65 résultats
1954réf. 225179New York: Art Treasures of the World 1954. Softcover. Very Good. Very good paperback. The book cover edges have light wear. The book covers have light soiling. The text is clean. Art Treasures of the World unknown books
1944réf. 159180London: Oxford University Press / Humphrey Milford / The Courtauld Institute of Art 1944. Hardcover. Good Ex-library w/ ID to lower spine internal stamps usual markings etc. lower spine torn & flapped; upper spine rubbed. boards scuffed smudged & some spotted staining. shelf-wear/scuffing to lower textblock edge. slight split to textblock at plate section w/ evidence of previous repair. back hinge split; binding still intact though hinge is rattled. Brown cloth gilt letters on spine 164 text pp. plus 105 BW and color plates. Interior does appear clean though may have instances of marginalia handwriting etc. A rough but uncommon copy. Photo is of a previous copy from our collection. Approaches the topic geographically by English counties. Includes discussion of ornament technique and iconography; and offers views of more than 100 examples of these wall paintings. Oxford University Press / Humphrey Milford / The Courtauld Institute of Art hardcover books
1976réf. 211168Oxford / New York: Clarendon Press 1976. Second Edition. Hardcover. VG/VG one small tear on dustjacket of Volume 1. 2 volume set bound in slate-gray cloth with gilt spine lettering bw illustrated dust jackets 723 pp. 232 BW plates. A revised edition of this artist biography and catalog raisonne with more than 100 drawings and paintings added. Volume 1 contains chapters on Canaletto's life and work and also the illustrations. Volume 2 contains the textual catalogue raisonne. A very nice set. Clarendon Press hardcover books
réf. B301615-1Oxford Oxford University Press 1976-1989. 2 vols. x 6 746pp. 232 plates. 4to. Cloth. D.j. Vol. 2 reissued with supplement and additional plates. Oxford (Oxford University Press), 1976-1989. hardcover books
1940réf. 18375New York: Duveen Brothers 1940. Softcover. VG-. Penning along the top edge. Light exterior wear otherwise clean and unmarked. Quarto. Softcover. Blue wraps gilt lettering. 74 pp. 1 color 40 bw plates. Included artists: Oliver Van Dyck Reynolds Gainsborough Romney Raeburn Hoppner Lawrence Beechey and Devis. From the exhibit of April 1940. Duveen Brothers paperback books
1954réf. 107480London: Oxford University Press 1954. hardcover. very good. Illustrated with 24 plates. Small 4to cloth d.w. London: Oxford University Press 1954. Very good Oxford University Press unknown books
1818réf. 23152Edinburgh: Archibald Constable And Company 1818. First edition. Hardcover. Three quarter blue morocco and marbled boards. Teg. Near fine. 344 pages. 19 x 11 cm. Included herein: trial of Andrew Wilson William Hall and George Robertson before the High Court of Justiciary.; Authentic extract of the proceedings in the trial of Captain John Porteous.; Proceedings in the trial of William Maclauchlane.; Proceedings in the trial of Nicol Muschett. A riot erupted after the hanging of Wilson. The authorities authorized Porteus to attempt to disperse the mob but in the confusion and violence ten six people were shot by the guards under command of Porteus. A trial found him guilty subsequently an enraged mob attacked Tolbooth prison dragged him from his cell and lynched him. Text clean and bright small faint stamp on title engraved frontispiece of Tolbooth prison. Backstrip sunned. Bound by Lauriat. Archibald Constable And Company hardcover books
1964réf. 434Cambridge University Press 1964. 1st. Hardcover. Dust Jacket Included. Part of the Cambridge Studies in Medieval Life and Thought series this is a nice copy of the 1964 1st edition. VG in a VG dustjacket. Octavo 346 pgs. Cambridge University Press hardcover books
2008réf. 300191Toronto: University of Toronto Press 2008. First Edition. Hard Cover. Near Fine binding/Very Good dust jacket. Octavo; in the publisher’s blue cloth; with titling on the spine in silver; x 197 pages including the Index; in an unclipped jacket; light wear to the jacket. Near Fine binding / Very Good dust jacket. University of Toronto Press unknown books
1855réf. 34884London: Henry G. Bohn 1855. Very Good. From the Second edition. "The Art of John Constable like that of Hogarth of Wilson and of Stothard was scarcely noticed by those among the titled and the wealthy of his countrymen who put themselves forward as the patrons of Painting; and had he not been independent of his profession for support he could not have lived by it. But whatever may have been the loss to the artist the world has been in some degree the gainer; for the apathy of patronage left Constable as Hogarth had been left to the free and unrestrained bent of his own genius and the scenes he most loved became subjects of his pictures" introduction. This mezzotint was engraved by David Lucas based on a picture by John Constable. Depicts Gillingham Mill Dorsetshire. According to Constable's notes in 1825 Archdeacon Fisher wrote to tell him that the mill was burnt to the ground and now "exists only on your canvas. A huge misshapen new bright-brick modern-improved patent monster is starting up in its stead." Minor chipping to edges of paper and minor browning to margins. A few light smudge marks. Suitable for framing. Paper size: 11 x 17. PRINT/021121. Henry G. Bohn unknown books
