset Johannot. Braque a créé les décors et les costumes de cette comédie-ballet, d'après Molière, dans une mise en scène de Boris Kochno, créée au Théâtre de Monte-Carlo le 19 janvier 1924, et publiée la même année. Collection Les Fermiers généraux.
ref. 42649Paris : Maison des Artistes, 1961. Catalogue d'exposition présentée au Musée Galliéra de mars à mai 1961. Un volume (14x22 cm) cartonné avec une lithographie originale de Georges Braque sur les deux plats (impression Mourlot), 303 pages illustrées de reproductions en noir des oeuvres et de portraits photographiques des écrivains participants + 100 pages d'annonces, chacune illustrée de dessins inédits par les artistes participants. Bel exemplaire.
1935ref. 002118Paris Les Expositions de "Beaux-ARts" & de "La Gazette des beaux-arts" 1935 In-8 Agrafé
ref. 56845Paris, France Loisirs, 2001, gd. In-4, cartonnage couv. photos coul. éd., 168 pp., très nb. Photos en coul., sommaire : Matisse - Dali - Bacon - Picasso - Chagall - Braque - Va, Dongen - Miro - Delvaux - Léger - Balthus Rencontres avec les plus grands peintres encore vivant. Superbes photographies. Très bon état
ref. 8729Paris. Achille Weber / Hachette, 1961. 1 Vol. Petit In-8 cartonné Nombreuses illustrations en noir. Album Cartonné. Couvertures illustrées par Georges Braque. Textes de Gérard Bauër, Jean Cassou, Jean Cocteau, Raymond Cogniat, Maurice Garçon, Isis Kischka, Georges-Charles Recio, Maximilien Vox. Principaux Artistes exposés : Braque, Brayer, Buffet, Carzou, Chagall, Chapelain-Midy, Ciry, Dufy, Fontanarosa, Foujita
1948ref. 15674Lucien Mazenod 1948 423 pages in4. 1948. Broché couverture rempliée. 423 pages.
1954ref. 134075Couverture rigide. 2 volumes en cartonnage de l'éditeur défraîchi. 280 + 300 pages. Rousseurs.
1964ref. 150297Couverture rigide. 3 volumes en cartonnage de l'éditeur Légèrement défraîchi. 280 + 300 + 510 pages. Rousseurs.
2006ref. PEINTUREEEEE85851123Paris, Editions Michalon, "Fonds perdus", 2006, 12 x 17,5, 450-XVI pages sous cartonnage éditeur imprimé. Présentation et édition critique par Rémi Labrusse. Ouvrage enrichi d'illustrations noir & blanc in et hors texte, ainsi que d'un cahier de XVI pages de reproductions couleurs.
1982ref. R260121633CENTRE GEORGE POMPIDOU / MUSEE NATIONAL D'ART MODERNE. 1982. In-4. Broché. Etat d'usage, Couv. légèrement passée, Dos satisfaisant, Intérieur frais. 189 pages. Nombreuses illustrations en couleurs et photos en noir et blanc, dans et hors texte. Quelques auréoles sur le dos et la tranche.. . . . Classification Dewey : 708-Galeries, musées, collections d'art
1960ref. 1497Éditions de la Passerelle, Paris 1960. 1 volume grand in-folio (440 X 350 cm), en feuilles sous couverture illustrée rempliée, chemise et étui peints décorés de l'éditeur. Édition originale illustrée de 3 EAUX-FORTES dorées pour la couverture et 16 GRAVURES ET AQUATINTES ORIGINALES EN COULEURS EN HORS-TEXTE D'ANDRÉ MASSON. Tirage : 160 exemplaires numérotés et nominatifs. Celui-ci tiré sur grand vélin d'Arches. Tous les exemplaires sont signés au colophon par l'auteur, l'artiste et l'éditeur. Les gravures ont été tirées chez Lacourière.
ref. 3001Les fermiers généraux, sans date. In-8, toilé, 89 p.
ref. 8825Monte-Carlo, Editions du Cap, "Les Fermiers Généraux", s.d. (vers 1960) ; in-8. 11ff. n. ch.-84pp.-4ff. non chiffrés. 16 planches couleur hors-texte. Pleine suédine verte d'éditeur, titre doré sur les plats et au dos.
