LÉGER Fernand, KANDINSKY Vassily, BAZAINE Jean, MIRÓ Joan, CHAGALL Marc, MIRÓ Joan, GIACOMETTI Alberto, TAL COAT PierreLivre Rare Book
2,477 results
ref. EXE-830Paris, Maeght Éditeur, 1958. In-folio en feuilles, couverture illustrée. Illustré d’une zincographie en noir de Pierre Tal Coat (p.10) et de 3 lithographies originales en couleur, dont une pour la couverture. Reproductions d'œuvres de Braque, Bonnard, Matisse, Picasso, Kandinsky, Miró, Léger et Bazaine.
1962ref. 20008Paris: Maeght 1962. First edition. Original Wraps. Orig. illustrated wrappers. Fine. Chagall Marc. Folio 38 x 29 cm. Text in French by Yves Bonnefoy "Le religion de Chagall." Cover and double-paged illustrations are color lithographs plus 85 small black and white lithographs in the Chroniques section. Fresh bright copy. Maeght unknown
1962ref. 20008Paris: Maeght 1962. First edition. Original Wraps. Orig. illustrated wrappers. Fine. Chagall Marc. Folio 38 x 29 cm. Text in French by Yves Bonnefoy "Le religion de Chagall." Cover and double-paged illustrations are color lithographs plus 85 small black and white lithographs in the Chroniques section. Fresh bright copy. Maeght unknown books
1727ref. 56231Chez Zacharie Chatelain. Very Good. 1727-28. Hardcover. Two volumes. Smaller format. Contemporary full calf gilt spine two red spine labels all edges red marbled eps. Mild fray to spine ends/points with slight loss to spine ends rubbing to board faces. Engraved frontis title pages in red and black with vignette additional frontis portrait. Numerous other engravings. Volume 1 contains front blank frontis title page frontis portrait quote by Rousseau Au Lecteur A Monseigneur Le Dauphin Epitre Preface La Vie D'Esope and Livres I-VI rear blank. Volume 2 contains front blank title page in red and black avertissement A Madame de Montespan prologue livres I-V and livre VII table des fables rear blank. Sound bindings. ; 16mo 7" - 7½" tall . Chez Zacharie Chatelain hardcover
1995ref. Q-1556601441Alan Wofsy Fine Arts 1995-06-02. Hardcover. New. In shrink wrap. Looks like an interesting title! Alan Wofsy Fine Arts hardcover
ref. 5020Marc Chagall prend la plume en lieu et place de son pouse Virginia dans ce mot de remerciement adress Jardinot et le prie de venir au mariage d'Ida : ...Comme vous tes gentil ! Nous sommes confus de cette si genereuse promesse de nous procurer du Champagne et de vous en "preocupper" vous-mme. Nous sommes profondment touchs et Ida le sera aussi quand elle saura quel cadeau magnifique vous l'offrez (sic). Pouvons nous compter sur vous pour le mariage ? Tacher de venir, nous serions si heureux, comme Ida aussi, si vous pourriez tre prsent...Ida, ne le 18 mai 1916 de l'union du peintre et de Bella Rosenfeld, pousera l'historien de l'art Franz Meyer en janvier 1952.
1929ref. 48295Au sans pareil | Paris 1929 | 13 x 19.50 cm | broché
1930ref. 3272Paris A. C. Mazo & Cie 1972 et Maeght 1974. 2 volumes in-4 (32,5 x 24 cm) reliés sous cartonnages toilés, jaquettes illustrées, rhodoïds, étuis. Les deux premiers volumes et les plus importants du catalogue des lithographies de Joan Miró, enrichis de 24 LITHOGRAPHIES ORIGINALES toutes à pleine page en hors-texte et incluant deux jaquettes. Catalogue raisonné des lithographies de 1930 à 1963 inclus. Toutes les œuvres sont reproduites et précisément décrites : environ 340 lithographies reproduites. -- ENGLISH DESCRIPTION: MIRÓ. LEIRIS, Michel - MOURLOT, Fernand: Joan Miró. Lithographs I-II. Paris, Mazo and Maeght, 1972-1974. 4to. (32,5 x 24 cm), with 24 ORIGINAL LITHOGRAPHS IN COLOR by Joan Miró (including the wrappers), around 340 illustrations in color. Publisher's cloth. Decorated wrappers with plastic wrappers. French first original editions. Mint condition in slipcases.
1969ref. 36913Paris: Mourlot 1969. In excellent condition. 350 by 250mm 13¾ by 9¾ inches. Original lithograph in colors published for a issue of XXe Siecle in 1969. Edition 10000 unsigned and unnumbered copies. Marc Chagall created this lithograph after one of his compositions for the ballettDaphne and Chloe by Maurice Ravel. Mourlot 581 Mourlot unknown
1962ref. 55981ABMonte Carlo. André Sauret, éditeur. 1962. 33x25 cm. 208 p., (8) p. Avec de nombreuses illustrations en noir et en couleurs et 2 lithographies originales en couleurs. Reliure pleine toile, jaquette, rhodoïd et étui.
