2274 resultados
1962ref. 21947BBMonte Carlo, André Sauret, 1962. 4° 211 S., Abb. mit Text, m. 2 Orig.-Lithogr. v. Marc Chagall. (Mourlot Press) OLw., O.-Umschl.., transp. Schutzumschl. Su leicht bestossen, insgesamt sehr gut erhalten.
ref. 3190New York: George Braziller. Near Fine in Very Good dust jacket. 1962. First Edition. Hardcover. 0807604232 . Includes the TWO ORIGINAL LITHOGRAPHS CREATED ESPECIALLY FOR THIS VOLUME. Cover is red cloth with gold lettering on front and spine. DJ covered by original glassine as issued B/W monochrome photo appears to be of Jerusalem off in the distance on both endpapers. Pages are clean and tight. Translated by Elaine Desautels. Printed in France; published in association with Horizon Magazine. Mark Zakharovich Shagal known today all over the world as Marc Chagall was born on July 7 1887 in Vitebsk Belorussia. Chagall's exposure to Cubism resulted in his attempts to incorporate the Cubist multiple points of view and geometrical shapes into his compositions.These earlier life and educational experiences clearly influence Chagall's later work as seen in this volume. "Each of the twelve stained-glass windows reproduced on the following pages is preceded by a preparatory set of drawings and models whose number media dimensions and order of presentation are exactly the same in sequence of each tribe and are arranged as follows." Contents: Original lithographs; Introduction; Dimensions.; Reuben; Simeon; Levi; Judah; Zebulun; Issachar; Dan; Gad; Asher; Naphtali; Joseph; Benjami; Chagall in Reims; Drawings Related to the Windows. The Synagogue of the Hadassah-Hebrew University Medical Center was dedicated on February 6th 1962 as part of Hadassah's Golden Anniversary celebration. The floors and interior walls are made of Jerusalem Stone and the Synagogue is illuminated by a hanging lantern and by sunlight which streams through the magnificent Chagall Windows. Marc Chagall who was present at the dedication spoke of the joy he felt in bringing "my modest gift to the Jewish people who have always dreamt of biblical love of friendship and peace among all people; to that people who lived here thousands of years ago among other Semitic people. My hope is that I hereby extend my hand to seekers of culture to poets and to artists among the neighboring people. " The creation of the Windows was a labor of love to Chagall and his assistant Charles Marq both of whom worked on the project for two years. Marq developed a special process of veneering pigment on glass which allowed Chagall to use as many as three colors on a single uninterrupted pane rather than being confined to the traditional technique of separating each color pane by lean strips. To ensure that each window received the proper light Marq came to Jerusalem and made tests on the spot where each of the windows was to be placed. The Windows represents the 12 sons of the Patriarch Jacob from whom came the Twelve Tribes of Israel. Chagall's Windows are populated by floating figures of animals fish flowers and numerous Jewish symbols. To fully understand the significance of the Windows they must be viewed against Chagall's deep sense of identification with the whole of the Jewish history its tragedies and victories as well as his own personal background in the shtetl of Vitebsk where he was born and grew up. "All the time I was working " he said "I felt my father and my mother were looking over my shoulder and behind them were Jews millions of other vanished Jews of yesterday and a thousand years ago. " Very oversized 5.5#. HMVV. ; Color and B/W Illustrations; 10 x 13 1/4; 210 pages; Cover has light bumping and shelf wear few very faint and small scuff marks. Sunning of top of pages some dark smudging on bottom corners of some of the pages visible only on the outside does not intrude into page at all; ca. 1 1/2" x 3/4" faint glue residue mark possibly from name label at top of front end paper. DJ has some rippling as does the accompanying glassine cover original. 1/4" x 1/2" triangular nick at top of spine tiny bit of DJ and glassine missing rest still present. 1" closed tear at top of back through DJ and glassine; some edgewear to top and bottom. . George Braziller hardcover
1962ref. 31401BBMonte Carlo, André Sauret, 1962. 4° 211 S., Abb. mit Text, m. 2 Orig.-Lithogr. v. Marc Chagall. (Mourlot Press) OLw., O.-Umschl.., transp. Schutzumschl., im Schuber Su leicht bestossen, insgesamt sehr gut erhalten.
ref. 31421Monte-Carlo, André Sauret, 1962. Gr. in-4°, 210p. Reliure pleine toile d'éditeur, sous jaquette illustrée.
