CHAGALL, MARCBiblio.com
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ref. 4210Chagall Original Pen and Ink Drawing SIGNED and Inscribed in French to Horace Richter art gallery owner Tel Aviv 1951. Chagall has drawn a fanciful artist's palette 7 x 9 inches. On the palette with lines suggesting brushes he writes "Vence 1951." Chagall SIGNED in full to the left of the palette "Marc Chagall" and inscribed above to his friend Horace Richter. Horace Richter 1918-2006 was an art gallery owner in Tel Aviv as well as an art collector. 1951 the date of Chagall's dedication to Richter suggests both attended the Venice Biennial because of past participation in the art event. Chagall was at the Venice Biennial of 1948. He exhibited there and won the graphics prize for his color lithographs. Chagall was in Israel in 1951 his second visit a long time after his first visit in 1931. In the Spring of 1951 he visited at the invitation of President Salman Shazar and attended openings of his solo exhibitions in Jerusalem Haifa and Tel Aviv. In June of 1951 Chagall went to Tel Aviv to arrange an extensive exhibition of his work showing 60 oils over 100 gouaches and watercolors sketches for the theater and opera and more. Additional information on Richter's gallery is available via its web site Richter Gallery. Chagall's sketch is fine in art association. unknown
ref. 4210Chagall Original Pen and Ink Drawing SIGNED and Inscribed in French to Horace Richter art gallery owner Tel Aviv 1951. Chagall has drawn a fanciful artist's palette 7 x 9 inches. On the palette with lines suggesting brushes he writes "Vence 1951." Chagall SIGNED in full to the left of the palette "Marc Chagall" and inscribed above to his friend Horace Richter. Horace Richter 1918-2006 was an art gallery owner in Tel Aviv as well as an art collector. 1951 the date of Chagall's dedication to Richter suggests both attended the Venice Biennial because of past participation in the art event. Chagall was at the Venice Biennial of 1948. He exhibited there and won the graphics prize for his color lithographs. Chagall was in Israel in 1951 his second visit a long time after his first visit in 1931. In the Spring of 1951 he visited at the invitation of President Salman Shazar and attended openings of his solo exhibitions in Jerusalem Haifa and Tel Aviv. In June of 1951 Chagall went to Tel Aviv to arrange an extensive exhibition of his work showing 60 oils over 100 gouaches and watercolors sketches for the theater and opera and more. Additional information on Richter's gallery is available via its web site Richter Gallery. Chagall's sketch is fine in art association. unknown books
1926ref. 22641Paris, Au Sans Pareil, 1926. Edition originale et premier tirage. In-8°, maroquin bleu turquoise couvrant tout le premier plat, bouquet de fleurs, volontairement modeste et naïf, exécuté en fines mosaïques de maroquin violine et safran, rehaussées de multiples points et tirets dorés. L'armature du bouquet est réalisée à l'aide de filets à froid de tailles et épaisseurs différentes. Dos avec prénom et nom d'auteur, titre et nom de l'artiste en capitales dorées. Deuxième plat muet. Cadre intérieur avec pointillé doré et listel vieux rose. Doublures et garde de faille beige (soie à gros grains), doubles gardes peintes, tranches dorées, couverture et dos conservés, chemise et étui (Françoise Lévy-Bauer).
1931ref. CHAGALLM008535�ditions Roberto A. Corr�a Paris. 1931. First edition. Octavo. pp ii 135 ix. Illustrated with black and white plates. Pictorial wrappers. Pages unopened.Out of a total edition of 565 copies this is number 36 of 50 copies on Hollande with laid in at the front two original etchings by Chagall: ''Le Violoniste'' and ''Autoportrait au chevalet''. The latter has been signed by the artist in lower right corner.Covers a bit rubbed at head and tail of spine. Very good. Very scarce. �ditions Roberto A. Corr�a, Paris. unknown
1960ref. 10CHAGALL Marc 1887-1985. Les amoureux de la tour Effiel. Signed folio colored lithograph 24 x 19" matted. Paris: 1960. Number 78 of 200 signed by the artist. Fine copy of a delightful lithograph. Mourlot 187.
