Chagall, MarcBiblio.com
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1969ref. 603231Chagall in purple ink on his engraved LA COLLINE St. Paul De Vence letterhead watermarked Tenax-Japon-Montgolfier March 1 1969. 8 1/2 in x 11 in; 1 page recto only. Very good. Text in French To Cher ami: I am glad that you are working on the book on ballet that I am looking forward to most impatiently. I hope that Mourlot as made the corrections and that you are happy with them. You write that you would like to come to Saint-Paul in early March. Unfortunately I am leaving tomorrow for a few days in the mountains at Valberg. I will stay for only ten days or so. If you come let me know because I too. would like to see you as well as the book. My wife joins me in sending both of you our friendly greetings. Chagall. Drawings and Watercolors for the Ballet by Jacques Lassaigne. With 68 illustrations including an original Chagall lithograph Mourlot 581.
1969ref. 603231Chagall in purple ink on his engraved LA COLLINE St. Paul De Vence letterhead watermarked Tenax-Japon-Montgolfier March 1 1969. 8 1/2 in x 11 in; 1 page recto only. Very good. Text in French To Cher ami: I am glad that you are working on the book on ballet that I am looking forward to most impatiently. I hope that Mourlot as made the corrections and that you are happy with them. You write that you would like to come to Saint-Paul in early March. Unfortunately I am leaving tomorrow for a few days in the mountains at Valberg. I will stay for only ten days or so. If you come let me know because I too. would like to see you as well as the book. My wife joins me in sending both of you our friendly greetings. Chagall. Drawings and Watercolors for the Ballet by Jacques Lassaigne. With 68 illustrations including an original Chagall lithograph Mourlot 581. books
1952A livre d'artiste with two original etchings (one stylish self'portrait with a palette, and one extremely stylish portrait of the author, a close friend of the artist's) and five original lithographs (one in color, four in bistre) by MARC CHAGALL. Goll's text, a first-person narrative from the point of view of a horse, explores the plight of working people. From a total edition of 200 copies printed on fine Rives wove paper, this copy printed specially for Dr. Louis Schwartz. Large 4to. Loose as issued in original wraps, housed in brown boards (adorned with an original wood-engraving in sanguine by Robert Blanchet) with ribbon ties. FINE AND BRIGHT, WITH NO DEFECTS. LIKE NEW.
1939ref. 785Editions Ambroise Vollard, Paris 1939. Petit in-4 (250 x 195 mm) en feuilles sous couverture illustrée à rabats. 43 GRAVURES ORIGINALES D'ARISTIDE MAILLOL : (une vignette de couverture), frontispice, (vignette de titre), 15 gravures en hors-texte et 27 dans le texte. Table des gravures et colophon illustré d'une vignette. Tirage à 230 exemplaires, celui-ci étant l'un des 170 numérotés sur vélin vergé de Montval au filigrane dessiné par Maillol. Imprimeurs : Henri Jourde pour le texte et Roger Lacourière pour les gravures. Seul livre illustré de pointes-sèches par Maillol et le dernier ouvrage édité par Ambroise Vollard qui allait se tuer dans un accident de voiture quelques semaines après la publication.
1960ref. b30925Andre Sauret / George Braziller 1960. hardcover. Very Good. 4x0x7. Hardcover with dust jacket. Book is in very nice condition text is unmarked and pages are tight. All lithographs present and in perfect shape. Price clipped on dust jacket. Includes publisher's original clear acetate wrap that has 2 tiny split corners. Andre Sauret / George Braziller hardcover
1956ref. 35084Paris: Mourlot 1956. In excellent condition. 35.5 x 26 cm 14 x 1025 inches. Original lithograph in colours published in his series Verve 33/34 of the bible lithographs in Paris. Edition 6500 unsigned and unnumbered copies. Mourlot 132 Mourlot unknown
1960ref. 68391960 Paris, André Sauret, 1960. 25 x 33 cm. 220 pages. Avant propos de Marc Chagall. Notices de Fernand Mourlot. Ouvrage richement illustré et enrichi de 12 LITHOGRAPHIES ORIGINALES tirées par Mourlot Frères (dont la jaquette). Reliure en pleine toile beige de l'éditeur, avec jaquette (lithographie) et rhodoïd. Ouvrage en parfait état et bien complet. Avec dédicace autographe de Marc Chagall, datée de 1961, à Marcelle Berr de Turique (1894-1991), galeriste et critique d'art. "Ma pitite vous m'aimi toujours ?.. ainsi Marc Chagall abordait Marcelle Berr de Turique le soir de l'inauguration du plafond de l'Opéra. Oui, elle l'aimait toujours, comme elle aimait Raoul Dufy ou Suzanne Valadon, et d'autres, artistes authentiques, depuis qu'en 1925 elle avait créé à Paris sa galerie de tableaux." (Anne D. Kapferer). Jointe : une copie roneotypée de l'allocution de Chagall lors de l'inauguration du plafond de Paris, le 23 septembre 1964.
