65 risultati
1964rif. RCONMON00ECAt the University Press 1964. Very Good. Constable Giles. Monastic Tithes from Their Origins to the Twelfth Century. Cambridge: At the University Press 1964. 1st edition. 346pp. Indexed. 8vo. Book condition: Very good. The edges of the covers are lightly bumped and rubbed. There is a previous owner's name along the top edge of the front free endsheet. Dust Jacket Condition: Good only. The edges have several small losses and a 1 inch closed tear. Condition noted. Scarce. At the University Press unknown books
1964rif. 434Cambridge University Press 1964. 1st. Hardcover. Dust Jacket Included. Part of the Cambridge Studies in Medieval Life and Thought series this is a nice copy of the 1964 1st edition. VG in a VG dustjacket. Octavo 346 pgs. Cambridge University Press hardcover books
1964rif. UCONMON00acmfCambridge University 1964. Very Good. Constable Giles. Monastic Tithes: From Their Origins to the Twelfth Century. Cambridge: Cambridge University 1964. 346pp. 8vo. Hardcover. Book condition: Very good with light yellowing and bumping. Former owner's name and stamp on title page. Cambridge University hardcover books
1855rif. 34884London: Henry G. Bohn 1855. Very Good. From the Second edition. "The Art of John Constable like that of Hogarth of Wilson and of Stothard was scarcely noticed by those among the titled and the wealthy of his countrymen who put themselves forward as the patrons of Painting; and had he not been independent of his profession for support he could not have lived by it. But whatever may have been the loss to the artist the world has been in some degree the gainer; for the apathy of patronage left Constable as Hogarth had been left to the free and unrestrained bent of his own genius and the scenes he most loved became subjects of his pictures" introduction. This mezzotint was engraved by David Lucas based on a picture by John Constable. Depicts Gillingham Mill Dorsetshire. According to Constable's notes in 1825 Archdeacon Fisher wrote to tell him that the mill was burnt to the ground and now "exists only on your canvas. A huge misshapen new bright-brick modern-improved patent monster is starting up in its stead." Minor chipping to edges of paper and minor browning to margins. A few light smudge marks. Suitable for framing. Paper size: 11 x 17. PRINT/021121. Henry G. Bohn unknown books
1855rif. 34898London: Henry G. Bohn 1855. Very Good. From the Second edition. "The Art of John Constable like that of Hogarth of Wilson and of Stothard was scarcely noticed by those among the titled and the wealthy of his countrymen who put themselves forward as the patrons of Painting; and had he not been independent of his profession for support he could not have lived by it. But whatever may have been the loss to the artist the world has been in some degree the gainer; for the apathy of patronage left Constable as Hogarth had been left to the free and unrestrained bent of his own genius and the scenes he most loved became subjects of his pictures" introduction. This mezzotint was engraved by David Lucas from a sketch by John Constable. Minor chipping to edges of paper and minor browning to margins. Suitable for framing. Paper size: 11 x 17. PRINT/021121. Henry G. Bohn unknown books
1855rif. 34888London: Henry G. Bohn 1855. Very Good. From the Second edition. "The Art of John Constable like that of Hogarth of Wilson and of Stothard was scarcely noticed by those among the titled and the wealthy of his countrymen who put themselves forward as the patrons of Painting; and had he not been independent of his profession for support he could not have lived by it. But whatever may have been the loss to the artist the world has been in some degree the gainer; for the apathy of patronage left Constable as Hogarth had been left to the free and unrestrained bent of his own genius and the scenes he most loved became subjects of his pictures" introduction. This mezzotint was engraved by David Lucas based on a picture by John Constable. Depicts a view from near East Bergholt. Minor chipping to edges of paper and minor browning to margins. A few small extraneous ink marks from when the plate was printed. Suitable for framing. Paper size: 11 x 17. PRINT/021121. Henry G. Bohn unknown books
1855rif. 34886London: Henry G. Bohn 1855. Very Good. From the Second edition. "The Art of John Constable like that of Hogarth of Wilson and of Stothard was scarcely noticed by those among the titled and the wealthy of his countrymen who put themselves forward as the patrons of Painting; and had he not been independent of his profession for support he could not have lived by it. But whatever may have been the loss to the artist the world has been in some degree the gainer; for the apathy of patronage left Constable as Hogarth had been left to the free and unrestrained bent of his own genius and the scenes he most loved became subjects of his pictures" introduction. This mezzotint was engraved by David Lucas based on a picture by John Constable. Depicts a view from near East Bergholt. Minor chipping to edges of paper and minor browning to margins. A few small extraneous ink marks from when the plate was printed. Suitable for framing. Paper size: 11 x 17. PRINT/021121. Henry G. Bohn unknown books
