2.482 resultados
ref. 03-0139Paris: Verve 1960. Color lithograph. From Drawings for the Bible. Mourlot 253. M. 276 verso. Paris: Verve, 1960. unknown
1957ref. 2589Paris: Maeght Éditions 1957. Good. Lithograph on cream wove paper 9 1/8 x 7 7/8 inches 232 x 200 mm the full sheet full margins. From the standard book edition printed in an unnumbered edition of 6000. In good condition with a mior area of light discoloration in the area above the figure's head. Printed by Atelier Mourlot and published by Maeght Éditions Paris for Jacques Lassaigne's seminal monograph on Chagall. Mourlot 207 Chagall Lithographe Vol. II. Maeght Éditions unknown
1969ref. 47685New York: Tudor 1969. Hardcover with Dust Jacket. Near fine in a VG DJ with light edge-wear & very slight sunning to the spine. One inch section of the spine is rubbed. Folio. 155 pp. Illus. Sunned slipcase. Litho present. . Tudor hardcover
1966ref. 17971New York: Frederick A. Praeger 1966. Hardcover. First English-language edition first printing. Fine virtually as new cloth-bound hardcover in a Fine dust jacket with a tiny spot of soiling at the spine ends in the publisher's printed acetate dust jacket with a touch of shelf wear wrinkling and slightly shrunk. A very nice copy. BOOKS SHIP THE NEXT BUSINESS DAY WRAPPED IN PADDING IN A BOX. In 1963 Marc Chagall was commissioned to paint the new ceiling for the Paris Opera a majestic 19th-century building and national monument. This volume traces--step by step--Chagall's thinking from early sketches to finished masterpiece with sketches studies paintings photographs of the artist at work and photographs of the final canvas in situ. Includes the original color lithograph frontis as well as the 19- x 24-inch two-sided poster folded as issued laid in to a pocket attached to the rear paste down. Text by Jacques Lassaigne; b&w photographs by Izis Bidermanas; color photographs by Jean Dubout. 90 pages; 1 original color lithograph 6 color lithographs after Chagall color and b&w illustrations throughout; 9.75 x 13.25 inches. Frederick A. Praeger hardcover
ref. 52-0214Paris: Mourlot 1960. Color lithograph. Mourlot 242. Framed. Paris: Mourlot, 1960. unknown
ref. 03-0138Verve. Color lithograph. From Drawings for the Bible. Paris: Verve 1960. Mourlot no. 248. M. 271 verso. Verve. unknown
ref. 03-0133Paris: Verve 1960. Color lithograph. From Drawings for the Bible. Mourlot 240. M. 263 verso. Paris: Verve, 1960. unknown
1965ref. W2680Paris: Mourlot 1965. Marc Chagall was a Russian-born Jew who become one of the most influential artists of the 20th century. Offered here is an original color lithograph from his portfolio "Bible Lithographs" published in Verve in 1956. The image was later pictured in the catalogue for the grand opening of the Marc Chagall National Museum in Nice in 1973. Not long before Henri Matisse's death in 1954 Pablo Picasso remarked "When Matisse dies Chagall will be the only painter left who understands what colour really is." This lithograph demonstrates the core truth in that judgment. Image/sheet size is 14 inches by 10 ¾ inches. In fine condition: clean bright and crisp. Mourlot 131. Original. Single Sheet. Fine. Illus. by Marc Chagall. Folio - over 12" - 15" tall. Fine Art Print. Mourlot
ref. 03-0130Paris: Verve 1960. Color lithograph. Mourlot 231. from Drawings for the Bible. Paris: Verve, 1960. unknown
1974ref. 277174New York : Crown Publishers 1974. First Edition. Hardcover. Near fine cloth copy in a near-fine price-clipped dust-wrapper. Remains particularly and surprisingly well-preserved overall; tight bright clean and strong. Minor wear to the acetate dust-cover and a closed tear to the upper of the dust-jacket. Original lithograph frontispiece present. Physical description; 180 pages illustrations some color 33 cm. Subject; Chagall Marc 1887-1985 Catalogs. New York : Crown Publishers hardcover
1962ref. 28905BBMonte Carlo, André Sauret, 1962. 4° 211 S., Abb. mit Text, m. Orig.-Lithogr. v. Marc Chagall. (Mourlot Press) OLw., O.-Umschl.., transp. Schutzumschl., im Schuber Insgesamt sehr gut erhalten!
