CHAGALL (Marc) - LEYMARIE (Jean, intro. de).Livre Rare Book
2 484 résultats
1962réf. 30485S.l., André Sauret, (1962). Un vol. au format in-4 (333 x 252 mm) de 210 pp. Reliure d'édition de pleine percaline satinée gris-perle, sous jaquette illustrée et rhodoïd.
réf. 055710Paris Librairie Stock, Delamain et Boutelleau 1931 in 12 (18,5x13) 1 volume broché, frontispice hors-texte en noir et blanc, 253 pages [1], avec 32 dessins de jeunesse par l'auteur, couverture légèrement passée. Traduction de Bella Chagall. Collection ''Ateliers'',3. Première édition tirée à 1683 exemplaires numérotés, celui-ci un des exemplaires de service de presse marqués SP. Joseph Delteil, Villar-en-Val (Aude) - Tuilerie de Massane (Grabels) 1978, écrivain et poète français. Précieux exemplaire enrichi d'un envoi autographe signé de Marc Chagall à Joseph Delteil, avec un coeur dessiné (Signed and inscribed in French by Marc Chagall to Joseph Delteil). Bon exemplaire ( Photographies sur demande / We can send pictures of this book on simple request )
1926réf. 92613Au sans pareil | Paris 1926 | 14 x 22 cm | Broché
1974réf. CHAGALLM013871�ditions Andr� Sauret Monte-Carlo. 1974. First edition. The fourth volume in the catalogue raisonn� of Chagall's lithographs. There were a further two volumes. Folio. 180 pages almost all of which are devoted to reproductions. The frontispiece and the dustwrapper are original colour lithographs printed by Mourlot in Paris.Signed boldly in red crayon by the artist on the title-page.Small bump to tail of spine. Fine in fine dustwrapper. �ditions Andr� Sauret, Monte-Carlo. unknown
1941réf. 261189New York 1941. Half-length frontal portrait of the artist. Gelatin silver print. 1 vols. approximately 10 x 7-7/8 inches. Docketed on verso "Mark Chagall XXI-V-II July 4 1941. Half-length frontal portrait of the artist. Gelatin silver print. 1 vols. approximately 10 x 7-7/8 inches. unknown
1941réf. 222109New York 1941. Reproduced in PORTRAITS: the Photography of Carl Van Vechten 1978 edited by Saul Mauriber. Half-length portrait of the artist glancing to the side. Gelatin silver print. 1 vols. 24.5 x 17.2 cm. approximately 9-5/8 x 6-3/4 inches. Matted. Reproduced in PORTRAITS: the Photography of Carl Van Vechten 1978 edited by Saul Mauriber. Half-length portrait of the artist glancing to the side. Gelatin silver print. 1 vols. 24.5 x 17.2 cm. approximately 9-5/8 x 6-3/4 inches. Provenance: The estate of Saul Mauriber Van Vechten's assistant and executor of Van Vechten's photography estate and the compiler of PORTRAITS: THE PHOTOGRAPHY OF CARL VAN VECHTEN 1978 unknown
1937réf. 140947814Berlin: Verlag fur Kultur- und Wirtschaftswerbung 1937. Near Fine. 32 pp. Bound in publisher's side-stapled pictorial wraps. Illustrated with black and white art reproduction photos. Text in German. With laid-in "Der Ewige Jude" The Wandering Jew exhibition postcard postmarked Bremen 1939. Near Fine with light edge wear and age toning; postcard evenly toned contemporary German stamps on the verso with 1939 postmark. In the aftermath of the confiscation of nearly 20000 art works from German museums Adolph Hitler's Ministry of Propaganda organized an exhibition of modern art in order to decry its racially impure deleterious character and supposed backing by Jewish interests in the Weimar era. The exposition was hosted at the Institute of Archaeology in the Hofgarten on July 19 1937 in Munich and later traveled throughout Germany. Organized by the Ministry of Propaganda leader Joseph Goebbels the show was designed to reinforce in the German public mind that subversive decadent or avant-garde art work would not be tolerated in the Third Reich. Attended by over two million visitors the show displayed over 650 confiscated paintings sculptures and prints by 112 artists primarily German including Georg Grosz Ernst Ludwig Kirchner Paul Klee Georg Kolbe Otto Dix Wassily Kandinsky Marc