2.512 Ergebnisse
1983Best.-Nr. TH241964Leon Amiel New York 1983. 1st Edition. SOFTCOVER. Special issue of 'The XXe Siecle Review' published as a hardback book complete with the often lacking original colour lithograph by Chagall printed on card stock and inserted at the front of the book. Extra Large 4to size in blue cloth gilt lettering to spine 191pp on glossy art paper colour plates illustrations in text etc. Includes the Jerusalem Windows as well as tapestries and mosaics done for the Knesset building __CONDITION : An extremely well preserved almost AS NEW unmarked copy merest hint of tanning to leaves in a very faintly tanned but otherwise AS NEW complete Dust Jacket. An excellent copy. . NOTE: Depending on destination this item may require an extra payment for insurance. If so orders made by card will be completed only after you have approved any such extra cost. To see more of our Art Monographs etc type DbbARTIST in the Keywords search box __We always ship in PROTECTIVE CARD PARCELS Leon Amiel, New York paperback
1980Best.-Nr. 23780New York: Harcourt Brace and Company 1980. First American edition. Hardcover. Orig. color lithographed boards. Near fine in original unclipped dust wrapper chipped along the edges. Introductory text not paginated seven leaves. 37 x 27 cm. Twenty four full page original color lithographs plus 96 plates in black and white. Chagall's biblically theme drawings first reproduced in Verve 33/34 and the second suite Verve 37/38 double issue Summer 1960 and is the final entry in the Verve bibliography. The heliogravures in black and white printed by Draeger Freres and the color lithographs by Mourlot Freres. CRAMER 42. MOURLOT 230-277. SORLIER 75. Harcourt Brace and Company hardcover
Best.-Nr. 0331595400.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1992Best.-Nr. TK222975Sotheby's London 1992. 1st Edition. SOFTCOVER. 4to in colour printed stiff glossy card covers 53pp on glossy art paper mainly finely printed colour reproductions showing all of the plates. Sold as a single lot. Plus auctioneer blurb at rear __CONDITION : An AS NEW unmarked copy. . __We always ship in PROTECTIVE CARD PARCELS Sotheby's, London paperback
Best.-Nr. 23034Paris & New York: Andre Suaret & Boston Book & Art Shop 1986. First editions in English. Hardcover. Orig. beige cloth lettered in black. Fine in fine dust wrappers. 6 Vols. 33.4 x 25 cm. Twenty eight original lithographs including dust jackets and frontispieces with plethora of of reproductions of his lithographs. Vols. 3-4 in original publisher's board slipcases. A few of the clear glassine overwrappers nicked foot of Vol. I dust wrapper rubbed. All volumes very fresh and clean. Andre Suaret & Boston Book & Art Shop hardcover
1972Best.-Nr. TH220186Marlborough Galerry London 1972. 1st Edition. SOFTCOVER. Large heavy 4to. in colour printed stiff glossy card covers with printed transparent plastic dust jacket 196pp on various types of paper colour plates etc __CONDITION : A well preserved FINE very clean and tight unmarked copy page-block edges slightly tanned in a torn but tape repaired VERY GOOD Dust Jacket. . __We always ship in PROTECTIVE CARD PARCELS Marlborough Galerry, London paperback
1983Best.-Nr. 16786Art Books Intl Ltd 1983. hardcover. Very Good/very good. 15x2x11. In slipcase Art Books Intl Ltd hardcover
1981Best.-Nr. 57302France: Maeght editeur 1981. Softcover. Very good. Folio. With one original double-page lithograph Plus 12 reproductions in color. Text in French with 8 page English translation and ads inserted at rear. Loose in wrappers as issued. Rubbing to spine of cover. Interior fine. Maeght editeur unknown
Best.-Nr. Kristine Kern, edNot in perfect condition. unknown
1950Best.-Nr. 510474Editions de la Revue Verve 1950. Hardcover. FINE/Very Good. Tall 4to 35.5cm. sewn binding in paper-under-board hardcovers with Chagall's original lithograph jacket overlaid by the publisher creating an integral design. Very mild bump to the fore tail corner exceedingly clean and fresh otherwise; DJ/cover with a 2' tear to head of spine spine tail taped and light rubbing to the tips. Very prone to wear and much nicer than commonly seen. Verve issue with Chagall's original illustrations for Boccaccio's Decameron alongside tipped-in color plates from the Manuscript of the Ducs de Bourgogne. Editions de la Revue Verve hardcover
