1 069 résultats
1993réf. 3164BB1993. New York Alfred A. Knopf 1993. 25 x 29 cm. XVII 318 pages. Original Softcover. Very good condition with minor signs of external wear. The Barnes Foundation is an American educational art and horticultural institution with locations in Merion Pennsylvania a suburb of Philadelphia; and Logan Square Philadelphia. It was founded in 1922 by Albert C. Barnes a chemist who collected art after making a fortune by co-developing an early anti-gonorrhea drug marketed as Argyrol and selling his company at the right time before antibiotics came into use. Today the foundation owns more than 2500 objects including 800 paintings estimated to be worth about $25 billion. These are primarily works by Impressionist and Modernist masters but the collection includes many other paintings by leading European and American artists as well as ancient works from other cultures. In the 1990s the foundation's declining finances led its leaders to various controversial moves including sending artworks on world tours and proposing to move the collection to Philadelphia. A 2009 documentary The Art of the Steal argued that the foundation had been taken over by other non-profit institutions. After numerous court challenges the new Barnes building opened on Benjamin Franklin Parkway on May 19 2012. The foundation's current president and executive director Thomas Thom Collins was appointed on January 7 2015. Wikipedia paperback
réf. 3445010676.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2014réf. 138607Berlin : Parthas. 2014. 319 S. : Ill. 24,5*15 cm. OHalbleinenband.
1984réf. 2090502113718040Not Available 1984. Soft Cover. Fine. The book is in fine condition. Not Available paperback
réf. 317536Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 19th century 1885–86. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
réf. 317535Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 19th century 1885–86. Professionally printed on premium fine-art paper Photo Rag 308 in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
réf. 317534Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 19th century 1885–86. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
réf. 317537Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 19th century 1885–86. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
1994réf. x-1567500641Praeger Pub Text 1994. Paperback. New. 216 pages. 9.00x6.00x0.50 inches. Praeger Pub Text paperback
1991Mm 240x350 Volume rilegato in tela con titolo in oro al piatto e al dorso, sovraccoperta originale, cartone protettivo muto, 472 pagine con 303 figure in nero nel testo redatto in lingua inglese - english text. Copia in ottime condizioni, pari al nuovo.
réf. 185444168X.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1972réf. 34192BBMünchen, Hirmer, 1972. 34 cm. ca. 350 Seiten, überwiegend Ill. (z. T. farb.). Olwd., mit Schutzumschl. Su mit größeren randl. Rissen und Gebrauchssp., insgesamt mit Bräunung.
1972réf. 15009BBMünchen, Hirmer, 1972. 34 cm. ca. 350 Seiten, überwiegend Ill. (z. T. farb.). Hardcover, Gewebe mit Schutzumschl. Su mit größeren randl. Rissen und Gebrauchssp., Seiten leicht gebräunt.
réf. 11348Paul Eluard, Roger Caillois, Maurice Merleau-Ponty (" Le Doute de Cézanne "), Raymond Queneau (" Nouveaux exercices de style "), Georges Blin, Roger Lannes. Bon état.
1914réf. 1769AG1914. Berln Cassirer 1914 Holzstich. Blattgrösse: 225 x 145 cm. Holzstich von Jacques Beltrand 18741977 nach Paul Cézanne. unknown
195623 cm, br. illustrata a colori, p. (28), 52 tavole f.t
Exposition cézanne (1839-1906) organisée à l'occasion de son centenaire au profit de l'oeuvre de l'allaitement maternel. Exhibition: Paris, Paul Rosenberg, 1939. 79 pages; illustrated. Paperback. 21 x13.6cms. Text in French. Text in French
2003réf. 79829Christie's 2003. Trade Paperback. 103 pages. 8-1/4 by 10-7/8 inches. Auction catalog. A near fine copy in wrappers paperback. Christie's paperback
2009réf. ABE-1646571280318PAGINE 580 A 718-15,6 CM X 23,6 CM-IRLANDE: DU CATHOLICISME AU CAPITALISME, PAR EAMON MAHER, 10 PAGES-L'INTEGRATION DES IMMIGRES EN FRANCE, PAR YANNICK PROST, 10 PAGES-ESSAI: L'ART ET LE SACRE, PAR RAYMOND COURT, 12P, CEZANNE, HEIDEGGER-RELIGIONS ET SPIRITUALITES: POURQUOI CALVIN, AUJOURD'HUI?, PAR OLIVIER ABEL, 11P-EXPOSITION: ANDY WARHOL, PORTRAITISTE DE COUR, 4 PAGES PAR LAURENT WOLF, GRAND PALAIS A PARIS-(10F)
2004réf. LFA-126749077Un ouvrage de 96 pages, format 220 x 305 mm, illustré, relié simili cuir avec vignette couleurs, publié en 2004, Lys Editions Amatteis, bon état
réf. 68474Grasset, Les cahiers rouges, 1994, 300 pp., poche, légères traces d'usage, état satisfaisant.
