1 990 résultats
1939réf. 84556Vigot Freres. As New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - - Corresponds to ASIN: B00144DQHK. Text in French. 46 pp. 41 photos -- with a bonus offer-- . 1939. Vigot Freres. paperback
1939réf. 84557Vigot Freres. As New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - - Corresponds to ASIN: B003VIFOWC. Text in French. 46 pp. 41 photos -- with a bonus offer-- . 1939. Vigot Freres. paperback
2021réf. 202798Kobenhavn: Strandberg Publishing 2021. Hardcover. VG. A pale yellow matte hardcover book with the title printed in black down the spine. The free and pasted end pages are color-illustrated. Pages: 5 6-315 1. Profusely illustrated with color images. Text is in Danish. "Mystikken og myterne omkring kunstneren Paul Gauguin 1848-1903 lever i bedste velgående. Hyldet som en af den tidlige modernismes mest betydningsfulde figurer men samtidig fordømt for sit arbejde og sin karakter. Bogen sætter fokus på Gauguins virke og et eftermæle der forbliver tvetydigt. Diskussionen om hans kunst og person er ikke blevet mindre relevant i en tid hvor #MeToo sætter nyt fokus på Gauguins forhold til mindreårige piger og hans andel i kolonialismen i Fransk Polynesien. Alligevel sælges hans malerier stadig for astronomiske beløb og kæmpeudstillinger præger museer verden over Gauguins status som berømt geni er uanfægtet. Det er på tide at betragte mesteren og monsteret som uadskillelige størrelser. Med Flemming Friborgs fascinerende bog anskues Gauguins metode og moral som uløseligt forbundne i et omhyggeligt plejet personligt brand. Men moderniteten havde store omkostninger kunstnerisk og personligt." "The mystery and myths surrounding the artist Paul Gauguin 1848-1903 are alive and well. Hailed as one of early modernism's most significant figures but at the same time condemned for his work and his character. The book focuses on Gauguin's work and a legacy that remains ambiguous. The discussion about his art and person has not become less relevant at a time when #MeToo puts a new focus on Gauguin's relationship with underage girls and his part in colonialism in French Polynesia. Even so his paintings are still sold for astronomical sums and huge exhibitions characterize museums around the world Gauguin's status as a famous genius is undisputed. It is time to consider the champion and the monster as inseparable entities. With Flemming Friborg's fascinating book Gauguin's method and morality are seen as inextricably linked in a carefully nurtured personal brand. But modernity had great costs artistically and personally.". Strandberg Publishing hardcover
2014réf. __0870709054Museum of Modern Art 2014. Hardcover. New. 247 pages. 10.75x9.25x1.25 inches. Museum of Modern Art hardcover
2010réf. 40061Tate Publishing, London, 2010. 254 Seiten / pp., mit zahlreichen Abbildungen / richly illustrated; 4°, 29 x 25 cm, kartoniert / Paperback
2021réf. 202798Kobenhavn: Strandberg Publishing 2021. Hardcover. VG. A pale yellow matte hardcover book with the title printed in black down the spine. The free and pasted end pages are color-illustrated. Pages: 5 6-315 1. Profusely illustrated with color images. Text is in Danish. "Mystikken og myterne omkring kunstneren Paul Gauguin 1848-1903 lever i bedste velgående. Hyldet som en af den tidlige modernismes mest betydningsfulde figurer men samtidig fordømt for sit arbejde og sin karakter. Bogen sætter fokus på Gauguins virke og et eftermæle der forbliver tvetydigt. Diskussionen om hans kunst og person er ikke blevet mindre relevant i en tid hvor #MeToo sætter nyt fokus på Gauguins forhold til mindreårige piger og hans andel i kolonialismen i Fransk Polynesien. Alligevel sælges hans malerier stadig for astronomiske beløb og kæmpeudstillinger præger museer verden over Gauguins status som berømt geni er uanfægtet. Det er på tide at betragte mesteren og monsteret som uadskillelige størrelser. Med Flemming Friborgs fascinerende bog anskues Gauguins metode og moral som uløseligt forbundne i et omhyggeligt plejet personligt brand. Men moderniteten havde store omkostninger kunstnerisk og personligt." "The mystery and myths surrounding the artist Paul Gauguin 1848-1903 are alive and well. Hailed as one of early modernism's most significant figures but at the same time condemned for his work and his character. The book focuses on Gauguin's work and a legacy that remains ambiguous. The discussion about his art and person has not become less relevant at a time when #MeToo puts a new focus on Gauguin's relationship with underage girls and his part in colonialism in French Polynesia. Even so his paintings are still sold for astronomical sums and huge exhibitions characterize museums around the world Gauguin's status as a famous genius is undisputed. It is time to consider the champion and the monster as inseparable entities. With Flemming Friborg's fascinating book Gauguin's method and morality are seen as inextricably linked in a carefully nurtured personal brand. But modernity had great costs artistically and personally.". Strandberg Publishing hardcover books
1959réf. 195069Chicago IL and New York: The Art Institute of Chicago / The Metropolitan Museum of Art 1959. First edition. Softcover. 90 pages. Exhibition catalog for a show that ran February 12 through March 29 1959 at The Art Institute of Chicago and then April 21 through May 31 1959 at The Metropolitan Museum of Art. Essay by Theodore Rousseau Jr. Includes numerous black and white illustrations. A clean very near fine copy in wrappers. A fresh copy. The Art Institute of Chicago / The Metropolitan Museum of Art unknown books
Homberg, Cornelia, Christopher Riopelle: Gauguin: Portraits. Exhibition: London, National Gallery and Ottawa, National Gallery of Canada, 2019. 260 pages, 170 colour and black and white illustrations. Hardback. 22.9x27.9cms.