1965ref. 54078André Sauret. Very Good in Very Good dust jacket. 1965. First. Hardcover. Includes 2-page frontis litho 6 color lithographs and rear-pocket fold-out layout of the ceiling. Boards tight and straight inner pages crisp and clean. . André Sauret hardcover
1962ref. 17656Mont-Carlo, André Sauret, 1962. In-folio de 210-[6] pages, relié en pleine toile sable de l'éditeur, couverture illustrée, rhodoïd.
1974ref. 43101974 Monte-Carlo: André Sauret, 1974. In-4 relié: 25 x 32 cm, 180-[3] pp. Bien complet des 2 lithographies originales de Chagall, à savoir la jaquette illustrée de couverture et le frontispice, tirées sur les presses de Mourlot à Paris. Cat. raisonné de nos. 561 à 708. Reliure en pleine toile grise, sous jaquette ill. Bel exemplaire, lithographies propres et complètes.
1969ref. 64631(Paris), Éditions du Seuil, (1969). 4°. Mit einer farb. Orig.-Lithographie von Marc Chagall. 25 (1) S., 3 Bll. (das letzte weiß), Lose Lagen in gefalt. Doppelblatt (dieses vorne mit der gedruckten Widmung ?à Colette, ma femme?) u. Orig.-Umschlag.
ref. 10219L'USAGE DE LA PAROLE. Collection complète, du n° 1 (décembre 1939) au n° 3 (avril 1940). Ensemble en parfait état. /// Textes de : Jean Arp, Jacqueline Allan, Gaston Bachelard, Pierre Balascheff, Jacques Baron, Lucien Becker, Pétrus Borel, Joë Bousquet, Leonora Carrington, Lewis Carroll, Lucien Coutaud, Salvador Dalí, Luc Decaunes, Lise Deharme, Yanette Delétang-Tardif, Marcel Duchamp, Fernand Dumont, Paul Eluard, Armel Guerne, Georges Hugnet, Pierre Jean Jouve, Thomas Lovell Beddoes, Sherry Mangan, Michel Manoll, Jeanne Megnen, Pablo Neruda, Louis Parrot, Francis Picabia, Pierre Reverdy, Jean Rostand, Alberto Savinio, Jean [i.e. Louis] Scutenaire, Tristan Tzara, Jacob van Hoddis, Robert Valançay, Jean Wahl. /// Bandeaux, vignettes et dessins de : Jean Arp, Serge Brignoni, Leonora Carrington, Marc Chagall, Lucien Coutaud, Max Ernst, Leonor Fini, Erwin Graumann, Valentine Hugo, René Magritte, Marie Martinez, Joan Miró, Man Ray, Sophie Taeuber-Arp.
ref. 209160Vence, Les Collines, 4 mai 1960 in-4, 1 page.
1962ref. 901Paris, Maeght éditeur, 1962. In-folio (380 x 280 mm) en feuilles, 26 pages. 2 LITHOGRAPHIES ORIGINALES EN COULEURS DE MARC CHAGALL : "Le Piège" en couverture (380 x 280 mm.), "La baie" en double page intérieure (380 x 558 mm.). DLM édité en 1962 pour l'exposition de 13 peintures récentes de CHAGALL à la Galerie Maeght. Texte de Yves Bonnefoy "La Religion de Chagall". Tirage original rare.
1982ref. 155Paris Maeght éditeur, 1982. In-folio (380 x 280 mm) broché, 116 pages. Couverture rempliée illustré d'une lithographie. 25 LITHOGRAPHIES ORIGINALES de Steinberg, Chagall, Miro, Palazuelo, van Velde, Rebeyrolle, Tàpies, Tal Coat, Alechinsky, Ubac, Bury, Klapheck, Titus-Carmel, Monory, Adami, Arakawa, Riopelle, Takis, Gardy-Artigas, Fiedler, Chillida, Kelly, Bazaine, Garache, certaines à double-page. DLM édité en août 1982 en hommage à Marguerite et Aimé Maeght alors récemment disparus. Tous les précédents numéros de DLM y sont décrits. Reproductions.
