2.277 Ergebnisse
1926Best.-Nr. 81831Sous étui bordé. Reliure demi-maroquin vert lierre a? coins, lisere? dore?, dos a? nerfs fantaisie avec titre dore? et mosai?que? de chagrin noir te?te dore?e, les autres tranches non rogne?es. Couvertures et dos conserve?s. Reliure signée Manuel Ge?rard. Dos légèrement insolé. Ouvrage collectif : Jean Giraudoux, « l'Orgueil », Paul Morand, « l'Avarice », Pierre Mac Orlan, « la Luxure, Andre? Salmon, « l'Envie », Max Jacob, « la Gourmandise », Jacques de Lacretelle, « la Cole?re » et Joseph Kessel, « la Paresse ».L'ensemble est orne? de 15 eaux-fortes originales hors texte de Marc CHAGALL.
1950Best.-Nr. 1204071950. First Edition. Signed. CHAGALL Marc. Verve. Contes de Boccace. Paris: ditions de la Revue Verve 1950. Folio original lithographic dust jacket over boards. $5800.First edition of this exceptional volume of 26 Chagall heliogravures accompanied by 26 tipped-in color prints from a medieval miniaturist boldly signed by Chagall on the half title. From the collection of Joseph Liverant a fellow Russian Jewish emigr and friend of Chagall.The art critic Stratis Eleftheriades under the nom de plume Triade published the art journal Verve in Paris from 1937 to 1960. He commissioned famous artists of the day from Matisse to Picasso and Chagall to provide works for the journal with numerous lithographs appearing for the first time in his publications. This volume is particularly notable for the unusual medium for Chagall used: ""New washed drawings in India ink which are quite unrelated to anything he had done before. Using black diluted in every possible degree from onyx to the palest shade of gray he produced sheets that give an intensely colorful effectÉ These drawingsÉ were a response to what he saw in his new environment and stemmed from the urge to render in a spontaneous fashion the overwhelming impact of the profusion and light. They also reveal paradoxically the increased importance of color as a medium of expression. In these drawings 'light' does not signify a diminution of the colorfulness but an advance into the zone from which it springs. One might say that the heart of the color is light and from this light Chagall created the colorfulness of his sheets. What this means is visibly demonstrated by the drawings he did at Triade's suggestion for the number of Verve dedicated to Boccaccio's Decameron. What Chagall produced was a present-day counterpart to colored reproductions of the miniatures in a fifteenth-century manuscript of Boccaccio's work. For each of his drawings he drew inspiration from the miniature of the same scene and the old and new illustrations are reproduced side by side in the pages of Verve. In Chagall however everything attains a new meaning. A new logic links the objects of the anecdotic 'tale' and the plot of the love story gives rise to ardent desire and serene joy. What is more in Chagall's large black-and-white plates the light radiates in a far richer modulation of color than the full coloring of the miniaturist's precise magic-lantern pictures"" Meyer 499. From the collection of Joseph Liverant a fellow Russian Jewish emigr and close friend of Chagall. Liverant and Chagall both fled Europe in World War II Liverant to Canada and Chagall to the United States. After the war both acquired residences in Provence where shared social circles similar ages and a mutual love of Yiddish combined to forge a lasting bond of friendship between the two.About-fine condition. hardcover books
