2 505 résultats
réf. 19-8635Zurich: Stehli Freres S.A. ca. 1960s. Large format color reproduction print poster 15” x 42”. Good. Half-inch tear in bottom margin. Minor sun-fade in top margin. Printed in Switzerland. Copyright Stehli Freres S.A. Zurich: Stehli Freres S.A., [ca. 1960s?]. unknown
réf. 19-8634Zurich: Stehli Freres S.A. ca. 1960s. Large format color reproduction print poster 15” x 42”. Very Good. Minor creasing in top margin. Printed in Switzerland. Copyright Stehli Freres S.A. Zurich: Stehli Freres S.A., [ca. 1960s?]. unknown
réf. 19-8636Zurich: Stehli Freres S.A. ca. 1960s. Large format color reproduction print poster 15” x 42”. Good. Half-inch tear and loss on bottom margin. Printed in Switzerland. Copyright Stehli Freres S.A. Zurich: Stehli Freres S.A., [ca. 1960s?]. unknown
réf. 19-9435New York: Welcome 1995. . 4to. 16 pp. Printed color pictorial boards with matching dust jacket. Very good with slight edgewear to dust jacket. Includes nameplate and stamp: “from the library of Pasquale Iannetti.” Full page color reproductions of works by Marc Chagall. Printed in Singapore. New York: Welcome, 1995. hardcover
réf. 19-9432New York: George Braziller 1967. . Folio. 120 pp. Red cloth-covered boards. Pictorial color dust jacket with protective brodart mylar cover. Very good with chipped and stained dust jacket and edgewear along binding. Ex-library. Mostly full-page color plates. First revised edition. Stamped nameplate and embossed stamp reading “Library of Pasquale Iannetti.” Printed in the Netherlands. New York: George Braziller, 1967. hardcover
réf. 51-2306Paris: Maeght 1969. . Folio. With 2 original lithographs. Cramer no. 81. Mourlot 603bis and 605.Lithographie originale 28 x 38 cm"DLM édité en décembre 1969 pour l'exposition de 6 peintures et 24 gouaches de CHAGALL à la Galerie Maeght. Poème d'André Frénaud ""Chant de Marc Chagall"". Texte de Claude Esteban ""Comme un parfait chimiste"". 32 pages non reliées. 2 lithographies originales en double page 4 reproductions en couleurs dont 2 en double page et 18 reproductions en noir. Tirage original." Paris: Maeght, 1969. unknown
réf. 51-2307Paris: Maeght 1981. . Folio. With a double page original lithograph.Mourlot 992. Cramer 111.Lithographie originale 28 x 38 cm"DLM édité en mai 1981 pour l'exposition des nouvelles lithographies originales de CHAGALL à la Galerie Maeght. 28 pages non reliées. 1 lithographie originale en double page et 12 reproductions en couleur 1 en noir. Tirage original. Quelques exemplaires disponibles." Paris: Maeght, 1981. unknown
réf. 51-2106Paris: Maeght 1969. . Folio. One of 150 numbered portfolios on Rives paper. With 2 original lithographs. Original lithographed cover in green boards and chemise very slightly stained. Cramer no. 81. Mourlot 603bis and 605.This copy does not have the text or reproductions. It has the 2 lithographs and the limitation page of the correct Rives paper.DLM édité en décembre 1969 pour l'exposition de 6 peintures et 24 gouaches de CHAGALL à la Galerie Maeght. Poème d'André Frénaud ""Chant de Marc Chagall"". Texte de Claude Esteban ""Comme un parfait chimiste"". 32 pages non reliées. 2 lithographies originales en double page 4 reproductions en couleurs dont 2 en double page et 18 reproductions en noir. Tirage original." Paris: Maeght, 1969. hardcover
réf. 51-1314Paris: Maeght 1969. Folio. Original wraps. With the lithograph on the cover M. 603bis but without the 2 page spread M. 605. Cramer 81DLM édité en décembre 1969 pour l'exposition de 6 peintures et 24 gouaches de CHAGALL à la Galerie Maeght. Poème d'André Frénaud ""Chant de Marc Chagall"". Texte de Claude Esteban ""Comme un parfait chimiste"". 32 pages non reliées. 4 reproductions en couleurs dont 2 en double page et 18 reproductions en noir. Tirage original." Paris: Maeght, 1969 paperback
réf. 63-0691Los Angeles CA: Leslie Sacks Fine Art 2005. 8vo. Folded Card Oblong Very Good. Color Plates. Mailed to Pasquale Iannetti. Los Angeles, CA: Leslie Sacks Fine Art, 2005. unknown
réf. 51-0832Geneva: Editions Gérard Cramer 1968. Price list for 8 works both in color and black and white published by Cramer with hand annotation of pricing up to 1973 together wirth 14 single sheet samples. Geneva: Editions Gérard Cramer, 1968. unknown
réf. 15-7262Tokyo: Atopuranningurei 1997. 8vo. 171 pp. Illustrated Soft Covers Very Good with minor shelf wear text block somewhat bowed. Color plates photographs. Local government publication. In Japanese some English. Tokyo: Atopuranningurei, 1997. paperback
réf. 19-0601Paris: Fernand Mourlot 1972. Folio. 199 pp. Grey Cloth with Dust Jacket Very Good. Mostly Color Plates and Photographs. En Français. Paris: Fernand Mourlot, 1972. hardcover
