65 Ergebnisse
1855Best.-Nr. 34880London: Henry G. Bohn 1855. Very Good. From the Second edition. "The Art of John Constable like that of Hogarth of Wilson and of Stothard was scarcely noticed by those among the titled and the wealthy of his countrymen who put themselves forward as the patrons of Painting; and had he not been independent of his profession for support he could not have lived by it. But whatever may have been the loss to the artist the world has been in some degree the gainer; for the apathy of patronage left Constable as Hogarth had been left to the free and unrestrained bent of his own genius and the scenes he most loved became subjects of his pictures" introduction. This mezzotint was engraved by David Lucas based on a picture by John Constable which was exhibited at the Royal Academy in 1832. Minor chipping to edges of paper and minor browning to margins. A few extraneous black ink markings to bottom of plate from when it was printed. Suitable for framing. Paper size: 11 x 17. PRINT/021121. Henry G. Bohn unknown books
1855Best.-Nr. 34877London: Henry G. Bohn 1855. Very Good. From the Second edition. "The Art of John Constable like that of Hogarth of Wilson and of Stothard was scarcely noticed by those among the titled and the wealthy of his countrymen who put themselves forward as the patrons of Painting; and had he not been independent of his profession for support he could not have lived by it. But whatever may have been the loss to the artist the world has been in some degree the gainer; for the apathy of patronage left Constable as Hogarth had been left to the free and unrestrained bent of his own genius and the scenes he most loved became subjects of his pictures" introduction. This mezzotint was engraved by David Lucas based on a sketch by John Constable that was done in preparation for a larger picture. Minor chipping to edges of paper and minor browning to margins. A few extraneous black markings from overinking during printing. Suitable for framing. Paper size: 11 x 17. PRINT/021121. Henry G. Bohn unknown books
1855Best.-Nr. 34866London: Henry G. Bohn 1855. Very Good. From the Second edition. "The Art of John Constable like that of Hogarth of Wilson and of Stothard was scarcely noticed by those among the titled and the wealthy of his countrymen who put themselves forward as the patrons of Painting; and had he not been independent of his profession for support he could not have lived by it. But whatever may have been the loss to the artist the world has been in some degree the gainer; for the apathy of patronage left Constable as Hogarth had been left to the free and unrestrained bent of his own genius and the scenes he most loved became subjects of his pictures" introduction. This mezzotint was engraved by David Lucas based on a sketch by John Constable. It depicts a windmill with horses plowing a field in the foreground. Minor chipping to edges of paper and minor browning to margins. Suitable for framing. Paper size: 11 x 17. Henry G. Bohn unknown books
1855Best.-Nr. 34882London: Henry G. Bohn 1855. Very Good. From the Second edition. "The Art of John Constable like that of Hogarth of Wilson and of Stothard was scarcely noticed by those among the titled and the wealthy of his countrymen who put themselves forward as the patrons of Painting; and had he not been independent of his profession for support he could not have lived by it. But whatever may have been the loss to the artist the world has been in some degree the gainer; for the apathy of patronage left Constable as Hogarth had been left to the free and unrestrained bent of his own genius and the scenes he most loved became subjects of his pictures" introduction. This mezzotint was engraved by David Lucas based on a picture by John Constable. Minor chipping to edges of paper and minor browning to margins. A few light smudge marks. Suitable for framing. Paper size: 11 x 17. PRINT/021121. Henry G. Bohn unknown books
1855Best.-Nr. 34887London: Henry G. Bohn 1855. Very Good. From the Second edition. "The Art of John Constable like that of Hogarth of Wilson and of Stothard was scarcely noticed by those among the titled and the wealthy of his countrymen who put themselves forward as the patrons of Painting; and had he not been independent of his profession for support he could not have lived by it. But whatever may have been the loss to the artist the world has been in some degree the gainer; for the apathy of patronage left Constable as Hogarth had been left to the free and unrestrained bent of his own genius and the scenes he most loved became subjects of his pictures" introduction. This mezzotint was engraved by David Lucas based on a picture by John Constable. Depicts a view from near East Bergholt. Minor chipping to edges of paper and minor browning to margins. A few small extraneous ink marks from when the plate was printed. Suitable for framing. Paper size: 11 x 17. PRINT/021121. Henry G. Bohn unknown books