1927Best.-Nr. 1751Paris: I. Grodzensky 1927. First edition. Text in French and Yiddish. In publisher’s wrappers bound by string. Cover design by Marc Chagall. Cover and plates are worn at extremities. Cover and some plates damaged at corners and at the string. Two photographic reproductions are loose. Overall in good condition. First edition. Text in French and Yiddish. In publisher’s wrappers bound by string. Cover design by Marc Chagall. 4 text plates and 19 album card plates with mounted photographic reproductions. Scarce book with Chagall’s cover design. With Marc Chagall’s image on the front cover. Before a black background the image features an opened Torah scroll with the inscription of Schwartzbard's name in Hebrew letters an angel with sword flies over the Torah an allusion to Michael the Archangel the advocate of the Jews. A scarce album with pictures of places and portraits of people connected with the Schwartzbard-trial together with short expressions of opinion from prominent intellects as well as brief biographical notes on Schwartzbard and Petliura. Sholom Schwartzbard 1886–1938 was a Russian-born French Yiddish poet and anarchist the assassin of Symon Petliura 1879–1926 head of the Ukrainian government-in-exile in Paris in 1926. Schwartzbard held Petliura responsible for the death of fifteen of his relatives murdered in pogroms during Petliura rule of the Ukrainian National Republic. The number of Jews murdered during the massive 1918–1921 pogroms in Ukraine is estimated to be between 35000 and 50000 and a large percent of the violent attacks were carried out by soldiers under Petliura’s command. The Schwartzbard trial began in mid-October 1927 lasted for eight days in the end it turned on accusations of Petliura's responsibility for the pogroms and eventually Schwarztbard was acquitted. Scarce we could trace only 3 copies in institutional holdings Harvard University Widener Library Cambridge MA USA; NLI Jerusalem; Musée d’art et d’histoire du Judaïsme Paris. . [I. Grodzensky] unknown
1927Best.-Nr. B-2022-0841With one etching signed and numbered in pencil by Chagall. Marc Chagall Paul Morand. NRF Librairie Gallimard. Paris 1927 In octavo one of 120 numbered copies on Hollande Pannekoek with an etching on frontispiece by Marc Chagall on China paper signed by Chagall in pencil and numbered 20/120. Total Edition 325. Ref: Cramer #9. Very good. Please ask for complete conditions report. Gallimard paperback
1927Best.-Nr. B-2022-0841With one etching signed and numbered in pencil by Chagall. Marc Chagall Paul Morand. NRF Librairie Gallimard. Paris 1927 In octavo one of 120 numbered copies on Hollande Pannekoek with an etching on frontispiece by Marc Chagall on China paper signed by Chagall in pencil and numbered 20/120. Total Edition 325. Ref: Cramer #9. Very good. Please ask for complete conditions report. Gallimard paperback books
Best.-Nr. 246856Paris André Sauret 1960. Large 4to. Publisher’s boards with protective paper in original chemise and slipcase. The boards consists of an original lithograph made especially for this edition. . No 36 of 100 copies on Grand Vélin d’Arches signed by Marc Chagall and the publisher André Sauret. With 11 original lithographs by Marc Chagall some in colour. This work is the complete and definite catalog of Chagall’s lithographic works from his graphic beginnings in Berlin from 1922 to 1957. All of the artist’s lithographs are reproduced in colours after the originals. Without the two additional colour lithographs that should be included in the deluxe edition and without the portofolio with the special prints. hardcover
1960Best.-Nr. 475Marc Chagall B. 1887 VITEBSK RUSSIA; D. 1985 SAINT-PAUL-DE-VENCE FRANCE DRAWINGS FOR THE BIBLE as published for Verve. Verve Vol. X no. 37/38. 1960. Text by Gaston Bachelard. Folio. With 24 original lithographs in color including the cover by Chagall and 96 reproductions in black and white. Complete as issued. Verve hardcover
1960Best.-Nr. 475Marc Chagall B. 1887 VITEBSK RUSSIA; D. 1985 SAINT-PAUL-DE-VENCE FRANCE DRAWINGS FOR THE BIBLE as published for Verve. Verve Vol. X no. 37/38. 1960. Text by Gaston Bachelard. Folio. With 24 original lithographs in color including the cover by Chagall and 96 reproductions in black and white. Complete as issued. Verve hardcover books
Best.-Nr. 23034Paris & New York: Andre Suaret & Boston Book & Art Shop 1986. First editions in English. Hardcover. Orig. beige cloth lettered in black. Fine in fine dust wrappers. 6 Vols. 33.4 x 25 cm. Twenty eight original lithographs including dust jackets and frontispieces with plethora of of reproductions of his lithographs. Vols. 3-4 in original publisher's board slipcases. A few of the clear glassine overwrappers nicked foot of Vol. I dust wrapper rubbed. All volumes very fresh and clean. Andre Suaret & Boston Book & Art Shop hardcover
