1.991 Ergebnisse
Best.-Nr. 134165aafOffice du Livre. 1987, in-4to, 333 p., 217 illustrations, 150 en couleurs, (Prix catalogue 1987/88 sFr. 160), reliure en toile, jaquette couleur, étui cartonné, bel exemplaire / clothbound, ill. jacket, slipcase, fine copy. (Prx neuf sFr. 160.-).
1993Best.-Nr. AUB-8301Editions Plon 1993. Bel exemplaire broché, in-8 (20x13), 317 pages avec cartes, figures, annexes, tables + planches.
1992Best.-Nr. 63928A l’écart 1992 In-8, en feuilles sous couverture rempliée, 24 pp. Un des 50 exemplaires num. sur vergé
1966Best.-Nr. 79338André Balland 1966 In-8 relié 20 cm sur 18. 219 pages. Bon état d’occasion.
Best.-Nr. EEzz0142N.Y. Abrams o.J. 1581 S. Mit 57 Textabb. 15 mitgez. Tafelabb. nach Holzschn. u. Aquarellen sowie 47 Farbtaf. nach Ölbildern. gr.-4°. OLn. m. farb. OU. Umschlag mit unterlegten Rißstellen u. kl. Fehlstelle. 1 Zeitungsseite mit Gauguinabb. als Beilage. = The Library of the great painters. N.Y., Abrams o.J. unknown
1971Best.-Nr. 55970Ides et Calendes 1971 In-4 relié. 261 pages. Bon état d’occasion.
1994In-folio (cm. 41), tela editoriale, sovracoperta editoriale illustrata, custodia editoriale in tela, pp. 163, (13), XLIV tavole fuori testo, con illustrazioni a piena pagina, diverse ripiegate, a colori. In buono stato di conservazione (good copy).
1974In-folio (cm. 41), tela editoriale, sovracoperta editoriale illustrata (minime mancanze), custodia in tela, pp. 163, (11), con 44 splendide tavole a colori ripiegate fuori testo e 132 illustrazioni a colori ed in bianco e nero incollate alla pagina, nel testo. In buono stato (good copy).
1987Best.-Nr. 917667München : Hirmer, 1987. 335 S. Mit zahlr. auch farb. Abb. Originalleinen mit Schutzumschlag.
1945Best.-Nr. 78920Libreria Y Editorial "El Ateneo" Buenos Aires 1945. hardback. about very good condition some fading in a dust jacket with large chips on the front spine and rear Libreria Y Editorial "El Ateneo", Buenos Aires hardcover
1920Best.-Nr. 194436Potsdam: G. Kiepenheuer 1920. Hardcover. Good Boards are shelf/edgeworn with smudging and foxing; inner hinge is cracked; there are penciled notes on ffep and ifc; inner hinge is cracked; textblock is cracked; textblock edges are foxed;pages are lightly toned but the mounted plates appear clear. Brown cloth boards with brown lettering; xxxxvii 164 pp.; richly illustrated in bw. Text in German. G. Kiepenheuer hardcover
1994Best.-Nr. FRYcastCAThe Museum of Modern Art New York 1994-01-01. Hardcover. Very Good/Good. 11x9x1. Clean sharp cornered hardbound book in russet-colored cloth boards. Full color dust jacket in mylar shows mild wear to all edges and corners. Published in tandem with the exhibition "A Century of Artists Books" at the Museum of Modern Art from October 1994 to January 1995. The Museum of Modern Art, New York hardcover
1947Best.-Nr. 59666Stockholm: Bonniers 1947. paperback. very good. Illus. some color. 287pp. 4to pictorial wrappers. Stockholm: Bonniers 1947. Very good . Swedish translation of the Norwegian original. Bonniers unknown
Best.-Nr. 216233Oxford: Bruno Cassirer / Faber & Faber 1961. Hardcover. VG/G. Jacket has some Scuffing tearing and fraying around the edges otherwise clean and unmarked. Quarto. Hardcover. Brown cloth in decorative jacket. 85 unnumbered pages : color illustrations ; 32 cm. Bruno Cassirer / Faber & Faber hardcover
Best.-Nr. 292456New York: Reynal. hardcover. very good. Translated by Jonathan Griffin postscript by Jean Loize. More than 40 plates most in color. 36 pages of text. Thin 4to orange decorated cloth lightly rubbed and worn at foot and corners. New York: Reynal no date circa 1955. A very good copy internally clean. First English translation of Gauguin's original manuscript without the emendations of Charles Morice. Reynal unknown
2002Best.-Nr. ERICgauPRIThe Museum of Modern Art New York 2002-07-15. First Edition. Hardcover. Good/Good. 9x2x12. Two volume set. The bindings are clean and tight with minor shelf wear. Light wear & soiling on edges of text blocks. Volume two has water damage stains near foredge of last 30 pages of text. Otherwise Text and images unmarked. Dj's lightly worn with scuffs & small scratches in mylar covers. The Museum of Modern Art, New York hardcover
