2,483 results
1957ref. 1626761957. CHAGALL Marc. Chagall. By Jacques Lassaigne. Illustrated with several color lithographs by Chagall some folding and numerous reproductions of Chagall's works. 4to. original illustrated color wrappers. Paris: Maeght Editeur 1957. An important survey of Chagall's work for which he contributed a total of 12 original lithographs. unknown
1957ref. 1626761957. CHAGALL Marc. Chagall. By Jacques Lassaigne. Illustrated with several color lithographs by Chagall some folding and numerous reproductions of Chagall's works. 4to. original illustrated color wrappers. Paris: Maeght Editeur 1957. An important survey of Chagall's work for which he contributed a total of 12 original lithographs. unknown books
1950ref. 1203221950. First Edition. CHAGALL Marc. Verve. Contes de Boccace. Paris: ditions de la Revue Verve 1950. Folio original lithographic dust jacket over boards. $1500.First edition of this exceptional volume of 26 Chagall heliogravures accompanied by 26 tipped-in color prints from a medieval miniaturist.The art critic Stratis Eleftheriades under the nom de plume Triade published the art journal Verve in Paris from 1937 to 1960. He commissioned famous artists of the day from Matisse to Picasso and Chagall to provide works for the journal with numerous lithographs appearing for the first time in his publications. This volume is particularly notable for the unusual medium for Chagall used: ""New washed drawings in India ink which are quite unrelated to anything he had done before. Using black diluted in every possible degree from onyx to the palest shade of gray he produced sheets that give an intensely colorful effectÉ These drawingsÉ were a response to what he saw in his new environment and stemmed from the urge to render in a spontaneous fashion the overwhelming impact of the profusion and light. They also reveal paradoxically the increased importance of color as a medium of expression. In these drawings 'light' does not signify a diminution of the colorfulness but an advance into the zone from which it springs. One might say that the heart of the color is light and from this light Chagall created the colorfulness of his sheets. What this means is visibly demonstrated by the drawings he did at Triade's suggestion for the number of Verve dedicated to Boccaccio's Decameron. What Chagall produced was a present-day counterpart to colored reproductions of the miniatures in a fifteenth-century manuscript of Boccaccio's work. For each of his drawings he drew inspiration from the miniature of the same scene and the old and new illustrations are reproduced side by side in the pages of Verve. In Chagall however everything attains a new meaning. A new logic links the objects of the anecdotic 'tale' and the plot of the love story gives rise to ardent desire and serene joy. What is more in Chagall's large black-and-white plates the light radiates in a far richer modulation of color than the full coloring of the miniaturist's precise magic-lantern pictures"" Meyer 499. Interior fine expert repairs to original boards and wrappers. hardcover
1950ref. 1203221950. First Edition. CHAGALL Marc. Verve. Contes de Boccace. Paris: ditions de la Revue Verve 1950. Folio original lithographic dust jacket over boards. $1500.First edition of this exceptional volume of 26 Chagall heliogravures accompanied by 26 tipped-in color prints from a medieval miniaturist.The art critic Stratis Eleftheriades under the nom de plume Triade published the art journal Verve in Paris from 1937 to 1960. He commissioned famous artists of the day from Matisse to Picasso and Chagall to provide works for the journal with numerous lithographs appearing for the first time in his publications. This volume is particularly notable for the unusual medium for Chagall used: ""New washed drawings in India ink which are quite unrelated to anything he had done before. Using black diluted in every possible degree from onyx to the palest shade of gray he produced sheets that give an intensely colorful effectÉ These drawingsÉ were a response to what he saw in his new environment and stemmed from the urge to render in a spontaneous fashion the overwhelming impact of the profusion and light. They also reveal paradoxically the increased importance of color as a medium of expression. In these drawings 'light' does not signify a diminution of the colorfulness but an advance into the zone from which it springs. One might say that the heart of the color is light and from this light Chagall created the colorfulness of his sheets. What this means is visibly demonstrated by the drawings he