1937Best.-Nr. 510540Verve 1937. First Edition. Paperback. FINE. Complete run of the first four issues of Teriade's legendary art magazine. Beginning with a stunning cover produced by Matisse for the first issue Verve would incorporate fresh artwork into its cover designed newly commissioned by artists such as Miro Picasso Chagall and other leading lights of the French art world. Each issue offered spectacular color lithographs printed by the Paris lithographers Mourlot. Early issues came in litho-printed card wrappers in boxes later volumes would be in paper-over board with litho covers. This choce allowed Teriade to feature the fresh lithographic artwork in the cover design but left the books themselves extremely fragile and succeptible to wear. Additionally the full-page lithographs have been continuous targets for art dealers looking to excise the plates. So condition seen here is quite rare with each volume preserved COMPLETE FINE with no signs of the wear and toning so commonly seen. 'The cover of Verve No. 1 is by Henri Matisse; it consists of three unmodulated colors--red blue and black--that the master cut directly from printers' ink specimen books. . Mattisse's cover for the first issue lithographed by Fernand Mourlot printers was an original work of art created expressly for the magazine--as would be practically all of the Verve's covers. . The painter took great pains to make sure that the cover would turn out exactly as he wished. . THe care Matisse lavished on what others might consider a minor undertaking was one of the hallmarks of Teriade's publications. How did he induce the greatest artists of this century to give the very best of themelves . Matisse and Teriade shared a common ideal. For both of them painting was life itself.' Michel Antonioz VERVE: The Ultimate Review of Art and Literature 35-36. Verve paperback
1960Best.-Nr. 508273Andre Sauret / George Braziller 1960. Hardcover with Dust Jacket. FINE/FINE. The first volume in what would become 6 collected volumes. B/W heliogravures printed by Draeger Freres and 12 original color lithographs produced specially for this volume and printed by Fernand Mourlot whoe designed and edited the volume with Andre Sauret. The dust jacket is also an original illustration by Chagall. 220pp. 4to beige cloth stamped in black. A FINE copy without qualification in FINE jacket with publisher's original acetate wrap. Uncommonly clean and sharp with crisp fresh pages and very tight hinges. Andre Sauret / George Braziller hardcover
1969Best.-Nr. 47685New York: Tudor 1969. Hardcover with Dust Jacket. Near fine in a VG DJ with light edge-wear & very slight sunning to the spine. One inch section of the spine is rubbed. Folio. 155 pp. Illus. Sunned slipcase. Litho present. . Tudor hardcover
1962Best.-Nr. 54843Monte Carlo: André Sauret 1962. First English language edition. Small folio 33 x 26 cm 210 4 pp. Cloth. Color plates and photographs. Fine in dust jacket with tiny nicks along the lower edge and two short closed tears on the rear panel. Translated from the French by Elaine Desautels. Illustrated with two full-page original color lithographs executed by Chagall for this work and printed by Mourlot as well as 36 multi-color preparatory color designs transferred to stones under Chagall's supervision and printed by Charles Sorlier. The text was printed at the Imprimerie Nationale. A splendid overview of the various stages of Chagall's twelve stained glass window designs for the synagogue of the Hadassah-Hebrew University Medical Centre in Jerusalem. André Sauret unknown
1996Best.-Nr. 15560MARC CHAGALL 1907 -1917 / THE MOON PAINTER 1917 / FULL COLOR PICTORIAL POSTER Los Angeles County Museum of Art 1996 first printing measuring approximately 18" by 24" and most suitable for framing. A fine copy. Museum Associates Los Angeles County Museum of Art unknown
