1 065 résultats
réf. feb91317Used. For more details please contact me unknown
réf. feb91878Used. For more details please contact me unknown
réf. feb91405Used. For more details please contact me unknown
réf. 9788533600904WMF MARTINS FONTES LTDA. new. Agora que a obra de C�zanne h� muito se imp�s � necess�rio fazer o pr�prio artista falar para substituir por seus pr�prios pensamentos as inexatid�es e as deforma��es. � nesse intuito que esta publica��o foi empreendida com a certeza de que suas cartas poder�o nos aproximar humanamente dele e confirmar a profunda e respeitosa emo��o que sua obra nos imp�e. WMF MARTINS FONTES LTDA unknown
1993réf. 214809Sheffield England: Sheffield Academic Press 1993. Hardcover. VG-. Jacket has a 1.5 inch closed tear at head of spine and some general bumping around the edge. Front endpaper has a piece of the top corner clipped off otherwise clean and unmarked. Small quarto. Hardcover. Grey cloth boards in black illustrated jacket with orange titles. 149 pages 32 unnumbered pages of plates : illustrations some color ; 26 cm. The reputation of Poussin's landscape paintings in France from Félibien to Cézanne / Richard Verdi -- Poussin's snakes / Malcom Bull -- Cézanne and Poussin: how the modern claims the classic / Richard Shiff -- Corot: between the classical and the modern / Michael Clarke -- The figure in the landscape / Richard Kendall -- The eloquent mountain in Poussin and Cézanne / Michel Hoog -- Rubens Cézanne and late nineteenth-century French art / Richard Thomson -- Cézanne and Poussin: myth and history / John House. Sheffield Academic Press hardcover
1930réf. C56801Leipzig: E. A. Seemann 1930. First Edition. Wraps. Paperback . Very Good. First Edition. Wraps. 4to. pp 2 9 plates. Portfolio. Original publisher's green covers lettered navy blue. Copiously illustrated in colour throughout. Series: Farbige Kunstlermappe 94. Double sheet with two pages of text and nine sheets of mounted plates. No date 1930. Clean very good indeed. E. A. Seemann, paperback
1951réf. 31563New York: Lothrop Lee & Shepard 1951. First Edition; First Printing. Hardcover. Very Good in a Very Good dust jacket. Illustrated with colored a frontispiece & sixteen half tone reproductions of the artist's paintings.; 8vo 8" - 9" tall. Lothrop, Lee & Shepard hardcover
1928réf. 466935Paris : Sant'Andrea 1928. First Edition. Disbound. Good disbound leaves in a fair only portfolio folder which remains sound if heavily dust-dulled and somewhat edge-torn. Strong leaves of plates and text showing faint dust which is heavier at some margins. Remains an internally well-preserved example. Series; Les albums d'art Druet ; 1. Physical description; 5 24 leaves : chiefly illustrations ; 28 cm. Notes; Text by Joachim Gasquet. Subjects; Cézanne Paul. Painting French. 19th century. 20th century. Illustrated. Phototypes. Paris : Sant'Andrea unknown
1986réf. 1092167Köln : DuMont, 1986. 287 S. : zahlr. Schwarz/Weiß- und farb. Abb. Originalleinen mit Schutzumschlag.
réf. 4052paris galerie georges petit 12 decembre 1932 - In 4 broché (28X23cm) 67 pages 73 numéros décrits - très nombreuses illustrations
1972Guillaud éditions Paris New-York 1989. In-4 oblong cartonnage éditeur non paginé. Reproductions en couleurs. Avec la collaboration de Jean Louis Ferrier. Parfait état
1995réf. 107137Paris Gallimard 1995 1 vol. relié in-4, reliure souple de l'éditeur avec le plat supérieur illustré en couleurs et des rabats imprimés, 151 pp. Édition originale avec un envoi autographe signé de l'auteur à Nathalie Sarraute. En bonne condition.
1995réf. 107137Paris Gallimard 1995 1 vol. relié in-4, reliure souple de l'éditeur avec le plat supérieur illustré en couleurs et des rabats imprimés, 151 pp. Édition originale avec un envoi autographe signé de l'auteur à Nathalie Sarraute. En bonne condition.
1948réf. 518136Paris: Librairie des Arts Decoratifs A. Calavas Editeur 1948. Hardcover. Near Fine. First edition. Folio. Introduction by Jean Leymarie text in French. 54 black and white plates laid into a portfolio of paper covered boards. Also laid in are three bifolia making 12 pages printing the title page introduction and list of plate titles. Bifolia and plates toned around the edges else near fine in a good or better portfolio with soiling and toning particularly along the spine edgewear and the hinges starting. Black and white reproductions of some of the most celebrated pieces by the Impressionists. Librairie des Arts Decoratifs, A. Calavas, Editeur hardcover
1995réf. Q-0306806304Da Capo Press 1995-03-22. Paperback. New. New. In shrink wrap. Looks like an interesting title! Da Capo Press paperback
1993réf. 3164BB1993. New York Alfred A. Knopf 1993. 25 x 29 cm. XVII 318 pages. Original Softcover. Very good condition with minor signs of external wear. The Barnes Foundation is an American educational art and horticultural institution with locations in Merion Pennsylvania a suburb of Philadelphia; and Logan Square Philadelphia. It was founded in 1922 by Albert C. Barnes a chemist who collected art after making a fortune by co-developing an early anti-gonorrhea drug marketed as Argyrol and selling his company at the right time before antibiotics came into use. Today the foundation owns more than 2500 objects including 800 paintings estimated to be worth about $25 billion. These are primarily works by Impressionist and Modernist masters but the collection includes many other paintings by leading European and American artists as well as ancient works from other cultures. In the 1990s the foundation's declining finances led its leaders to various controversial moves including sending artworks on world tours and proposing to move the collection to Philadelphia. A 2009 documentary The Art of the Steal argued that the foundation had been taken over by other non-profit institutions. After numerous court challenges the new Barnes building opened on Benjamin Franklin Parkway on May 19 2012. The foundation's current president and executive director Thomas Thom Collins was appointed on January 7 2015. Wikipedia paperback
2012Volume in 8° Legatura editoriale con copertina telata grigia. Pagine 190 Numerose ill. a colori e in b.n. Legatura salda,pagine sane.COMPLETO
réf. 0333253175.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
2005réf. Q-377571488XHatje Cantz Publishers 2005-02-15. Hardcover. New. In shrink wrap. Looks like an interesting title! Hatje Cantz Publishers hardcover
réf. 8419958468.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1987réf. R260183988NON PRECISE. 1987. In-4. Relié. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. environ 50 pages augmentées de nombreuses illustrations en couleur et noir et blanc dans et/ou hors texte. Jaquette en bon etat.. Avec Jaquette. . . Classification Dewey : 750-La peinture et les peintres
réf. 32002983-nnew. unknown
réf. 2064180Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 19th century 1873. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
réf. 2139364Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 19th century 1873. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
réf. 2064141Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 19th century 1873. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown