Marc ChagallBiblio.com
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1961ref. 74806Marc Chagall Title: SACRIFICES MADE TO THE NYMPHS from Daphnis and Chloe Original Lithograph on Arches wove paper Printed by Mourlot published by Tériade Paris Edition size: 250 Size: 42 32 cm Year: 1961 Unsigned Reference: Mourlot 330 Cramer 46
1937ref. 510540Verve 1937. First Edition. Paperback. FINE. Complete run of the first four issues of Teriade's legendary art magazine. Beginning with a stunning cover produced by Matisse for the first issue Verve would incorporate fresh artwork into its cover designed newly commissioned by artists such as Miro Picasso Chagall and other leading lights of the French art world. Each issue offered spectacular color lithographs printed by the Paris lithographers Mourlot. Early issues came in litho-printed card wrappers in boxes later volumes would be in paper-over board with litho covers. This choce allowed Teriade to feature the fresh lithographic artwork in the cover design but left the books themselves extremely fragile and succeptible to wear. Additionally the full-page lithographs have been continuous targets for art dealers looking to excise the plates. So condition seen here is quite rare with each volume preserved COMPLETE FINE with no signs of the wear and toning so commonly seen. 'The cover of Verve No. 1 is by Henri Matisse; it consists of three unmodulated colors--red blue and black--that the master cut directly from printers' ink specimen books. . Mattisse's cover for the first issue lithographed by Fernand Mourlot printers was an original work of art created expressly for the magazine--as would be practically all of the Verve's covers. . The painter took great pains to make sure that the cover would turn out exactly as he wished. . THe care Matisse lavished on what others might consider a minor undertaking was one of the hallmarks of Teriade's publications. How did he induce the greatest artists of this century to give the very best of themelves . Matisse and Teriade shared a common ideal. For both of them painting was life itself.' Michel Antonioz VERVE: The Ultimate Review of Art and Literature 35-36. Verve paperback
1956ref. 330115New York: Harcourt Brace 1956. First. hardcover. near fine/very good. Chagall Marc. Beautifully illustrated with 28 original lithographs 16 of which are in color the 12 b/w lithographs are printed on rear of color plates; and 105 additional b/w heliogravures of Chagall's etchings throughout. Text by Jean Wahl & Meyer Shapiro. Small folio original blue pictorial boards red printed d.w. New York: Harcourt Brace 1956. First American edition. The book first appeared as a double issue of Verve Vol VII Nos. 33-34. An exceptional copy in the original unclipped dust wrapper. Harcourt Brace unknown
ref. 16971No date. Near Fine single page from watermarked Hotel Belles-Rives paper typed and boldly signed by Marc Chagall. Toning to bottom edge of paper minimal wear very well-preserved. One corrected typed character covered with white-out. An unusual and emotive artist statement/poem by Chagall based on his work "The Apparition 1917-1918" describing in beautiful imagery a "dream" "evoked" in Chagall. Chagall had reported that the painting was based his memory of a dream while a student; this statement either stands in captivating juxtaposition with that original dream or is an allusion to or perhaps description of that dream. Lovely rare unique. Certificate of Authenticity included. Image in listing of painting for illustrative purposes only; no prints etc. included. unknown
1956ref. 330115New York: Harcourt Brace 1956. First. hardcover. near fine/very good. Chagall Marc. Beautifully illustrated with 28 original lithographs 16 of which are in color the 12 b/w lithographs are printed on rear of color plates; and 105 additional b/w heliogravures of Chagall's etchings throughout. Text by Jean Wahl & Meyer Shapiro. Small folio original blue pictorial boards red printed d.w. New York: Harcourt Brace 1956. First American edition. The book first appeared as a double issue of Verve Vol VII Nos. 33-34. An exceptional copy in the original unclipped dust wrapper. Harcourt Brace unknown books
ref. 24374Monte Carlo: Andre Mauret 1986. Cloth. Fine/Fine. Marc Chagall. A gorgeous example of this sweeping 6 volume set published from 1960 to 1986 and representing the complete catalogue raisonne of the great Chagall's body of lithographs. Each of the 6 volumes clean and Near Fine to Fine in crisp Near Fine to Fine dustjackets. Internally all 6 volumes immaculate with no writing or markings of any kind. Issued by Andre Mauret of Monte Carlo lithographs once again created by Chagall's long-term partner Fernand Mourlot. 28 original litographs all told --most in rich color-- within the set roughly 800 color and black-and-white illustrations throughout. Text to Vol. I in German to Vol. II in French and to Vols. III-VI in English. Uncommon in such superb condition truly a collector's copy. Andre Mauret unknown
