Paul GauguinBiblio.com
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réf. 83304Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 19th century 1889. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
1930pp. iv, 208, 38 [Publisher's catalogue]. Decorated title page. Small 8vo. 183 mm. Original full blue cloth binding. Gilt lettered and decorated spine. Extremities slightly rubbed. Hardbound. First Travellers' Library Edition. ART BOX 7
1923réf. 434864London: Privately Printed for Subscribers Only by William Heinemann 1923. Hardcover. Near Fine/Very Good. First edition. Translated by Van Wyck Brooks. Preface by Emile Gauguin. Quarto. 138pp. Illustrated by Gauguin. Beveled boards. Slight soiling on the boards near fine in very good illustrated dustwrapper with a roughly dime-size hole on the spine some age-toning and several short tears. Copy number 48 of 530 numbered copies. Privately Printed for Subscribers Only by William Heinemann hardcover books
1930réf. UGAUINT00ajsWilliam Heinemann 1930. Good. Gauguin Paul. The Intimate Journals of Paul Gauguin. Brooks Van Wyck. London: William Heinemann 1930. 208pp. 12mo. Blue cloth with gilt lettering. Book condition: Good with slightly bowed boards and rubbing. Occasional brief underlining in pencil . Dust Jacket Condition: Good with rubbing and chipping. 1 inch tear in rear flap fold. William Heinemann hardcover books
1985réf. UGAUINT00tpmKPI 1985. Very Good. Gauguin Paul. The Intimate Journals of Paul Gauguin. O'Connor editor Kaori. London: KPI 1985. 138pp. 8vo. Paperback. Book condition: Very good with adhesive residue on the front cover and a sticker on the rear. KPI paperback books
réf. 1025739639.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1923réf. 466642William Heinemann Ltd 1923. First Edition. Hardcover. Very good copy in the original gilt-blocked cloth. Spine bands and panel edges somewhat dulled shadow-stained and rubbed as with age. Bumped corners. Some light foxing to prelims. Remains well-preserved overall. Limited and numbered 255 out of 530 copies. Series; The travellers' library. Physical description; xi 3 138 pages XXIV leaves of plates : illustrations ; 27 cm. Notes; ""This edition printed on English Handmade Paper is limited to five hundred and thirty copies of which five hundred are for sale and thirty for presentation."" -- Half title verso. Subjects; Paul Gauguin 1848-1903 Diaries. Painters France Diaries. William Heinemann, Ltd hardcover
1922réf. GAUGUINP001014Privately printed for subscribers only by William Heinemann London. 1922. First U.K. edition. Quarto. 138 pages. Three-page Preface by Emile Gauguin. Translated by Van Wyck Brooks. Twenty-four tissue-guarded black and white plates. Buckram covers. Top edge gilt. One of 530 numbered copies.Near fine. No dustwrapper. Privately printed for subscribers only by William Heinemann, London. hardcover
1923réf. 316013London: Priv. print. for subscribers only by W. Heinemann 1923. 1st edition. Hardcover. Previous owner's signature. Very good copy in the original gilt-blocked cloth. Slight suggestion only of dust-dulling to the spine bands and panel edges. Remains particularly well-preserved overall; tight bright clean and strong. Physical description: xi 138 p. 24 plates: ill.; 27 cm.Notes: Limited ed.Plates accompanied by guard sheets. Subjects:Gauguin Paul 1848-1903. Written works. Painters France. Written works.Painting French. Other names: Brooks Van Wyck 1886-1963. Genre: Illustrated. London: Priv. print. for subscribers only by W. Heinemann hardcover
1923réf. 434864London: Privately Printed for Subscribers Only by William Heinemann 1923. Hardcover. Near Fine/Very Good. First edition. Translated by Van Wyck Brooks. Preface by Emile Gauguin. Quarto. 138pp. Illustrated by Gauguin. Beveled boards. Slight soiling on the boards near fine in very good illustrated dustwrapper with a roughly dime-size hole on the spine some age-toning and several short tears. Copy number 48 of 530 numbered copies. Privately Printed for Subscribers Only by William Heinemann hardcover
1923réf. d0737London: William Heinemann. G : in good condition without dust jacket. Rubbed and marked cover. Untrimmed. Darkening to page edges. 1923. Limited Edition 92/530. Beige hardback cloth cover. 270mm x 205mm 11" x 8". 138pp. 24 tissue guarded plates. Privately printed for subscribers only. Heavy item - shipping supplement may apply for overseas. . William Heinemann hardcover