1855réf. 34898London: Henry G. Bohn 1855. Very Good. From the Second edition. "The Art of John Constable like that of Hogarth of Wilson and of Stothard was scarcely noticed by those among the titled and the wealthy of his countrymen who put themselves forward as the patrons of Painting; and had he not been independent of his profession for support he could not have lived by it. But whatever may have been the loss to the artist the world has been in some degree the gainer; for the apathy of patronage left Constable as Hogarth had been left to the free and unrestrained bent of his own genius and the scenes he most loved became subjects of his pictures" introduction. This mezzotint was engraved by David Lucas from a sketch by John Constable. Minor chipping to edges of paper and minor browning to margins. Suitable for framing. Paper size: 11 x 17. PRINT/021121. Henry G. Bohn unknown books
1855réf. 34888London: Henry G. Bohn 1855. Very Good. From the Second edition. "The Art of John Constable like that of Hogarth of Wilson and of Stothard was scarcely noticed by those among the titled and the wealthy of his countrymen who put themselves forward as the patrons of Painting; and had he not been independent of his profession for support he could not have lived by it. But whatever may have been the loss to the artist the world has been in some degree the gainer; for the apathy of patronage left Constable as Hogarth had been left to the free and unrestrained bent of his own genius and the scenes he most loved became subjects of his pictures" introduction. This mezzotint was engraved by David Lucas based on a picture by John Constable. Depicts a view from near East Bergholt. Minor chipping to edges of paper and minor browning to margins. A few small extraneous ink marks from when the plate was printed. Suitable for framing. Paper size: 11 x 17. PRINT/021121. Henry G. Bohn unknown books
1855réf. 34886London: Henry G. Bohn 1855. Very Good. From the Second edition. "The Art of John Constable like that of Hogarth of Wilson and of Stothard was scarcely noticed by those among the titled and the wealthy of his countrymen who put themselves forward as the patrons of Painting; and had he not been independent of his profession for support he could not have lived by it. But whatever may have been the loss to the artist the world has been in some degree the gainer; for the apathy of patronage left Constable as Hogarth had been left to the free and unrestrained bent of his own genius and the scenes he most loved became subjects of his pictures" introduction. This mezzotint was engraved by David Lucas based on a picture by John Constable. Depicts a view from near East Bergholt. Minor chipping to edges of paper and minor browning to margins. A few small extraneous ink marks from when the plate was printed. Suitable for framing. Paper size: 11 x 17. PRINT/021121. Henry G. Bohn unknown books
1855réf. 34874London: Henry G. Bohn 1855. Very Good. From the Second edition. "The Art of John Constable like that of Hogarth of Wilson and of Stothard was scarcely noticed by those among the titled and the wealthy of his countrymen who put themselves forward as the patrons of Painting; and had he not been independent of his profession for support he could not have lived by it. But whatever may have been the loss to the artist the world has been in some degree the gainer; for the apathy of patronage left Constable as Hogarth had been left to the free and unrestrained bent of his own genius and the scenes he most loved became subjects of his pictures" introduction. This mezzotint was engraved by David Lucas based on a picture by John Constable. A bucolic view from Hampstead Heath with cows grazing in the foreground. Minor chipping to edges of paper and minor browning to margins. Suitable for framing. Paper size: 11 x 17. PRINT/021121. Henry G. Bohn unknown books
1855réf. 34889London: Henry G. Bohn 1855. Very Good. From the Second edition. "The Art of John Constable like that of Hogarth of Wilson and of Stothard was scarcely noticed by those among the titled and the wealthy of his countrymen who put themselves forward as the patrons of Painting; and had he not been independent of his profession for support he could not have lived by it. But whatever may have been the loss to the artist the world has been in some degree the gainer; for the apathy of patronage left Constable as Hogarth had been left to the free and unrestrained bent of his own genius and the scenes he most loved became subjects of his pictures" introduction. This mezzotint was engraved by David Lucas based on a drawing in water-colours by John Constable. Minor chipping to edges of paper and minor browning to margins. A few small extraneous ink marks from when the plate was printed. Suitable for framing. Paper size: 11 x 17. PRINT/021121. Henry G. Bohn unknown books