ref. 24374Monte Carlo: Andre Mauret 1986. Cloth. Fine/Fine. Marc Chagall. A gorgeous example of this sweeping 6 volume set published from 1960 to 1986 and representing the complete catalogue raisonne of the great Chagall's body of lithographs. Each of the 6 volumes clean and Near Fine to Fine in crisp Near Fine to Fine dustjackets. Internally all 6 volumes immaculate with no writing or markings of any kind. Issued by Andre Mauret of Monte Carlo lithographs once again created by Chagall's long-term partner Fernand Mourlot. 28 original litographs all told --most in rich color-- within the set roughly 800 color and black-and-white illustrations throughout. Text to Vol. I in German to Vol. II in French and to Vols. III-VI in English. Uncommon in such superb condition truly a collector's copy. Andre Mauret unknown books
ref. 276591975. S.l. Maeght Editeur 1975. Un vol. au format in-4 carr 286 x 297 mm de 211 pp. Reliure d'dition de pleine percaline citron sous jaquette illustre. Edition originale. Prcieux exemplaire complet de sa lithographie originale en couleurs sur double-page tire par les Ateliers Mourlot ; laquelle est revÂtue insigne particularit : sur la composition et non en marge de la signature autographe de Marc Chagall au pastel bleu. Envoi dat par l'artiste de 1976. Epreuve lgende au revers : Le Fleuve vert mention imprime. L'ouvrage recÂle une abondante iconographie hors-texte. ''Je ne sais aucun artiste dont l'oeuvre soit posie avec autant d'aisance et de bonheur'' crit Mandiargues. Lequel nous invite ici retrouver dans les toiles les plus rcentes tous les personnages fabuleux qui sont ns de la palette de Chagall : les anges les amoureux les saltimbanques les violonistes qui descendent des nuages et les chevaux qui offrent des bouquets. Si le merveilleux aujourd'hui existe encore c'est d'abord Chagall qu'on le doit''. Provenance : bibliothÂque d'Alain Carrier ; minent affichiste et illustrateur. Cramer 95 - Mourlot 728 reproduit en page 46. TrÂs belle condition. Une copie du bordereau d'adjudication faisant de fait gage de certificat d'authenticit pourra Âtre remis l'acqureur sur simple demande. b42961 unknown
1975ref. 27659S.l., Maeght Editeur, (1975). Un vol. au format in-4 carré (286 x 297 mm) de 211 pp. Reliure d'édition de pleine percaline citron, sous jaquette illustrée.
ref. lithographe-volumes-i-viThe catalogue raisonné of Chagall's lithographic work a monumental feat of publishing which took more than two decades to complete. First editions of all six volumes profusely illustrated with 28 original lithographs including the rare lithograph dust-jackets for volumes I-VI. First editions first impressions. Volumes I-III in German volumes IV-VI in French. Publisher's grey cloth titles to front covers and spines in black. Original lithographic pictorial dust jackets. Near fine to fine examples with like dust jackets. A rare set. Published by André Sauret Monte Carlo 1960-86. hardcover
ref. 003004Paris: XXe Siecle 1975. Book. Fine. Hardcover. 1st Edition. Published as a tribute to Gualtieri di San Lazzaro the founder of the magazine XXe Siecle. Loose sheets as issued. In original wrappers and cloth clamshell box with the portrait of Gualtieri di San Lazzaro mounted on the inside. With 15 lithographs by Max Bill Alexander Calder Marc Chagall Max Ernst Hans Hartung Joan Miro Henry Moore Graham Sutherland Georges Braque Lucio Fontana Rene Magritte Pablo Picasso Serge Poliakoff and Alberto Magnelli. All but one Chagall printed in color. Text by Gualtieri di San Lazzaro Pierre Volboudt Nina Kandinsky Marc Chagall Andre Verdet Marino Marini and others. This is number 310 of a limited edition of 575 copies all printed on Velin d'Arches by Fernand Mourlot l'Imprimerie Arte Pierre Chave Les Ateliers Bellini and Curwen Studio London. 141vii pp. 38 x 288 x 55 cm. Except from the inevitable offsetting from the lithographs to the facing text pages this is a very fine almost mint copy in collectors condition. . XXe Siecle hardcover
1926ref. 81831Sous étui bordé. Reliure demi-maroquin vert lierre a? coins, lisere? dore?, dos a? nerfs fantaisie avec titre dore? et mosai?que? de chagrin noir te?te dore?e, les autres tranches non rogne?es. Couvertures et dos conserve?s. Reliure signée Manuel Ge?rard. Dos légèrement insolé. Ouvrage collectif : Jean Giraudoux, « l'Orgueil », Paul Morand, « l'Avarice », Pierre Mac Orlan, « la Luxure, Andre? Salmon, « l'Envie », Max Jacob, « la Gourmandise », Jacques de Lacretelle, « la Cole?re » et Joseph Kessel, « la Paresse ».L'ensemble est orne? de 15 eaux-fortes originales hors texte de Marc CHAGALL.