1950ref. 15242Paris, Bordas, 1950. In-4 broché de 49-[14] pages, couverture rempliée, premier plat illustré une composition de Chagall, papier pergamine d'éditeur imprimé.
1962ref. 106581NY:: George Braziller. Fine in Fine dust jacket. 1962. Hardcover. Color and black and white plates throughout including two original color lithographs both in excellent condition. Translated from the French by Elaine Desautels. First edion thus. Fine in a fine dust jacket and fine acetate cover. Housed in a very good small chip at the base of the spine minor edge wear and age toning carboard slipcase.; 211 pages . George Braziller, hardcover
1962ref. 106581NY:: George Braziller. Fine in Fine dust jacket. 1962. Hardcover. Color and black and white plates throughout including two original color lithographs both in excellent condition. Translated from the French by Elaine Desautels. First edion thus. Fine in a fine dust jacket and fine acetate cover. Housed in a very good small chip at the base of the spine minor edge wear and age toning carboard slipcase.; 211 pages . George Braziller, hardcover books
ref. mon0000100098George Braziller 1962-01-01. Hardcover. Good. 1.3000 13.3000 10.2000. Hardcover in dust jacket and original glassine clear protective cover. Includes two original lithographs by Marc Chagall. Internally the book is Very good. Light bump to head of dust jacket. Original letter laid in from Horizon Publishers regarding the book dated 1962. Dust jacket is VG- Light bump to head of spine. One 1/4"" closed tear to foot of front panel. Touch of rubbing along foot edge of dust jacket on front and rear. VG- George Braziller hardcover
1962ref. BC06E-007Gearge Braziller Inc. 1962. Book. Illus. by Chagall Marc. Very Good. Hardcover. 1st Edition. Folio - over 12" - 15" tall. Hardcover in lightly worn acetate covered DJ. Book is COMPLETE. no slipcase. Gearge Braziller, Inc. Hardcover
1962ref. 123122Monte Carlo: Andre Sauret 1962. First edition of this work by the famed artist. Folio original red cloth. With two original color lithographs specially prepared by Chagall for this edition. Fine in a very good dust jacket. Jerusalem Windows illustrates and chronicles the creation of twelve stained glass windows one for each of the twelve tribes of Israel designed by Chagall for the Hadassah-Hebrew University Medical Center Synagogue in Jerusalem. Andre Sauret hardcover
ref. 16-4759Saint Paul de Vence: April 1 1985. 9 silver prints. plus a contact sheet. Most 17 x 13 cm. Annotated signed and dated 1.4.85 verso by the photographer. Includes Chagall's son David McNeil his grandson Piet Meyer his granddaughter Bella Meyer and various dignitaries. Jewish Telegraphic Agency April 2 1985:"Marc Chagall the Russian born Jewish painter many of whose masterpieces were on Jewish themes was buried today at Saint Paul De Vence the village in the south of France where he lived and worked for the past 20 years. He died last Thursday at the age of 97.There were no religious rites. Chagall’s widow Valentina Brodsky said the artist had specifically requested that there be no religious service at his burial. A family member recited the Kaddish but without the required minyan.The funeral was attended by a handful of family members and close friends and by diplomats of three nations. Two representatives of the Soviet Embassy in Paris were present as were French Foreign Minister Roland Dumas Minister of Culture Jack Lang and Israel’s Ambassador to France Ovadia Soffer.". Alain Cinquini:L'Est Républicain - 04 nov. 2012 : Tout commence quand il tombe sur Yves Montand Paul Newman et leurs femmes respectives. « Je suis allé leur demander pour faire une photo. Newman n’a pas voulu. Simone Signoret m’a dit que c’était bien d’avoir demandé… Montand a compris que je serai là à la sortie du restaurant et a quasiment organisé une séance en montrant la montagne à Paul Newman. ».Alain Cinquini a sa première photo de stars. Qu’il n’exploite pas durant plusieurs jours. C’est sur les conseils d’un copain qu’il prend enfin contact avec l’agence Gamma. Le début d’une belle