Best.-Nr. 23034Paris & New York: Andre Suaret & Boston Book & Art Shop 1986. First editions in English. Hardcover. Orig. beige cloth lettered in black. Fine in fine dust wrappers. 6 Vols. 33.4 x 25 cm. Twenty eight original lithographs including dust jackets and frontispieces with plethora of of reproductions of his lithographs. Vols. 3-4 in original publisher's board slipcases. A few of the clear glassine overwrappers nicked foot of Vol. I dust wrapper rubbed. All volumes very fresh and clean. Andre Suaret & Boston Book & Art Shop hardcover books
1927Best.-Nr. 1652Paris, Éditions de La Pléiade, 1927. Un volume grand in-8° (245 x 180 mm), relié. Plein maroquin havane janséniste, dos à quatre nerfs, tête dorée, couverture et dos conservés, étui bordé (J.Van West). 21 GRAVURES ORIGINALES À L'AQUATINTE ET À L'EAU-FORTE PAR ALEXANDRE ALEXEIEFF. Tirage : 266 ex. Celui-ci l'un des 15 exemplaires de tête sur japon impérial, numéroté et paraphé par l'éditeur (n°11), comprenant une suite complète des gravures en premier état avec remarques sur japon mince, une suite complète en état définitif sur vélin et 2 gravures inédites avec remarques. Les suites sont judicieusement reliées en fin de volume (Bendazzi, Alexeieff, itinéraire d’un maître, 2001, pp. 98-115).
1961Best.-Nr. 2312280032Printed by Mourlot published by Teriade Paris 1961. Art Prints & Posters. Like New. Limited edition of 250 colored lithographs. Unframed. Image dimensions: 59 x 43 cm. From Daphnis and Chloe printed on Arches wove paper by Mourlot published by Teriade Paris. Mourlot 343; Cramer books 46 Depicts Longus' Daphnis et Chloe where Daphnis falls into a wolf trap chasing one of his goats which Chagall has shown in blue. Printed by Mourlot, published by Teriade, Paris unknown
1964Best.-Nr. 38517Paris: Mourlot 1964. In very good condition. 99 x 632 cm 39 x 25 inches. Large-format original color lithograph by Marc Chagall after the Opéra ceiling lithographically interpreted and engraved by Charles Sorlier D'après Marc Chagall Ch. Sorlier Grav. printed by Mourlot Paris 1964. Hand-signed by Chagall in pencil lower right with a later occasional signature 1970. Sheet: 99 × 63.2 cm 39 × 25 inches. A monumental and rare signed impression of one of the most celebrated images in 20th-century French cultural life. Marc Chagall 7 July 1887 28 March 1985 was one of the most celebrated and beloved artists of the 20th century. Born Marc Zakharovich Shagal in Vitebsk Belarus then part of the Russian Empire he trained in Saint Petersburg before moving to Paris in 1910 where he became part of the vibrant avant-garde of Montparnasse. Drawing on Jewish folk tradition Russian culture and the imagery of his Belarusian childhood Chagall developed a uniquely dreamlike visual language infused with lovers floating above villages fiddlers on rooftops animals angels and mystical biblical scenes. Associated with Fauvism Cubism and Surrealism yet belonging to none he was the quintessential 'School of Paris' master. His monumental stained-glass windows ceiling paintings including the Paris Opéra and tapestries brought his vision to public spaces worldwide. Chagall's work is held at MoMA in New York the Tate in London the Centre Pompidou in Paris the Guggenheim and the Musée National Marc Chagall in Nice inaugurated in 1973 and dedicated to his biblical message cycle. He remains one of the most sought-after names in 20th-century prints with original lithographs consistently coveted by collectors worldwide.This large-format original color lithograph depicts a detail of Chagall's celebrated ceiling painting for the Paris Opéra the Palais Garnier commissioned by André Malraux and completed in 1964. The ceiling comprising 220 square metres of painted canvas divided into five colour zones pays homage to the great composers Mozart Wagner Berlioz Rameau and Debussy and was unveiled to wide acclaim. The scene depicted here 'Roméo et Juliette' is among the most