1950ref. 1204071950. First Edition. Signed. CHAGALL Marc. Verve. Contes de Boccace. Paris: ditions de la Revue Verve 1950. Folio original lithographic dust jacket over boards. $5800.First edition of this exceptional volume of 26 Chagall heliogravures accompanied by 26 tipped-in color prints from a medieval miniaturist boldly signed by Chagall on the half title. From the collection of Joseph Liverant a fellow Russian Jewish emigr and friend of Chagall.The art critic Stratis Eleftheriades under the nom de plume Triade published the art journal Verve in Paris from 1937 to 1960. He commissioned famous artists of the day from Matisse to Picasso and Chagall to provide works for the journal with numerous lithographs appearing for the first time in his publications. This volume is particularly notable for the unusual medium for Chagall used: ""New washed drawings in India ink which are quite unrelated to anything he had done before. Using black diluted in every possible degree from onyx to the palest shade of gray he produced sheets that give an intensely colorful effectÉ These drawingsÉ were a response to what he saw in his new environment and stemmed from the urge to render in a spontaneous fashion the overwhelming impact of the profusion and light. They also reveal paradoxically the increased importance of color as a medium of expression. In these drawings 'light' does not signify a diminution of the colorfulness but an advance into the zone from which it springs. One might say that the heart of the color is light and from this light Chagall created the colorfulness of his sheets. What this means is visibly demonstrated by the drawings he did at Triade's suggestion for the number of Verve dedicated to Boccaccio's Decameron. What Chagall produced was a present-day counterpart to colored reproductions of the miniatures in a fifteenth-century manuscript of Boccaccio's work. For each of his drawings he drew inspiration from the miniature of the same scene and the old and new illustrations are reproduced side by side in the pages of Verve. In Chagall however everything attains a new meaning. A new logic links the objects of the anecdotic 'tale' and the plot of the love story gives rise to ardent desire and serene joy. What is more in Chagall's large black-and-white plates the light radiates in a far richer modulation of color than the full coloring of the miniaturist's precise magic-lantern pictures"" Meyer 499. From the collection of Joseph Liverant a fellow Russian Jewish emigr and close friend of Chagall. Liverant and Chagall both fled Europe in World War II Liverant to Canada and Chagall to the United States. After the war both acquired residences in Provence where shared social circles similar ages and a mutual love of Yiddish combined to forge a lasting bond of friendship between the two.About-fine condition. hardcover
1950ref. 1204071950. First Edition. Signed. CHAGALL Marc. Verve. Contes de Boccace. Paris: ditions de la Revue Verve 1950. Folio original lithographic dust jacket over boards. $5800.First edition of this exceptional volume of 26 Chagall heliogravures accompanied by 26 tipped-in color prints from a medieval miniaturist boldly signed by Chagall on the half title. From the collection of Joseph Liverant a fellow Russian Jewish emigr and friend of Chagall.The art critic Stratis Eleftheriades under the nom de plume Triade published the art journal Verve in Paris from 1937 to 1960. He commissioned famous artists of the day from Matisse to Picasso and Chagall to provide works for the journal with numerous lithographs appearing for the first time in his publications. This volume is particularly notable for the unusual medium for Chagall used: ""New washed drawings in India ink which are quite unrelated to anything he had done before. Using black diluted in every possible degree from onyx to the palest shade of gray he produced sheets that give an intensely colorful effectÉ These drawingsÉ were a response to what he saw in his new environment and stemmed from the urge to render in a spontaneous fashion the overwhelming impact of the profusion and light. They also reveal paradoxically the increased importance of color as a medium of expression. In these drawings 'light' does not signify a diminution of