1963ref. 68401963 Paris, André Sauret, 1963. 25 x 33 cm. 209 pages. Ouvrage richement illustré et enrichi de 11 LITHOGRAPHIES ORIGINALES tirées par Mourlot Frères. Reliure en pleine toile beige de l'éditeur, avec jaquette et rhodoïd. Ouvrage en parfait état et bien complet.
1969ref. 68411969 Paris, André Sauret, 1969. 25 x 33 cm. 179 pages. Catalogue et notices de Fernand Mourlot et Charles Sorlier. Ouvrage richement illustré et enrichi de 2 LITHOGRAPHIES ORIGINALES tirées par Mourlot (le frontispice et la jaquette). Reliure en pleine toile beige de l'éditeur, avec jaquette (lithographie) et rhodoïd.Ouvrage en parfait état et bien complet.
1967ref. 2101210006Paris 1967. Art Prints & Posters. Very Good. Signed. Signed by Chagall on matting. Color lithograph by Chagall; framed and matted under glass. Framed dimensions: 49.4 x 42 cm 19 3/8 x 16 1/2 inches. Image dimensions: 24.5 x 20 cm 9 1/2 x 8 inches. Created by Marc Chagall for the Metropolitan Opera's performance of Mozart's The Magic Flute. Chagall created the sets and costumes shown on the stage for the 1967 performance. Chagall designed 39 stage curtains and 121 costumes and masks for the production. His work was exhibited that summer at the Fenimore Art Museum in Cooperstown New York. This image appears to be cropped from the poster. Sorlier Charles. Chagall's Posters: A Catalogue Raisonne 106-107 pp. unknown
ref. 44268Monte Carlo André Sauret 1962. 4° 210 S. 2 Orig.-Lithographien zahlr. meist farbige Abb. meist als Vollbilder OLwd. m. OU und Transp.-Umschlag OU min. randrissig u. -knittrig allg. tadelloses sehr gutes Exemplar. Mit zwei speziell für diese Ausgabe geschaffenen farb. Orig.-Lithographien des Künstlers. Die 36 weiteren Orig.-Lithogr. wurden nach Entwürfe von Chagall von Charles Sorlier auf den Stein übertragen u. bei Mourlot Frères gedruckt. Jeder dieser Lithographien erforderte 15 - 20 Farben. 010 Monte Carlo, André Sauret, 1962 unknown
1951ref. 9480Jerusalem: L'Association des musees d'Israel 1951. First Edition. Softcover. Very good. Octavo 20pp. plus plates and additional 20pp. of text in Hebrew language. Fully bilingual text in French and Hebrew. Mild foxing to the wrappers else a clean sound example of this scarce exhibition catalog. This copy SIGNED boldly by the artist on the front wrapper: "Marc Chagall 1951 Israel." Chagall visited the state of Israel in 1951 for the first time when the new state hosted its first exhibition of his work. It was around this time when he began to move away from painting and into glass windows murals and other large-format works such as the ceiling for the Paris Opera. A significant and quite scarce signed copy of a meaningful document in Chagall's working life commemorating the Jewish artist's first visit to Israel. L'Association des musees d'Israel unknown
ref. 51-2106Paris: Maeght 1969. . Folio. One of 150 numbered portfolios on Rives paper. With 2 original lithographs. Original lithographed cover in green boards and chemise very slightly stained. Cramer no. 81. Mourlot 603bis and 605.This copy does not have the text or reproductions. It has the 2 lithographs and the limitation page of the correct Rives paper.DLM édité en décembre 1969 pour l'exposition de 6 peintures et 24 gouaches de CHAGALL à la Galerie Maeght. Poème d'André Frénaud ""Chant de Marc Chagall"". Texte de Claude Esteban ""Comme un parfait chimiste"". 32 pages non reliées. 2 lithographies originales en double page 4 reproductions en couleurs dont 2 en double page et 18 reproductions en noir. Tirage original." Paris: Maeght, 1969. hardcover
1960ref. 146789New York: The Orion Press 1960. First edition in English of artist Marc Chagall's early autobiography. Oblong octavo original cloth illustrated with twenty drawings by the author. Presentation copy inscribed by the author on the title page "For Lillian Friedman Marc Chagall 1960." Near fine in a very good dust jacket. Translated by Elizabeth Abbott Art critic Robert Hughes referred to Chagall as "the quintessential Jewish artist of the twentieth century" though Chagall saw his work as "not the dream of one people but of all humanity". According to art historian Michael J. Lewis Chagall was considered to be "the last survivor of the first generation of European modernists." In his early autobiography 'My Life' he presents a full picture of village life in Russia into his time in Paris in the years immediately before the First World War. The Orion Press hardcover
1962ref. 102129First 1962 edition.: George Braziller. Fine in Fine dust jacket. 1962. Hardcover. Tall hardcover monograph in bright red cloth gilt titles to cover and spine; in publisher's acetate protected pictorial dustjacket. First Edition1962. Book and jacket are both in near fine to fine condition. This edition was designed and printed with full creative imput from Marc Chagall: it includes two oiriginal full color lithographs prepared by the artist for this editioin and printed by Mourlot Freres Paris. Along with full color fine reproductions throughout. Laid in is a four page Horizon Magazine description and promotional letter to the reader dated September 14 1962 wherein the Co-Publisher Horizon describes in detail the production of the book along with the close workings with the artist. Small sticker memory to upper corner of the front endpaper as well as a smaller one on the upper corner of the front flyleaf. Large 4to. 213 pp. ; 4to 11" - 13" tall . George Braziller hardcover