did at Triade's suggestion for the number of Verve dedicated to Boccaccio's Decameron. What Chagall produced was a present-day counterpart to colored reproductions of the miniatures in a fifteenth-century manuscript of Boccaccio's work. For each of his drawings he drew inspiration from the miniature of the same scene and the old and new illustrations are reproduced side by side in the pages of Verve. In Chagall however everything attains a new meaning. A new logic links the objects of the anecdotic 'tale' and the plot of the love story gives rise to ardent desire and serene joy. What is more in Chagall's large black-and-white plates the light radiates in a far richer modulation of color than the full coloring of the miniaturist's precise magic-lantern pictures"" Meyer 499. Interior fine expert repairs to original boards and wrappers. hardcover books
1936ref. 2728Paris: Editions Poésie & Cie 1936. First edition. One of the 500 copy. In original paper. In fine conditon. Cover by Marc Chagall. Cover by Marc Chagall. First edition. One of the 500 copy. In original paper. 53 p. Inscribed to José Corti The advertising brochure 2 sheets in-12° of the author's previous work from the same publisher is also presented. José Corti 1895 – 1984. started his business by publishing the work of his surrealist friends including André Breton Paul Éluard and Louis Aragon. Editions Poésie & Cie unknown
1962ref. 000558Marc Chagall Maeght 1400 Couverture souple 1962 Paris Edition originale numéro 132 de la revue " Derrière le miroir ", consacrée à Marc Chagall. Couverture en lithographie + lithographie originale ( double page )
1960ref. 508273Andre Sauret / George Braziller 1960. Hardcover with Dust Jacket. FINE/FINE. The first volume in what would become 6 collected volumes. B/W heliogravures printed by Draeger Freres and 12 original color lithographs produced specially for this volume and printed by Fernand Mourlot whoe designed and edited the volume with Andre Sauret. The dust jacket is also an original illustration by Chagall. 220pp. 4to beige cloth stamped in black. A FINE copy without qualification in FINE jacket with publisher's original acetate wrap. Uncommonly clean and sharp with crisp fresh pages and very tight hinges. Andre Sauret / George Braziller hardcover
1962ref. 170907New York & Monte Carlo: George Brazillier & Abdré Sauret 1962. With two original lithographs First edition in English of this superb presentation of Chagall's magnificent stained-glass windows 12 designs depicting the ancient tribes of Israel which met with worldwide praise and were soon recognized as among the finest specimens of modern religious art. The volume includes bound in as issued two original Chagall lithographs. The windows were first exhibited in Paris in June 1961 and later at the Museum of Modern Art in New York before installation in February 1962 in their permanent home of the Hadassah-Hebrew University Medical Centre in Jerusalem. The Jerusalem Windows published the same year as the French edition Vitraux pour Jerusalem remains the definitive work on the windows and is renowned for the richness of its illustrations. Chagall produced the two original lithographs especially for this book and directed the printing of a further 36 lithographs of preparatory colour designs. Tall quarto. Illustrated throughout with 2 original lithographs and 36 colour preparatory lithographic designs some of which are in 20 colours all printed by Mourlot Fréres with further black and white photographs and illustrations. Original red cloth spine and front cover lettered in gilt pictorial endpapers. With dust jacket. Unclipped jacket extremities lightly rubbed a near-fine copy in near-fine jacket. hardcover
1965ref. 14562AB1965. Paris Mourlot 1965. 635 : 985 cm. Colour lithograph poster. Limited editon published by and for the French Goverment. A beautiful printed tribute to Hector Berlioz for Romeo and Juliiet from Chagalls's ceiling for the Paris Opera. Also included is Chagall's rendering of the Palace de la Concorde and the Arc de Triomphe. - Solier 96. unknown
ref. 379791Galerie Maeght - Editions Pierre à Feu Paris 1956 Numéro 92-93 de 1956, de cette revue in-folio ( 380 X 280 mm ), en feuilles sous couverture illustrée en couleurs, publié en décembre 1956. Catalogue général des éditions Maeght de 1946 à 1956. Texte de Georges Limbour. 78 pages non reliées. Lithographies originales de Juan MIRO, Marc CHAGALL et Jean BAZAINE. Eaux-fortes rayées de Juan MIRO et Alberto GIACOMETTI. Bois gravé original de Raoul UBAC en couverture. Edition originale et premier tirage. Très bel exemplaire.
