FRANCOLIN ClaudeLivre Rare Book
MALINGUE MauriceLivre Rare Book
La vie prodigieuse de Gauguin
réf. QWA-16601Buchet/Chastel, 1987, in-8 br., 312 p., 10 planches photos h.-t., bon état.
Librairie de la Garenne · Clichy-la-Garenne, France18,00 €
1 985 résultats
réf. 1535PARIS? Ed. seghers - 1958 - In-8° relié avec jaquette - 330 pages - Photographies N. & B. H.T. - Ex. correct.
1945réf. 31566Paris Éditions Du Seuil 1945 Petit In-8 Collection "Pierres Vives" 183 pp - nombreuses illustrations comprises dans la pagination
1974réf. 31585Paris Flammarion 1974 In-8 carré Notices bio-bibliographiques par Lydie Huyghe - 478 pp - illustrations noir & blanc comprises dans la pagination, illustrations couleurs non comprises dans la pagination
réf. 1921Grasset. 1956. In-8° broché. Couverture illustrée. 246 pages. Nombreuses planches hors texte. Mention de 4è. édition (dans l'année de l'E.O.).
réf. QWA-16601Buchet/Chastel, 1987, in-8 br., 312 p., 10 planches photos h.-t., bon état.
1970réf. GITj259Paris Bibliothèque des Arts 1970. In-4 carré 180pp imprimées sur 2 colonnes. Reliure de l'éditeur toile grise bradel, titre en rouge sur le dos, sous jaquette illustrée. Abondante illustration à pleine page, en noir et en couleurs: reproductions contrecollées de gravures de Renoir à Buffet, en passant par Gauguin, Duffy, Vlaminck, Picasso, Chagall et autres grands artistes du XXe siècle. Bordure de la jaquette légèrement jaunie, exemplaire solide, en bon état et complet.
1924réf. 78247s. d. [1924] | 9.30 x 7.80 cm | Une feuille
réf. 7027P., G. Van Oest, 1931 ; in-4, broché. 162pp.-2ff. - 32 planches en noir et 1 planches couleurs hors-texte. Très bon état.
1978réf. 33486Paris Bibliothèque des arts 1978 in-4° toile éditeur sous jaquette reproductions de tableaux en noir et en couleurs
2006réf. 123905Paris Seuil, coll. "La couleur des idées" 2006 1 vol. Broché 192 pp, in-8, broché, 169 pp., quelques illustrations. Envoi autographe signé de l'auteur. Très bon état.
2006réf. 123905Paris Seuil, coll. "La couleur des idées" 2006 1 vol. Broché 192 pp, in-8, broché, 169 pp., quelques illustrations. Envoi autographe signé de l'auteur. Très bon état.
1943Tradotto da M. Parisi, il romanzo sulla vita del grande pittore Paul Gauguin. Rilegato. Rilegato
1959Maugham, W. Somerset (Maugham, William Somerset) La luna e sei soldi (Il diavolo pittore). Milano - Verona, Arnoldo Mondadori Editore - Officine Grafiche Veronesi dell'Editore Arnoldo Mondadori (stampa) 1959 italian, in sedicesimo pp. II ed. " I libri del Pavone ": febbraio 1959 - ed. integrale (ed. originale: The Moon and Sixpence 1919 - I ed. italiana: Arnoldo Mondadori Editore, Collezione " Medusa ": dicembre 1946 - I ed. " Libri del Pavone: aprile 1956). Unica traduzione autorizzata dall'inglese di Giorgio Monicelli. Collezione " I Libri del Pavone " 80. XVI/ 240/ brossura in cartoncino patinato bianco con grafica in nero, sfumature del giallo, rosa e vermiglione e con illustrazione a colori al primo piatto (Gauguin). Stato mediocre (usura della copertina con in particolare il distacco di una porzione: il libro è completo - copertina e pagine brunite).