the colorfulness but an advance into the zone from which it springs. One might say that the heart of the color is light and from this light Chagall created the colorfulness of his sheets. What this means is visibly demonstrated by the drawings he did at Triade's suggestion for the number of Verve dedicated to Boccaccio's Decameron. What Chagall produced was a present-day counterpart to colored reproductions of the miniatures in a fifteenth-century manuscript of Boccaccio's work. For each of his drawings he drew inspiration from the miniature of the same scene and the old and new illustrations are reproduced side by side in the pages of Verve. In Chagall however everything attains a new meaning. A new logic links the objects of the anecdotic 'tale' and the plot of the love story gives rise to ardent desire and serene joy. What is more in Chagall's large black-and-white plates the light radiates in a far richer modulation of color than the full coloring of the miniaturist's precise magic-lantern pictures"" Meyer 499. From the collection of Joseph Liverant a fellow Russian Jewish emigr and close friend of Chagall. Liverant and Chagall both fled Europe in World War II Liverant to Canada and Chagall to the United States. After the war both acquired residences in Provence where shared social circles similar ages and a mutual love of Yiddish combined to forge a lasting bond of friendship between the two.About-fine condition. hardcover books
1927ref. 1751Paris: I. Grodzensky 1927. First edition. Text in French and Yiddish. In publisher’s wrappers bound by string. Cover design by Marc Chagall. Cover and plates are worn at extremities. Cover and some plates damaged at corners and at the string. Two photographic reproductions are loose. Overall in good condition. First edition. Text in French and Yiddish. In publisher’s wrappers bound by string. Cover design by Marc Chagall. 4 text plates and 19 album card plates with mounted photographic reproductions. Scarce book with Chagall’s cover design. With Marc Chagall’s image on the front cover. Before a black background the image features an opened Torah scroll with the inscription of Schwartzbard's name in Hebrew letters an angel with sword flies over the Torah an allusion to Michael the Archangel the advocate of the Jews. A scarce album with pictures of places and portraits of people connected with the Schwartzbard-trial together with short expressions of opinion from prominent intellects as well as brief biographical notes on Schwartzbard and Petliura. Sholom Schwartzbard 1886–1938 was a Russian-born French Yiddish poet and anarchist the assassin of Symon Petliura 1879–1926 head of the Ukrainian government-in-exile in Paris in 1926. Schwartzbard held Petliura responsible for the death of fifteen of his relatives murdered in pogroms during Petliura rule of the Ukrainian National Republic. The number of Jews murdered during the massive 1918–1921 pogroms in Ukraine is estimated to be between 35000 and 50000 and a large percent of the violent attacks were carried out by soldiers under Petliura’s command. The Schwartzbard trial began in mid-October 1927 lasted for eight days in the end it turned on accusations of Petliura's responsibility for the pogroms and eventually Schwarztbard was acquitted. Scarce we could trace only 3 copies in institutional holdings Harvard University Widener Library Cambridge MA USA; NLI Jerusalem; Musée d’art et d’histoire du Judaïsme Paris. . [I. Grodzensky] unknown
1927ref. B-2022-0841With one etching signed and numbered in pencil by Chagall. Marc Chagall Paul Morand. NRF Librairie Gallimard. Paris 1927 In octavo one of 120 numbered copies on Hollande Pannekoek with an etching on frontispiece by Marc Chagall on China paper signed by Chagall in pencil and numbered 20/120. Total Edition 325. Ref: Cramer #9. Very good. Please ask for complete conditions report. Gallimard paperback
1927ref. B-2022-0841With one etching signed and numbered in pencil by Chagall. Marc Chagall Paul Morand. NRF Librairie Gallimard. Paris 1927 In octavo one of 120 numbered copies on Hollande Pannekoek with an etching on frontispiece by Marc Chagall on China paper signed by Chagall in pencil and numbered 20/120. Total Edition 325. Ref: Cramer #9. Very good. Please ask for complete conditions report. Gallimard paperback books