lyrical passages of the ceiling showing lovers entwined in Chagall's signature floating reverie. The lithograph was produced in 1964 by Mourlot Paris and lithographically interpreted and engraved by Charles Sorlier Mourlot's chief lithographer and Chagall's most trusted technical collaborator as indicated by the imprint 'D'après Marc Chagall Ch. Sorlier Grav.' The sheet bears a hand signature by Chagall in pencil in the lower right corner added as an occasional signature Gelegenheitssignatur in 1970 not a signed numbered edition but a personal autograph applied directly to this impression. Such signed copies of the Opéra poster are rare and significantly more sought after than unsigned examples. The sheet edges show minor signs of wear consistent with display; colors are fresh and the image is in excellent condition. Hand-signed by Chagall in pencil lower right occasional signature 1970. The sheet edges show minor signs of wear consistent with handling and display. Colors vivid and fresh. Image in excellent condition. Sorlier 96 Mourlot unknown
1960Best.-Nr. 191348Boston New York: Boston Book and Art Shop Crown Publishers George Brazillier 1960-86. Chagall's comprehensive catalogue raisonné with 28 original lithographs First American editions of the catalogue raisonné of Chagall's lithographic work a monumental feat of publishing which took more than two decades to complete. Text in English. 6 vols large quarto. Profusely illustrated in colour throughout and with 28 original lithographs by Chagall 22 in vols. I and II frontispieces of vols. III and IV the jackets of vols. I-IV. Original grey cloth titles to front covers and spines in black. With pictorial dust jackets of which 4 are original lithographs. Contents clean; dust jackets fine some light rubbing to edges small closed tear to head of spine of vol. V all dust jackets in their original acetate: a near fine set. hardcover
1960Best.-Nr. 2463Marc Chagall B. 1887 VITEBSK RUSSIA; D. 1985 SAINT-ST. PAUL-DE-VENCE FRANCE. Monte Carlo and NYC Mourlot 1960-1986. 6 vols. 4to. pp. 220; 209; 179; 180; 250; 224. Illustrated throughout in colour and monochrome. Chagall made 24 original lithographs - most of them coloured - for these volumes. The dust jackets of the first 4 vols are also original colour lithographs."11 Publisher"s cloth and dust jackets. . Two Volumes signed in pen Vol. 1 and Vol III. Andre Sauret. 1960 - 1986. The complete catalogue raisonné of the lithographs. Monte Carlo & NY 1960-1984 1st editions in German French and English the complete set in 6 volumes containing about 1000 pages 28 original full-page lithographs circa 800 color and b&w illustrations. Cloth in decorative paper dust jackets. Vol. 1 the dust jacket is complete the volume is tight and fine inside; the other 5 volumes are flawless in excellent condition. All volumes with English German and French text each volume 13 x 11 in. Volume 1 in German Lithographs from 1922 to 1957. 12 original lithographs 10 of them in colors Mourlot 281-292; Cramer 44 SIGNED in pen by MARC CHAGALL on the front end paper. With an additional brochure in Lithography of the full front cover and description of the volume 4 pp. Volume II In German. with one brochure in German with 4 pp. with the original lithograph cover. 1962: 12 original lithographs 7 in colors Mourlot 577-578; Cramer 56. Volume III 1962-1968 SIGNED BY MARC CHAGALL to Marc Kinkle IN PEN : 2 original color lithographs Mourlot 577-578; Cramer 77 French text. Volume IV 1969-73: 2 original color lithographs in French Mourlot 729-730; Cramer 94; Volume V In German 1974-79. Volume VI 1980-85. In English. Crown Publishers. Additional references: Monod 2502-2507; Freitag 1561. Verlag Andre Sauret hardcover