ref. 07-0750New York: Braziller 1962. WIth two original color lithographs M.365 and M.366 and 36 color lithographs after Chagall by Charles Sorlier. Original Dust jacket with tears and loss of part of front flap.Fold mark at edge of upper right corner of many pages. Not very perceptible in the lithographs. Cramer. no. 49. Text and notes by Jean Leymarie; translated by Elaine Desautels; compiled by Andre Sauret. The text was composed by hand and printed by Imprimerie Nationale de France. The 36 preparatory color designs some in twenty colors were transferred to the stones by Charles Sorlier under the direction of Marc Chagall. These designs along with two original lithographs by Chagall were printed by Mourlot Frerès. New York: Braziller, 1962. unknown
1936ref. 14204Paris: Editions Poesie & Cie 1936. Limited Edition. Softcover. Fine. Octavo 61pp. illustrated on the front cover from a drawing by Marc Chagall. A fine copy in the publisher's printed wrappers very well-preserved with yapped edges showing only the most trivial wear. Original or at least contemporary tissue dust jacket intact. Of an edition of 506 copies this is one of just six printed on Imperial Japon Japan paper. Chagall contributed the design for the figure of the title cover which adorns the front cover. Necessarily rare; we found just one auction sale which soared past its estimate. Editions Poesie & Cie unknown
1957ref. 1626761957. CHAGALL Marc. Chagall. By Jacques Lassaigne. Illustrated with several color lithographs by Chagall some folding and numerous reproductions of Chagall's works. 4to. original illustrated color wrappers. Paris: Maeght Editeur 1957. An important survey of Chagall's work for which he contributed a total of 12 original lithographs. unknown
1957ref. 1626761957. CHAGALL Marc. Chagall. By Jacques Lassaigne. Illustrated with several color lithographs by Chagall some folding and numerous reproductions of Chagall's works. 4to. original illustrated color wrappers. Paris: Maeght Editeur 1957. An important survey of Chagall's work for which he contributed a total of 12 original lithographs. unknown books
1950ref. 1203221950. First Edition. CHAGALL Marc. Verve. Contes de Boccace. Paris: ditions de la Revue Verve 1950. Folio original lithographic dust jacket over boards. $1500.First edition of this exceptional volume of 26 Chagall heliogravures accompanied by 26 tipped-in color prints from a medieval miniaturist.The art critic Stratis Eleftheriades under the nom de plume Triade published the art journal Verve in Paris from 1937 to 1960. He commissioned famous artists of the day from Matisse to Picasso and Chagall to provide works for the journal with numerous lithographs appearing for the first time in his publications. This volume is particularly notable for the unusual medium for Chagall used: ""New washed drawings in India ink which are quite unrelated to anything he had done before. Using black diluted in every possible degree from onyx to the palest shade of gray he produced sheets that give an intensely colorful effectÉ These drawingsÉ were a response to what he saw in his new environment and stemmed from the urge to render in a spontaneous fashion the overwhelming impact of the profusion and light. They also reveal paradoxically the increased importance of color as a medium of expression. In these drawings 'light' does not signify a diminution of the colorfulness but an advance into the zone from which it springs. One might say that the heart of the color is light and from this light Chagall created the colorfulness of his sheets. What this means is visibly demonstrated by the drawings he did at Triade's suggestion for the number of Verve dedicated to Boccaccio's Decameron. What Chagall produced was a present-day counterpart to colored reproductions of the miniatures in a fifteenth-century manuscript of Boccaccio's work. For each of his drawings he drew inspiration from the miniature of the same scene and the old and new illustrations are reproduced side by side in the pages of Verve. In Chagall however everything attains a new meaning. A new logic links the objects of the anecdotic 'tale' and the plot of the love story gives rise to ardent desire and serene joy. What is more in Chagall's large black-and-white plates the light radiates in a far richer modulation of color than the full coloring of the miniaturist's precise magic-lantern pictures"" Meyer 499. Interior fine expert repairs to original boards and wrappers. hardcover