1959réf. 84553The Art Institute of Chicago. As New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - - Corresponds to ASIN: B000GWYHEC. 90 pages 51 illustrations including several in color; 8vo. -- with a bonus offer-- . 1959. The Art Institute of Chicago paperback
2010réf. 87490Princeton University Press. New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 256 pages; 252 illus. -- with a bonus offer--; This major reevaluation of Paul Gauguin presents the artist and his work in an entirely new light. The vivid unnaturalistic colors and bold outlines of Gauguin's paintings and the strong semiabstract quality of his woodcuts had a profound effect on the development of twentieth-century art. Here readers will discover why Gauguin was one of the most important artists behind European modernism--yet one who also challenged its very tenets. Because while modern art largely rejected narrative for Gauguin it remained central. Gauguin is the first book to fully examine his use of stories and myth to give powerful narrative tension to his paintings at a time when other painters thought storytelling was dead. Gauguin's life in French Polynesia is often portrayed as a quest for the other with the artist as the romantic explorer encountering primitive cultures for the first time. In fact he was deeply immersed in world art and a great reader of Polynesian stories and myths. This book cuts through the mystique surrounding Gauguin--one the artist himself cultivated--to show how he self-mythologized presenting himself to the world as a suffering Christ-like figure. Stunningly illustrated and unprecedented in scope Gauguin features more than 200 museum-quality reproductions of paintings works on paper ceramics woodcarvings and writings including Gauguin's beautifully illustrated letters and books. Exhibition Schedule: Tate Modern London</br></br>September 30 2010 - January 16 2011 National Gallery of Art Washington</br></br>February 27 - June 5 2011 . 2010. 0691148864 . Princeton University Press hardcover
1955réf. 84552Academy. As New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - 20 pages text 17 illustrations; 8vo. -- with a bonus offer-- . 1955. Academy paperback
1970réf. 4061BBLondon Femina 1970. 4° 223 S. Opp. m. O.Umschl. Umschl. m. Randläsuren u. gebräunt ansonst Buch gut. Zust. Sprache: Englisch
réf. 69722London / Kopenhagen Faber & Faber / Nordisk Sprog- och Kulturvorlag 1964. 4° 238 S. 163 Textabb. u. tlw. farb. Taf. OLwd. m. OU OU min. berieben Blattränder min. gebräunt; gutes Ex. EA. Bodelsen «studies in this book some sixty ceramic pieces that Gauguin executed in the late 1880’s and early 1890’s in Paris». 010 London / Kopenhagen, Faber & Faber / Nordisk Sprog- och Kulturvorlag, 1964 unknown
1971réf. 36881New York The Viking Press 1971 Texte en anglais. In-8, cartonnage editeur toile sous jaquette illustree abimee 371 pp., illustrations noir et blanc.
2003réf. PEINTUREEE30000431224Paris, Somogy / Alençon, Musée des Beaux-Arts et de la Dentelle / Narbonne, Musée d'Art et d'Histoire, 2003, 25 x 28, 167 pages cousues sous percaline éditeur et jaquette illustrée. Iconographie noir & blanc et couleurs. Ouvrage publié à l'occasion de l'exposition de l'exposition présentée à Alençon et au Musée d'art et d'histoire à Narbonne, du 20 octobre 2003 au 18 janvier 2004.
