1855réf. 30101855. Mezzotint on steel. 190mm by 240mm platemark 290mm by 425mm sheet. From 'English Landscape Scenery' 1855. John Constable RA was an English Romantic landscape painter. He believed that imagination and emotion were an important part of artistic expression and so incorporated these tenets into his lush idyllic scenes. Beginning in 1829 Constable worked closely with David Lucas to produce the mezzotints as a general survey of his work. One small mark in title area and one tiny indentation below title area. unknown
1855réf. 30071855. Mezzotint on steel. 170mm by 250mm image 290mm by 425mm sheet. From 'English Landscape Scenery' 1855. John Constable RA was an English Romantic landscape painter. He believed that imagination and emotion were an important part of artistic expression and so incorporated these tenets into his lush idyllic scenes. Beginning in 1829 Constable worked closely with David Lucas to produce the mezzotints as a general survey of his work. Tiny spot in platemark. unknown
1855réf. 30111855. Mezzotint on steel. 185mm by 235mm platemark 290mm by 425mm sheet. East Bergholt House was the birthplace of Constable. From 'English Landscape Scenery' 1855. John Constable RA was an English Romantic landscape painter. He believed that imagination and emotion were an important part of artistic expression and so incorporated these tenets into his lush idyllic scenes. Beginning in 1829 Constable worked closely with David Lucas to produce the mezzotints as a general survey of his work. A couple of faint foxing spots and a small handling crease within the platemark. unknown
1855réf. 30131855. Mezzotint on steel. 170mm by 205mm platemark 290mm by 425mm sheet. From 'English Landscape Scenery' 1855. John Constable RA was an English Romantic landscape painter. He believed that imagination and emotion were an important part of artistic expression and so incorporated these tenets into his lush idyllic scenes. Beginning in 1829 Constable worked closely with David Lucas to produce the mezzotints as a general survey of his work. unknown
1855réf. 30161855. Mezzotint on steel. 245mm by 185mm platemark 425mm by 290mm sheet. From 'English Landscape Scenery' 1855. John Constable RA was an English Romantic landscape painter. He believed that imagination and emotion were an important part of artistic expression and so incorporated these tenets into his lush idyllic scenes. Beginning in 1829 Constable worked closely with David Lucas to produce the mezzotints as a general survey of his work. A couple of small indentations in title area. unknown
réf. 339118Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 19th century 1830–49. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
réf. 339119Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 19th century 1830–49. Professionally printed on premium fine-art paper Photo Matt Fibre in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
réf. 339120Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 19th century 1830–49. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
réf. 339121Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 19th century 1830–49. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
1855réf. 30151855. Mezzotint on steel. 170mm by 240mm platemark 290mm by 425mm sheet. From 'English Landscape Scenery' 1855. John Constable RA was an English Romantic landscape painter. He believed that imagination and emotion were an important part of artistic expression and so incorporated these tenets into his lush idyllic scenes. Beginning in 1829 Constable worked closely with David Lucas to produce the mezzotints as a general survey of his work. unknown
1855réf. 30141855. Mezzotint on steel. 245mm by 185mm platemark 425mm by 290mm sheet. From 'English Landscape Scenery' 1855. John Constable RA was an English Romantic landscape painter. He believed that imagination and emotion were an important part of artistic expression and so incorporated these tenets into his lush idyllic scenes. Beginning in 1829 Constable worked closely with David Lucas to produce the mezzotints as a general survey of his work. Scattered foxing. unknown
1855réf. 30031855. Mezzotint on steel. 175mm by 210mm platemark 290mm by 425mm sheet. From 'English Landscape Scenery' 1855. John Constable RA was an English Romantic landscape painter. He believed that imagination and emotion were an important part of artistic expression and so incorporated these tenets into his lush idyllic scenes. Beginning in 1829 Constable worked closely with David Lucas to produce the mezzotints as a general survey of his work. unknown
1855réf. 30081855. Mezzotint on steel. 130mm by 185mm image 290mm by 425mm sheet. From 'English Landscape Scenery' 1855. John Constable RA was an English Romantic landscape painter. He believed that imagination and emotion were an important part of artistic expression and so incorporated these tenets into his lush idyllic scenes. Beginning in 1829 Constable worked closely with David Lucas to produce the mezzotints as a general survey of his work. unknown
1855réf. 30041855. Mezzotint on steel. 170mm by 150mm image 425mm by 290mm sheet. 'Willy Lott's House is situated on the edge of the river Stour close to Flatford Mill; it is a principal object in many of Constable's pictures. Willy Lott a farmer was born and died in it having passed a life of more than eighty years without having spent four whole days away from it. The figure on horseback was sketched from Constable's father'. From 'English Landscape Scenery' 1855. John Constable RA was an English Romantic landscape painter. He believed that imagination and emotion were an important part of artistic expression and so incorporated these tenets into his lush idyllic scenes. Beginning in 1829 Constable worked closely with David Lucas to produce the mezzotints as a general survey of his work. Tiny spot in platemark. unknown
19858vo., First Edition thus, with portrait frontispiece, title in red and black, and numerous coloured and monochrome photographs and reproductions in the text; grey cloth, upper board with mounted illustrations, gilt back, patterned endpapers, a near fine copy in publisher's pictorial board slip-case.
