Gauguin, PaulBiblio.com
Paul Gauguin: Tahiti
Best.-Nr. 3775707441.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
Bonita · Vereinigte Staaten51,90 $≈ 46,37 €
1.982 Ergebnisse
1987Best.-Nr. 207526Tahiti / New York: Edition de l'Association des amis du Musée Gauguin / Gauguin and Oceania Foundation 1987. Hardcover. VG. Large Quarto. Hardcover. Bound in rough textured burlap like cloth with black stamped titles and pasted on illustration. 132 unnumbered pages : color illustrations portraits ; 41 cm. Facsimile. ed. of Gauguin's original Noa Noa manuscript of 1895. Edition de l'Association des amis du Musée Gauguin / Gauguin and Oceania Foundation hardcover
2021Best.-Nr. 202798Kobenhavn: Strandberg Publishing 2021. Hardcover. VG. A pale yellow matte hardcover book with the title printed in black down the spine. The free and pasted end pages are color-illustrated. Pages: 5 6-315 1. Profusely illustrated with color images. Text is in Danish. "Mystikken og myterne omkring kunstneren Paul Gauguin 1848-1903 lever i bedste velgående. Hyldet som en af den tidlige modernismes mest betydningsfulde figurer men samtidig fordømt for sit arbejde og sin karakter. Bogen sætter fokus på Gauguins virke og et eftermæle der forbliver tvetydigt. Diskussionen om hans kunst og person er ikke blevet mindre relevant i en tid hvor #MeToo sætter nyt fokus på Gauguins forhold til mindreårige piger og hans andel i kolonialismen i Fransk Polynesien. Alligevel sælges hans malerier stadig for astronomiske beløb og kæmpeudstillinger præger museer verden over Gauguins status som berømt geni er uanfægtet. Det er på tide at betragte mesteren og monsteret som uadskillelige størrelser. Med Flemming Friborgs fascinerende bog anskues Gauguins metode og moral som uløseligt forbundne i et omhyggeligt plejet personligt brand. Men moderniteten havde store omkostninger kunstnerisk og personligt." "The mystery and myths surrounding the artist Paul Gauguin 1848-1903 are alive and well. Hailed as one of early modernism's most significant figures but at the same time condemned for his work and his character. The book focuses on Gauguin's work and a legacy that remains ambiguous. The discussion about his art and person has not become less relevant at a time when #MeToo puts a new focus on Gauguin's relationship with underage girls and his part in colonialism in French Polynesia. Even so his paintings are still sold for astronomical sums and huge exhibitions characterize museums around the world Gauguin's status as a famous genius is undisputed. It is time to consider the champion and the monster as inseparable entities. With Flemming Friborg's fascinating book Gauguin's method and morality are seen as inextricably linked in a carefully nurtured personal brand. But modernity had great costs artistically and personally.". Strandberg Publishing hardcover
1920Best.-Nr. 194436Potsdam: G. Kiepenheuer 1920. Hardcover. Good Boards are shelf/edgeworn with smudging and foxing; inner hinge is cracked; there are penciled notes on ffep and ifc; inner hinge is cracked; textblock is cracked; textblock edges are foxed;pages are lightly toned but the mounted plates appear clear. Brown cloth boards with brown lettering; xxxxvii 164 pp.; richly illustrated in bw. Text in German. G. Kiepenheuer hardcover
1951Best.-Nr. 189123Scripta 1951. no.244. Hardcover. VG edge-wear to boards; light instances of foxing to back boards. bump & creasing to lower corner. spine of portfolio has dark spotted foxing to lower edge; interior scuffed & foxed. bumping & creasing to slipcase corners; rubbing to edges; scuffs & scratches. Grey and white illus. boards with grey cloth spine; decorative end papers; 213 pp. with occasional bw sketches. tan & gilt leatherette portfolio case w/ stamped printing; leatherette slipcase. This appears to be the copy of the renowned art historian Robert Goldwater--his name printed on the upper spine. This is number 244 of 350 copies printed especially for l'Association des Amis du Musee Gauguin de Papeari a Tahiti. The text is entirely in French and is a facsimile of Gauguin's letters to Andre Fontainas in 1903. A lovely edition. Scripta hardcover