2019réf. 211557Heidelberg: Kehrer Verlag 2019. Hardcover. As new. Small square quarto. Hardcover. Bund in patterned orange cloth with white titles. No jacket presumably as issued. 157 pages : color illustrations portraits ; 25 cm. On the occasion of the upcoming 90th birthday of Franz Gertsch MASI invites the artist to plan an exhibition devoted to his oeuvre. This has led to a remarkable and striking meeting between Gertsch's outstanding woodcuts and the wood engravings by two artists whom he regards as much more than simply pioneer revolutionaries of xylography Paul Gauguin and Edvard Munch. Despite their historical distance and stylistic divergences these three artists display profound and unexpected affinities which extend far beyond the technique they share. --Museum website. Chiefly illustrated./ Published on the occasion of the exhibition held at MASI-Museo d'arte della Svizzera Italiana Lugano Switzerland 12 May-22 September 2019./ Includes bibliographical references pages149-150. Kehrer Verlag hardcover
2019réf. 211557Heidelberg: Kehrer Verlag 2019. Hardcover. As new. Small square quarto. Hardcover. Bund in patterned orange cloth with white titles. No jacket presumably as issued. 157 pages : color illustrations portraits ; 25 cm. On the occasion of the upcoming 90th birthday of Franz Gertsch MASI invites the artist to plan an exhibition devoted to his oeuvre. This has led to a remarkable and striking meeting between Gertsch's outstanding woodcuts and the wood engravings by two artists whom he regards as much more than simply pioneer revolutionaries of xylography Paul Gauguin and Edvard Munch. Despite their historical distance and stylistic divergences these three artists display profound and unexpected affinities which extend far beyond the technique they share. --Museum website. Chiefly illustrated./ Published on the occasion of the exhibition held at MASI-Museo d'arte della Svizzera Italiana Lugano Switzerland 12 May-22 September 2019./ Includes bibliographical references pages149-150. Kehrer Verlag hardcover books
2007Mm 230x280 Brossura con alette, 280 pagine con numerose figure a colori nel testo. Condizioni di nuovo - brand new. Spedizione in 24 ore dalla conferma dell'ordine.
1946réf. 310711Bruns Bokhandels Forlag: Trondheim 1946. 1st edition. Softcover. Previous owner's signature. Very good paperback copy; wrappers slightly dulled and edge-torn with some loss. Bright and clean internally. Remains particularly well-preserved overall. Physical description: 96 pages illustrations 1 color 12 x 9 in. Subject: Munch Edvard 1863-1944. Art. Prints. Norwegian Artists. Prints making. Genre: Illustrated. Bruns Bokhandels Forlag: Trondheim paperback
réf. 28486MUNCH GAUGUIN Pola. GRAFIKEREN EDVARD MUNCH. Trondheim: F. Bruns Bookhandels Forlag 1946. 4to. Boards. 94 pages. Ex-library lacks spine. Original wrappers bound-in. unknown books
1989réf. 006299Paris Berggruen & Cie 1989 In-12 oblong Broché, couverture ilustrée Edition originale
1989réf. 79186Paris, Berggruen n°96, 1989, 115x220mm, broché, 23 reproductions en grand format et 52 vignettes et notices reprenant l'intégralité des numéros. Très bon état.
1993réf. 3164BB1993. New York Alfred A. Knopf 1993. 25 x 29 cm. XVII 318 pages. Original Softcover. Very good condition with minor signs of external wear. The Barnes Foundation is an American educational art and horticultural institution with locations in Merion Pennsylvania a suburb of Philadelphia; and Logan Square Philadelphia. It was founded in 1922 by Albert C. Barnes a chemist who collected art after making a fortune by co-developing an early anti-gonorrhea drug marketed as Argyrol and selling his company at the right time before antibiotics came into use. Today the foundation owns more than 2500 objects including 800 paintings estimated to be worth about $25 billion. These are primarily works by Impressionist and Modernist masters but the collection includes many other paintings by leading European and American artists as well as ancient works from other cultures. In the 1990s the foundation's declining finances led its leaders to various controversial moves including sending artworks on world tours and proposing to move the collection to Philadelphia. A 2009 documentary The Art of the Steal argued that the foundation had been taken over by other non-profit institutions. After numerous court challenges the new Barnes building opened on Benjamin Franklin Parkway on May 19 2012. The foundation's current president and executive director Thomas Thom Collins was appointed on January 7 2015. Wikipedia paperback
2003réf. 24211London Time Warner Books, 2003. 210 S. Broschiert , in englischer Sprache