1855Best.-Nr. 34893London: Henry G. Bohn 1855. Very Good. From the Second edition. "The Art of John Constable like that of Hogarth of Wilson and of Stothard was scarcely noticed by those among the titled and the wealthy of his countrymen who put themselves forward as the patrons of Painting; and had he not been independent of his profession for support he could not have lived by it. But whatever may have been the loss to the artist the world has been in some degree the gainer; for the apathy of patronage left Constable as Hogarth had been left to the free and unrestrained bent of his own genius and the scenes he most loved became subjects of his pictures" introduction. This mezzotint was engraved by David Lucas from a small sketch by John Constable. Depicts a landscape of Dedham Vale. A few small extraneous ink marks from when the plate was printed. Minor chipping to edges of paper and minor browning to margins. Light smudge mark to margin. Suitable for framing. Paper size: 11 x 17. PRINT/021121. Henry G. Bohn unknown books
1855Best.-Nr. 34883London: Henry G. Bohn 1855. Very Good. From the Second edition. "The Art of John Constable like that of Hogarth of Wilson and of Stothard was scarcely noticed by those among the titled and the wealthy of his countrymen who put themselves forward as the patrons of Painting; and had he not been independent of his profession for support he could not have lived by it. But whatever may have been the loss to the artist the world has been in some degree the gainer; for the apathy of patronage left Constable as Hogarth had been left to the free and unrestrained bent of his own genius and the scenes he most loved became subjects of his pictures" introduction. This mezzotint was engraved by David Lucas based on a picture by John Constable. Depicts Glebe Farm with Langham Church. Minor chipping to edges of paper and minor browning to margins. A few light smudge marks. Suitable for framing. Paper size: 11 x 17. PRINT/021121. Henry G. Bohn unknown books
1855Best.-Nr. 34901London: Henry G. Bohn 1855. Very Good. From the Second edition. "The Art of John Constable like that of Hogarth of Wilson and of Stothard was scarcely noticed by those among the titled and the wealthy of his countrymen who put themselves forward as the patrons of Painting; and had he not been independent of his profession for support he could not have lived by it. But whatever may have been the loss to the artist the world has been in some degree the gainer; for the apathy of patronage left Constable as Hogarth had been left to the free and unrestrained bent of his own genius and the scenes he most loved became subjects of his pictures" introduction. This mezzotint was engraved by David Lucas based on a drawing by John Constable. Depicts a ship that has gone aground with a storm in the background. Minor chipping to edges of paper and minor browning to margins. A few small extraneous ink marks from when the plate was printed. Suitable for framing. Paper size: 11 x 17. PRINT/021121. Henry G. Bohn unknown books
1855Best.-Nr. 34870London: Henry G. Bohn 1855. Very Good. From the Second edition. "The Art of John Constable like that of Hogarth of Wilson and of Stothard was scarcely noticed by those among the titled and the wealthy of his countrymen who put themselves forward as the patrons of Painting; and had he not been independent of his profession for support he could not have lived by it. But whatever may have been the loss to the artist the world has been in some degree the gainer; for the apathy of patronage left Constable as Hogarth had been left to the free and unrestrained bent of his own genius and the scenes he most loved became subjects of his pictures" introduction. According to the table of contents "Willy Lott's House is situated on the edge of the river Stour close to Flatford Mill; it is a principal object in many of Constable's pictures. Willy Lott a farmer was born and died in it having passed a life of more than eighty years without having spent four whole days away from it. The figure on horseback was sketched from Constable's father." This mezzotint was engraved by David Lucas based on a picture by John Constable. Minor chipping to edges of paper and minor browning to margins. Suitable for framing. Paper size: 11 x 17. PRINT/021121. Henry G. Bohn unknown books
1855Best.-Nr. 34879London: Henry G. Bohn 1855. Very Good. From the Second edition. "The Art of John Constable like that of Hogarth of Wilson and of Stothard was scarcely noticed by those among the titled and the wealthy of his countrymen who put themselves forward as the patrons of Painting; and had he not been independent of his profession for support he could not have lived by it. But whatever may have been the loss to the artist the world has been in some degree the gainer; for the apathy of patronage left Constable as Hogarth had been left to the free and unrestrained bent of his own genius and the scenes he most loved became subjects of his pictures" introduction. This mezzotint was engraved by David Lucas based on a picture by John Constable. Depicts the Yarmouth jetty with a long pier and sailboats in the distance. Minor chipping to edges of paper and minor browning to margins. Suitable for framing. Paper size: 11 x 17. PRINT/021121. Henry G. Bohn unknown books
1996Best.-Nr. 52940Atglen PA: Schiffer Military History. Very Good. 1996. Hardcover. Atglen PA.: Schiffer Military/Aviation History 1996. Fine in a Fine DJ. . Schiffer Military History hardcover books
1997Best.-Nr. 69665Atglen:: Schiffer Publishing. Very Good in Very Good dust jacket. 1997. Hardcover. 0764303481 . Black and white photographs throughout. First printing of the second edition revised and updated. Very good in a very good dust jacket.; 400 pages . Schiffer Publishing, hardcover books