1985réf. BN713976Routledge 1985. 1985. The Intimate Journals of Paul Gauguin The Intimate Journals of Paul Gauguin Paul Gauguin Routledge unknown
1932réf. 574423New York: The Review of Reviews 1932. Softcover. Very Good. First edition. 385-480pp. Illustrated with a frontispiece and vignettes. Printed wrappers. First few pages a bit loose but still stapled wrappers detached but present modest wear to the extremities about very good. Prints "Quattrocentisteria" by Maurice Hewlett; additional contributions by Guy de Maupassant Booth Tarkington Fydor Dostoevsky Stephen Laycock Paul Gauguin Bret Harte William Blake and more. The Review of Reviews unknown books
réf. 1344Washington. National Gallery of Art. 1988. 4to. Paperbound. In fine condition. unknown books
1988réf. 106248Washington DC Chicago: National Gallery of Art/The Art Institute of Chicago 1988. Softcover. Fine. Second printing. Compiled by Richard Brettell Francoise Cachin Claire Freches-Thory Charles F. Stuckey. With the assistance of Peter Zegers. Fine in wrappers. National Gallery of Art/The Art Institute of Chicago unknown books
1988réf. 183159Washington D.C. and Chicago IL: National Gallery of Art / The Art Institute of Chicago 1988. First edition. Softcover. 519 pages. Exhibition catalog for a show that ran May 1 through July 31 1988 in D.C. and then traveled to The Art Institute of Chicago and Paris for additional dates. Text by Richard Brettell Francoise Cachin Claire Freches-Thory Charles F. Stuckey and Peter Zengers. Includes numerous color and black and white illustrations. A tight near fine copy in wrappers with some light wear and a slight lean but internally a clean copy. This is a heavy and oversized book and will require extra shipping. National Gallery of Art / The Art Institute of Chicago unknown books
1988réf. 572BB1988. Second Edition. New York Little Brown and Company 1988. 24cm x 32 cm. XXVI 519 pages with numerous illustrations. Original Hardcover with original dustjacket in protective collector's mylar. Some staining to the endpaper and halftitle this is the only fault. Otherwise in excellent condition with only very minor signs of external wear. Stunning publication. Includes for Example: Gauguin portrayed by Himself and by others. Chronology: June 1848 - June 1886 / The Impressionist Years / Brittany: The Ceramics Martinique / The First Tahitian Years / Return to France / The Final Years: Tahiti and Hivaoa. Eugène Henri Paul Gauguin French: 7 June 1848 8 May 1903 was a leading French Post-Impressionist artist who was not well appreciated until after his death. Gauguin was later recognized for his experimental use of colors and synthetist style that were distinguishably different from Impressionism. His work was influential to the French avant-garde and many modern artists such as Pablo Picasso and Henri Matisse. Gauguins art became popular after his death and many of his paintings were in the possession of Russian collector Sergei Shchukin. He was an important figure in the Symbolist movement as a painter sculptor print-maker ceramist and writer. His bold experimentation with coloring led directly to the Synthetist style of modern art while his expression of the inherent meaning of the subjects in his paintings under the influence of the cloisonnist style paved the way to Primitivism and the return to the pastoral. He was also an influential proponent of wood engraving and woodcuts as art forms. Wikipedia hardcover
réf. 126354New York Graphics Society Books 1988. 4to 222pp. Colour and black & white illustrations. A very good paperback copy. Published in conjunction with the exhibition. New York Graphics Society Books, 1988 paperback
1988réf. 140411988. Washington et Chicago National Gallery of Art et Art Institute 1988 - Broché 23 5 cm x 31 cm 319 pages nombreuses ills couleur in-text - Textes en anglais de Richard Bretell Françoise Cachin Claire Freches-Thory Charles F. Stuckey ; chronologie bibliographie expositions - Etat neuf
1988réf. ABE-1748556647955520 PAGES-23,5 CM X 31 CM-TEXTE EN ANGLAIS-(E24)