1962ref. 45383Monte Carlo; Andre Sauret 1962. First Edition. Hardback. Fine cloth copy in a near fine very slightly edge-nicked and dust-dulled dw now mylar-sleeved. Remains particularly and surprisingly well-preserved; tight bright clean and sharp-cornered. Scans and additional bibliographic data on request. ; 210 pages; Complete with two original lithographs and 12 additional color plates. Subjects: Bet ha-h Olim ""Hadasah"" Jerusalem . Synagogue. Glass painting and staining--Jerusalem--History--20th century. Monte Carlo; Andre Sauret hardcover
1969ref. 136398Maeght 1969 In-folio, en feuilles sous couverture rempliée, chemise et emboîtage un peu terni. 2 lithographies originales en couleurs dont la couverture et 1 en double page "Le Peintre Devant le Village" and "Reverie" 4 reproductions en couleurs dont 2 en double page. 18 reproductions en noir et blanc. Poème d'André Fraynaud, texte de Claude Esteban
1969ref. 135737Andre Sauret 1969 In-4 330 x 250 mm. Toile éditeur, jaquette lithographiée en couleurs, rodhoïd, 179 pp.. Edition originale du troisième volume du catalogue raisonné des lithographies de l'artiste. Contient 2 lithographies originales en couleurs, dont la couverture, tirées par Mourlot. Bel envoi de l’artiste signé et daté de 1974-5, au crayon gras rouge et vert, adressé au Dr Mattei, son médecin à Saint-Paul de Vence. Jaquette lég. effrangée en tête, dos un peu passé. Très bon exemplaire.
1962ref. 319597New York: George Braziller 1962. First Edition; First Printing. Hardcover. Very Good in a Very Good dust jacket. Small closed tear on top front panel. 1 inch closed tear on bottom rear panel. Shelfwear on spine crown and front panel top corner. With 104 plates and 2 original colored lithographs by Chagall exclusively for this edition.; 4to 11" - 13" tall. George Braziller hardcover
1957ref. 429216Paris: Maeght Editeur 1957. Softcover. Near Fine/Very Good. First edition. Small quarto. 177pp. Contains all 15 lithographs as called for 13 in color including the wrapper frontispiece and 4 fold-outs plus 2 in black-and-white as well as a number of black-and-white and color reproductions. Text in French by Jacque Lassaigne and Chagall. Stiff illustrated wrappers. Extremities and spine age-toned and with one small closed tear in rear panel label from Wittenborn Art Books New York mounted on rear fly near fine in the original mylar dust jacket very good with chip on spine tail and small closed tear on rear panel. An almost near fine copy not usually found in this condition. Maeght Editeur unknown
ref. 23446ARTNew York/France: George Braziller Inc./In Association with Horizon Magazine 1962 214 pp. Original red cloth covers w/ titles in gilt. Binding very bright and clean. DJ has minimal wear to top and bottom edges and is protected by the original heavy mylar cover. Contents are complete including the 2 original lithographs created especially for this work. Comes in the original gray "mailer" cardboard case that is lacking the smaller top or bottom piece. Illust. w/ tremendously bold bright and beautiful art work by Marc Chagall. . Hard Cover. Fine/Near Fine. Folio - over 12" - 15" tall. George Braziller, Inc./In Association with Horizon Magazine Hardcover