carrière.En un quart de siècle Alain Cinquini prendra entre 80.000 et 100.000 clichés de stars parmi les plus grandes devenant l’un des photographes indépendants incontournables du sud de la France et de Monaco. Il entretiendra des relations privilégiées avec des vedettes du cinéma et des artistes comme Armand ou César entre autres. Bref un parcours exemplaire au cours duquel il ne volera jamais une image et ne violera jamais l’intimité de ses « clients ». Tout l’inverse des paparazzis au sens où on l’entend aujourd’hui : « J’ai une façon de travailler dans le respect des personnes sans doute parce que j’ai été élevé ainsi. Certains de mes collègues se demandaient parfois comment j’arrivais à avoir certaines photos. C’était simplement parce que j’étais bien vu que je faisais mon boulot correctement. Et avec correction… Avoir une bonne réputation dans ce milieu-là ça compte ça ouvre des portes. Expertise by: David ZERBIB : 24 Av. du Prado 13006 Marseille France; Paul BENARROCHE 8 boulevard Alphonse Daudet 13960 SAUSSET les PINS06 10 25 64 93 Saint Paul de Vence: April 1, 1985 unknown
ref. 16-4761Saint Paul de Vence: August 19 1982. Two large color photographs. One signed by Chagall and one annotated on the verso by the photographer and signed . 24 x 30.5 cm. Alain Cinquini:L'Est Républicain - 04 nov. 2012 : Tout commence quand il tombe sur Yves Montand Paul Newman et leurs femmes respectives. « Je suis allé leur demander pour faire une photo. Newman n’a pas voulu. Simone Signoret m’a dit que c’était bien d’avoir demandé… Montand a compris que je serai là à la sortie du restaurant et a quasiment organisé une séance en montrant la montagne à Paul Newman. ».Alain Cinquini a sa première photo de stars. Qu’il n’exploite pas durant plusieurs jours. C’est sur les conseils d’un copain qu’il prend enfin contact avec l’agence Gamma. Le début d’une belle carrière.En un quart de siècle Alain Cinquini prendra entre 80.000 et 100.000 clichés de stars parmi les plus grandes devenant l’un des photographes indépendants incontournables du sud de la France et de Monaco. Il entretiendra des relations privilégiées avec des vedettes du cinéma et des artistes comme Armand ou César entre autres. Bref un parcours exemplaire au cours duquel il ne volera jamais une image et ne violera jamais l’intimité de ses « clients ». Tout l’inverse des paparazzis au sens où on l’entend aujourd’hui : « J’ai une façon de travailler dans le respect des personnes sans doute parce que j’ai été élevé ainsi. Certains de mes collègues se demandaient parfois comment j’arrivais à avoir certaines photos. C’était simplement parce que j’étais bien vu que je faisais mon boulot correctement. Et avec correction… Avoir une bonne réputation dans ce milieu-là ça compte ça ouvre des portes. Expertise by: David ZERBIB : 24 Av. du Prado 13006 Marseille France; Paul BENARROCHE 8 boulevard Alphonse Daudet 13960 SAUSSET les PINS06 10 25 64 93 Saint Paul de Vence: August 19, 1982 unknown
1969ref. 21215811969. Paris: Andre Sauret.1969. Folio. Original tan cloth with black lettering to spine and pictorial dust jacket; contains two original lithograph on dust jacket and forntispiece; pp. 179 3; fine. First edition of the third catalogue raisonne of Chagall's lithographs with an introduction by Julien Cain legendary general administrator of the Bibliotheque Nationale de France before the Nazi occupation.Julien Cain writes in his introduction to this spectacular and invaluable contribution to the iconic artists mesmorising ouevre ""Chagall's secret is that he remained without theory without method.he was content instead to 'sing like a bird'"" emphasizing Chagall's refusal to abide by prescriptive artsitic philosophies. He goes onto quote the artist himself ""What seems strange is clear"".Catalogue and notes are by Ferdinand Mourlot and Charles Sorier. hardcover
1962ref. 21947BBMonte Carlo, André Sauret, 1962. 4° 211 S., Abb. mit Text, m. 2 Orig.-Lithogr. v. Marc Chagall. (Mourlot Press) OLw., O.-Umschl.., transp. Schutzumschl. Su leicht bestossen, insgesamt sehr gut erhalten.