Chagall and many other now-acclaimed modern artists. Targeted artists were the subject of merciless ridicule and denounced with most works displayed unframed and obscured by painted slogans. Attended most famously by Museum of Non-Objective Painting predecessor to the Solomon R. Guggenheim Museum director Hilla R who supported affected artists like Vasily Kandinsky Rudolf Bauer and others by exhibiting their work in the United States. Many works were destroyed lost or re-homed overseas after the fall of the Third Reich. Laid-in is an antisemitic postcard for the third part of a series of Schandausstellungen or condemnation exhibitions "Der Ewige Jude" The Wandering Jew. The show opened on November 8 1937 to January 31 1938 in Berlin under Joseph Goebbels' direction. The exhibition traveled for the next year and a half attracting over 700000 visitors and concluding in March 1939 in Magdeburg. Verlag fur Kultur- und Wirtschaftswerbung unknown
réf. 2286194H. Fair. unknown
1962réf. 4235New York: George Braziller 1962. First edition. Folio original red cloth. With two original color lithographs specially prepared by Chagall for this edition. Fine in a fine dust jacket. Contains the rarely seen original slipcase also present is the original blue ribbon. The rear panel of the acetate shows some wear. Jerusalem Windows illustrates and chronicles the creation of twelve stained glass windows one for each of the twelve tribes of Israel designed by Chagall for the Hadassah-Hebrew University Medical Center Synagogue in Jerusalem. George Braziller hardcover
réf. 51-0431Paris Musée des Arts Décoratifs 1961. Large 8vo. 247 x 182mm. Wraps in dust-jacket with an original lithograph by Chagall. Mourlot no. 358. Cramer Chagall Illus. Books no. 47.One of 300 signed and numbered impressions on the colophon. Paris, Musée des Arts Décoratifs, 1961. paperback
réf. 51-5822Paris: 1962-1963. Folio. 39.5 x 30cm. Two Signature pages from "Regards sur Paris" presented by L'Académie Goncourt. Paris: André Sauret Editeur. Paris: 1962-1963 unknown
1920réf. 165270Paris: Au Sans Pareil 1920. 1 of 9 copies on Japon Imperial paper Copy No. IV. Softcover. VG or better glassine jacket with minor chipping few tiny tears no significant loss microscopic at best. Printed oversize wraps with glassine jacket. Half-title. Title-page with woodcut vignette and 4 woodcut illustrations by Marc Chagall. 48 pp. Among Marc Chagall's earliest book illustrations preceded only by appearances in 1914 and 1918. With Andre Breton Soupault was one of the founders of the Surrealist movement: "Soupault's earliest verse collection 'Aquarium' 1917 was published with the help of Guillaume Apollinaire who introduced Soupault to André Breton. In 1919 Soupault Breton and Louis Aragon cofounded the review 'Littérature'. Originally drawn to the anti-rationalism of the Dada movement Soupault soon rejected its nihilism and he and Breton experimented with other revolutionary techniques. One result of their experimentation was the "automatic writing" of the jointly authored 'Les Champs magnétiques' 1920; 'The Magnetic Fields' known as the first major Surrealist work. Soupault soon abandoned automatic writing to produce carefully crafted verses such as those in 'Westwego' 1922 and 'Georgia' 1926. As the Surrealist movement became increasingly dogmatic and political Soupault grew dissatisfied with it and eventually broke with it and Breton" Encyclopedia Britannica online. Exceptionally rare one of 9 such copies. Au Sans Pareil paperback
1941réf. 261189New York 1941. Half-length frontal portrait of the artist. Gelatin silver print. 1 vols. approximately 10 x 7-7/8 inches. Docketed on verso "Mark Chagall XXI-V-II July 4 1941. Half-length frontal portrait of the artist. Gelatin silver print. 1 vols. approximately 10 x 7-7/8 inches. unknown books