1855rif. 34874London: Henry G. Bohn 1855. Very Good. From the Second edition. "The Art of John Constable like that of Hogarth of Wilson and of Stothard was scarcely noticed by those among the titled and the wealthy of his countrymen who put themselves forward as the patrons of Painting; and had he not been independent of his profession for support he could not have lived by it. But whatever may have been the loss to the artist the world has been in some degree the gainer; for the apathy of patronage left Constable as Hogarth had been left to the free and unrestrained bent of his own genius and the scenes he most loved became subjects of his pictures" introduction. This mezzotint was engraved by David Lucas based on a picture by John Constable. A bucolic view from Hampstead Heath with cows grazing in the foreground. Minor chipping to edges of paper and minor browning to margins. Suitable for framing. Paper size: 11 x 17. PRINT/021121. Henry G. Bohn unknown books
1855rif. 34889London: Henry G. Bohn 1855. Very Good. From the Second edition. "The Art of John Constable like that of Hogarth of Wilson and of Stothard was scarcely noticed by those among the titled and the wealthy of his countrymen who put themselves forward as the patrons of Painting; and had he not been independent of his profession for support he could not have lived by it. But whatever may have been the loss to the artist the world has been in some degree the gainer; for the apathy of patronage left Constable as Hogarth had been left to the free and unrestrained bent of his own genius and the scenes he most loved became subjects of his pictures" introduction. This mezzotint was engraved by David Lucas based on a drawing in water-colours by John Constable. Minor chipping to edges of paper and minor browning to margins. A few small extraneous ink marks from when the plate was printed. Suitable for framing. Paper size: 11 x 17. PRINT/021121. Henry G. Bohn unknown books
1855rif. 34881London: Henry G. Bohn 1855. Very Good. From the Second edition. "The Art of John Constable like that of Hogarth of Wilson and of Stothard was scarcely noticed by those among the titled and the wealthy of his countrymen who put themselves forward as the patrons of Painting; and had he not been independent of his profession for support he could not have lived by it. But whatever may have been the loss to the artist the world has been in some degree the gainer; for the apathy of patronage left Constable as Hogarth had been left to the free and unrestrained bent of his own genius and the scenes he most loved became subjects of his pictures" introduction. This mezzotint was engraved by David Lucas based on a picture by John Constable. Minor chipping to edges of paper and minor browning to margins. Suitable for framing. Paper size: 11 x 17. PRINT/021121. Henry G. Bohn unknown books
1855rif. 34871London: Henry G. Bohn 1855. Very Good. From the Second edition. "The Art of John Constable like that of Hogarth of Wilson and of Stothard was scarcely noticed by those among the titled and the wealthy of his countrymen who put themselves forward as the patrons of Painting; and had he not been independent of his profession for support he could not have lived by it. But whatever may have been the loss to the artist the world has been in some degree the gainer; for the apathy of patronage left Constable as Hogarth had been left to the free and unrestrained bent of his own genius and the scenes he most loved became subjects of his pictures" introduction. According to the table of contents this is another view of Willy Lot's house taken from Flatford Mill . "Willy Lott's House is situated on the edge of the river Stour close to Flatford Mill; it is a principal object in many of Constable's pictures. Willy Lott a farmer was born and died in it having passed a life of more than eighty years without having spent four whole days away from it." This mezzotint was engraved by David Lucas based on a picture by John Constable. Minor chipping to edges of paper and minor browning to margins. Suitable for framing. Paper size: 11 x 17. PRINT/021121. Henry G. Bohn unknown books
1855rif. 34896London: Henry G. Bohn 1855. Very Good. From the Second edition. "The Art of John Constable like that of Hogarth of Wilson and of Stothard was scarcely noticed by those among the titled and the wealthy of his countrymen who put themselves forward as the patrons of Painting; and had he not been independent of his profession for support he could not have lived by it. But whatever may have been the loss to the artist the world has been in some degree the gainer; for the apathy of patronage left Constable as Hogarth had been left to the free and unrestrained bent of his own genius and the scenes he most loved became subjects of his pictures" introduction. This mezzotint was engraved by David Lucas from a drawing by John Constable. Depicts a shepherd his dog and his flock of sheep grazing on the West-end fields near Hampstead. Minor chipping to edges of paper and minor browning to margins. Light smudge mark to margin. Suitable for framing. Paper size: 11 x 17. PRINT/021121. Henry G. Bohn unknown books