1980réf. 60065Nouvelles Editions Latines 1980 1 vol. broché plaquette in-8 (190 x 140 mm.), agrafé, 32 pp., reproductions en noir in-texte. Petite pliure au plat supérieur de couverture, sinon très bon état général.
1980réf. 60065Nouvelles Editions Latines 1980 1 vol. broché plaquette in-8 (190 x 140 mm.), agrafé, 32 pp., reproductions en noir in-texte. Petite pliure au plat supérieur de couverture, sinon très bon état général.
1984réf. 241213BBBerlin, Henschelverl., 1984. Mit 53 (tls. farb.) Abb. a. Taf. 277 S. OLwd. Gutes Expl.
1968réf. 0401São Paulo, Sociedade Construtora Heleno & Fonseca S.A., sans date (circa 1968). Rarissime plaquette, probablement imprimée à moins de 300 exemplaires, bilingue anglais-portugais sur l'immeuble Trianon, alors inauguré pour héberger le Musée d'Art moderne de São Paulo (MASP). Un volume broché oblong de 21 x 27 cm pour 19 pp. non paginées. Les plats avant et arrière présentent la même photo de la façade du MASP teinte en rouge, la couverture ayant un titre en noir et la quatrième en rouge. Rabats avec mention de l'entreprise de construction. Plusieurs photos noir et blanc pleine page de la construction, avec une double page couleur au milieu du livre. Textes de Faria Lima, alors maire de São Paulo, de l'entreprise de construction, du traducteur José Geraldo Vieira et peut-être d'autres auteurs restés anonymes. À noter une page sur Assis de Chateaubriand, dit "Chatô", magnat des médias et de l'art à l'origine de la création du musée. "Le musée d'art de São Paulo - Assis Chateaubriand est un musée situé sur l'avenue Paulista face au Parc du Trianon dans la ville de São Paulo, au Brésil. L'un des plus importants centres culturels du pays, le musée est connu pour avoir osé une architecture brutaliste, faisant de lui l'une des icônes de la ville. Institution privée à but non lucratif, le musée est remarquable par son extraordinaire collection, acquise depuis sa fondation en 1947. Reconnue mondialement pour sa qualité et diversité, la collection du MASP est considérée comme la plus importante de l'art occidental de l'Amérique latine, avec des œuvres qui s'étendent de l'Antiquité classique à l'art contemporain. Il occupe son emplacement actuel depuis 1968 dans un bâtiment conçu par Lina Bo Bardi et Antoine Pruvost." (Wikipédia) Si le musée se spécialise la plupart du temps dans l'art contemporain, il a également exposé à l'occasion des toiles de Toulouse-Lautrec, Manet, Van Gogh, Renoir ou encore Cézane. *********************************************** São Paulo, Sociedade Construtora Heleno & Fonseca S.A., undated (circa 1968). Very rare booklet, likely less than 300 copies printed. Bilingual English and Portuguese on the Trianon building, then inaugurated to house the Museum of Modern Art of São Paulo (MASP). Oblong paperback of 21 x 27 cm for 19 unpaginated pp. The front and back covers show the same photo of the MASP facade tinted in red, the cover having a title in black and the fourth in red. Flaps with mention of the building company. Several full-page black and white photos of the construction, with a double color page in the middle of the book. Texts by Faria Lima, then mayor of São Paulo, the construction company, translator José Geraldo Vieira and perhaps other authors who have remained anonymous. Of note: a page on Assis de Chateaubriand, nicknamed "Chatô", media and art magnate whose efforts ushered the creation of the museum. "The São Paulo Museum of Art - Assis Chateaubriand is a museum located on Paulista Avenue facing Trianon Park in the city of São Paulo, Brazil. One of the most important cultural centers in the country, the museum is known for its bold brutalist architecture, making it one of the city's icons. A private non-profit institution, the museum is notable for its extraordinary collection, acquired since its founding in 1947. Recognized worldwide for its quality and diversity, the MASP collection is considered the most important of Western art in Latin America, with works that span from classical antiquity to contemporary art. It has occupied its current location since 1968 in a building designed by Lina Bo Bardi and Antoine Pruvost." (Wikipedia) Although the museum mostly specializes in contemporary art, it has also occasionally exhibited paintings by Toulouse-Lautrec, Manet, Van Gogh, Renoir and Cézane.