1941réf. 222109New York 1941. Reproduced in PORTRAITS: the Photography of Carl Van Vechten 1978 edited by Saul Mauriber. Half-length portrait of the artist glancing to the side. Gelatin silver print. 1 vols. 24.5 x 17.2 cm. approximately 9-5/8 x 6-3/4 inches. Matted. Reproduced in PORTRAITS: the Photography of Carl Van Vechten 1978 edited by Saul Mauriber. Half-length portrait of the artist glancing to the side. Gelatin silver print. 1 vols. 24.5 x 17.2 cm. approximately 9-5/8 x 6-3/4 inches. Provenance: The estate of Saul Mauriber Van Vechten's assistant and executor of Van Vechten's photography estate and the compiler of PORTRAITS: THE PHOTOGRAPHY OF CARL VAN VECHTEN 1978 unknown books
1937réf. 140947814Berlin: Verlag fur Kultur- und Wirtschaftswerbung 1937. Near Fine. 32 pp. Bound in publisher's side-stapled pictorial wraps. Illustrated with black and white art reproduction photos. Text in German. With laid-in "Der Ewige Jude" The Wandering Jew exhibition postcard postmarked Bremen 1939. Near Fine with light edge wear and age toning; postcard evenly toned contemporary German stamps on the verso with 1939 postmark. In the aftermath of the confiscation of nearly 20000 art works from German museums Adolph Hitler's Ministry of Propaganda organized an exhibition of modern art in order to decry its racially impure deleterious character and supposed backing by Jewish interests in the Weimar era. The exposition was hosted at the Institute of Archaeology in the Hofgarten on July 19 1937 in Munich and later traveled throughout Germany. Organized by the Ministry of Propaganda leader Joseph Goebbels the show was designed to reinforce in the German public mind that subversive decadent or avant-garde art work would not be tolerated in the Third Reich. Attended by over two million visitors the show displayed over 650 confiscated paintings sculptures and prints by 112 artists primarily German including Georg Grosz Ernst Ludwig Kirchner Paul Klee Georg Kolbe Otto Dix Wassily Kandinsky Marc Chagall and many other now-acclaimed modern artists. Targeted artists were the subject of merciless ridicule and denounced with most works displayed unframed and obscured by painted slogans. Attended most famously by Museum of Non-Objective Painting predecessor to the Solomon R. Guggenheim Museum director Hilla R who supported affected artists like Vasily Kandinsky Rudolf Bauer and others by exhibiting their work in the United States. Many works were destroyed lost or re-homed overseas after the fall of the Third Reich. Laid-in is an antisemitic postcard for the third part of a series of Schandausstellungen or condemnation exhibitions "Der Ewige Jude" The Wandering Jew. The show opened on November 8 1937 to January 31 1938 in Berlin under Joseph Goebbels' direction. The exhibition traveled for the next year and a half attracting over 700000 visitors and concluding in March 1939 in Magdeburg. Verlag fur Kultur- und Wirtschaftswerbung unknown books
1920réf. 165270Paris: Au Sans Pareil 1920. 1 of 9 copies on Japon Imperial paper Copy No. IV. Softcover. VG or better glassine jacket with minor chipping few tiny tears no significant loss microscopic at best. Printed oversize wraps with glassine jacket. Half-title. Title-page with woodcut vignette and 4 woodcut illustrations by Marc Chagall. 48 pp. Among Marc Chagall's earliest book illustrations preceded only by appearances in 1914 and 1918. With Andre Breton Soupault was one of the founders of the Surrealist movement: "Soupault's earliest verse collection 'Aquarium' 1917 was published with the help of Guillaume Apollinaire who introduced Soupault to André Breton. In 1919 Soupault Breton and Louis Aragon cofounded the review 'Littérature'. Originally drawn to the anti-rationalism of the Dada movement Soupault soon rejected its nihilism and he and Breton experimented with other revolutionary techniques. One result of their experimentation was the "automatic writing" of the jointly authored 'Les Champs magnétiques' 1920; 'The Magnetic Fields' known as the first major Surrealist work. Soupault soon abandoned automatic writing to produce carefully crafted verses such as those in 'Westwego' 1922 and 'Georgia' 1926. As the Surrealist movement became increasingly dogmatic and political Soupault grew dissatisfied with it and eventually broke with it and Breton" Encyclopedia Britannica online. Exceptionally rare one of 9 such copies. Au Sans Pareil paperback books