Best.-Nr. 3060New York: Reynal and Company. Very Good in Very Good dust jacket. Not Stated. Hardcover. Reynal and Company hardcover
1920Best.-Nr. 194436Potsdam: G. Kiepenheuer 1920. Hardcover. Good Boards are shelf/edgeworn with smudging and foxing; inner hinge is cracked; there are penciled notes on ffep and ifc; inner hinge is cracked; textblock is cracked; textblock edges are foxed;pages are lightly toned but the mounted plates appear clear. Brown cloth boards with brown lettering; xxxxvii 164 pp.; richly illustrated in bw. Text in German. G. Kiepenheuer hardcover books
Best.-Nr. 292456New York: Reynal. hardcover. very good. Translated by Jonathan Griffin postscript by Jean Loize. More than 40 plates most in color. 36 pages of text. Thin 4to orange decorated cloth lightly rubbed and worn at foot and corners. New York: Reynal no date circa 1955. A very good copy internally clean. First English translation of Gauguin's original manuscript without the emendations of Charles Morice. Reynal unknown books
Best.-Nr. 216233Oxford: Bruno Cassirer / Faber & Faber 1961. Hardcover. VG/G. Jacket has some Scuffing tearing and fraying around the edges otherwise clean and unmarked. Quarto. Hardcover. Brown cloth in decorative jacket. 85 unnumbered pages : color illustrations ; 32 cm. Bruno Cassirer / Faber & Faber hardcover books
1947Best.-Nr. 59666Stockholm: Bonniers 1947. paperback. very good. Illus. some color. 287pp. 4to pictorial wrappers. Stockholm: Bonniers 1947. Very good . Swedish translation of the Norwegian original. Bonniers unknown books
2019Best.-Nr. 211557Heidelberg: Kehrer Verlag 2019. Hardcover. As new. Small square quarto. Hardcover. Bund in patterned orange cloth with white titles. No jacket presumably as issued. 157 pages : color illustrations portraits ; 25 cm. On the occasion of the upcoming 90th birthday of Franz Gertsch MASI invites the artist to plan an exhibition devoted to his oeuvre. This has led to a remarkable and striking meeting between Gertsch's outstanding woodcuts and the wood engravings by two artists whom he regards as much more than simply pioneer revolutionaries of xylography Paul Gauguin and Edvard Munch. Despite their historical distance and stylistic divergences these three artists display profound and unexpected affinities which extend far beyond the technique they share. --Museum website. Chiefly illustrated./ Published on the occasion of the exhibition held at MASI-Museo d'arte della Svizzera Italiana Lugano Switzerland 12 May-22 September 2019./ Includes bibliographical references pages149-150. Kehrer Verlag hardcover
2019Best.-Nr. 211557Heidelberg: Kehrer Verlag 2019. Hardcover. As new. Small square quarto. Hardcover. Bund in patterned orange cloth with white titles. No jacket presumably as issued. 157 pages : color illustrations portraits ; 25 cm. On the occasion of the upcoming 90th birthday of Franz Gertsch MASI invites the artist to plan an exhibition devoted to his oeuvre. This has led to a remarkable and striking meeting between Gertsch's outstanding woodcuts and the wood engravings by two artists whom he regards as much more than simply pioneer revolutionaries of xylography Paul Gauguin and Edvard Munch. Despite their historical distance and stylistic divergences these three artists display profound and unexpected affinities which extend far beyond the technique they share. --Museum website. Chiefly illustrated./ Published on the occasion of the exhibition held at MASI-Museo d'arte della Svizzera Italiana Lugano Switzerland 12 May-22 September 2019./ Includes bibliographical references pages149-150. Kehrer Verlag hardcover books
Best.-Nr. 15-7119San Francisco CA: Pasquale Iannetti Art Galleries 1986. Photographs VG with some shelf wear. Pasquale Iannetti Art Galleries photo documentation. San Francisco, CA: Pasquale Iannetti Art Galleries, [1986?]. unknown
Best.-Nr. 63-5385Paris: Galerie Kleber 1949. 12mo. 12 pp. Stapled Wraps Good with creased cover toning some staining. Notes inked and penciled in margins to final page. Black and white plates. Text in French. Scarce. Paris: Galerie Kleber, 1949. paperback