1960Best.-Nr. 2463Marc Chagall B. 1887 VITEBSK RUSSIA; D. 1985 SAINT-ST. PAUL-DE-VENCE FRANCE. Monte Carlo and NYC Mourlot 1960-1986. 6 vols. 4to. pp. 220; 209; 179; 180; 250; 224. Illustrated throughout in colour and monochrome. Chagall made 24 original lithographs - most of them coloured - for these volumes. The dust jackets of the first 4 vols are also original colour lithographs."11 Publisher"s cloth and dust jackets. . Two Volumes signed in pen Vol. 1 and Vol III. Andre Sauret. 1960 - 1986. The complete catalogue raisonné of the lithographs. Monte Carlo & NY 1960-1984 1st editions in German French and English the complete set in 6 volumes containing about 1000 pages 28 original full-page lithographs circa 800 color and b&w illustrations. Cloth in decorative paper dust jackets. Vol. 1 the dust jacket is complete the volume is tight and fine inside; the other 5 volumes are flawless in excellent condition. All volumes with English German and French text each volume 13 x 11 in. Volume 1 in German Lithographs from 1922 to 1957. 12 original lithographs 10 of them in colors Mourlot 281-292; Cramer 44 SIGNED in pen by MARC CHAGALL on the front end paper. With an additional brochure in Lithography of the full front cover and description of the volume 4 pp. Volume II In German. with one brochure in German with 4 pp. with the original lithograph cover. 1962: 12 original lithographs 7 in colors Mourlot 577-578; Cramer 56. Volume III 1962-1968 SIGNED BY MARC CHAGALL to Marc Kinkle IN PEN : 2 original color lithographs Mourlot 577-578; Cramer 77 French text. Volume IV 1969-73: 2 original color lithographs in French Mourlot 729-730; Cramer 94; Volume V In German 1974-79. Volume VI 1980-85. In English. Crown Publishers. Additional references: Monod 2502-2507; Freitag 1561. Verlag Andre Sauret hardcover books
Best.-Nr. 22758Paris, Simon Kra, 1926. In-4, 183 pp. 31 pl., demi-maroquin brun à bande verte de Guglielmoni, filets dorés sur les plats, dos à nerfs orné de filets et frises dorés, tête dorée, couverture conservée (dos légèrement insolé, trois minuscules épidermures aux angles des coiffes, pâles rousseurs et décharges).
1963Best.-Nr. 82188Paris:: Andre Sauret Editeur 1963. First edition; No. 8 of 150 copies on Grand Velin d'Arches signed by Marc Chagall and ASndre Sauret. publisher's stiff illustrated wrappers in original glassine; preserved in the original cloth slipcase and lettered chemise. A very fine copy in chemise slightly faded at the spine and slipcase also with some fading at a bump at one corner which does not extend to the contents. . Folio. With two original lithographs created for this publication each numbered and signed by Chagall. The illustration on the binding is also an original lithograph. Illustrated throughout including much in color. Andre Sauret, Editeur, hardcover
Best.-Nr. 4210Chagall Original Pen and Ink Drawing SIGNED and Inscribed in French to Horace Richter art gallery owner Tel Aviv 1951. Chagall has drawn a fanciful artist's palette 7 x 9 inches. On the palette with lines suggesting brushes he writes "Vence 1951." Chagall SIGNED in full to the left of the palette "Marc Chagall" and inscribed above to his friend Horace Richter. Horace Richter 1918-2006 was an art gallery owner in Tel Aviv as well as an art collector. 1951 the date of Chagall's dedication to Richter suggests both attended the Venice Biennial because of past participation in the art event. Chagall was at the Venice Biennial of 1948. He exhibited there and won the graphics prize for his color lithographs. Chagall was in Israel in 1951 his second visit a long time after his first visit in 1931. In the Spring of 1951 he visited at the invitation of President Salman Shazar and attended openings of his solo exhibitions in Jerusalem Haifa and Tel Aviv. In June of 1951 Chagall went to Tel Aviv to arrange an extensive exhibition of his work showing 60 oils over 100 gouaches and watercolors sketches for the theater and opera and more. Additional information on Richter's gallery is available via its web site Richter Gallery. Chagall's sketch is fine in art association. unknown
