1 969 résultats
2000réf. 1329562PN. New. 2000. Soft Cover. Date is original print. This is a reprint edition . PN paperback
1977réf. 521146council on Social work Edcuation. Collectible - Good. 1977. stapled/soft Cover. U71 . council on Social work Edcuation paperback
1977réf. 98959Aero Publishers: Aero Publishers. As New in As New dust jacket. 1977. First Edition. Hardcover. Blue buckram boards pristine bright and sharp. As New. Protected dustjacket clean and crisp. As New. Book is firm in binding b&w historic photographs 432 pages include Index. Free of any markings not ex-library. ; B&W Photographs; 4to 11" - 13" tall; 432 pages . Aero Publishers hardcover
1965réf. 77601New York: MacMillan. Near Fine in Fine dust jacket. 1965. First Edition. Hardcover. Hardcover in dust jacket. First printing of first edition. SIGNED dated and warmly inscribed by Raymond Toliver "to my friend and fellow writer Bob Brooks." . Book is crisp and clean in turquoise cloth boards with a whisper of fading at top edge. Unclipped dust jacket is in fine condition with a tiny nick at the tip of one corner. A first printing of the original edition of the classic account of Germany's greatest aces. Plates are in black and white. 4to. 354 pp. In protective Mylar. Heavy--will require additional postage if shipped outside the U. S. . MacMillan hardcover
1990réf. 050890ZEPHYR COVE NEVADA: AMPRESS PUB. Fine. Hardcover. SECOND PRINTING. 1990. AMPRESS PUB. hardcover
1967réf. 202366Cambridge MA: Harvard University Press 1967. First Edition First Printing. Hardcover. 2 vols. 450p; 427p. A set of two hardcover books in fine condition with very good dustjackets. The books are clean and tight except for mild foxing on the foredges. The jackets are sunfaded and have some very small closed tears plus mild foxing. Texts of Peter the Venerable in their original Latin with commentary in English. Harvard University Press hardcover
1897réf. 17049London: Ballantyne Press for the Vale Press 1897. Hardback paper label to spine boards partially covered with decorated paper. 23.5cm x 15cm. 100pp. Illustrated by Charles Ricketts. Limited edition of only 210 copies. Spine slightly darkened with some fraying to outer joint and head of spine. Previous owners' bookplates to front pastedown. . Limited Edition. Hard Cover. Good. Illus. by Ricketts Charles . Ballantyne Press for the Vale Press Hardcover
réf. Am1937Gateway Baltimore 1979. Hbk 780pp no dj as issued fine green cloth boards with bright gilt ttiles now in custom acetate jacket appears unused and an excellent clean tight and unmarked copy as new becoming harder to find Gateway, Baltimore, 1979 hardcover
réf. B9781167217661New. unknown
réf. B9781165549245New. unknown
réf. B9781165817559New. unknown
réf. B9781164643968New. unknown
réf. B9781166997526New. unknown
réf. B9781168476951New. unknown
réf. B9781164549260New. unknown
réf. B9781164193029New. unknown
1977réf. 005152Fallbrook CA: Aero Publishers 1977. 432pp/illus. A very detailed history of German air aces during World War II. Rear hinge cracked. DJ chipped along top edge. Clean. First Edition. Cloth. Very Good/Very Good. 4to - over 9¾" - 12" tall. Aero Publishers hardcover
réf. B9781168955715New. unknown
1968réf. 58-1029DMacmillan 1968. 1968. 1st ed. First Edition 348p. Photos. Jacket priced. Fine/Near Fine copy. 1st. Hardcover. Fine/Near Fine. Book. Macmillan, 1968. Hardcover
1968réf. 58-1029CMacmillan 1968. 1968. 1st ed. First Edition 348p. Photos. Jacket priced. Owner's emboss & bookplate. Jacket has been laminated. Very Good/Very Good copy. 1st. Hardcover. Very Good/Very Good. Book. Macmillan, 1968. Hardcover
1855réf. 30041855. Mezzotint on steel. 170mm by 150mm image 425mm by 290mm sheet. 'Willy Lott's House is situated on the edge of the river Stour close to Flatford Mill; it is a principal object in many of Constable's pictures. Willy Lott a farmer was born and died in it having passed a life of more than eighty years without having spent four whole days away from it. The figure on horseback was sketched from Constable's father'. From 'English Landscape Scenery' 1855. John Constable RA was an English Romantic landscape painter. He believed that imagination and emotion were an important part of artistic expression and so incorporated these tenets into his lush idyllic scenes. Beginning in 1829 Constable worked closely with David Lucas to produce the mezzotints as a general survey of his work. Tiny spot in platemark. unknown
1855réf. 30151855. Mezzotint on steel. 170mm by 240mm platemark 290mm by 425mm sheet. From 'English Landscape Scenery' 1855. John Constable RA was an English Romantic landscape painter. He believed that imagination and emotion were an important part of artistic expression and so incorporated these tenets into his lush idyllic scenes. Beginning in 1829 Constable worked closely with David Lucas to produce the mezzotints as a general survey of his work. unknown
1855réf. 30071855. Mezzotint on steel. 170mm by 250mm image 290mm by 425mm sheet. From 'English Landscape Scenery' 1855. John Constable RA was an English Romantic landscape painter. He believed that imagination and emotion were an important part of artistic expression and so incorporated these tenets into his lush idyllic scenes. Beginning in 1829 Constable worked closely with David Lucas to produce the mezzotints as a general survey of his work. Tiny spot in platemark. unknown
1855réf. 30031855. Mezzotint on steel. 175mm by 210mm platemark 290mm by 425mm sheet. From 'English Landscape Scenery' 1855. John Constable RA was an English Romantic landscape painter. He believed that imagination and emotion were an important part of artistic expression and so incorporated these tenets into his lush idyllic scenes. Beginning in 1829 Constable worked closely with David Lucas to produce the mezzotints as a general survey of his work. unknown
1855réf. 30161855. Mezzotint on steel. 245mm by 185mm platemark 425mm by 290mm sheet. From 'English Landscape Scenery' 1855. John Constable RA was an English Romantic landscape painter. He believed that imagination and emotion were an important part of artistic expression and so incorporated these tenets into his lush idyllic scenes. Beginning in 1829 Constable worked closely with David Lucas to produce the mezzotints as a general survey of his work. A couple of small indentations in title area. unknown