1955ref. 960Paris, les Bibliophiles de l’Union française, 1955. In-folio (33,5 x 44,5 cm) reliure de l’époque maroquin bleu nuit, sur les plats importante composition mosaïquée et vernie de papiers de reliure noir, marbré gris rose, vert à fond vermiculé en découpe de formes aiguës, dos lisse, titre à la chinoise, tête dorée, couverture et dos conservés, étui bordé de même maroquin. Reliure signée de René et Michel Kieffer.
ref. 65064Imprimerie de la gare Jean Jamois 1998 périodique revue 31*25 28 pages
ref. 65065Imprimerie de la gare Jean Jamois 1998 périodique revue 31*25 28 pages
ref. 15155Paris Editions d'Art Les Heures Claires 1965 in folio (38x29) 1 fort volume broché en faux-feuillets sous couverture rempliée, 220 pages et 5 faux-feuillets non chiffrés, avec 19 planches hors-texte en couleurs et un portrait de A. Warnod en frontispice (phototypie), sous boitage de l'éditeur. Préface de Pierre Brisson. Lithographies de Derain, et Van Dongen (tirées par Lucien Détruit), lithographies de Dufy, Matisse, Chagall, Dunoyer de Segonzac, Cavaillès, Terechkovitch et Carzou. Lithographies de Picasso, et Buffet (tirées par P.-J. Ballon), Lithographies de Miro (tirée par l'atelier Arte), eaux-fortes de Villon et Zadkine (tirée par Manuel Robbe), eau-forte de Braque (tirée par A. et P. Crommelynck). Original etchings by Braque, Jacques Villon, Zadkine. Original woodcuts by Vlaminck, Rouault, Pascin, Utrillo. Original lithographs by Derain, Dufy, Matisse, Van Dongen, Picasso, Chagall (engraved by Sorlier), Dunoyer de Segonzac, Cavaillès, Terechkovitch, Bernard Buffet, Carzou, Miro. Tirage limité à 250 exemplaires numérotés sur grand vélin d'Arches (limited to 250 copies), et quelques exemplaires hors-commerce. Notre exemplaire imprimé sur grand vélin d'Arches est un exemplaire d'artiste, il porte sur la justification la mention imprimée: exemplaire d'artiste. Cet exemplaire est enrichi d'une importante suite de 33 planches de divers états de la décomposition des couleurs de la lithographie de Picasso (sous chemise). Collationné complet. Très bel et rare exemplaire d'artiste ( Photographies sur demande / We can send pictures of this book on simple request )
1976ref. 135998Paris: Editions Princesse 1976. First edition. Hardcover. Text in French. Includes color and black and white images after works by Braque De Chirico Ernst Leger Matisse Miro and Picasso. A tight very good copy with some bumping to the corners and spine ends in an about very good dust jacket that is lightly rubbed and with some bumping to the corners as well. A good reference copy. Editions Princesse unknown books
1960ref. N - 2026 - 1Authors: Daisetz T. Suzuki E. Herrigel Georges Braque. Illustrator : George Braque Publisher : Paris Louis Broder1960. Artist's book "Le Tir à l'Arc" The Art of Archery. Selected texts from D.T Suzuki and E. Herrigel "Le Zen dans l'art cavaleresque" 1955 and aphorisms and thoughts by George Braque from his own notebooks "Cahiers d'Art de 1917 a 1952". Illustrated by Braque with eight lithographs of which six in color one in black and one in pink and white printed across the spread endpapers with a mirrored composition; together with a black‑and‑white etching on the front wrappers and two woodcuts on gray paper also reproduced on the protective chemise and box. Limited edition of 165 numbered copies printed on vélin de chiffon handmade at the Moulin d'Ambert with cover wrappers in Antaimoro paper. Loose as issued preserved in the original silk‑covered hard chemise and housed within the original Japanese‑style silk folding case with ivory clasp. Braque's images fuse seamlessly with the accompanying Zen texts creating a visual meditation on focus intuition and the "empty mind" that illuminates the writings of D.T. Suzuki and Eugen Herrigel. Herrigel's Zen in the Art of Archery a classic account of his six‑year immersion in Japanese archery KyūdÅ during the 1920s explores the discipline as a gateway to understanding Zen Buddhism while Suzuki one of the most influential figures in bringing Zen thought to the West provides the philosophical and spiritual framework that illuminates archery as a contemplative path. Woven into this dialogue are Braque's own aphorisms and reflections with their emphasis on nuance intuition and the quiet interior space from which art emerges. Together these elements create a rare and compelling bridge between modern abstract art and Zen philosophy. In very good condition but some age spotting on the paper inside. A small restoration has been carried out on the top inch of the spine of the endpaper barely visible. Reference: Dora Vallier 153 Louis Broder books