1855rif. 34880London: Henry G. Bohn 1855. Very Good. From the Second edition. "The Art of John Constable like that of Hogarth of Wilson and of Stothard was scarcely noticed by those among the titled and the wealthy of his countrymen who put themselves forward as the patrons of Painting; and had he not been independent of his profession for support he could not have lived by it. But whatever may have been the loss to the artist the world has been in some degree the gainer; for the apathy of patronage left Constable as Hogarth had been left to the free and unrestrained bent of his own genius and the scenes he most loved became subjects of his pictures" introduction. This mezzotint was engraved by David Lucas based on a picture by John Constable which was exhibited at the Royal Academy in 1832. Minor chipping to edges of paper and minor browning to margins. A few extraneous black ink markings to bottom of plate from when it was printed. Suitable for framing. Paper size: 11 x 17. PRINT/021121. Henry G. Bohn unknown books
1855rif. 34877London: Henry G. Bohn 1855. Very Good. From the Second edition. "The Art of John Constable like that of Hogarth of Wilson and of Stothard was scarcely noticed by those among the titled and the wealthy of his countrymen who put themselves forward as the patrons of Painting; and had he not been independent of his profession for support he could not have lived by it. But whatever may have been the loss to the artist the world has been in some degree the gainer; for the apathy of patronage left Constable as Hogarth had been left to the free and unrestrained bent of his own genius and the scenes he most loved became subjects of his pictures" introduction. This mezzotint was engraved by David Lucas based on a sketch by John Constable that was done in preparation for a larger picture. Minor chipping to edges of paper and minor browning to margins. A few extraneous black markings from overinking during printing. Suitable for framing. Paper size: 11 x 17. PRINT/021121. Henry G. Bohn unknown books
1855rif. 34866London: Henry G. Bohn 1855. Very Good. From the Second edition. "The Art of John Constable like that of Hogarth of Wilson and of Stothard was scarcely noticed by those among the titled and the wealthy of his countrymen who put themselves forward as the patrons of Painting; and had he not been independent of his profession for support he could not have lived by it. But whatever may have been the loss to the artist the world has been in some degree the gainer; for the apathy of patronage left Constable as Hogarth had been left to the free and unrestrained bent of his own genius and the scenes he most loved became subjects of his pictures" introduction. This mezzotint was engraved by David Lucas based on a sketch by John Constable. It depicts a windmill with horses plowing a field in the foreground. Minor chipping to edges of paper and minor browning to margins. Suitable for framing. Paper size: 11 x 17. Henry G. Bohn unknown books
1855rif. 34882London: Henry G. Bohn 1855. Very Good. From the Second edition. "The Art of John Constable like that of Hogarth of Wilson and of Stothard was scarcely noticed by those among the titled and the wealthy of his countrymen who put themselves forward as the patrons of Painting; and had he not been independent of his profession for support he could not have lived by it. But whatever may have been the loss to the artist the world has been in some degree the gainer; for the apathy of patronage left Constable as Hogarth had been left to the free and unrestrained bent of his own genius and the scenes he most loved became subjects of his pictures" introduction. This mezzotint was engraved by David Lucas based on a picture by John Constable. Minor chipping to edges of paper and minor browning to margins. A few light smudge marks. Suitable for framing. Paper size: 11 x 17. PRINT/021121. Henry G. Bohn unknown books
1855rif. 34887London: Henry G. Bohn 1855. Very Good. From the Second edition. "The Art of John Constable like that of Hogarth of Wilson and of Stothard was scarcely noticed by those among the titled and the wealthy of his countrymen who put themselves forward as the patrons of Painting; and had he not been independent of his profession for support he could not have lived by it. But whatever may have been the loss to the artist the world has been in some degree the gainer; for the apathy of patronage left Constable as Hogarth had been left to the free and unrestrained bent of his own genius and the scenes he most loved became subjects of his pictures" introduction. This mezzotint was engraved by David Lucas based on a picture by John Constable. Depicts a view from near East Bergholt. Minor chipping to edges of paper and minor browning to margins. A few small extraneous ink marks from when the plate was printed. Suitable for framing. Paper size: 11 x 17. PRINT/021121. Henry G. Bohn unknown books
1855rif. 34893London: Henry G. Bohn 1855. Very Good. From the Second edition. "The Art of John Constable like that of Hogarth of Wilson and of Stothard was scarcely noticed by those among the titled and the wealthy of his countrymen who put themselves forward as the patrons of Painting; and had he not been independent of his profession for support he could not have lived by it. But whatever may have been the loss to the artist the world has been in some degree the gainer; for the apathy of patronage left Constable as Hogarth had been left to the free and unrestrained bent of his own genius and the scenes he most loved became subjects of his pictures" introduction. This mezzotint was engraved by David Lucas from a small sketch by John Constable. Depicts a landscape of Dedham Vale. A few small extraneous ink marks from when the plate was printed. Minor chipping to edges of paper and minor browning to margins. Light smudge mark to margin. Suitable for framing. Paper size: 11 x 17. PRINT/021121. Henry G. Bohn unknown books