1957ref. 53749New York: Harry N. Abrams 1957. First edition. Hardcover. vg to near fine. Quarto. xxxviii 151pp. 1. Illustrated purple and red dust jacket. Beige cloth boards with illustration in black on the front cover black lettering on the spine. Illustrated endpapers. Original torn publisher's belly band laid in at the interior front cover. This unique copy contains two inscriptions to former president of Israel Zalman Shazar 1889-1974 in pen on the title page. One at the top is a 75th birthday gift inscription in Hebrew from a unidentified friend of Shazar and below it is another warm inscription from artist Marc Chagall in Yiddish dated 1964. Chagall writes: "In honor of the president and my good friend Z. Shazar with love Marc Chagall Jerusalem 1964". It can be assumed that Shazar's friend gave him the book as a gift and Marc Chagall who was present at the time also inscribed it to him. This monograph showcases Marc Chagall's graphic work from the years 1922-1957 and includes a total of 148 images reproducing the artist's work. Most images are in b/w with six in color and can be divided roughly into five major stages of Chagall's career: etchings for his autobiography - illustrations for Gogol's "Dead Souls" 1923-27 - etchings for La Fontaine's "Fables" 1927-30 - illustrations for the Bible - his post-war lithographs. All images are finely printed mostly in high quality offset with a few b/w images being lithographic. Dust jacket with some minor to light rubbing and creasing to extremities. Binding with very minor age toning along the bottom edge of the front cover. A few light stains to the top edge of the book block. Interior clean throughout with book block tight overall. Dj in very good binding and interior in very good to near fine condition overall. Harry N. Abrams hardcover
ref. 02-1130New York: Braziller 1962. With two original color lithographs M.365 and M.366 and 36 color lithographs after Chagall by Charles Sorlier. Excellent original dust jacket with price clipped. Cramer. no. 49. Ex libris on paste-down of Deana N Bezark born Newberger 1908 – 1998. Parents: Herman Hyman Newberger and Johanna Yoheved Newberger born Fischer. Deana married Leslie Bezark. Leslie was born in 1906 in Chicago Cook County Illinois. Text and notes by Jean Leymarie; translated by Elaine Desautels; compiled by Andre Sauret. The text was composed by hand and printed by Imprimerie Nationale de France. The 36 preparatory color designs some in twenty colors were transferred to the stones by Charles Sorlier under the direction of Marc Chagall. These designs along with two original lithographs by Chagall were printed by Mourlot Frerès. New York: Braziller, 1962. unknown
1957ref. 429216Paris: Maeght Editeur 1957. Softcover. Near Fine/Very Good. First edition. Small quarto. 177pp. Contains all 15 lithographs as called for 13 in color including the wrapper frontispiece and 4 fold-outs plus 2 in black-and-white as well as a number of black-and-white and color reproductions. Text in French by Jacque Lassaigne and Chagall. Stiff illustrated wrappers. Extremities and spine age-toned and with one small closed tear in rear panel label from Wittenborn Art Books New York mounted on rear fly near fine in the original mylar dust jacket very good with chip on spine tail and small closed tear on rear panel. An almost near fine copy not usually found in this condition. Maeght Editeur unknown books
1957ref. 53749New York: Harry N. Abrams 1957. First edition. Hardcover. vg to near fine. Quarto. xxxviii 151pp. 1. Illustrated purple and red dust jacket. Beige cloth boards with illustration in black on the front cover black lettering on the spine. Illustrated endpapers. Original torn publisher's belly band laid in at the interior front cover. This unique copy contains two inscriptions to former president of Israel Zalman Shazar 1889-1974 in pen on the title page. One at the top is a 75th birthday gift inscription in Hebrew from a unidentified friend of Shazar and below it is another warm inscription from artist Marc Chagall in Yiddish dated 1964. Chagall writes: "In honor of the president and my good friend Z. Shazar with love Marc Chagall Jerusalem 1964". It can be assumed that Shazar's friend gave him the book as a gift and Marc Chagall who was present at the time also inscribed it to him. This