1960ref. N - 2026 - 1Authors: Daisetz T. Suzuki E. Herrigel Georges Braque. Illustrator : George Braque Publisher : Paris Louis Broder1960. Artist's book "Le Tir à l'Arc" The Art of Archery. Selected texts from D.T Suzuki and E. Herrigel "Le Zen dans l'art cavaleresque" 1955 and aphorisms and thoughts by George Braque from his own notebooks "Cahiers d'Art de 1917 a 1952". Illustrated by Braque with eight lithographs of which six in color one in black and one in pink and white printed across the spread endpapers with a mirrored composition; together with a black‑and‑white etching on the front wrappers and two woodcuts on gray paper also reproduced on the protective chemise and box. Limited edition of 165 numbered copies printed on vélin de chiffon handmade at the Moulin d'Ambert with cover wrappers in Antaimoro paper. Loose as issued preserved in the original silk‑covered hard chemise and housed within the original Japanese‑style silk folding case with ivory clasp. Braque's images fuse seamlessly with the accompanying Zen texts creating a visual meditation on focus intuition and the "empty mind" that illuminates the writings of D.T. Suzuki and Eugen Herrigel. Herrigel's Zen in the Art of Archery a classic account of his six‑year immersion in Japanese archery KyūdÅ during the 1920s explores the discipline as a gateway to understanding Zen Buddhism while Suzuki one of the most influential figures in bringing Zen thought to the West provides the philosophical and spiritual framework that illuminates archery as a contemplative path. Woven into this dialogue are Braque's own aphorisms and reflections with their emphasis on nuance intuition and the quiet interior space from which art emerges. Together these elements create a rare and compelling bridge between modern abstract art and Zen philosophy. In very good condition but some age spotting on the paper inside. A small restoration has been carried out on the top inch of the spine of the endpaper barely visible. Reference: Dora Vallier 153 Louis Broder
1949ref. 83047Paris: Henri Matarasso 1949. Fine. With an exceptional and unrecorded artist's proof Henri Matarasso Paris 1949 23 x 28.50 cm Broché sous chemise et étui First edition one of 170 numbered copies on vélin du Marais the only issue after 30 copies on Arches. Custom chemise and slipcase chemise in half blue box calf flat spine with blind and palladium-stamped lettering date in palladium at foot patterned paper boards slipcase edged in blue box calf patterned paper boards sides and spine in petrol blue paper signed by Boichot. A very fine copy. Illustrated with 3 original etchings in black by Georges Braque and one in black and grey as frontispiece. Signed by René Char and Georges Braque on the colophon with an exceptionally added original artist's proof signed in pencil on onionskin paper signed by Braque in pencil alongside the autograph inscription ""EA"" épreuve d'artiste artist's proof. Faint traces of previous white adhesive in the upper margin of the verso. Superb feminine profile framed by stars and leaves an artist's proof signed by Georges Braque for his last illustration of René Char's Soleil des eaux. ""Le Soleil des eaux : spectacle pour une toile des pêcheurs was presented by René Char as a commissioned work. The original idea conceived in 1946 was to make a film but it ultimately Le Soleil des eaux cam to life as a radio production. Broadcast in 1948 with music by Pierre Boulez the text was published the following year by the bookseller Henri Matarasso."" René Char dans le miroir des eaux 2008 no. 35. Following this trial proof the work was printed in an edition of 200 copies on Marais vellum by the Lacourière press. This proof remains unrecorded even in the latest catalogue raisonné by Orozco. Dora Vallier recounts the genesis of the collaboration between Char and Braque that paved the way for one of his finest illustrated books: ""During the summer of 1947 Braque had travelled to Avignon for the exhibition of Peintures et sculptures contemporaines organised by Christian and Yvonne Zervos at the Palais des Papes and it was there in René Char's native region of Vaucluse that the meeting between the painter and the poet took place. This meeting lead to the illustration of Le Soleil des eaux. Braque knew Provence well as he stayed there on numerous occasions since 1906 and was thus perhaps more attuned than anyone to the evocation of that other Provence condemned to disappear which forms the central theme of Le Soleil des eaux."" Braque l'uvre gravé : catalogue raisonné no. 47. Henri Matarasso hardcover
1952ref. 62815Paris Gallimard 1952. 8vo. In the original green printed wrappers. Hinges with wear otherwise a nice and clean copy. 56 6 pp. unknown
ref. 2070209776.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
ref. 1202T315553Paperback. Good. Different Book: "Cahier de Georges Braque 1917 1947" 1947 Curt Valentin FIRST EDITION Hardback no dustjacket. Good overall condition with insert. No underlining etc. NOT EX-LIBRARY!FPAB1 hardcover
1962ref. 217675Basel: Galerie Beyeler 1962. First edition. Softcover. Exhibition catalog for a group show that ran May through July 1962. Text in French and German. Includes information about numerous color and black and white illustrations. A near fine copy in wrappers and from the library of the Marlborough Gallery with their marks and in a very good plus acetate jacket with some small tears and with laid in compliments slip. A nicely printed catalog and with an interesting provenance. Galerie Beyeler unknown books