1954ref. 18152(1954). Ca. 38 cm x 28 cm - Mourlot 100. Cramer 24.
ref. 15155Paris Editions d'Art Les Heures Claires 1965 in folio (38x29) 1 fort volume broché en faux-feuillets sous couverture rempliée, 220 pages et 5 faux-feuillets non chiffrés, avec 19 planches hors-texte en couleurs et un portrait de A. Warnod en frontispice (phototypie), sous boitage de l'éditeur. Préface de Pierre Brisson. Lithographies de Derain, et Van Dongen (tirées par Lucien Détruit), lithographies de Dufy, Matisse, Chagall, Dunoyer de Segonzac, Cavaillès, Terechkovitch et Carzou. Lithographies de Picasso, et Buffet (tirées par P.-J. Ballon), Lithographies de Miro (tirée par l'atelier Arte), eaux-fortes de Villon et Zadkine (tirée par Manuel Robbe), eau-forte de Braque (tirée par A. et P. Crommelynck). Original etchings by Braque, Jacques Villon, Zadkine. Original woodcuts by Vlaminck, Rouault, Pascin, Utrillo. Original lithographs by Derain, Dufy, Matisse, Van Dongen, Picasso, Chagall (engraved by Sorlier), Dunoyer de Segonzac, Cavaillès, Terechkovitch, Bernard Buffet, Carzou, Miro. Tirage limité à 250 exemplaires numérotés sur grand vélin d'Arches (limited to 250 copies), et quelques exemplaires hors-commerce. Notre exemplaire imprimé sur grand vélin d'Arches est un exemplaire d'artiste, il porte sur la justification la mention imprimée: exemplaire d'artiste. Cet exemplaire est enrichi d'une importante suite de 33 planches de divers états de la décomposition des couleurs de la lithographie de Picasso (sous chemise). Collationné complet. Très bel et rare exemplaire d'artiste ( Photographies sur demande / We can send pictures of this book on simple request )
ref. 29050Paris Simon Kra 1926. 1 vol. 195 x 260 mm de 4 f. blanc faux-titre frontispice titre 183 p. et 1 f. Broché couverture imprimée en vert et noir sous chemise et étui A. Devauchelle. . Édition originale. Tirage limité à 300 exemplaires. Un des 44 exemplaires sur hollande n° 56 avec une suite en bistre des 15 eaux-fortes originales de Marc Chagall et une planche libre à l'eau-forte que seuls les exemplaires de tête japon et hollande soit les 60 premiers contiennent. . Un des livres importants de la période parisienne de Chagall qui illustre ici sept nouvelles chacune écrite par un auteur différent : Jean Giraudoux L'Orgueil Paul Morand L'Avarice Pierre Mac Orlan La Luxure André Salmon L'Envie Max Jacob La Gourmandise Jacques de Lacretelle La Colère et Joseph Kessel La Paresse. Chagall compose pour elles quinze eaux-fortes qui ne se contentent pas d'illustrer le propos moral mais recomposent le cycle des vices dans son propre vocabulaire esthétique. Une réussite. Très bel exemplaire. Paris, Simon Kra, 1926. 1 vol. (195 x 260 mm) de 4 f. (blanc, faux-titre, frontispice, titre), [183 p.] et [1] f. Broché, couve unknown
1926ref. 29050Exemplaire sur hollande avec l'eau-forte libre Paris, Simon Kra, 1926. 1 vol. (195 x 260 mm) de 4 f. (blanc, faux-titre, frontispice, titre), [183 p.] et [1] f. Broché, couverture imprimée en vert et noir, sous chemise et étui (A. Devauchelle). Édition originale. Tirage limité à 300 exemplaires. Un des 44 exemplaires sur hollande (n° 56 ), avec une suite en bistre des 15 eaux-fortes originales de Marc Chagall, et une planche libre à l'eau-forte, que seuls les exemplaires de tête (japon et hollande, soit les 60 premiers) contiennent.
1955ref. 1911Paris, Maeght, 1955. Un volume in-folio en feuilles, couverture illustrée d'une gravure en couleurs à l'aquatinte et carborundum, vernie par l'artiste lui-même, étui-chemise éditeur décoré de collages de papiers de couleur. - 20 EAUX-FORTES ORIGINALES DE GEORGES BRAQUE : 16 gravures hors-texte exécutées en 1932 pour Ambroise Vollard, et 4 gravures réalisées en 1953 : la couverture en 5 couleurs vernie au pinceau par l'artiste, le frontispice en 2 couleurs, la tête de chapitre et le cul-de-lampe. - Tirage à 150 exemplaires numérotés sur Auvergne et signés par l'artiste. Celui-ci le n° 23 signé par Braque. Tirage unique - Conservé en parfait état. - Note historique : En 1931, Braque illustre la Théogonie du poète grec Hésiode (VIIe siècle av. J.-C) pour le marchand, éditeur et passionné de gravure, Ambroise Vollard. Le récit, consacré à la naissance de l’univers et à l’origine des dieux, est considéré comme l’un des grands textes de la mythologie grecque. Entre 1932 et 1935, l’artiste exécute une série de seize eaux-fortes qui seront publiées par Maeght en 1955 : ligne noire imprimée sur fond blanc pour les gravures et, en négatif, ligne blanche découpée sur fond noir pour les plâtres peints et gravés que Braque crée en parallèle. Comme les figures mythologiques et les natures mortes de l’époque, ces œuvres possèdent un style curvilinéaire et propice à la métamorphose. (The Artist and the Book 38). --- ENGLISH DESCRIPTION: GEORGES BRAQUE (1882-1963). THEOGONIA - the complete set of twenty (20) etchings, title paper, text in Greek by Hesiod, justification, and index of plates on Auvergne paper, watermark Montval, 1932-1955, one of the 150 (n. 23), signed in pencil on the the justification, published by Maeght Editeur, Paris, 1955, in mint good condition, loose (as issued), with paper wrappers, within black paper-covered boards and slipcase, with collage design on front and back, title, artist's and author's name on spine. Overall: 18 x 13 7/8 in. (457 x 352 mm.) Condition : near mint, a beautiful copy with the editor decorated slipcase in near mint condition too.