1961ref. 5118DB1961. Paris Musée des arts décoratifs 1961. 85 S. Mit ganzseitigen Illutrationen in Farbe und schwarz/weiss. Mit einer ganzseitigen Original-Lithographie. Illustrierte farbige Broschur. Ausstellungskataloge Palais du Louvre Paris 16 juin30 septembre 1961. Vom Künstler signierte Vorzugsausgabe Nr. 277 von 300 mit einer Lithographie. Minimale Gebrauchsspuren Sehr gutes Exemplar. unknown
1962ref. 184813New York: George Brazillier & André Sauret 1962. First edition in English with two original Chagall lithographs bound in as issued. This colourful volume presents Chagall's stained-glass windows; 12 designs depicting the ancient tribes of Israel. The series was met with worldwide praise and recognized as a fine specimen of modern religious art. The windows were first exhibited in Paris in June 1961 and later at the Museum of Modern Art in New York before they found a permanent home at the Hadassah-Hebrew University Medical Centre in Jerusalem in February 1962. The Jerusalem Windows published the same year as the French edition Vitraux pour Jerusalem remains the definitive work on the windows and is renowned for the richness of its illustrations. Chagall produced 2 original lithographs especially for this book and directed the printing of a further 36 lithographs of preparatory colour designs. Tall quarto. Illustrated throughout with 2 original lithographs and 36 colour preparatory lithographic designs some of which are in 20 colours all printed by Mourlot Fréres with further black and white photographs and illustrations. Original red cloth spine and front cover lettered in gilt pictorial endpapers. With dust jacket. A couple of bumps spot of wear to bottom edge of front board foxing to endpapers edges and occasionally margins abrasion and overprice sticker to front free endpaper; jacket clipped edges nicked with a few short closed tears light foxing to verso: a very good copy in like jacket. hardcover
ref. 07-0355Saint Paul: Fondation Maeght 1967. Exhibition poster. Original lithograph. 86 x 57 cm. 34 x 22.5 in. Edtion of 2000. Mourlot 476. Sorlier Chagall's Posters p. 52. Wrinkling in lower left side margin. Saint Paul: Fondation Maeght, 1967 unknown
1962ref. 252225New York: Braziller 1962. hardcover. fine/near fine. Chagall Marc. Text & Notes by Jean Leymarie. Illustrated with 2 original color lithographs & 106 plates including 64 in full color. 4to red cloth pictorial d.w. slighted roughed at edges. New York: George Braziller 1962. First American edition. A fine copy in a near fine dust wrapper. Finely printed with hand-composed type and the two original lithographs created by Chagall especially for this book. Braziller unknown
1962ref. 252225New York: Braziller 1962. hardcover. fine/near fine. Chagall Marc. Text & Notes by Jean Leymarie. Illustrated with 2 original color lithographs & 106 plates including 64 in full color. 4to red cloth pictorial d.w. slighted roughed at edges. New York: George Braziller 1962. First American edition. A fine copy in a near fine dust wrapper. Finely printed with hand-composed type and the two original lithographs created by Chagall especially for this book. Braziller unknown books
1931ref. 1045591931 Paris, Stock, 1931, 187x130mm, 253pp., broché, couverture illustrée.Préface d’André Salmon, 32 dessins de jeunesse de l’auteur, traduction de Bella Chagall.Exemplaire n°1038 sur alfa satiné d’Outhenin Chalandre d’un tirage total de 1678.Envoi autographe signé:«A Georges Charbonnier merci! bon souvenirs Marc Chagall 1950»Georges Charbonnier (1913-1998), journaliste écrivain et producteur de radio français, connu pour ses entretiens avec les artistes et intellectuels les plus important des années 1950/1960 à la radio et à la télévision. Dos légèrement bruni. (104559)
1956ref. 970Paris, Maeght éditeur, 1955. In-folio (380 x 280 mm) broché, 78 pages. DEUX EAUX-FORTES ORIGINALES rayées de Joan Mirò et Alberto Giacometti. DEUX LITHOGRAPHIES ORIGINALES À DOUBLE PAGE de Joan Miro et de Marc Chagall. Lithographie de Jean Bazaine et bois gravé original de Raoul Ubac en couverture. Catalogue général des éditions Maeght de 1946 à 1956. Parfait état. 2 original etchings by Alberto Giacometti and Joan Miro. 2 original lithographs in color by Marc Chagall and Joan Miro on double-pages. Photographs and reproductions in back. A beautiful and complete copy.