réf. 15-8094New York: Perls Gallery 1959. 8vo. Oblong French Fold Sheets Deckled Laid Paper Very Good. Illustrated Cover. Scarce. 4 pp.The Perls Gallery in New York was founded in 1937 by Klaus Gunther Perls 1912-2008 and his brother Franz R. Perls1910-1975 after having worked at their mother's Galerie Kate Perls in Paris. Following his marriage to Amelia Blumenthal of Philadelphia in 1940 Klaus and Amelia B. Perls jointly ran the gallery. They specialized in modern French painting while Franz established the Frank Perls Gallery in Beverly Hills He originally dealt in works by Maurice Utrillo Maurice de Vlaminck and Raoul Dufy that his mother sent from Paris until the Nazi occupation. When she was forced to flee France he began dealing in now little known contemporary American artists including Darrel Austin and in Mexican and South American art such as Mario Carreno. After the war Klaus again dealt in French art from the School of ParisArtists in the Perls' stable included Rouault Picasso Léger Derain Dufy Matisse Modigliani Pascin Soutine and Vlaminck. The Perls Galleries closed in 1997. New York: Perls Gallery, 1959. unknown
réf. 51-0741Paris: Maeght 1957. Color lithograph from DLM 99-100. 15 x 11 inches sheet size. Mourlot no. 175. Paris: Maeght, 1957. unknown
réf. 15-8091New York: Perls Gallery 1957-60. The Perls Gallery in New York was founded in 1937 by Klaus Gunther Perls 1912-2008 and his brother Franz R. Perls1910-1975 after having worked at their mother's Galerie Kate Perls in Paris. Following his marriage to Amelia Blumenthal of Philadelphia in 1940 Klaus and Amelia B. Perls jointly ran the gallery. They specialized in modern French painting while Franz established the Frank Perls Gallery in Beverly Hills He originally dealt in works by Maurice Utrillo Maurice de Vlaminck and Raoul Dufy that his mother sent from Paris until the Nazi occupation. When she was forced to flee France he began dealing in now little known contemporary American artists including Darrel Austin and in Mexican and South American art such as Mario Carreno. After the war Klaus again dealt in French art from the School of ParisArtists in the Perls' stable included Rouault Picasso Léger Derain Dufy Matisse Modigliani Pascin Soutine and Vlaminck. The Perls Galleries closed in 1997. New York: Perls Gallery, 1957-60. unknown
réf. 51-0649Paris: Maeght Editeur 1957. Small 4to. Pictorial wraps with an original lithograph by Chagall on the covers: Landscape with Ibas Mourlot no. 192. LACKING the other 14 lithographs. Paris: Maeght Editeur, 1957. paperback
réf. 51-0653New York: Harcourt Brace 1960. Small folio. Original boards with color lithograph by Chagall on front and back covers Mourlot 230 lacking all the other lithographs. . 96 black and white plates of Chagall's etchings. New York: Harcourt, Brace, 1960. hardcover
réf. 51-0740Monte-Carlo: André Sauret 1960. Lithograph from Chagall Lithographe I. 320 x 240 mm. Mourlot no. 292. Monte-Carlo: André Sauret, 1960. unknown
réf. 15-8102New York: Perls Gallery 1956 & 1965. The Perls Gallery in New York was founded in 1937 by Klaus Gunther Perls 1912-2008 and his brother Franz R. Perls1910-1975 after having worked at their mother's Galerie Kate Perls in Paris. Following his marriage to Amelia Blumenthal of Philadelphia in 1940 Klaus and Amelia B. Perls jointly ran the gallery. They specialized in modern French painting while Franz established the Frank Perls Gallery in Beverly Hills. He originally dealt in works by Maurice Utrillo Maurice de Vlaminck and Raoul Dufy that his mother sent from Paris until the Nazi occupation. When she was forced to flee France he began dealing in now little known contemporary American artists including Darrel Austin and in Mexican and South American art such as Mario Carreno. After the war Klaus again dealt in French art from the School of Paris.Artists in the Perls' stable included Rouault Picasso Léger Derain Dufy Matisse Modigliani Pascin Soutine and Vlaminck. The Perls Galleries closed in 1997. New York: Perls Gallery, 1956 & 1965. unknown
réf. 51-0431Paris Musée des Arts Décoratifs 1961. Large 8vo. 247 x 182mm. Wraps in dust-jacket with an original lithograph by Chagall. Mourlot no. 358. Cramer Chagall Illus. Books no. 47.One of 300 signed and numbered impressions on the colophon. Paris, Musée des Arts Décoratifs, 1961. paperback
réf. 13-0875Paris: Société Internationale d'Art XXe Siècle 1969. Folio. Dust-jacket in slipcase. Fine. With the original lithograph of 2 dancers and a musical goat Mourlot no. 581. Cloth in dust jacket. 353 x 263 mm. 156 pp. 67 full page illustrations some double page. Cramer 78. Can also supply in English. Paris: Société Internationale d'Art, XXe Siècle, 1969. hardcover
réf. 13-0876New York: Tudor 1969. Small folio. Cloth in dust-jacket in slipcase. Cramer 78. With the original lithograph of 2 dancers and a musical goat Mourlot no. 581. New York: Tudor, 1969. hardcover
réf. 51-0108Monte Carlo; Andre Sauret:; NY: George Braziller; Boston Mass.:Boston Book and Art Shop 1960-1969. 4to. 13 x 10 cloth in original lithograph dust-jackets 220 208 179 pp. Lacking the original lithographs. copies with the original lithographs and en français or auf deutsch are available. Monte Carlo; Andre Sauret:; NY: George Braziller; Boston, Mass.:Boston Book and Art Shop, 1960-1969. hardcover
réf. 51-0122New York: Tudor 1969. Small folio. Cloth in dust-jacket in slipcase. Lacking the original lithograph. Cramer 78. New York: Tudor, 1969. hardcover