1960ref. 74797Marc Chagall Der Engel The Angel 1960 Lithograph Hand Signed lower right Numbered 13/100 Image size: 32x26.5 cm Frame size: 76 x 63.5 x 5 cm Printed by Mourlot Paris. Published by André Suaret Paris. Reference Cramer 43 Mourlot 288.
1956ref. 38412Paris: Mourlot 1956. In very good to excellent condition. 35.6 x 266 cm 14 x 105 inches. Original signed color lithograph by Marc Chagall signed in pencil by the artist from Original Signed Lithograph 1956. Published by Mourlot 1956. Printed by Mourlot Paris. Sheet: 35.6 x 266 cm 14 x 105 inches. One of Chagall's most celebrated biblical prints a collector's original not a reproduction. Marc Chagall 7 July 1887 28 March 1985 was one of the most celebrated and beloved artists of the 20th century. Born Marc Zakharovich Shagal in Vitebsk Belarus then part of the Russian Empire he trained in Saint Petersburg before moving to Paris in 1910 where he became part of the vibrant avant-garde of Montparnasse. Drawing on Jewish folk tradition Russian culture and the imagery of his Belarusian childhood Chagall developed a uniquely dreamlike visual language infused with lovers floating above villages fiddlers on rooftops animals angels and mystical biblical scenes. Associated with Fauvism Cubism and Surrealismyet belonging to nonehe was the quintessential 'School of Paris' master. His monumental stained-glass windows ceiling paintings including the Paris Opéra and tapestries brought his vision to public spaces worldwide. Chagall's work is held at MoMA in New York the Tate in London the Centre Pompidou in Paris the Guggenheim and the Musée National Marc Chagall in Niceinaugurated in 1973 and dedicated to his biblical message cycle. He remains one of the most sought-after names in 20th-century prints with original lithographs consistently coveted by collectors worldwide.Signed original lithographs by Marc Chagall are among the most prized items in the modern prints market. Printed at the Mourlot studio in Pariswhere Chagall worked closely with Fernand Mourlot from 1950 onwardand signed by the artist in pencil these works carry the direct authentication of one of the 20th century's greatest graphic artists.This original color lithograph sheet: 35.6 x 266 cm 14 x 105 inches depicts 'David and Bathseba - signed' signed in pencil by the artist. Published in 1956 by Mourlot this work is a fine example of Chagall's graphic production of the period printed at the celebrated Mourlot studio in Paris under the direct supervision of Fernand Mourlot. Each color was applied from a separate lithographic stone resulting in the luminous layered palette that makes Chagall's prints instantly recognizable. Chagall's biblical lithographs are among the most sought-after prints in his œuvre combining deep spiritual feeling with the dreamlike palette and symbolic imagery that define his unique vision. Collectors of 20th-century graphic art prize these works for their authenticity as original lithographsnot reproductionsand for their place in one of the most celebrated print suites of the postwar era. In very good to excellent condition. David and Bathseba is probably Chagalls most saught illustration of his famous bible series which were published in 1956 in Paris. Overall a very well preserved example of this hand signed original color lithograph. Mourlot 132 Mourlot unknown
1958ref. N - 2026 - 12Couleur Amour 13 Aquarelles. Gouaches Lavis de Marc Chagall. Au Vent d'Arles. Paris 1958 Preface by Jean Cassou. Large portfolio with 13 pochoirs realized by Daniel Jacomet after Chagall art works. Limited and numbered edition of 300 copies in Arabic N. 29 20 out of commerce in Roman I to XX printed in Richard de Bass paper especially watermarked for this edition. Loose as issued and collected in the original pictorial cloth portfolio folder especially executed by Chagall. Au Vent d'Arles
1958ref. N - 2026 - 12Couleur Amour 13 Aquarelles. Gouaches Lavis de Marc Chagall. Au Vent d'Arles. Paris 1958 Preface by Jean Cassou. Large portfolio with 13 pochoirs realized by Daniel Jacomet after Chagall art works. Limited and numbered edition of 300 copies in Arabic N. 29 20 out of commerce in Roman I to XX printed in Richard de Bass paper especially watermarked for this edition. Loose as issued and collected in the original pictorial cloth portfolio folder especially executed by Chagall. Au Vent d'Arles books