Best.-Nr. 4210Chagall Original Pen and Ink Drawing SIGNED and Inscribed in French to Horace Richter art gallery owner Tel Aviv 1951. Chagall has drawn a fanciful artist's palette 7 x 9 inches. On the palette with lines suggesting brushes he writes "Vence 1951." Chagall SIGNED in full to the left of the palette "Marc Chagall" and inscribed above to his friend Horace Richter. Horace Richter 1918-2006 was an art gallery owner in Tel Aviv as well as an art collector. 1951 the date of Chagall's dedication to Richter suggests both attended the Venice Biennial because of past participation in the art event. Chagall was at the Venice Biennial of 1948. He exhibited there and won the graphics prize for his color lithographs. Chagall was in Israel in 1951 his second visit a long time after his first visit in 1931. In the Spring of 1951 he visited at the invitation of President Salman Shazar and attended openings of his solo exhibitions in Jerusalem Haifa and Tel Aviv. In June of 1951 Chagall went to Tel Aviv to arrange an extensive exhibition of his work showing 60 oils over 100 gouaches and watercolors sketches for the theater and opera and more. Additional information on Richter's gallery is available via its web site Richter Gallery. Chagall's sketch is fine in art association. unknown books
1926Best.-Nr. 22641Paris, Au Sans Pareil, 1926. Edition originale et premier tirage. In-8°, maroquin bleu turquoise couvrant tout le premier plat, bouquet de fleurs, volontairement modeste et naïf, exécuté en fines mosaïques de maroquin violine et safran, rehaussées de multiples points et tirets dorés. L'armature du bouquet est réalisée à l'aide de filets à froid de tailles et épaisseurs différentes. Dos avec prénom et nom d'auteur, titre et nom de l'artiste en capitales dorées. Deuxième plat muet. Cadre intérieur avec pointillé doré et listel vieux rose. Doublures et garde de faille beige (soie à gros grains), doubles gardes peintes, tranches dorées, couverture et dos conservés, chemise et étui (Françoise Lévy-Bauer).
1931Best.-Nr. CHAGALLM008535�ditions Roberto A. Corr�a Paris. 1931. First edition. Octavo. pp ii 135 ix. Illustrated with black and white plates. Pictorial wrappers. Pages unopened.Out of a total edition of 565 copies this is number 36 of 50 copies on Hollande with laid in at the front two original etchings by Chagall: ''Le Violoniste'' and ''Autoportrait au chevalet''. The latter has been signed by the artist in lower right corner.Covers a bit rubbed at head and tail of spine. Very good. Very scarce. �ditions Roberto A. Corr�a, Paris. unknown
1960Best.-Nr. 10CHAGALL Marc 1887-1985. Les amoureux de la tour Effiel. Signed folio colored lithograph 24 x 19" matted. Paris: 1960. Number 78 of 200 signed by the artist. Fine copy of a delightful lithograph. Mourlot 187.
1954Best.-Nr. 18152(1954). Ca. 38 cm x 28 cm - Mourlot 100. Cramer 24.
Best.-Nr. 15155Paris Editions d'Art Les Heures Claires 1965 in folio (38x29) 1 fort volume broché en faux-feuillets sous couverture rempliée, 220 pages et 5 faux-feuillets non chiffrés, avec 19 planches hors-texte en couleurs et un portrait de A. Warnod en frontispice (phototypie), sous boitage de l'éditeur. Préface de Pierre Brisson. Lithographies de Derain, et Van Dongen (tirées par Lucien Détruit), lithographies de Dufy, Matisse, Chagall, Dunoyer de Segonzac, Cavaillès, Terechkovitch et Carzou. Lithographies de Picasso, et Buffet (tirées par P.-J. Ballon), Lithographies de Miro (tirée par l'atelier Arte), eaux-fortes de Villon et Zadkine (tirée par Manuel Robbe), eau-forte de Braque (tirée par A. et P. Crommelynck). Original etchings by Braque, Jacques Villon, Zadkine. Original woodcuts by Vlaminck, Rouault, Pascin, Utrillo. Original lithographs by Derain, Dufy, Matisse, Van Dongen, Picasso, Chagall (engraved by Sorlier), Dunoyer de Segonzac, Cavaillès, Terechkovitch, Bernard Buffet, Carzou, Miro. Tirage limité à 250 exemplaires numérotés sur grand vélin d'Arches (limited to 250 copies), et quelques exemplaires hors-commerce. Notre exemplaire imprimé sur grand vélin d'Arches est un exemplaire d'artiste, il porte sur la justification la mention imprimée: exemplaire d'artiste. Cet exemplaire est enrichi d'une importante suite de 33 planches de divers états de la décomposition des couleurs de la lithographie de Picasso (sous chemise). Collationné complet. Très bel et rare exemplaire d'artiste ( Photographies sur demande / We can send pictures of this book on simple request )