1927ref. 37376Couverture verte rempliée. Intérieur propre. Non coupé. Avec 92 dessins inédits de Marc CHAGALL dont 45 en pleine page.
ref. 75261Paris, Maeght, 380x280mm, en feuilles, 24p. 2 lithographies originales en couleurs (couverture comprise) dont une en double page. Impression Mourlot. Bel exemplaire, très frais. Edition originale. Numéro épuisé chez l'éditeur. Texte de Y. Bonnefoy : La religion de Chagall. Cramer 50.
1962ref. 138025New York: George Braziller Inc. in Association with Horizon Magazine 1962. Hardcover. near fine. 1st Trade Edition In English. 1-10 11-210 4pp. Folio. Illustrated dust jacket over red cloth boards with titles in gilt to spine and front board. Boards just lightly rubbed. Jacket with a few spots of discrete professional restoration and some light shelfwear. Upper corner of front flap of jacket clipped. Elegant and moving gift inscription on the ffep dated in the year of publication from a son to his parents to "mark the end of a year of tumult". Else internally clean. near fine A beautiful art book commemorating the stained glass windows Marc Chagall designed for the Hadassah-Hebrew University Medical Center in Jerusalem. The twelve original windows each symbolizing one of the Tribes of Israel are reproduced herein in full colour with additional preparatory sketches and drawings depicted. Also included are two original lithographs by Chagall created especially for this book. A beautiful book by a modern master. 1962 George Braziller Inc. in Association with Horizon Magazine hardcover
1969ref. 000578Marc Chagall Maeght 612,5 Couverture souple 1969 Paris Edition originale numéro 182 de la revue " Derrière le miroir ", consacrée à Marc Chagall. Couverture en lithographie + lithographie originale ( double page )
ref. 52-0211Paris: Verve 1960. Color lithograph. From Drawings for the Bible. Mourlot 235. M. 258 verso. Paris: Verve, 1960. unknown
1982ref. 35621Paris: Mourlot 1982. In excellent condition. 38 x 28 cm 15 x 11 inches. Original color lithograph by Marc Chagall printed at Mourlot Paris. Published as one of the original lithographs bound into Derrière le Miroir No. 250 the celebrated final issue of the Galerie Maeght art journal Paris 1982. Sheet: 38 × 28 cm 15 × 11 inches. A deeply personal work created for the closing issue of the most important art publication of the post-war Paris art world an outstanding example of the original ChagallMaeght collaboration. Marc Chagall 7 July 1887 28 March 1985 was one of the most celebrated and beloved artists of the 20th century. Born Marc Zakharovich Shagal in Vitebsk Belarus then part of the Russian Empire he trained in Saint Petersburg before moving to Paris in 1910 where he became part of the vibrant avant-garde of Montparnasse. Drawing on Jewish folk tradition Russian culture and the imagery of his Belarusian childhood Chagall developed a uniquely dreamlike visual language infused with lovers floating above villages fiddlers on rooftops animals angels and mystical biblical scenes. Associated with Fauvism Cubism and Surrealism yet belonging to none he was the quintessential 'School of Paris' master. His work is held at MoMA in New York the Tate in London the Centre Pompidou in Paris the Guggenheim and the Musée National Marc Chagall in Nice inaugurated in 1973. He remains one of the most sought-after names in 20th-century prints with original lithographs consistently coveted by collectors worldwide.This original color lithograph was created by Chagall specifically for Derrière le Miroir No. 250 the final and valedictory issue of the legendary Galerie Maeght art journal published in Paris in 1982. Derrière le Miroir DLM was founded by Aimé Maeght in 1946 and ran for 36 years publishing 253 issues: each one containing original lithographs created directly on stone by the artists themselves and printed at the Mourlot studio in Paris. DLM was not a reproductions journal but an artist's publication in the fullest sense its lithographs are original works of art not facsimiles. No. 250 was conceived as a tribute to Aimé Maeght 19061981 who had died the previous year and to the entire creative legacy of the Maeght gallery. Chagall as Maeght's most iconic and longest-standing artist contributed this luminous image of floating lovers the 'cheval bleu au couple' as a farewell to a creative partnership of four decades. The lithograph was printed at Mourlot in an edition corresponding to the journal's print run of approximately 5000 copies. Each sheet was folded and bound into the journal; unfolded it presents as a complete self-standing original lithograph. A deeply significant work for any collector of Chagall or of the history of the School of Paris. In excellent condition. Colors vivid and unfaded. No tears creases or foxing. Ready to frame. Mourlot 993 Mourlot unknown