ref. 3190New York: George Braziller. Near Fine in Very Good dust jacket. 1962. First Edition. Hardcover. 0807604232 . Includes the TWO ORIGINAL LITHOGRAPHS CREATED ESPECIALLY FOR THIS VOLUME. Cover is red cloth with gold lettering on front and spine. DJ covered by original glassine as issued B/W monochrome photo appears to be of Jerusalem off in the distance on both endpapers. Pages are clean and tight. Translated by Elaine Desautels. Printed in France; published in association with Horizon Magazine. Mark Zakharovich Shagal known today all over the world as Marc Chagall was born on July 7 1887 in Vitebsk Belorussia. Chagall's exposure to Cubism resulted in his attempts to incorporate the Cubist multiple points of view and geometrical shapes into his compositions.These earlier life and educational experiences clearly influence Chagall's later work as seen in this volume. "Each of the twelve stained-glass windows reproduced on the following pages is preceded by a preparatory set of drawings and models whose number media dimensions and order of presentation are exactly the same in sequence of each tribe and are arranged as follows." Contents: Original lithographs; Introduction; Dimensions.; Reuben; Simeon; Levi; Judah; Zebulun; Issachar; Dan; Gad; Asher; Naphtali; Joseph; Benjami; Chagall in Reims; Drawings Related to the Windows. The Synagogue of the Hadassah-Hebrew University Medical Center was dedicated on February 6th 1962 as part of Hadassah's Golden Anniversary celebration. The floors and interior walls are made of Jerusalem Stone and the Synagogue is illuminated by a hanging lantern and by sunlight which streams through the magnificent Chagall Windows. Marc Chagall who was present at the dedication spoke of the joy he felt in bringing "my modest gift to the Jewish people who have always dreamt of biblical love of friendship and peace among all people; to that people who lived here thousands of years ago among other Semitic people. My hope is that I hereby extend my hand to seekers of culture to poets and to artists among the neighboring people. " The creation of the Windows was a labor of love to Chagall and his assistant Charles Marq both of whom worked on the project for two years. Marq developed a special process of veneering pigment on glass which allowed Chagall to use as many as three colors on a single uninterrupted pane rather than being confined to the traditional technique of separating each color pane by lean strips. To ensure that each window received the proper light Marq came to Jerusalem and made tests on the spot where each of the windows was to be placed. The Windows represents the 12 sons of the Patriarch Jacob from whom came the Twelve Tribes of Israel. Chagall's Windows are populated by floating figures of animals fish flowers and numerous Jewish symbols. To fully understand the significance of the Windows they must be viewed against Chagall's deep sense of identification with the whole of the Jewish history its tragedies and victories as well as his own personal background in the shtetl of Vitebsk where he was born and grew up. "All the time I was working " he said "I felt my father and my mother were looking over my shoulder and behind them were Jews millions of other vanished Jews of yesterday and a thousand years ago. " Very oversized 5.5#. HMVV. ; Color and B/W Illustrations; 10 x 13 1/4; 210 pages; Cover has light bumping and shelf wear few very faint and small scuff marks. Sunning of top of pages some dark smudging on bottom corners of some of the pages visible only on the outside does not intrude into page at all; ca. 1 1/2" x 3/4" faint glue residue mark possibly from name label at top of front end paper. DJ has some rippling as does the accompanying glassine cover original. 1/4" x 1/2" triangular nick at top of spine tiny bit of DJ and glassine missing rest still present. 1" closed tear at top of back through DJ and glassine; some edgewear to top and bottom. . George Braziller hardcover
1962ref. 31401BBMonte Carlo, André Sauret, 1962. 4° 211 S., Abb. mit Text, m. 2 Orig.-Lithogr. v. Marc Chagall. (Mourlot Press) OLw., O.-Umschl.., transp. Schutzumschl., im Schuber Su leicht bestossen, insgesamt sehr gut erhalten.
ref. 31421Monte-Carlo, André Sauret, 1962. Gr. in-4°, 210p. Reliure pleine toile d'éditeur, sous jaquette illustrée.
1961ref. 5118DB1961. Paris Musée des arts décoratifs 1961. 85 S. Mit ganzseitigen Illutrationen in Farbe und schwarz/weiss. Mit einer ganzseitigen Original-Lithographie. Illustrierte farbige Broschur. Ausstellungskataloge Palais du Louvre Paris 16 juin30 septembre 1961. Vom Künstler signierte Vorzugsausgabe Nr. 277 von 300 mit einer Lithographie. Minimale Gebrauchsspuren Sehr gutes Exemplar. unknown
1962ref. 184813New York: George Brazillier & André Sauret 1962. First edition in English with two original Chagall lithographs bound in as issued. This colourful volume presents Chagall's stained-glass windows; 12 designs depicting the ancient tribes of Israel. The series was met with worldwide praise and recognized as a fine specimen of modern religious art. The windows were first exhibited in Paris in June 1961 and later at the Museum of Modern Art in New York before they found a permanent home at the Hadassah-Hebrew University Medical Centre in Jerusalem in February 1962. The Jerusalem Windows published the same year as the French edition Vitraux pour Jerusalem remains the definitive work on the windows and is renowned for the richness of its illustrations. Chagall produced 2 original lithographs especially for this book and directed the printing of a further 36 lithographs of preparatory colour designs. Tall quarto. Illustrated throughout with 2 original lithographs and 36 colour preparatory lithographic designs some of which are in 20 colours all printed by Mourlot Fréres with further black and white photographs and illustrations. Original red cloth spine and front cover lettered in gilt pictorial endpapers. With dust jacket. A couple of bumps spot of wear to bottom edge of front board foxing to endpapers edges and occasionally margins abrasion and overprice sticker to front free endpaper; jacket clipped edges nicked with a few short closed tears light foxing to verso: a very good copy in like jacket. hardcover