1924Best.-Nr. 202339London: Marlowe 1924. Hardcover. Very Good. First edition. Bottom corners slightly bent small stain on back cover very good. Marlowe hardcover books
2021Best.-Nr. 2002282021. Hardcover. VG Extremely light shelfwear to corners; this book appears unread. Color illustrated boards with black and white lettering; 222 pp; 1 folded leaf; richly illustrated. Text in Japanese and English. Issued with 8-panel folded leaf illustrated with paintings and 2 maps marked with the paintings' locations/ Exhibition: Tokyo Mitsubishi Ichigokan Museum 2021/02/20-2021/05/30/ Includes bibliographical references page 215. hardcover books
1967Best.-Nr. 29649New York: Harcourt Brace & World Inc. Fine in Near Fine dj. c.1967. First Edition. Hardcover. nice copy no discernible wear to book at all; the jacket has just a teensy bit of edgewear and a short closed tear at the top of the rear panel. This novel the author's first is set in the suburbs of Baltimore and concerns the following characters: "a five-year-old genius who has learned all he knows from watching television; Cathy aged twelve his sister and devoted accomplice in a plot she doesn't understand; Jessie a girl who plays games that might astonish Eric Berne M.D.; Jay a handsome young motorcyclist from Darien Connecticut who believes he has found a mission in life; Ethel Price a housewife who hates her husband and is ambivalent about her infant son; and an anonymous madman who keeping one jump ahead of the law broadcasts his distorted view of the world from a clandestine radio station concealed in a 1951 Ford coupe." . Harcourt, Brace & World, Inc. hardcover books
1964Best.-Nr. RCONMON00ECAt the University Press 1964. Very Good. Constable Giles. Monastic Tithes from Their Origins to the Twelfth Century. Cambridge: At the University Press 1964. 1st edition. 346pp. Indexed. 8vo. Book condition: Very good. The edges of the covers are lightly bumped and rubbed. There is a previous owner's name along the top edge of the front free endsheet. Dust Jacket Condition: Good only. The edges have several small losses and a 1 inch closed tear. Condition noted. Scarce. At the University Press unknown books
1953Best.-Nr. 546348The Bronx New York: Fordham University Press 1953. Softcover. Near Fine. Offprint. Volume IX. Small quarto. P. 1 216-279. Printed wrappers. Top corner a bit bumped else near fine. Inscribed by the author: "For Ashton Sanborn with affection from Giles. 18 Aug. 1954. Fordham University Press unknown books
1977Best.-Nr. 84781Fallbrook California: Aero Publishers 1977. Hardcover. Very Good/Very Good. photos index 432p. Original blue binding. dj. 28cm. SIGNED on half-title by both authors. Aero Publishers hardcover books
1930Best.-Nr. 89236Berlin: Pantheon 1930. hardcover. very good. 82 black & white plates lettered tissue guards tall 8vo 3/4 blue calf. Berlin: Pantheon 1930. Very good . Pantheon unknown books
1979Best.-Nr. 84447Fallbrook: Aero Publishers Inc 1979. Hardcover. Near Fine/Very Good. photos index 400p. Blue boards. dj. 28 cm. Jacket has some light scuffing and soil. INSCRIBED by both authors. Aero Publishers, Inc hardcover books
2008Best.-Nr. 300191Toronto: University of Toronto Press 2008. First Edition. Hard Cover. Near Fine binding/Very Good dust jacket. Octavo; in the publisher’s blue cloth; with titling on the spine in silver; x 197 pages including the Index; in an unclipped jacket; light wear to the jacket. Near Fine binding / Very Good dust jacket. University of Toronto Press unknown books
1984Best.-Nr. 202763Paul Mellon Centre 1984-09-10. hardcover. Near Fine/Fine. 12x8x3. Blue cloth boards under illustrated dust jackets. Both volumes clean & solid minor discoloration to front board of the Plates volume but they appear unread. Extra postage a lot of it required for international or expedited shipping. Paul Mellon Centre hardcover books
1895Best.-Nr. 15242THE CURSE OF INTELLECT Roberts Brothers 1895 first edition American issue some soiling to the yellow cloth binding foxing to the end-papers and paste-downs else a tight vg copy. A simian romance whereby a monkey is acclimated into human society with unfortunate results. Roberts Brothers hardcover books
1944Best.-Nr. 159180London: Oxford University Press / Humphrey Milford / The Courtauld Institute of Art 1944. Hardcover. Good Ex-library w/ ID to lower spine internal stamps usual markings etc. lower spine torn & flapped; upper spine rubbed. boards scuffed smudged & some spotted staining. shelf-wear/scuffing to lower textblock edge. slight split to textblock at plate section w/ evidence of previous repair. back hinge split; binding still intact though hinge is rattled. Brown cloth gilt letters on spine 164 text pp. plus 105 BW and color plates. Interior does appear clean though may have instances of marginalia handwriting etc. A rough but uncommon copy. Photo is of a previous copy from our collection. Approaches the topic geographically by English counties. Includes discussion of ornament technique and iconography; and offers views of more than 100 examples of these wall paintings. Oxford University Press / Humphrey Milford / The Courtauld Institute of Art hardcover books
1990Best.-Nr. 544070Oxford: Clarendon Press 1990. Hardcover. Near Fine/Near Fine. First edition. Introduction by Richard Luckett. 226pp. Slightly bowed boards else near fine in a near fine dust jacket with edgewear. Clarendon Press hardcover books
