Constable

Richard Wilson

1953 · réf. 027234 — Constable, W.G.: Richard Wilson. London: Routledge Kegan Paul, 1953. This the de luxe edition produced by T. Brun, one of 100 numbered copies only. 306 pages 362 works illustrated in black & white. Full leather with raised bands and marble. 26x19.5cms. Comprehensive work on Richard Wilson (c.1713-1782), curator of the Boston Museum of Fine Arts and one of the most important artists of the 18th century in England. The catalogue reproduces extensive documentation on known paintings with a biography of the artist; discussion on methods and materials; collectors; connoisseurs and critics; copyists, pupils, imitators and followers. With index of plates and bibliography.

CANALETTO. Giovanni Antonio Canal 1697-1768. Second edition revised by J.G. Links.

réf. B301615-1 — Oxford Oxford University Press 1976-1989. 2 vols. x 6 746pp. 232 plates. 4to. Cloth. D.j. Vol. 2 reissued with supplement and additional plates. Oxford (Oxford University Press), 1976-1989. hardcover books

Catalogue of Forty British Portraits: April 9-30 1940

1940 · réf. 18375 — New York: Duveen Brothers 1940. Softcover. VG-. Penning along the top edge. Light exterior wear otherwise clean and unmarked. Quarto. Softcover. Blue wraps gilt lettering. 74 pp. 1 color 40 bw plates. Included artists: Oliver Van Dyck Reynolds Gainsborough Romney Raeburn Hoppner Lawrence Beechey and Devis. From the exhibit of April 1940. Duveen Brothers paperback books

The Painter's Workshop

1954 · réf. 107480 — London: Oxford University Press 1954. hardcover. very good. Illustrated with 24 plates. Small 4to cloth d.w. London: Oxford University Press 1954. Very good Oxford University Press unknown books

The Reformation of the twelfth century.

réf. 154080 — Cambridge, CUP, 1996.

Essential Constable

réf. 477658 — Parragon Publishing. Hardcover. Good. Gomez has been involved in book and print production for over 15 years as a copy-editor and proofreader researcher and writer project manager and author. Her aim is to achieve well written succinct and compelling copy focusing on the client's brief but with the reader in mind. Many of the projects she has developed are art architecture and design related. Others document social history and the history of London in particular the River Thames and London´s hospitals. She also has significant experience in Islamic and sub-Saharan African art and design. She is the author of Essential Constable An Historical Gazetteer of London Hospitals and Washing Lines of the World amongst other thing Parragon Publishing hardcover

Oxford 1986. 4to. 256 S. Mit 231 Abb., davon 98 farb. Orig.-Leinenbd.

Constable.

1986 · réf. 105857 — Oxfod, Phaidon 1986. 1986. 4°, 256 S. mit 231 Abbildungen, davon 98 Farbtafeln, Orig.-Pappband mit Orig.-Umschlag.

Le Romantisme (Avec Jaquette)

1961 · réf. 22762 — Skira, coll. « Le Goût de notre Temps » 1961 In-12, pleine toile écru éditeur, sous jaquette illustrée, photographies en couleurs encollées, 137 pp. Bon état.

Natives of Northern India. By W. Crooke. (= The Native Races of the British Empire).

1907 · réf. 2131306 — London: Archibald Constable and Company 1907. XIV, 270, (2) Seiten. Unbeschnitten. Mit einer Karte und 32 schwarz-weißen Bildtafeln. 8° (17,5-22,5 cm). Orig.-Leinenband mit goldgeprägtem Titel auf Deckel und Rücken. [Hardcover / fest gebunden].

England's Constable. The Life and Letters of John Constable. NEAR FINE COPY IN PUBLISHER'S SLIP-CASE

1985 — 8vo., First Edition thus, with portrait frontispiece, title in red and black, and numerous coloured and monochrome photographs and reproductions in the text; grey cloth, upper board with mounted illustrations, gilt back, patterned endpapers, a near fine copy in publisher's pictorial board slip-case.