1960ref. 74909Marc Chagall The Tree of Jesse L'Arbre de Jessé 1960 Colour lithograph on Arches paper Hand signed lower right Edition 88/90 lower left Image size: 56 x 38 cm Frame size: 74.5 x 64.5 x 3 cm Published by Maeght Editeur Paris Reference: Mourlot 297 Cramer 40 Gallery COA
ref. 10035AB1972. Paris Mourlot 1972. 31 : 225 cm. 100 pages 1 leaf with 10 original colour lithographs by Marc Chagall. Original wrappers in original cloth-portfolio and original cloth-slipcase. One of only 205 numbered copies on velin d'Arches. Imprint signed by Chagall and the author in pencil. Very rare and in perfect condition. - A true collector's gem this rare limited edition of La Féerie et le Royaume is a stunning example of fine bookmaking and artistic mastery. Printed on vélin d'Arches this edition was strictly limited to 205 numbered copies all of which are hand-signed by both the author and the legendary artist Marc Chagall. This particular copy is No. 118 making it a valuable and unique piece for any collector of rare books or Chagall's artwork. The book was produced with the highest standards of craftsmanship and its exclusivity is further enhanced by the fact that only a handful of copies were made available outside of private reserves. - Marc Chagall one of the most celebrated artists of the 20th century brought his unmistakable dreamlike vision to this edition making it not just a literary treasure but also a work of art. His signature on this copy adds immense value making it a highly desirable item for collectors of Chagall's work bibliophiles and lovers of fine art books. - A perfect acquisition for rare book collectors art enthusiasts and investors this edition of La Féerie et le Royaume is a true masterpiece that will only grow in value over time. - Cramer Les Livres illustrés 88; Mourlot 668 - 677; Monod 1799. hardcover
Die schönste moderne Ausgabe von Shakespeares Komödie "The Tempest" mit 50 Orig.-Lithographien von Marc Chagall. Eines von 250 numerierten Exemplaren, im Druckvermerk von Chagall signiert. Tadellos in der Erhaltung. - Mourlot 846-895.
ref. 182344Geneva: Gerald Cramer 1979. With 30 original etchings Signed limited issue number 74 of 160 copies signed by the artist on the limitation notice. Quarto. Housed in original slipcase. 30 original etchings with aquatint by Chagall in black on ochre ground. Original full vellum binding and slipcase printed on arches vellum paper. Spine and front board lettered in gilt. A little foxing and dust-soiling to slipcase and boards front board slightly toned: a near-fine copy. Cramer Books 108. hardcover
1972ref. 74763MARC CHAGALL Camille Bourniquel La Féerie et le Royaume Fernand Mourlot Paris 1972 M. 668-677; C. books 88 The complete set of ten lithographs in colors 1972 Hors-texte title page text in French and justification on Arches Signed in pencil on the justification by both the artist and the author Edition 158 of 205 The full sheets Loose as issued folded paper covers beige cloth-covered boards and matching slipcase with title in gilt on the spine. 12 x 9 in. 312 x 234 mm. All offers are welcomed Fernand Mourlot hardcover
ref. 83094Harcourt Brace and Co. . As New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - TWO 2 VOLUMES published 1956 and 1960. Text in English. One volume entitled "ILLUSTRATIONS" with text by Jean Wahl an appreciation by Meyer Schapiro 28 lithographs including 16 in color and 105 heliogravure plates. Another volume entitled "DRAWINGS" with text by Gaston Bachelard 96 reproductions in b/w & 24 color lithographs. Folio. -- with a bonus offer-- . N.D. Harcourt, Brace and Co. hardcover