1907réf. 2131306London: Archibald Constable and Company 1907. XIV, 270, (2) Seiten. Unbeschnitten. Mit einer Karte und 32 schwarz-weißen Bildtafeln. 8° (17,5-22,5 cm). Orig.-Leinenband mit goldgeprägtem Titel auf Deckel und Rücken. [Hardcover / fest gebunden].
1961réf. 22762Skira, coll. « Le Goût de notre Temps » 1961 In-12, pleine toile écru éditeur, sous jaquette illustrée, photographies en couleurs encollées, 137 pp. Bon état.
1986réf. 105857Oxfod, Phaidon 1986. 1986. 4°, 256 S. mit 231 Abbildungen, davon 98 Farbtafeln, Orig.-Pappband mit Orig.-Umschlag.
réf. B301615-1Oxford Oxford University Press 1976-1989. 2 vols. x 6 746pp. 232 plates. 4to. Cloth. D.j. Vol. 2 reissued with supplement and additional plates. Oxford (Oxford University Press), 1976-1989. hardcover books
1940réf. 18375New York: Duveen Brothers 1940. Softcover. VG-. Penning along the top edge. Light exterior wear otherwise clean and unmarked. Quarto. Softcover. Blue wraps gilt lettering. 74 pp. 1 color 40 bw plates. Included artists: Oliver Van Dyck Reynolds Gainsborough Romney Raeburn Hoppner Lawrence Beechey and Devis. From the exhibit of April 1940. Duveen Brothers paperback books
1954réf. 107480London: Oxford University Press 1954. hardcover. very good. Illustrated with 24 plates. Small 4to cloth d.w. London: Oxford University Press 1954. Very good Oxford University Press unknown books
1976réf. 211168Oxford / New York: Clarendon Press 1976. Second Edition. Hardcover. VG/VG one small tear on dustjacket of Volume 1. 2 volume set bound in slate-gray cloth with gilt spine lettering bw illustrated dust jackets 723 pp. 232 BW plates. A revised edition of this artist biography and catalog raisonne with more than 100 drawings and paintings added. Volume 1 contains chapters on Canaletto's life and work and also the illustrations. Volume 2 contains the textual catalogue raisonne. A very nice set. Clarendon Press hardcover books
1944réf. 159180London: Oxford University Press / Humphrey Milford / The Courtauld Institute of Art 1944. Hardcover. Good Ex-library w/ ID to lower spine internal stamps usual markings etc. lower spine torn & flapped; upper spine rubbed. boards scuffed smudged & some spotted staining. shelf-wear/scuffing to lower textblock edge. slight split to textblock at plate section w/ evidence of previous repair. back hinge split; binding still intact though hinge is rattled. Brown cloth gilt letters on spine 164 text pp. plus 105 BW and color plates. Interior does appear clean though may have instances of marginalia handwriting etc. A rough but uncommon copy. Photo is of a previous copy from our collection. Approaches the topic geographically by English counties. Includes discussion of ornament technique and iconography; and offers views of more than 100 examples of these wall paintings. Oxford University Press / Humphrey Milford / The Courtauld Institute of Art hardcover books
1964réf. 115828Toronto: Art Gallery of Toronto 1964. Softcover. Good Wraps worn; Two pages have small stain. Gold illus. wraps; 176 pp.; 145 bw plates 4 color plates. Accompanied a travelling exhibition of the artist's work. English and French. Catalog of an exhibition held Oct. 17 to Nov. 15 1964 at the Art Gallery of Toronto Dec. 4 1964 to Jan. 10 1965 at the National Gallery of Canada and Jan. 29 to Feb. 28 1965 at the Museum of Fine Arts Montreal. Art Gallery of Toronto paperback books
