65 results
2013ref. UCONTHR00drpGallery Books 2013. Very Good. Constable Benjamin. Three Lives of Tomomi Ishikawa. New York: Gallery Books 2013. 337pp. 8vo. Paperback. Book condition: Very good with gentle rubbing. Gallery Books paperback books
1990ref. 226068AmPress Publishing 1990. hardcover. Good/Good. 8x5x1. Dust jacket and book have minor wear. Clean has a good binding no marks or notations. Minor foxing to the page edges. S.U. AmPress Publishing hardcover books
1990ref. 53760Alexandria VA: Time-Life 1990. 4to pp. 288. Index. With 262 recipes illustrated with color photographs. Paper over boards with cloth spine. Cover very slightly bumped at bottom corners leaves very slightly rippled at upper corners o/w a nice copy in chipped dj. Time-Life unknown books
1911ref. 107404Berlin 1911. hardcover. very good. Hrsg. von Arthur Roessler. Illustrated Square 8vo printed boards. Berlin 1911. Very good. unknown books
1954ref. 107480London: Oxford University Press 1954. hardcover. very good. Illustrated with 24 plates. Small 4to cloth d.w. London: Oxford University Press 1954. Very good Oxford University Press unknown books
1954ref. 225179New York: Art Treasures of the World 1954. Softcover. Very Good. Very good paperback. The book cover edges have light wear. The book covers have light soiling. The text is clean. Art Treasures of the World unknown books
1968ref. 701502NY: Harcourt Brace & World. 1968. Very Good in Very Good DJ. Unless otherwise noted our first editions are first printings. First Edition. Hardcover. Very Good. Harcourt, Brace & World hardcover books
1964ref. 115828Toronto: Art Gallery of Toronto 1964. Softcover. Good Wraps worn; Two pages have small stain. Gold illus. wraps; 176 pp.; 145 bw plates 4 color plates. Accompanied a travelling exhibition of the artist's work. English and French. Catalog of an exhibition held Oct. 17 to Nov. 15 1964 at the Art Gallery of Toronto Dec. 4 1964 to Jan. 10 1965 at the National Gallery of Canada and Jan. 29 to Feb. 28 1965 at the Museum of Fine Arts Montreal. Art Gallery of Toronto paperback books
1990ref. 53846Nevada: AmPress Publishing. Very Good. 1990. Hardcover. Zephyr Cove Nevada: AmPress Publishing 1990. Very Good in a Very Good DJ. . AmPress Publishing hardcover books
ref. 120London: Michael Joseph 1949. . 8vo orange cloth dust jacket very minor chips at base of spine. London: Michael Joseph, 1949. hardcover books
1940ref. 18375New York: Duveen Brothers 1940. Softcover. VG-. Penning along the top edge. Light exterior wear otherwise clean and unmarked. Quarto. Softcover. Blue wraps gilt lettering. 74 pp. 1 color 40 bw plates. Included artists: Oliver Van Dyck Reynolds Gainsborough Romney Raeburn Hoppner Lawrence Beechey and Devis. From the exhibit of April 1940. Duveen Brothers paperback books
2003ref. 109438Aldershot England: Lund Humphries 2003. Softcover. VG. Blue illus. wraps; 34 pp. plus 32 pp. of plates; 64 plates color and bw; 5 bw figures. Includes an essay about Ravilious's life and work; Contains watercolors of countryside gardens farmhouses and other aspects of English life. Lund Humphries paperback books
1964ref. UCONMON00acmfCambridge University 1964. Very Good. Constable Giles. Monastic Tithes: From Their Origins to the Twelfth Century. Cambridge: Cambridge University 1964. 346pp. 8vo. Hardcover. Book condition: Very good with light yellowing and bumping. Former owner's name and stamp on title page. Cambridge University hardcover books
1977ref. 414559Fallbrook California: Aero Publishers 1977. Hardcover. Near Fine/Very Good. Reprint. First published in 1968 as Horrido! Fighter Aces of the Luftwaffe. Quarto. 432pp. Illustrated with black and white photographs. Spine ends and corners lightly bumped near fine in a very good dustwrapper with small chip in mid-spine foxed spine head chipped. Aero Publishers hardcover books
1977ref. 70556Fallbrook CA.: Aero Publishers. Very Good in Very Good dust jacket. 1977. Hardcover. -Toliver Colonel Raymond F. and Trevor J. Constable; introduction by Lieutenant General Adolph Galland. FIGHTER ACES OF THE LUFTWAFFE. Fallbrook California: Aero Publishers Inc. 1977. 432 pages illustrated navy boards with gilt stamping to the spine. This is a bright nice copy. Very Good with a dust wrapper that is just lightly rubbed. . Aero Publishers hardcover books
1957ref. 459143The Bronx New York: Fordham University Press 1957. Softcover. Very Good. Volume XII. Small quarto. 1 120-152 pp. Printed wrappers. Edges of wrappers and adjacent pages toned slight vertical crease and a short split at the spine base just about very good. Fordham University Press unknown books