ref. 182357Paris: Fernand Mourlot 1972. From Chagall's estate signed by artist and author First edition number 15 of 205 copies on vélin d'Arches signed by the artist and author. A novelist poet and art critic Bourniquel had been literary director of Esprit since 1957 and had won the Prix Médicis in 1970 for Sélinonte ou La Chambre impériale. Closely connected with the painters of his generation he here offers a series of reflections on Chagall's work accompanied by ten original colour lithographs. The book belongs to the later phase of Chagall's nearly sixty-year engagement with the illustrated book a medium in which the relationship between text and image offered him a continuing field for experiment. The text was printed at the Imprimerie Nationale and the lithographs on Mourlot's presses in Paris; the work was completed on 20 March 1972. This copy was retained in Chagall's estate until its sale at Sotheby's in 2025. Quarto. With 10 full-page colour lithographs on velin d'Arches paper. Loose as issued in white wrappers front cover lettered in black. Original cream cloth chemise and matching slipcase lettering to spine in gilt. Occasional offsetting from plates couple of marks to slipcase: a near-fine copy. Cramer 88; Mourlot 668-77. hardcover
1964ref. 191163Paris: Mourlot 1964. One of 12 prints from the Twelve Maquettes of Stained Glass Windows for Jerusalem created for the synagogue at the Hadassah-Hebrew Medical Centre in Jerusalem. Printed by Charles Sorlier Paris. There was also an edition of 75 numbered in Roman numerals. Hors commerce impression aside from the edition of 150 numbered in Arabic numerals. Original lithograph in colours on watermarked Arches wove paper right edge deckled. Signed in pencil lower right by the artist inscribed 'H.C' lower left dedicated lower middle "Pour le Dr Nathan en bon souvenir Marc Chagall". Image size: 62 x 46.3 cm. Sheet size: 74.3 x 52.5 cm. Framed size: 87 x 67.5 cm. Presented in a handmade white gold leaf frame with acrylic glazing. Excellent condition. Sorlier/Mourlot CS19 unknown
1964ref. 191164Paris: Mourlot 1964. One of 12 prints from the Twelve Maquettes of Stained Glass Windows for Jerusalem created for the synagogue at the Hadassah-Hebrew Medical Centre in Jerusalem. Printed by Charles Sorlier Paris. There was also an edition of 75 numbered in Roman numerals. Edition of 150 in Arabic numerals. Original lithograph in colours on watermarked Arches wove paper right edge deckled. Signed in pencil lower right by Chagall numbered lower left. Image size: 62 x 46.3 cm. Sheet size: 74.3 x 52.5 cm. Framed size: 87 x 67.5 cm. Presented in a handmade white gold leaf frame with acrylic glazing. Excellent condition. Sorlier/Mourlot CS13 unknown
1966ref. 1567-BParis, Tériade Éditeur, 1966. In-plano (750 x 550 mm) en feuilles. Feuillet de titre, table des planches. LA SUITE COMPLÈTE DES 13 LITHOGRAPHIES ORIGINALES EN COULEURS ET NOIR DE JOAN MIRÓ POUR UBU ROI + LA SUITE COMPLÈTE DES 13 LITHOGRAPHIES EN NOIR retravaillées par l'artiste . (feuilles: 750 x 550 mm environ, sujets: 630 x 410 mm environ), chaque épreuve titrée au crayon au verso de la feuille. Tirage: 75 exemplaires sur grand vélin d'Arches, celle-ci hors-commerce non signée (Mourlot 392-430 ; Cramer 108) Chaque composition en noir a été intensément retravaillée par Miró qui y a ajouté estompes et ombres, épaissi les traits de certains sujets. La vision grotesque et surréaliste de l'artiste, impliqué corps et âme dans ce cycle sur Franco et contre tous les fascismes, y apparait encore avec plus de force et d' évidence. Très rare. Excellent état de conservation.
1977ref. 182062Paris: Maeght Editeur 1977. With one of 25 signed etchings First edition number 17 of 25 copies signed by Chagall and Malraux on the limitation page and with an additional impression of the frontispiece on Japon Impérial paper all sides deckled signed and numbered by Chagall. The full edition was 225 copies 200 of which were numbered and 20 marked hors commerce both without the additional signed print. Malraux winner of the Nobel Prize in Literature provided the text based on a previously unpublished manuscript from 1939 about his experiences in the Spanish Civil War. Chagall executed the etchings with the plates destroyed after printing. Folio. With 16 full-page etchings with aquatint by Chagall 2 double page. Sheet size: 44 x 33 cm. Text in French. Original Rives wove paper wrappers lettering to front cover in black pages printed on Rives wove paper with deckled edges and publisher's watermark. Housed in publisher's beige cloth clamshell box lettering to spine gilt. All in fine condition. Cramer Chagall Illus. Books 103. hardcover