1855rif. 34883London: Henry G. Bohn 1855. Very Good. From the Second edition. "The Art of John Constable like that of Hogarth of Wilson and of Stothard was scarcely noticed by those among the titled and the wealthy of his countrymen who put themselves forward as the patrons of Painting; and had he not been independent of his profession for support he could not have lived by it. But whatever may have been the loss to the artist the world has been in some degree the gainer; for the apathy of patronage left Constable as Hogarth had been left to the free and unrestrained bent of his own genius and the scenes he most loved became subjects of his pictures" introduction. This mezzotint was engraved by David Lucas based on a picture by John Constable. Depicts Glebe Farm with Langham Church. Minor chipping to edges of paper and minor browning to margins. A few light smudge marks. Suitable for framing. Paper size: 11 x 17. PRINT/021121. Henry G. Bohn unknown books
1855rif. 34901London: Henry G. Bohn 1855. Very Good. From the Second edition. "The Art of John Constable like that of Hogarth of Wilson and of Stothard was scarcely noticed by those among the titled and the wealthy of his countrymen who put themselves forward as the patrons of Painting; and had he not been independent of his profession for support he could not have lived by it. But whatever may have been the loss to the artist the world has been in some degree the gainer; for the apathy of patronage left Constable as Hogarth had been left to the free and unrestrained bent of his own genius and the scenes he most loved became subjects of his pictures" introduction. This mezzotint was engraved by David Lucas based on a drawing by John Constable. Depicts a ship that has gone aground with a storm in the background. Minor chipping to edges of paper and minor browning to margins. A few small extraneous ink marks from when the plate was printed. Suitable for framing. Paper size: 11 x 17. PRINT/021121. Henry G. Bohn unknown books
1855rif. 34870London: Henry G. Bohn 1855. Very Good. From the Second edition. "The Art of John Constable like that of Hogarth of Wilson and of Stothard was scarcely noticed by those among the titled and the wealthy of his countrymen who put themselves forward as the patrons of Painting; and had he not been independent of his profession for support he could not have lived by it. But whatever may have been the loss to the artist the world has been in some degree the gainer; for the apathy of patronage left Constable as Hogarth had been left to the free and unrestrained bent of his own genius and the scenes he most loved became subjects of his pictures" introduction. According to the table of contents "Willy Lott's House is situated on the edge of the river Stour close to Flatford Mill; it is a principal object in many of Constable's pictures. Willy Lott a farmer was born and died in it having passed a life of more than eighty years without having spent four whole days away from it. The figure on horseback was sketched from Constable's father." This mezzotint was engraved by David Lucas based on a picture by John Constable. Minor chipping to edges of paper and minor browning to margins. Suitable for framing. Paper size: 11 x 17. PRINT/021121. Henry G. Bohn unknown books
1855rif. 34879London: Henry G. Bohn 1855. Very Good. From the Second edition. "The Art of John Constable like that of Hogarth of Wilson and of Stothard was scarcely noticed by those among the titled and the wealthy of his countrymen who put themselves forward as the patrons of Painting; and had he not been independent of his profession for support he could not have lived by it. But whatever may have been the loss to the artist the world has been in some degree the gainer; for the apathy of patronage left Constable as Hogarth had been left to the free and unrestrained bent of his own genius and the scenes he most loved became subjects of his pictures" introduction. This mezzotint was engraved by David Lucas based on a picture by John Constable. Depicts the Yarmouth jetty with a long pier and sailboats in the distance. Minor chipping to edges of paper and minor browning to margins. Suitable for framing. Paper size: 11 x 17. PRINT/021121. Henry G. Bohn unknown books
2008rif. 300191Toronto: University of Toronto Press 2008. First Edition. Hard Cover. Near Fine binding/Very Good dust jacket. Octavo; in the publisher’s blue cloth; with titling on the spine in silver; x 197 pages including the Index; in an unclipped jacket; light wear to the jacket. Near Fine binding / Very Good dust jacket. University of Toronto Press unknown books
1990rif. 544070Oxford: Clarendon Press 1990. Hardcover. Near Fine/Near Fine. First edition. Introduction by Richard Luckett. 226pp. Slightly bowed boards else near fine in a near fine dust jacket with edgewear. Clarendon Press hardcover books
1879rif. 140944887London: Macmillan & Company Ltd 1879. First British edition. First British edition. xvi 418 2 pp. with 12 engraved plates. Bound in publisher's cloth ruled in black spine lettered in gilt. Near Fine worn at tips contents toned with age especially tissue guards with limited foxing. Uncommonly nice condition. The first English language edition of the French chemist's groundbreaking work on fermentation. cf. Garrison & Morton Medical Bibliography 2485 for the first French edition of 1876. Macmillan & Company Ltd unknown books