2011réf. 94878Prestel Publishing. New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in English French and German. 208 pages; well-illustrated. -- with a bonus offer--; "I did not see the Bible I dreamed it …. It has always seemed to me … the greatest source of poetry of all time." Marc Chagall was captivated by the Old Testament and its stories and heroes were a major influence on his work. First published in 1960 as a limited edition artist's book this series of lithographs depicts some of the Bible's most beloved stories including the Creation the expulsion from Paradise the rivalry of Cain and Abel Hagar's escape to the desert and Job's travails. Like all of his work Chagall's depictions of these stories are filled with color and bold strokes symbolism and tradition humanity and poetry. This new edition of Chagall's masterwork series of drawings adheres to the original edition in structure and design with marvelously reproduced color prints interspersed with black-and-white illustrations. The book includes philosopher Gaston Bachelard's original introduction and additional commentary by Beatrice Hernad. An enchanting introduction to the Old Testament this book makes the perfect gift for Chagall enthusiasts and bibliophiles alike. . 2011. 3791345664 . Prestel Publishing hardcover
1992réf. 67972Univ of Pennsylvania Pr. New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Corresponds to ISBN: 9065380329. Text in Dutch French English and German with portions in French only. 220 pp. With 99 ills. 80 col. . 25 x 23 cm. Description: "Illuminates diverse explorations of ceramics by six major European artists through a chiefly pictorial survey of 80 painted vessels tiles plates and sculptural objects dating mainly from the 1950s and 60s." -- with a bonus offer--; 1.25 x 9.75 x 9 Inches . 1992. 9065380329 . Univ of Pennsylvania Pr hardcover
1956réf. 101180Museums. As New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - text in French and Dutch. Illustrated in black and white. Pages unnumbered. -- with a bonus offer-- . 1956. Museums paperback
2014réf. 111142Uitgeverij Snoeck. New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened - Most of text in English and French with some portions exclusively in French. -- with a bonus offer-- . 2014. 9461611749 . Uitgeverij Snoeck paperback
2007réf. 72846Skira Editore. New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in Italian. 360 pp. one foldout with 265 ills. 227 col. . 29 x 25 cm. -- with a bonus offer-- . 2007. 8861301355 . Skira Editore hardcover
2001réf. 61693RMN. New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request – – IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in French. 128 pp. With 86 col. Ills. 28 x 22 cm. -- with a bonus offer-- . 2001. 2711843092 . RMN paperback
2007réf. 85007Foundation; Et Al. New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in French. 248 pp. With 295 ills. 252 col. . -- with a bonus offer-- . 2007. 2884431055 . Foundation; Et Al paperback
2007réf. 73032Foundation; Et Al. New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in French. 248 pp. With 295 ills. 252 col. . 25 x 23 cm. -- with a bonus offer-- . 2007. 2884431055 . Foundation; Et Al hardcover
2006réf. 72340Hatje Cantz. New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in German. 240 pp. With 224 ills. 155 col. one foldout. 29 x 20 cm. -- with a bonus offer-- . 2006. 3775718451 . Hatje Cantz hardcover