1855réf. 34881London: Henry G. Bohn 1855. Very Good. From the Second edition. "The Art of John Constable like that of Hogarth of Wilson and of Stothard was scarcely noticed by those among the titled and the wealthy of his countrymen who put themselves forward as the patrons of Painting; and had he not been independent of his profession for support he could not have lived by it. But whatever may have been the loss to the artist the world has been in some degree the gainer; for the apathy of patronage left Constable as Hogarth had been left to the free and unrestrained bent of his own genius and the scenes he most loved became subjects of his pictures" introduction. This mezzotint was engraved by David Lucas based on a picture by John Constable. Minor chipping to edges of paper and minor browning to margins. Suitable for framing. Paper size: 11 x 17. PRINT/021121. Henry G. Bohn unknown books
1855réf. 34871London: Henry G. Bohn 1855. Very Good. From the Second edition. "The Art of John Constable like that of Hogarth of Wilson and of Stothard was scarcely noticed by those among the titled and the wealthy of his countrymen who put themselves forward as the patrons of Painting; and had he not been independent of his profession for support he could not have lived by it. But whatever may have been the loss to the artist the world has been in some degree the gainer; for the apathy of patronage left Constable as Hogarth had been left to the free and unrestrained bent of his own genius and the scenes he most loved became subjects of his pictures" introduction. According to the table of contents this is another view of Willy Lot's house taken from Flatford Mill . "Willy Lott's House is situated on the edge of the river Stour close to Flatford Mill; it is a principal object in many of Constable's pictures. Willy Lott a farmer was born and died in it having passed a life of more than eighty years without having spent four whole days away from it." This mezzotint was engraved by David Lucas based on a picture by John Constable. Minor chipping to edges of paper and minor browning to margins. Suitable for framing. Paper size: 11 x 17. PRINT/021121. Henry G. Bohn unknown books
1855réf. 34896London: Henry G. Bohn 1855. Very Good. From the Second edition. "The Art of John Constable like that of Hogarth of Wilson and of Stothard was scarcely noticed by those among the titled and the wealthy of his countrymen who put themselves forward as the patrons of Painting; and had he not been independent of his profession for support he could not have lived by it. But whatever may have been the loss to the artist the world has been in some degree the gainer; for the apathy of patronage left Constable as Hogarth had been left to the free and unrestrained bent of his own genius and the scenes he most loved became subjects of his pictures" introduction. This mezzotint was engraved by David Lucas from a drawing by John Constable. Depicts a shepherd his dog and his flock of sheep grazing on the West-end fields near Hampstead. Minor chipping to edges of paper and minor browning to margins. Light smudge mark to margin. Suitable for framing. Paper size: 11 x 17. PRINT/021121. Henry G. Bohn unknown books
1855réf. 34880London: Henry G. Bohn 1855. Very Good. From the Second edition. "The Art of John Constable like that of Hogarth of Wilson and of Stothard was scarcely noticed by those among the titled and the wealthy of his countrymen who put themselves forward as the patrons of Painting; and had he not been independent of his profession for support he could not have lived by it. But whatever may have been the loss to the artist the world has been in some degree the gainer; for the apathy of patronage left Constable as Hogarth had been left to the free and unrestrained bent of his own genius and the scenes he most loved became subjects of his pictures" introduction. This mezzotint was engraved by David Lucas based on a picture by John Constable which was exhibited at the Royal Academy in 1832. Minor chipping to edges of paper and minor browning to margins. A few extraneous black ink markings to bottom of plate from when it was printed. Suitable for framing. Paper size: 11 x 17. PRINT/021121. Henry G. Bohn unknown books
1855réf. 34877London: Henry G. Bohn 1855. Very Good. From the Second edition. "The Art of John Constable like that of Hogarth of Wilson and of Stothard was scarcely noticed by those among the titled and the wealthy of his countrymen who put themselves forward as the patrons of Painting; and had he not been independent of his profession for support he could not have lived by it. But whatever may have been the loss to the artist the world has been in some degree the gainer; for the apathy of patronage left Constable as Hogarth had been left to the free and unrestrained bent of his own genius and the scenes he most loved became subjects of his pictures" introduction. This mezzotint was engraved by David Lucas based on a sketch by John Constable that was done in preparation for a larger picture. Minor chipping to edges of paper and minor browning to margins. A few extraneous black markings from overinking during printing. Suitable for framing. Paper size: 11 x 17. PRINT/021121. Henry G. Bohn unknown books