monograph showcases Marc Chagall's graphic work from the years 1922-1957 and includes a total of 148 images reproducing the artist's work. Most images are in b/w with six in color and can be divided roughly into five major stages of Chagall's career: etchings for his autobiography - illustrations for Gogol's "Dead Souls" 1923-27 - etchings for La Fontaine's "Fables" 1927-30 - illustrations for the Bible - his post-war lithographs. All images are finely printed mostly in high quality offset with a few b/w images being lithographic. Dust jacket with some minor to light rubbing and creasing to extremities. Binding with very minor age toning along the bottom edge of the front cover. A few light stains to the top edge of the book block. Interior clean throughout with book block tight overall. Dj in very good binding and interior in very good to near fine condition overall. Harry N. Abrams hardcover books
1947ref. 1473-2Tériade Éditeur, Paris 1947. 1 volume in-4 (307 x 223 mm) en feuilles, 96 pages, couverture illustrée rempliée, chemise-étui de l'éditeur. 68 BOIS ORIGINAUX DE HENRI LAURENS. dont 23 à pleine page et 3 en noir et or, ornements typographiques sur fonds or. Édition : 270 exemplaires numérotés sur vélin d' Arches (40 + 210 + XX), celui-ci l'un des 40 DE TÊTE ENRICHI D'UNE SUBLIME SUITE SUR JAPON ANCIEN (n° 24, signé). Le livre est signé par l'artiste à la page de justification. Bel exemplaire, rarissime avec suite. réf : Brusberg 24.
1953ref. 808Paris Maeght éditeur, 1953. In-folio (380 x 280 mm) en feuilles, 20 pages non paginées et un feuillet dépliant imprimé. 12 LITHOGRAPHIES ORIGINALES EN COULEURS dont 1 en double page et la célèbre composition "Nocturne" en quintuple page. L'ouvrage est entièrement composé et lithographié en couleurs par Joan Miro. Textes et inscriptions par Miro. DLM édité en juin 1953 pour l'exposition, à la Galerie Maeght, de 63 peintures et 36 eaux-fortes originales de 1952 et 1953 . Tirage original d'une grande rareté. Excellent état de conservation, le célèbre "Nocturne" à l'état de neuf.
1963ref. 199579-1Monte Carlo, Sauret ( 1963). 4°. 208 S. Mit 12 Original-Lithographien (davon 7 farb. incl. Umschlag). Original-Leinenband mit Schutzumschlag. u. Transparentschutzhülle.
1967ref. 150516London : The Redfern Gallery 1967. 1st Edition . Soft cover. Very Good/Very Good. 4to - over 9¾ - 12" tall. original card covers all illustrations correct as called for 50 pages limited to 1500 copies wrapper lightly browned very slight offsetting to title page otherwise a very good bright complete copy in lightly browned very good wrapper. We are a real bookshop with real books situated in and shipping from the United Kingdom. Shelf H. The Redfern Gallery paperback
1962ref. 001241New York: George Braziller / Andre Sauret 1962. First American Edition. . Cloth. Very Fine/Very Fine. Marc Chagall. Original red cloth in mylar protected dust jacket housed in publisher's cardboard slipcase. First edition in English. 211 pp. 1 blank 1 1 blank pp. 104 plates 64 of which are in full color 2 original colored lithographs done expressly for this edition. Text and notes by Jean Leymarie; translated by Elaine Desautels; compiled by Andre Sauret. The text was composed by hand and printed by Imprimerie Nationale de France. The 36 preparatory color designs some in twenty colors were transferred to the stones by Charles Sorlier under the direction of Marc Chagall. These designs along with two original lithographs by Chagall were printed by Mourlot Freres. The other reproductions and the binding are by Draeger Freres. In RARE original publishers' cardboard slipcase and protective acetate cover price intact. An exceptionally clean tight and bright copy. Cramer 49 Size: Folio George Braziller / Andre Sauret hardcover