1855ref. 34884London: Henry G. Bohn 1855. Very Good. From the Second edition. "The Art of John Constable like that of Hogarth of Wilson and of Stothard was scarcely noticed by those among the titled and the wealthy of his countrymen who put themselves forward as the patrons of Painting; and had he not been independent of his profession for support he could not have lived by it. But whatever may have been the loss to the artist the world has been in some degree the gainer; for the apathy of patronage left Constable as Hogarth had been left to the free and unrestrained bent of his own genius and the scenes he most loved became subjects of his pictures" introduction. This mezzotint was engraved by David Lucas based on a picture by John Constable. Depicts Gillingham Mill Dorsetshire. According to Constable's notes in 1825 Archdeacon Fisher wrote to tell him that the mill was burnt to the ground and now "exists only on your canvas. A huge misshapen new bright-brick modern-improved patent monster is starting up in its stead." Minor chipping to edges of paper and minor browning to margins. A few light smudge marks. Suitable for framing. Paper size: 11 x 17. PRINT/021121. Henry G. Bohn unknown books
1855ref. 34898London: Henry G. Bohn 1855. Very Good. From the Second edition. "The Art of John Constable like that of Hogarth of Wilson and of Stothard was scarcely noticed by those among the titled and the wealthy of his countrymen who put themselves forward as the patrons of Painting; and had he not been independent of his profession for support he could not have lived by it. But whatever may have been the loss to the artist the world has been in some degree the gainer; for the apathy of patronage left Constable as Hogarth had been left to the free and unrestrained bent of his own genius and the scenes he most loved became subjects of his pictures" introduction. This mezzotint was engraved by David Lucas from a sketch by John Constable. Minor chipping to edges of paper and minor browning to margins. Suitable for framing. Paper size: 11 x 17. PRINT/021121. Henry G. Bohn unknown books
1855ref. 34888London: Henry G. Bohn 1855. Very Good. From the Second edition. "The Art of John Constable like that of Hogarth of Wilson and of Stothard was scarcely noticed by those among the titled and the wealthy of his countrymen who put themselves forward as the patrons of Painting; and had he not been independent of his profession for support he could not have lived by it. But whatever may have been the loss to the artist the world has been in some degree the gainer; for the apathy of patronage left Constable as Hogarth had been left to the free and unrestrained bent of his own genius and the scenes he most loved became subjects of his pictures" introduction. This mezzotint was engraved by David Lucas based on a picture by John Constable. Depicts a view from near East Bergholt. Minor chipping to edges of paper and minor browning to margins. A few small extraneous ink marks from when the plate was printed. Suitable for framing. Paper size: 11 x 17. PRINT/021121. Henry G. Bohn unknown books
1855ref. 34886London: Henry G. Bohn 1855. Very Good. From the Second edition. "The Art of John Constable like that of Hogarth of Wilson and of Stothard was scarcely noticed by those among the titled and the wealthy of his countrymen who put themselves forward as the patrons of Painting; and had he not been independent of his profession for support he could not have lived by it. But whatever may have been the loss to the artist the world has been in some degree the gainer; for the apathy of patronage left Constable as Hogarth had been left to the free and unrestrained bent of his own genius and the scenes he most loved became subjects of his pictures" introduction. This mezzotint was engraved by David Lucas based on a picture by John Constable. Depicts a view from near East Bergholt. Minor chipping to edges of paper and minor browning to margins. A few small extraneous ink marks from when the plate was printed. Suitable for framing. Paper size: 11 x 17. PRINT/021121. Henry G. Bohn unknown books
1855ref. 34874London: Henry G. Bohn 1855. Very Good. From the Second edition. "The Art of John Constable like that of Hogarth of Wilson and of Stothard was scarcely noticed by those among the titled and the wealthy of his countrymen who put themselves forward as the patrons of Painting; and had he not been independent of his profession for support he could not have lived by it. But whatever may have been the loss to the artist the world has been in some degree the gainer; for the apathy of patronage left Constable as Hogarth had been left to the free and unrestrained bent of his own genius and the scenes he most loved became subjects of his pictures" introduction. This mezzotint was engraved by David Lucas based on a picture by John Constable. A bucolic view from Hampstead Heath with cows grazing in the foreground. Minor chipping to edges of paper and minor browning to margins. Suitable for framing. Paper size: 11 x 17. PRINT/021121. Henry G. Bohn unknown books
