Lionel ConstableBiblio.com
1 985 résultats
réf. 773431Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Ycba. Created in the 1th century undated. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
réf. 773432Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Ycba. Created in the 1th century undated. Professionally printed on premium fine-art paper Photo Rag Bright White in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
réf. 773433Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Ycba. Created in the 1th century undated. Professionally printed on premium fine-art paper Photo Rag 308 premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
réf. 773305Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Ycba. Created in the 1th century undated. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
réf. 773302Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Ycba. Created in the 1th century undated. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
réf. 773303Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Ycba. Created in the 1th century undated. Professionally printed on premium fine-art paper Photo Rag Bright White in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
réf. 773304Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Ycba. Created in the 1th century undated. Professionally printed on premium fine-art paper Photo Rag 308 premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
réf. 732673Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Ycba. Created in the 19th century ca. 1852. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
réf. 732672Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Ycba. Created in the 19th century ca. 1852. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
réf. 732671Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Ycba. Created in the 19th century ca. 1852. Professionally printed on premium fine-art paper Photo Rag 308 in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
réf. 732670Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Ycba. Created in the 19th century ca. 1852. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
réf. 1533370-nnew. unknown
réf. 1533370like new. unknown
2001réf. x-0231123566Columbia University Press 2001. Hardcover. New. 496 pages. 9.25x6.00x1.25 inches. Columbia University Press hardcover
2001réf. Q-0231123574Columbia University Press 2001-05-15. Paperback. New. In shrink wrap. Looks like an interesting title! Columbia University Press paperback
2001réf. x-0231123574Columbia Univ Pr 2001. Paperback. New. new edition. 472 pages. 9.00x6.00x1.00 inches. Columbia Univ Pr paperback
réf. 51-4077London: F.G. Moon 1838. Mezzotint on rag paper.11.5 x 15.5 inches. Series: Plate 12 for English Landscape Scenery. Short tears in lower margin.In 1827 Constable began work on the project that would occupy his attention until his death seven years later: the publication of a series of prints based on his paintings that would stand as a summary of his achievements. The painter collaborated closely with the engraver David Lucas to create prints that would illustrate Constable's didactic intention—to illustrate the "chiaroscuro of nature." The medium of mezzotint in which the design is developed from dark to light using a wide range of velvety tones was eminently suited to the project. London: F.G. Moon, 1838 unknown
réf. 51-4075London: F.G. Moon 1838. Mezzotint on rag paper.11.5 x 15.5 inches. Series: Plate 12 for English Landscape Scenery. 1.25 inch tear in lower margin.In 1827 Constable began work on the project that would occupy his attention until his death seven years later: the publication of a series of prints based on his paintings that would stand as a summary of his achievements. The painter collaborated closely with the engraver David Lucas to create prints that would illustrate Constable's didactic intention—to illustrate the "chiaroscuro of nature." The medium of mezzotint in which the design is developed from dark to light using a wide range of velvety tones was eminently suited to the project. London: F.G. Moon, 1838 unknown
1855réf. 34884London: Henry G. Bohn 1855. Very Good. From the Second edition. "The Art of John Constable like that of Hogarth of Wilson and of Stothard was scarcely noticed by those among the titled and the wealthy of his countrymen who put themselves forward as the patrons of Painting; and had he not been independent of his profession for support he could not have lived by it. But whatever may have been the loss to the artist the world has been in some degree the gainer; for the apathy of patronage left Constable as Hogarth had been left to the free and unrestrained bent of his own genius and the scenes he most loved became subjects of his pictures" introduction. This mezzotint was engraved by David Lucas based on a picture by John Constable. Depicts Gillingham Mill Dorsetshire. According to Constable's notes in 1825 Archdeacon Fisher wrote to tell him that the mill was burnt to the ground and now "exists only on your canvas. A huge misshapen new bright-brick modern-improved patent monster is starting up in its stead." Minor chipping to edges of paper and minor browning to margins. A few light smudge marks. Suitable for framing. Paper size: 11 x 17. PRINT/021121. Henry G. Bohn unknown books