1956ref. 971Paris, Maeght éditeur, 1955. In-folio (380 x 280 mm) broché, 78 pages + catalogue. 2 SUPERBES EAUX-FORTES DE MIRO ET GIACOMETTI tirées avec les cuivres rayés. LITHOGRAPHIES ORIGINALES EN COULEURS À DOUBLE PAGE de Joan Miro et de Marc Chagall. Lithographie de Jean Bazaine et bois gravé original de Raoul Ubac en couverture. DLM publié en décembre 1956. Texte de Georges Limbour. Nombreuses illustrations et reproductions en noir. Complet. ENGLISH : 2 original lithographs in color by Marc Chagall and Joan Miro on double-pages. Photographs and reproductions in back. A beautiful and complete copy.
1929ref. 48295Paris: Au sans pareil 1929. Fine. Au sans pareil Paris 1929 13 x 19.50 cm broché First edition one of 1000 numbered copies on alfa paper the only printing with 9 on Japan paper and 31 on Hollande paper. Surprising autograph inscription dated and signed by Philippe soupault "" A Laurent Tailhade en témoignage de mon admiration."" With 4 drawings by Marc Chagall. Two tears glued to head and foot of a joint spine and covers slightly and marginally sunned as usual. Au sans pareil unknown
1972ref. 14689Paris, Maeght Éditeur, 1972. Folio. 28 pp. Illustrated in colour and b/w. Containing 3 original lithographs by Marc Chagall, frontcover and 2 other (1 double-page).
1972ref. 14689Paris Maeght Éditeur 1972. Folio. 28 pp. Illustrated in colour and b/w. Containing 3 original lithographs by Marc Chagall frontcover and 2 other 1 double-page. unknown
1962This is a very good hardcover copy in a very good dust jacket. Very clean inside, but occasional tiny spots to margins. Top page-edge has a number of tiny pale brown spots, not foxing. The two original lithographs by Marc Chagall are both fine and intact. Lithographs printed by Mourlot Freres. The dust jacket is not sunned. The edges of the jacket show a little wear. The original acetate wrapper is fine. Illustrated throughout in color and black & white. 13" high X 10" wide, 210 pages. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
1962ref. 25690NY: George Braziller 1962. Light edgewear to boards. Dj shows moderate edgewear and several closed tears. Gift inscription at second flyleaf. Two original lithos present. Hard Cover. Very Good/Good. George Braziller Hardcover
1926ref. 308198Paris: Au Sans Pareil 1926. No. 207 of 765 of 960 total copies on Lafuma de Voiron. Five drypoint etchings after Chagall. iv 95 3 pp. 8vo. Publisher's wrappers printed blue jacket original glassine. No. 207 of 765 of 960 total copies on Lafuma de Voiron. Five drypoint etchings after Chagall. iv 95 3 pp. 8vo. The story told in reverse of the birth and death of a young woman's illegitimate child illustrated with five drypoint etchings after Marc Chagall. Cramer 5 Au Sans Pareil unknown
1926ref. 308198Paris: Au Sans Pareil 1926. No. 207 of 765 of 960 total copies on Lafuma de Voiron. Five drypoint etchings after Chagall. iv 95 3 pp. 8vo. Publisher's wrappers printed blue jacket original glassine. No. 207 of 765 of 960 total copies on Lafuma de Voiron. Five drypoint etchings after Chagall. iv 95 3 pp. 8vo. The story told in reverse of the birth and death of a young woman's illegitimate child illustrated with five drypoint etchings after Marc Chagall. Cramer 5 Au Sans Pareil unknown books
ref. 51-6078New York: circa 1965. Red cloth-covered illustrated cloth board with the following Handwritten at the top in gold ink: "À Mr. et Mrs. Schack en bon souvenir de Marc Chagall / N. Y"; matted and preserved behind glass in wood and cloth frame wired for hanging. Frame: 27 1/4 x 23 1/4 in.; Image size 10 1/4 x 8 1/2 in.From the Collection of Professor Roberto Severino Washington D.C.Wraps browned with edge wear scuffs creases and folds and small losses ink manuscript and stickers on front and 1 1/2-in tear to back cover; spine creased with losses and tears at head and tail; interior with light toning offsetting light to heavy foxing and small damp stains not impacting images. 1 frontespizio e 60 belle vedute in calcografia. Il frontespizio è ritagliato e applicato su una carta in principio di volume. New York: circa 1965 paperback