Best.-Nr. 3775707441.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
Best.-Nr. 3060New York: Reynal and Company. Very Good in Very Good dust jacket. Not Stated. Hardcover. Reynal and Company hardcover
1921Best.-Nr. ABE-1594171335942Boni & Liveright 1921 Decorated paper boards. A nice bright copy with very slight wear to extremities and a tiny water stain bottom right front corner. #802/990 numbered copies. Bookplate of noted Los Angeles book collector and patron of Robert Frost Earl J. Bernheimer. Bernheimer was a Los Angeles businessman and noted Robert Frost collector who for a period of months during the 1940s paid Robert Frost a monthly retainer in exchange for the Poet autographing his books magazines Christmas Cards and other Frost-related materials and sending him original inscribed and signed manuscripts. When Robert Frost needed money to purchase the Homer Nobel Farm in Ripton Vermont after his wife's death in 1938 the Poet sold the only surviving copy of his privately published book of poems "TWILIGHT" that he had given his future wife Elinor White Frost. Limited Edition. Hardcover. Very Good. Boni & Liveright hardcover
Best.-Nr. 3849138658.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
Best.-Nr. 0847803147New. paperback. New. Satisfaction Guaranteed or your money back. paperback
1987Best.-Nr. mon0004037482Association de l'Association des 1987-01-01. Hardcover. Very Good. 1.1102 9.1299 6.5709. Association de l'Association des hardcover
Best.-Nr. 3743740958.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
Best.-Nr. 0366668161.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2003Best.-Nr. 2993Skira Editore 2003. 245 x 29 cm in good condition Skira Editore unknown
Best.-Nr. 0871402165New. New. Satisfaction Guaranteed or your money back. unknown
Best.-Nr. 0876636334New. New. Satisfaction Guaranteed or your money back. unknown
Best.-Nr. 0871400162New. New. Satisfaction Guaranteed or your money back. unknown
Best.-Nr. 0870701525New. New. Satisfaction Guaranteed or your money back. unknown
Best.-Nr. 0878466657New. paperback. New. Satisfaction Guaranteed or your money back. paperback
Best.-Nr. 0881620858New. hardcover. New. Satisfaction Guaranteed or your money back. hardcover
Best.-Nr. 0365056170.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
Best.-Nr. 0266567835.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
Best.-Nr. 036481473X.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
Best.-Nr. 292456New York: Reynal. hardcover. very good. Translated by Jonathan Griffin postscript by Jean Loize. More than 40 plates most in color. 36 pages of text. Thin 4to orange decorated cloth lightly rubbed and worn at foot and corners. New York: Reynal no date circa 1955. A very good copy internally clean. First English translation of Gauguin's original manuscript without the emendations of Charles Morice. Reynal unknown
1988Best.-Nr. 270386Tahiti: Amis du Musee Gauguin 1988. hardcover. very good. Many color illustrations with facsimile letters of Gauguin. Slim folio burlap with inlaid picture on front cover. Tahiti & New York: Association des Amis du Musee Gauguin 1988. A very nice clean copy. Amis du Musee Gauguin unknown
1951Best.-Nr. 179330Paris: La Palme 1951. hardcover. near fine. 54pp facsimile of the original manuscript printed in color; 39pp of text by Huyghe in French. Tall slim 8vo color pictorial boards printed by Mourlot printed mylar wrapper. Very small bookseller's plate on front attached endpaper. Paris: La Palme 1951. A near fine copy of this uncommon book. Signature of Art historian Meyer Schapiro on front attached endpaper. La Palme unknown