A Cottage in a Cornfield

1855 · réf. 3006 — 1855. Mezzotint on steel. 130mm by 185mm image 290mm by 425mm sheet. From 'English Landscape Scenery' 1855. John Constable RA was an English Romantic landscape painter. He believed that imagination and emotion were an important part of artistic expression and so incorporated these tenets into his lush idyllic scenes. Beginning in 1829 Constable worked closely with David Lucas to produce the mezzotints as a general survey of his work. Tiny spot in platemark. unknown

A Dell Helmingham Park Suffolk

1855 · réf. 3012 — 1855. Mezzotint on steel. 170mm by 225mm platemark 290mm by 425mm sheet. From 'English Landscape Scenery' 1855. John Constable RA was an English Romantic landscape painter. He believed that imagination and emotion were an important part of artistic expression and so incorporated these tenets into his lush idyllic scenes. Beginning in 1829 Constable worked closely with David Lucas to produce the mezzotints as a general survey of his work. Some ink residue in title from time of printing. unknown

Arundel Mill and Castle

1855 · réf. 3010 — 1855. Mezzotint on steel. 190mm by 240mm platemark 290mm by 425mm sheet. From 'English Landscape Scenery' 1855. John Constable RA was an English Romantic landscape painter. He believed that imagination and emotion were an important part of artistic expression and so incorporated these tenets into his lush idyllic scenes. Beginning in 1829 Constable worked closely with David Lucas to produce the mezzotints as a general survey of his work. One small mark in title area and one tiny indentation below title area. unknown

Castle Acre Priory

1855 · réf. 3007 — 1855. Mezzotint on steel. 170mm by 250mm image 290mm by 425mm sheet. From 'English Landscape Scenery' 1855. John Constable RA was an English Romantic landscape painter. He believed that imagination and emotion were an important part of artistic expression and so incorporated these tenets into his lush idyllic scenes. Beginning in 1829 Constable worked closely with David Lucas to produce the mezzotints as a general survey of his work. Tiny spot in platemark. unknown

East Bergholt

1855 · réf. 3011 — 1855. Mezzotint on steel. 185mm by 235mm platemark 290mm by 425mm sheet. East Bergholt House was the birthplace of Constable. From 'English Landscape Scenery' 1855. John Constable RA was an English Romantic landscape painter. He believed that imagination and emotion were an important part of artistic expression and so incorporated these tenets into his lush idyllic scenes. Beginning in 1829 Constable worked closely with David Lucas to produce the mezzotints as a general survey of his work. A couple of faint foxing spots and a small handling crease within the platemark. unknown

Flatford Mill

1855 · réf. 3013 — 1855. Mezzotint on steel. 170mm by 205mm platemark 290mm by 425mm sheet. From 'English Landscape Scenery' 1855. John Constable RA was an English Romantic landscape painter. He believed that imagination and emotion were an important part of artistic expression and so incorporated these tenets into his lush idyllic scenes. Beginning in 1829 Constable worked closely with David Lucas to produce the mezzotints as a general survey of his work. unknown

Gillingham Mill Dorsetshire

1855 · réf. 3016 — 1855. Mezzotint on steel. 245mm by 185mm platemark 425mm by 290mm sheet. From 'English Landscape Scenery' 1855. John Constable RA was an English Romantic landscape painter. He believed that imagination and emotion were an important part of artistic expression and so incorporated these tenets into his lush idyllic scenes. Beginning in 1829 Constable worked closely with David Lucas to produce the mezzotints as a general survey of his work. A couple of small indentations in title area. unknown

Hadleigh Castle: Large Plate Museum Etching Museum Quality A3

réf. 339118 — Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 19th century 1830–49. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown

Hadleigh Castle: Large Plate Photo Matt Fibre A2

réf. 339119 — Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 19th century 1830–49. Professionally printed on premium fine-art paper Photo Matt Fibre in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown

Hadleigh Castle: Large Plate Photo Rag Bright White Premium Quality A2

réf. 339120 — Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 19th century 1830–49. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown

Hadleigh Castle: Large Plate Museum Etching Museum Quality A2

réf. 339121 — Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 19th century 1830–49. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown

Jacques and the Wounded Stag Scene from 'As you like it'

1855 · réf. 3015 — 1855. Mezzotint on steel. 170mm by 240mm platemark 290mm by 425mm sheet. From 'English Landscape Scenery' 1855. John Constable RA was an English Romantic landscape painter. He believed that imagination and emotion were an important part of artistic expression and so incorporated these tenets into his lush idyllic scenes. Beginning in 1829 Constable worked closely with David Lucas to produce the mezzotints as a general survey of his work. unknown

Porch of the Church at East Bergholt Suffolk

1855 · réf. 3014 — 1855. Mezzotint on steel. 245mm by 185mm platemark 425mm by 290mm sheet. From 'English Landscape Scenery' 1855. John Constable RA was an English Romantic landscape painter. He believed that imagination and emotion were an important part of artistic expression and so incorporated these tenets into his lush idyllic scenes. Beginning in 1829 Constable worked closely with David Lucas to produce the mezzotints as a general survey of his work. Scattered foxing. unknown