réf. 154222Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 19th century 1891/93. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
réf. 154224Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 19th century 1891/93. Professionally printed on premium fine-art paper Photo Rag 308 premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
réf. 154223Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 19th century 1891/93. Professionally printed on premium fine-art paper Photo Rag Bright White in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
réf. 154225Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 19th century 1891/93. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
1924réf. 782501924. Fine. s. d. 1924 9.30 x 7.80 cm autre Tehura. Original proof engraved after the painting ""Merahi Metua no Tehamana"". Intermediate state for Noa Noabetween 1904 & 1924 93 x 78 cm one sheetOriginal proof likely unique of this intermediate state of Tehura wood drawn and engraved after Paul Gaughin's painting Merahi Metua no Tehamana by George-Daniel de Monfreid. Print on fine cream laid paper annotation by the artist in the left-hand margin. The definitive wood served as the head of chapter VI Le Conteur parle page 81 of the true first edition of Noa Noa published by Crès in 1924 the first illustrated work from Paul Gauguin and a majestic tribute to one of the precursors of modern art. A most important and very first woodcut of Gauguin's masterpiece engraved by his closest friend and executor artist George-Daniel de Monfreid to whom Gauguin offered the painting after two unsuccessful exhibitions. Likely unique proof part of 17 known test prints from the project to publish prematurely Noa Noa all made on various fine papers and annotated by the artist. Precious woodcut after Gauguin's masterpiece Merahi metua no Tehamana showing the painter's wife his main tahitian model. It is from the original illustrated manuscript of Noa Noa brought back from Tahiti by Segalen on the artist's death in 1903 that Monfreid began producing this fundamental work from as early as 1904. This is the second version of this to read and look at notebook. The first manuscript written on the return of his first voyage and entrusted by Gauguin to Charles Morice in 1893 responded to a different project. Gauguin had composed only the text interspersed with blank pages for Morice's poems. But after several years without news Morice preferred to publish a version entirely rewritten by himself in 1901. Gauguin therefore copied his manuscript and illustrated it during his second stay in Polynesia with sketches watercolors and collages. This album that the artist enriched and safely preserved until his death is preserved today at the Musée d'Orsay. It is therefore from this manuscript the only one illustrated that Monfreid composed the edition of Gauguin's Noa Noa. However although Monfreid's publication was forward it took more than twenty years to complete in part due to a copyright dispute with Charles Morice who wanted to be co-author of the forthcoming edition and whose poems would eventually be preserved. The result of several years of reflection and work the 1924 edition is both faithful to the watercolors and woodcut engravings illustrating the precious manuscript and to the whole of Gauguin's Tahitian work who died in indifference. Monfreid thus engraves several drawings from the original notebook and enriches it with woodcuts made from other works of which he is the custodian. Some of these compositions combine several paintings while scrupulously respecting the artist's line transforming the work into a true journey through the painter's works. The very choice of using wood engraving is a tribute to this technique prized by Gauguin who in Pont-Aven produced 10 woodcuts to illustrate his manuscript between his two Polynesian stays. The intermediate woodcuts until then unknown testify to the slow work of composition to restore the artistic richness of Gauguin's work by his most faithful artistic companion and first champion: When I saw Gauguin for the first time I was greatly disconcerted by the details of art that radiated from his works as well as from the conversations of this extraordinary man. You immediately felt that he was the Master in L'Hermitage 1903. unknown