1924réf. 782471924. Fine. s. d. 1924 9.30 x 7.80 cm Une feuille La Mémoire et l'Imagination. Noa Noa. Unique proof of the woodcut drawn and engraved after Paul Gauguin by George-Daniel de Monfreid between 1904 & 1924 93 x 78 cm one sheet Original proof likely unique of this intermediate state of a woodcut drawn and engraved by George-Daniel de Monfreid after a watercolor by Paul Gauguin. Print on fine cream laid paper annotation by the artist in the left-hand margin. Woodcut drawn and engraved after a watercolor from the Noa Noa manuscript pasted on a page of text of the famous album. The final woodcut will serve as the head of the first illustrated edition of Noa Noa published by Crès in 1924 the first illustrated work after Paul Gauguin and a majestic tribute to one of the precursors of modern art. Superb and significant engraving after a very specific watercolor from Paul Gauguin's manuscript a real breakthrough in text engraved by his closest friend and executor the artist George-Daniel de Monfreid heir to the album he would offer to the French State in 1927. The initial watercolor was cut out in waves around the female figure and pasted on the last chapter to prevent it from being read and thus get the story back on track. Gauguin had also added winding lines starting from the watercolor on the text page thus giving the impression of a cave breaking through the page by the psychic power of the sitting woman whose head diffuses the undulating rays. Monfreid decided to place it at the head of the work accompanied by two birds taken from other works to illustrate the power of the artist and his imagination. A likely unique proof part of 17 known test woodcuts from the early project to publish Noa Noa all made on various fine papers and annotated by the artist. Unique proof of a woodcut engraved after the mystical watercolor erasing the first ending of the story to allow the reader to graphically enter the painted album repeated in the printed version as the initiatory opening of the engraved story. It is from the original illustrated manuscript of Noa Noa brought back from Tahiti by Segalen on the artist's death in 1903 that Monfreid began producing this fundamental work from as early as 1904. This is the second version of this to read and look at notebook. The first manuscript written on the return of his first voyage and entrusted by Gauguin to Charles Morice in 1893 responded to a different project. Gauguin had composed only the text interspersed with blank pages for Morice's poems. But after several years without news Morice preferred to publish a version entirely rewritten by himself in 1901. Gauguin therefore copied his manuscript and illustrated it during his second stay in Polynesia with sketches watercolors and collages. This album that the artist enriched and safely preserved until his death is preserved today at the Musée d'Orsay. It is therefore from this manuscript the only one illustrated that Monfreid composed the edition of Gauguin's Noa Noa. However although Monfreid's publication was forward it took more than twenty years to complete in part due to a copyright dispute with Charles Morice who wanted to be co-author of the forthcoming edition and whose poems would eventually be preserved. The result of several years of reflection and work the 1924 edition is both faithful to the watercolors and woodcut engravings illustrating the precious manuscript and to the whole of Gauguin's Tahitian work who died in indifference. Monfreid thus engraves several drawings from the original notebook and enriches it with woodcuts made from other works of which he is the custodian. Some of these compositions combine several paintings while scrupulously respecting the artist's line transforming the work into a true journey through the painter's works. The very choice of using wood engraving is a tribute to this technique prized by Gauguin who in Pont-Aven produced 10 woodcu unknown
In-6, 426 pp, 1 cahier de reproductions photographiques en N&B, illustrations en couleurs h.t., rel. cartonnage d'editeur illustre, jaquette rhodoïde. Tres bel exemplaire, numerote. [NV-4]
in-8°, 330 pages, gardes illustrees couleurs, illustrations n&b h.t., relie cartonnage editeur, jaquette illustree. Tres bel exemplaire, très frais. [NV-21] [F]
PARIS? Ed. seghers - 1958 - In-8° relié avec jaquette - 330 pages - Photographies N. & B. H.T. - Ex. correct.
1927Cahiers de la Quinzaine 1927, In-12 broché, 160 pages. Avec 8 hors texte. Exemplaire numéroté. Très bon état.
1974In 4°, cart. edit. ill., pp. 174,(2), riccamente ill. a col.; copia molto buona. (x039)
1974In-8 (cm 27,2x21,3), pp. 174+indice, cartonato edit. illustrato a colore, 77 illustrazioni a col. nel testo. Ricerca iconografica e didascalie a cura di Silvia Danesi. Fioriture ai tagli, piccole abrasioni al dorso, interno Buono.
1973in 8°. pp. 175, leg. edit. ill. Ricerca iconografie didascalie a cura di S. Danesi, con 77 ill. a colori. Ottimo. 113/35
1973Piera Callegari La vita e l'arte di Paul Gauguin. , Mondadori 1973, Copertina rigida con segni d'uso ai margini; pagine con immagini illustrative Molto buono (Very Good) . 174
19738° grande carton. edit. fig. a colori, pp. 175, con 77 illustr. a colori. Ediz. fuori commercio. Ottimo es.
1974pp. 176 con 77 ill. a col. Ediz. fuori commercio. La parabola esistenziale ed artistica del grande artista parigino e "tahitiano", accompagnata da una ricca iconografia fornita di accurate didascalie.
réf. 016276Genève - Molard Administrateur Pierre Caillet - Directeur Albert Skira 0 Journal En feuilles