1855ref. 34889London: Henry G. Bohn 1855. Very Good. From the Second edition. "The Art of John Constable like that of Hogarth of Wilson and of Stothard was scarcely noticed by those among the titled and the wealthy of his countrymen who put themselves forward as the patrons of Painting; and had he not been independent of his profession for support he could not have lived by it. But whatever may have been the loss to the artist the world has been in some degree the gainer; for the apathy of patronage left Constable as Hogarth had been left to the free and unrestrained bent of his own genius and the scenes he most loved became subjects of his pictures" introduction. This mezzotint was engraved by David Lucas based on a drawing in water-colours by John Constable. Minor chipping to edges of paper and minor browning to margins. A few small extraneous ink marks from when the plate was printed. Suitable for framing. Paper size: 11 x 17. PRINT/021121. Henry G. Bohn unknown books
1855ref. 34881London: Henry G. Bohn 1855. Very Good. From the Second edition. "The Art of John Constable like that of Hogarth of Wilson and of Stothard was scarcely noticed by those among the titled and the wealthy of his countrymen who put themselves forward as the patrons of Painting; and had he not been independent of his profession for support he could not have lived by it. But whatever may have been the loss to the artist the world has been in some degree the gainer; for the apathy of patronage left Constable as Hogarth had been left to the free and unrestrained bent of his own genius and the scenes he most loved became subjects of his pictures" introduction. This mezzotint was engraved by David Lucas based on a picture by John Constable. Minor chipping to edges of paper and minor browning to margins. Suitable for framing. Paper size: 11 x 17. PRINT/021121. Henry G. Bohn unknown books
1855ref. 34871London: Henry G. Bohn 1855. Very Good. From the Second edition. "The Art of John Constable like that of Hogarth of Wilson and of Stothard was scarcely noticed by those among the titled and the wealthy of his countrymen who put themselves forward as the patrons of Painting; and had he not been independent of his profession for support he could not have lived by it. But whatever may have been the loss to the artist the world has been in some degree the gainer; for the apathy of patronage left Constable as Hogarth had been left to the free and unrestrained bent of his own genius and the scenes he most loved became subjects of his pictures" introduction. According to the table of contents this is another view of Willy Lot's house taken from Flatford Mill . "Willy Lott's House is situated on the edge of the river Stour close to Flatford Mill; it is a principal object in many of Constable's pictures. Willy Lott a farmer was born and died in it having passed a life of more than eighty years without having spent four whole days away from it." This mezzotint was engraved by David Lucas based on a picture by John Constable. Minor chipping to edges of paper and minor browning to margins. Suitable for framing. Paper size: 11 x 17. PRINT/021121. Henry G. Bohn unknown books
1855ref. 34896London: Henry G. Bohn 1855. Very Good. From the Second edition. "The Art of John Constable like that of Hogarth of Wilson and of Stothard was scarcely noticed by those among the titled and the wealthy of his countrymen who put themselves forward as the patrons of Painting; and had he not been independent of his profession for support he could not have lived by it. But whatever may have been the loss to the artist the world has been in some degree the gainer; for the apathy of patronage left Constable as Hogarth had been left to the free and unrestrained bent of his own genius and the scenes he most loved became subjects of his pictures" introduction. This mezzotint was engraved by David Lucas from a drawing by John Constable. Depicts a shepherd his dog and his flock of sheep grazing on the West-end fields near Hampstead. Minor chipping to edges of paper and minor browning to margins. Light smudge mark to margin. Suitable for framing. Paper size: 11 x 17. PRINT/021121. Henry G. Bohn unknown books