1962ref. 1395875Monte Carlo: André Sauret 1962. First English Language Edition. Hardcover. Quarto 210 pages. In Very Good minus condition with a Very Good minus dust jacket. Bound in red cloth with gilt lettering to spine and front board. Mild shelf wear to boards including rubbing to cloth and age-toning to text block light foxing to top; occasional age-toning to margins of interior pages artwork unaffected; signed by previous owner to front free endpaper; includes two original lithographs created especially for this book on pages 4 and 9. Dust jacket protected by a mylar covering; black spine with yellow lettering. Mild shelf wear to dust jacket including chipping with material loss to margins and corners; small closed tear to top margin of front cover; price uncut: "$35". Shelved in Case 11. 1395875. Shelved Dupont Bookstore. André Sauret hardcover
1962ref. 81278New York: George Braziller 1962. First English Language Edition. First Printing. Folio 33.5cm; red cloth with titles stamped in gilt on spine and front cover; photo-illustrated endpapers; publisher's dustjacket and original acetate overlay; publisher's slipcase; 1011-2106pp; illus. Fine in a Fine unclipped dustjacket priced $35 showing some trivial wear at the crown; acetate overlay is a bit wavy else Near Fine; gentle sunning to slipcase extremities else very Near Fine. Pre-eminent modern artist Marc Chagall was nearly 70 when he began working on his first major stained glass projects during the mid-to-late 1950's. In 1959 he was commissioned to create a set of stained glass windows for Abbell Synagogue at the Hadassah-Hebrew University Medical Center in Jerusalem. Upon completion the Jerusalem Windows enjoyed two short exhibitions in Paris and New York before their permanent installation in the synagogue in 1962. These twelve masterpieces in stained glass each representing one of the twelve tribes of Israel are showcased in this lush folio which also includes two original lithographs Chagall created exclusively for this publication. Readers may observe the development of the windows through a procession of preparatory sketches in pencil ink and watercolor; the final models are represented on full page color plates 36 total. Additional commentary by Jean Leymarie explains the religious significance of each subject as well as Chagall's artistic intentions. An additional chapter details the assembly of the windows themselves and the book concludes with a selection of sketches and paintings related to the project. George Braziller unknown
1962ref. 51563E-104: George Braziller / Andre Sauret. Very Good in Very Good dust jacket. 1962. First Edition; First Printing. Hardcover. Hardcover. 4to. George Braziller. 1962. 210 pgs. Illustrated with Color / Black and White Plates. First Edition/First Printing. Both lithographs are present. Slipcase worn and starting to split at the joints. DJ has light shelf-wear present to the DJ. No ownership marks present. Bound in cloth boards with gilt titles present. Boards have light shelf-wear present to the extremities. No ownership marks present. Text is clean and free of marks. Binding tight and solid. Chagall's celebrated stained-glass windows symbolizing the twelve tribes of ancient Israel are reproduced and presented together with notes on their historical meanings and artistic creation and significance. E-104; 4to 11" - 13" tall; 211 pages . George Braziller / Andre Sauret hardcover
1962ref. 240490Monte Carlo: Andre Sauret 1962. First. hardcover. fine/near fine. Chagall Marc. Text & Notes by Jean Leymarie. Illustrated with 2 original color lithographs & 106 plates including 64 in color. Tall 4to black-lettered gray cloth pictorial d.w. very slight edgewear. Monte Carlo: Andre Sauret 1962. First edition. A fine copy in a near fine dust wrapper and original acetate overwrapper. A handsome book with hand-composed type and two lithographs especially created by Chagall for this book printed by Mourlot Freres. Andre Sauret unknown
1962ref. 168473Monte Carlo: Andre Sauret 1962. First. hardcover. near fine/very good. Chagall Marc. Text by Jean Leymarie. Beautifully illustrated with 2 original color lithographs and numerous other color and black and white plates throughout. 210 pages with text in French. Large 4to pale gray cloth d.w. Monte Carlo: Andre Sauret 1962. First edition. A near fine copy in a very good wrapper with a light wear at spine ends. Ownership signature of art historian Meyer Schapiro. Andre Sauret unknown