1950ref. 1203221950. First Edition. CHAGALL Marc. Verve. Contes de Boccace. Paris: ditions de la Revue Verve 1950. Folio original lithographic dust jacket over boards. $1500.First edition of this exceptional volume of 26 Chagall heliogravures accompanied by 26 tipped-in color prints from a medieval miniaturist.The art critic Stratis Eleftheriades under the nom de plume Triade published the art journal Verve in Paris from 1937 to 1960. He commissioned famous artists of the day from Matisse to Picasso and Chagall to provide works for the journal with numerous lithographs appearing for the first time in his publications. This volume is particularly notable for the unusual medium for Chagall used: ""New washed drawings in India ink which are quite unrelated to anything he had done before. Using black diluted in every possible degree from onyx to the palest shade of gray he produced sheets that give an intensely colorful effectÉ These drawingsÉ were a response to what he saw in his new environment and stemmed from the urge to render in a spontaneous fashion the overwhelming impact of the profusion and light. They also reveal paradoxically the increased importance of color as a medium of expression. In these drawings 'light' does not signify a diminution of the colorfulness but an advance into the zone from which it springs. One might say that the heart of the color is light and from this light Chagall created the colorfulness of his sheets. What this means is visibly demonstrated by the drawings he did at Triade's suggestion for the number of Verve dedicated to Boccaccio's Decameron. What Chagall produced was a present-day counterpart to colored reproductions of the miniatures in a fifteenth-century manuscript of Boccaccio's work. For each of his drawings he drew inspiration from the miniature of the same scene and the old and new illustrations are reproduced side by side in the pages of Verve. In Chagall however everything attains a new meaning. A new logic links the objects of the anecdotic 'tale' and the plot of the love story gives rise to ardent desire and serene joy. What is more in Chagall's large black-and-white plates the light radiates in a far richer modulation of color than the full coloring of the miniaturist's precise magic-lantern pictures"" Meyer 499. Interior fine expert repairs to original boards and wrappers. hardcover books
1936ref. 2728Paris: Editions Poésie & Cie 1936. First edition. One of the 500 copy. In original paper. In fine conditon. Cover by Marc Chagall. Cover by Marc Chagall. First edition. One of the 500 copy. In original paper. 53 p. Inscribed to José Corti The advertising brochure 2 sheets in-12° of the author's previous work from the same publisher is also presented. José Corti 1895 – 1984. started his business by publishing the work of his surrealist friends including André Breton Paul Éluard and Louis Aragon. Editions Poésie & Cie unknown
1962ref. 000558Marc Chagall Maeght 1400 Couverture souple 1962 Paris Edition originale numéro 132 de la revue " Derrière le miroir ", consacrée à Marc Chagall. Couverture en lithographie + lithographie originale ( double page )
1960ref. 508273Andre Sauret / George Braziller 1960. Hardcover with Dust Jacket. FINE/FINE. The first volume in what would become 6 collected volumes. B/W heliogravures printed by Draeger Freres and 12 original color lithographs produced specially for this volume and printed by Fernand Mourlot whoe designed and edited the volume with Andre Sauret. The dust jacket is also an original illustration by Chagall. 220pp. 4to beige cloth stamped in black. A FINE copy without qualification in FINE jacket with publisher's original acetate wrap. Uncommonly clean and sharp with crisp fresh pages and very tight hinges. Andre Sauret / George Braziller hardcover
1962ref. 170907New York & Monte Carlo: George Brazillier & Abdré Sauret 1962. With two original lithographs First edition in English of this superb presentation of Chagall's magnificent stained-glass windows 12 designs depicting the ancient tribes of Israel which met with worldwide praise and were soon recognized as among the finest specimens of modern religious art. The volume includes bound in as issued two original Chagall lithographs. The windows were first exhibited in Paris in June 1961 and later at the Museum of Modern Art in New York before installation in February 1962 in their permanent home of the Hadassah-Hebrew University Medical Centre in Jerusalem. The Jerusalem Windows published the same year as the French edition Vitraux pour Jerusalem remains the definitive work on the windows and is renowned for the richness of its illustrations. Chagall produced the two original lithographs especially for this book and directed the printing of a further 36 lithographs of preparatory colour designs. Tall quarto. Illustrated throughout with 2 original lithographs and 36 colour preparatory lithographic designs some of which are in 20 colours all printed by Mourlot Fréres with further black and white photographs and illustrations. Original red cloth spine and front cover lettered in gilt pictorial endpapers. With dust jacket. Unclipped jacket extremities lightly rubbed a near-fine copy in near-fine jacket. hardcover