1855réf. 34866London: Henry G. Bohn 1855. Very Good. From the Second edition. "The Art of John Constable like that of Hogarth of Wilson and of Stothard was scarcely noticed by those among the titled and the wealthy of his countrymen who put themselves forward as the patrons of Painting; and had he not been independent of his profession for support he could not have lived by it. But whatever may have been the loss to the artist the world has been in some degree the gainer; for the apathy of patronage left Constable as Hogarth had been left to the free and unrestrained bent of his own genius and the scenes he most loved became subjects of his pictures" introduction. This mezzotint was engraved by David Lucas based on a sketch by John Constable. It depicts a windmill with horses plowing a field in the foreground. Minor chipping to edges of paper and minor browning to margins. Suitable for framing. Paper size: 11 x 17. Henry G. Bohn unknown books
1855réf. 34882London: Henry G. Bohn 1855. Very Good. From the Second edition. "The Art of John Constable like that of Hogarth of Wilson and of Stothard was scarcely noticed by those among the titled and the wealthy of his countrymen who put themselves forward as the patrons of Painting; and had he not been independent of his profession for support he could not have lived by it. But whatever may have been the loss to the artist the world has been in some degree the gainer; for the apathy of patronage left Constable as Hogarth had been left to the free and unrestrained bent of his own genius and the scenes he most loved became subjects of his pictures" introduction. This mezzotint was engraved by David Lucas based on a picture by John Constable. Minor chipping to edges of paper and minor browning to margins. A few light smudge marks. Suitable for framing. Paper size: 11 x 17. PRINT/021121. Henry G. Bohn unknown books
1855réf. 34887London: Henry G. Bohn 1855. Very Good. From the Second edition. "The Art of John Constable like that of Hogarth of Wilson and of Stothard was scarcely noticed by those among the titled and the wealthy of his countrymen who put themselves forward as the patrons of Painting; and had he not been independent of his profession for support he could not have lived by it. But whatever may have been the loss to the artist the world has been in some degree the gainer; for the apathy of patronage left Constable as Hogarth had been left to the free and unrestrained bent of his own genius and the scenes he most loved became subjects of his pictures" introduction. This mezzotint was engraved by David Lucas based on a picture by John Constable. Depicts a view from near East Bergholt. Minor chipping to edges of paper and minor browning to margins. A few small extraneous ink marks from when the plate was printed. Suitable for framing. Paper size: 11 x 17. PRINT/021121. Henry G. Bohn unknown books
1855réf. 34893London: Henry G. Bohn 1855. Very Good. From the Second edition. "The Art of John Constable like that of Hogarth of Wilson and of Stothard was scarcely noticed by those among the titled and the wealthy of his countrymen who put themselves forward as the patrons of Painting; and had he not been independent of his profession for support he could not have lived by it. But whatever may have been the loss to the artist the world has been in some degree the gainer; for the apathy of patronage left Constable as Hogarth had been left to the free and unrestrained bent of his own genius and the scenes he most loved became subjects of his pictures" introduction. This mezzotint was engraved by David Lucas from a small sketch by John Constable. Depicts a landscape of Dedham Vale. A few small extraneous ink marks from when the plate was printed. Minor chipping to edges of paper and minor browning to margins. Light smudge mark to margin. Suitable for framing. Paper size: 11 x 17. PRINT/021121. Henry G. Bohn unknown books
1855réf. 34883London: Henry G. Bohn 1855. Very Good. From the Second edition. "The Art of John Constable like that of Hogarth of Wilson and of Stothard was scarcely noticed by those among the titled and the wealthy of his countrymen who put themselves forward as the patrons of Painting; and had he not been independent of his profession for support he could not have lived by it. But whatever may have been the loss to the artist the world has been in some degree the gainer; for the apathy of patronage left Constable as Hogarth had been left to the free and unrestrained bent of his own genius and the scenes he most loved became subjects of his pictures" introduction. This mezzotint was engraved by David Lucas based on a picture by John Constable. Depicts Glebe Farm with Langham Church. Minor chipping to edges of paper and minor browning to margins. A few light smudge marks. Suitable for framing. Paper size: 11 x 17. PRINT/021121. Henry G. Bohn unknown books