1855réf. 34898London: Henry G. Bohn 1855. Very Good. From the Second edition. "The Art of John Constable like that of Hogarth of Wilson and of Stothard was scarcely noticed by those among the titled and the wealthy of his countrymen who put themselves forward as the patrons of Painting; and had he not been independent of his profession for support he could not have lived by it. But whatever may have been the loss to the artist the world has been in some degree the gainer; for the apathy of patronage left Constable as Hogarth had been left to the free and unrestrained bent of his own genius and the scenes he most loved became subjects of his pictures" introduction. This mezzotint was engraved by David Lucas from a sketch by John Constable. Minor chipping to edges of paper and minor browning to margins. Suitable for framing. Paper size: 11 x 17. PRINT/021121. Henry G. Bohn unknown books
1855réf. 34888London: Henry G. Bohn 1855. Very Good. From the Second edition. "The Art of John Constable like that of Hogarth of Wilson and of Stothard was scarcely noticed by those among the titled and the wealthy of his countrymen who put themselves forward as the patrons of Painting; and had he not been independent of his profession for support he could not have lived by it. But whatever may have been the loss to the artist the world has been in some degree the gainer; for the apathy of patronage left Constable as Hogarth had been left to the free and unrestrained bent of his own genius and the scenes he most loved became subjects of his pictures" introduction. This mezzotint was engraved by David Lucas based on a picture by John Constable. Depicts a view from near East Bergholt. Minor chipping to edges of paper and minor browning to margins. A few small extraneous ink marks from when the plate was printed. Suitable for framing. Paper size: 11 x 17. PRINT/021121. Henry G. Bohn unknown books
1855réf. 34886London: Henry G. Bohn 1855. Very Good. From the Second edition. "The Art of John Constable like that of Hogarth of Wilson and of Stothard was scarcely noticed by those among the titled and the wealthy of his countrymen who put themselves forward as the patrons of Painting; and had he not been independent of his profession for support he could not have lived by it. But whatever may have been the loss to the artist the world has been in some degree the gainer; for the apathy of patronage left Constable as Hogarth had been left to the free and unrestrained bent of his own genius and the scenes he most loved became subjects of his pictures" introduction. This mezzotint was engraved by David Lucas based on a picture by John Constable. Depicts a view from near East Bergholt. Minor chipping to edges of paper and minor browning to margins. A few small extraneous ink marks from when the plate was printed. Suitable for framing. Paper size: 11 x 17. PRINT/021121. Henry G. Bohn unknown books
1855réf. 34874London: Henry G. Bohn 1855. Very Good. From the Second edition. "The Art of John Constable like that of Hogarth of Wilson and of Stothard was scarcely noticed by those among the titled and the wealthy of his countrymen who put themselves forward as the patrons of Painting; and had he not been independent of his profession for support he could not have lived by it. But whatever may have been the loss to the artist the world has been in some degree the gainer; for the apathy of patronage left Constable as Hogarth had been left to the free and unrestrained bent of his own genius and the scenes he most loved became subjects of his pictures" introduction. This mezzotint was engraved by David Lucas based on a picture by John Constable. A bucolic view from Hampstead Heath with cows grazing in the foreground. Minor chipping to edges of paper and minor browning to margins. Suitable for framing. Paper size: 11 x 17. PRINT/021121. Henry G. Bohn unknown books
1855réf. 34889London: Henry G. Bohn 1855. Very Good. From the Second edition. "The Art of John Constable like that of Hogarth of Wilson and of Stothard was scarcely noticed by those among the titled and the wealthy of his countrymen who put themselves forward as the patrons of Painting; and had he not been independent of his profession for support he could not have lived by it. But whatever may have been the loss to the artist the world has been in some degree the gainer; for the apathy of patronage left Constable as Hogarth had been left to the free and unrestrained bent of his own genius and the scenes he most loved became subjects of his pictures" introduction. This mezzotint was engraved by David Lucas based on a drawing in water-colours by John Constable. Minor chipping to edges of paper and minor browning to margins. A few small extraneous ink marks from when the plate was printed. Suitable for framing. Paper size: 11 x 17. PRINT/021121. Henry G. Bohn unknown books
1855réf. 34881London: Henry G. Bohn 1855. Very Good. From the Second edition. "The Art of John Constable like that of Hogarth of Wilson and of Stothard was scarcely noticed by those among the titled and the wealthy of his countrymen who put themselves forward as the patrons of Painting; and had he not been independent of his profession for support he could not have lived by it. But whatever may have been the loss to the artist the world has been in some degree the gainer; for the apathy of patronage left Constable as Hogarth had been left to the free and unrestrained bent of his own genius and the scenes he most loved became subjects of his pictures" introduction. This mezzotint was engraved by David Lucas based on a picture by John Constable. Minor chipping to edges of paper and minor browning to margins. Suitable for framing. Paper size: 11 x 17. PRINT/021121. Henry G. Bohn unknown books