ref. 246856Paris André Sauret 1960. Large 4to. Publisher’s boards with protective paper in original chemise and slipcase. The boards consists of an original lithograph made especially for this edition. . No 36 of 100 copies on Grand Vélin d’Arches signed by Marc Chagall and the publisher André Sauret. With 11 original lithographs by Marc Chagall some in colour. This work is the complete and definite catalog of Chagall’s lithographic works from his graphic beginnings in Berlin from 1922 to 1957. All of the artist’s lithographs are reproduced in colours after the originals. Without the two additional colour lithographs that should be included in the deluxe edition and without the portofolio with the special prints. hardcover
1960ref. 475Marc Chagall B. 1887 VITEBSK RUSSIA; D. 1985 SAINT-PAUL-DE-VENCE FRANCE DRAWINGS FOR THE BIBLE as published for Verve. Verve Vol. X no. 37/38. 1960. Text by Gaston Bachelard. Folio. With 24 original lithographs in color including the cover by Chagall and 96 reproductions in black and white. Complete as issued. Verve hardcover
1960ref. 475Marc Chagall B. 1887 VITEBSK RUSSIA; D. 1985 SAINT-PAUL-DE-VENCE FRANCE DRAWINGS FOR THE BIBLE as published for Verve. Verve Vol. X no. 37/38. 1960. Text by Gaston Bachelard. Folio. With 24 original lithographs in color including the cover by Chagall and 96 reproductions in black and white. Complete as issued. Verve hardcover books
ref. 23034Paris & New York: Andre Suaret & Boston Book & Art Shop 1986. First editions in English. Hardcover. Orig. beige cloth lettered in black. Fine in fine dust wrappers. 6 Vols. 33.4 x 25 cm. Twenty eight original lithographs including dust jackets and frontispieces with plethora of of reproductions of his lithographs. Vols. 3-4 in original publisher's board slipcases. A few of the clear glassine overwrappers nicked foot of Vol. I dust wrapper rubbed. All volumes very fresh and clean. Andre Suaret & Boston Book & Art Shop hardcover
ref. 23034Paris & New York: Andre Suaret & Boston Book & Art Shop 1986. First editions in English. Hardcover. Orig. beige cloth lettered in black. Fine in fine dust wrappers. 6 Vols. 33.4 x 25 cm. Twenty eight original lithographs including dust jackets and frontispieces with plethora of of reproductions of his lithographs. Vols. 3-4 in original publisher's board slipcases. A few of the clear glassine overwrappers nicked foot of Vol. I dust wrapper rubbed. All volumes very fresh and clean. Andre Suaret & Boston Book & Art Shop hardcover books
1943ref. 164927Paris: Les Éditions du Chéne 1943. With original self portrait drawn by Chagall First edition first printing inscribed by the artist in French with an original self portrait drawing "A mademoiselle Paulette Carlier Souvenir de Marc Chagall Vence 1951". Quarto. 16 tipped in colour plates after paintings by Chagall. Original illustrated wrappers lettering to front cover in black and grey. Housed in a red cloth flat-back box with black leather label. Spine split otherwise a bright copy. hardcover
1927ref. 1652Paris, Éditions de La Pléiade, 1927. Un volume grand in-8° (245 x 180 mm), relié. Plein maroquin havane janséniste, dos à quatre nerfs, tête dorée, couverture et dos conservés, étui bordé (J.Van West). 21 GRAVURES ORIGINALES À L'AQUATINTE ET À L'EAU-FORTE PAR ALEXANDRE ALEXEIEFF. Tirage : 266 ex. Celui-ci l'un des 15 exemplaires de tête sur japon impérial, numéroté et paraphé par l'éditeur (n°11), comprenant une suite complète des gravures en premier état avec remarques sur japon mince, une suite complète en état définitif sur vélin et 2 gravures inédites avec remarques. Les suites sont judicieusement reliées en fin de volume (Bendazzi, Alexeieff, itinéraire d’un maître, 2001, pp. 98-115).
1961ref. 2312280032Printed by Mourlot published by Teriade Paris 1961. Art Prints & Posters. Like New. Limited edition of 250 colored lithographs. Unframed. Image dimensions: 59 x 43 cm. From Daphnis and Chloe printed on Arches wove paper by Mourlot published by Teriade Paris. Mourlot 343; Cramer books 46 Depicts Longus' Daphnis et Chloe where Daphnis falls into a wolf trap chasing one of his goats which Chagall has shown in blue. Printed by Mourlot, published by Teriade, Paris unknown