1962Best.-Nr. 39327Paris: Maeght 1962. Folded in the centre as published. In excellent condition. 38 x 56 cm 15 x 22 inches. Original color lithograph by Marc Chagall from Derrière le Miroir No. 132 June 1962. Published by Galerie Maeght Paris 1962. Printed by Mourlot Paris. Sheet: 38 x 56 cm 15 x 22 inches. One of Chagall's most iconic motifs lovers in a world of color and poetry. Marc Chagall 7 July 1887 28 March 1985 was one of the most celebrated and beloved artists of the 20th century. Born Marc Zakharovich Shagal in Vitebsk Belarus then part of the Russian Empire he trained in Saint Petersburg before moving to Paris in 1910 where he became part of the vibrant avant-garde of Montparnasse. Drawing on Jewish folk tradition Russian culture and the imagery of his Belarusian childhood Chagall developed a uniquely dreamlike visual language infused with lovers floating above villages fiddlers on rooftops animals angels and mystical biblical scenes. Associated with Fauvism Cubism and Surrealismyet belonging to nonehe was the quintessential 'School of Paris' master. His monumental stained-glass windows ceiling paintings including the Paris Opéra and tapestries brought his vision to public spaces worldwide. Chagall's work is held at MoMA in New York the Tate in London the Centre Pompidou in Paris the Guggenheim and the Musée National Marc Chagall in Niceinaugurated in 1973 and dedicated to his biblical message cycle. He remains one of the most sought-after names in 20th-century prints with original lithographs consistently coveted by collectors worldwide.Derrière le Miroir 'Behind the Mirror' published by Galerie Maeght in Paris between 1946 and 1982 was one of the most prestigious art publications of the 20th century. Each issue was dedicated to a single artist represented by the galleryChagall Miró Calder Braque Giacometti among themand featured original lithographs printed by the Mourlot studio in Paris. DLM lithographs are original prints in every sense: drawn on stone by the artist and printed from those stones in large but finite editions making them accessible collector's items bearing the direct touch of the master.Marc Chagall 1887 Vitebsk Russian Empire 1985 Saint-Paul-de-Vence settled on the Côte dAzur in the early 1950s and the luminous light and colours of the Mediterranean profoundly influenced his late work. The Bay of Nice visible from his home in Vence became a recurring subject a symbol of the happiness and peace of his final decades.Die Bucht von Nizza The Bay of Nice was published as a full double-page original lithograph in Derrière le Miroir by Galerie Maeght Paris 1962. A pink couple in love surrenders to dreams on the back of a great bird above the coastline in a composition that unites Chagalls enduring themes: love flight and the dream world. DLM lithographs are original prints not reproductions printed directly from Chagalls lithographic stones. Sheet size: 38 56 cm.The image of lovers floating above the world is perhaps the most iconic motif in all of Chagall's arta symbol of transcendent joy memory and longing. His lithographs on this theme are enduringly popular with collectors and are among his most recognizable and decorative works. In excellent condition. Colors vivid and well-preserved. No tears foxing or losses. Ready to frame. Mourlot 356 Maeght unknown
Best.-Nr. 51-5817Paris: Tériade Editeur 1967. . Folio. 33.5 x 42.5 cm. Edition of 250; with the signed limitation page and title page. Cream cloth board chemise in matching slipcase.Text volume with ca. 125 pages. Ideal for someone who owns one or more of the lithographs for presentation. Cramer no. 68. Paris: Tériade Editeur, 1967. hardcover
1984Best.-Nr. mon0000067931Doubleday 01/09/1984 00:00:01. hardcover. Very Good. 1.5228 cent in x 30.7107 cent in x 22.8426 cent in. Has a gift inscription on the front free endpaper. Doubleday hardcover
2001Best.-Nr. 210454London: Sims Reed Gallery 2001. Staplebound. VG. Light shelfwear. Price list laid in rear. Quarto. Staplebound exhibition catalogue. Illustrated wraps. 24 pages : illustrations chiefly color portrait ; 31 cm. Sims Reed Gallery unknown
1964Best.-Nr. 191902Geneve: The Galerie 1964. One of 1600. Paperback. G-wraps are foxed and age-toned; text block is foxed;pages are foxed. White wraps with black lettering and illustration; colorful frontispiece; unpaginated; richly illustrated in color; an unnumbered copy of 1600 copies made. Text in French; This is a catalog from an exhibition held December 1964 - January 1965 at Galerie Gerald Cramer. The Galerie paperback
1991Best.-Nr. 175236Munchen: Hirmer 1991. Hardcover. VG- corners bumped library label on spine and inside front cover interior clean. Yellow illustrated boards with blue lettering on spine 297 pp profusely illustrated in color. Text in German. Catalog of the exhibition organized by the Kunsthalle of the Hypo-Kulturstiftung and presented in Munich Mar. 23-June 30 1991. Includes bibliographical references pages 296-297. Hirmer hardcover
1920Best.-Nr. 165270Paris: Au Sans Pareil 1920. 1 of 9 copies on Japon Imperial paper Copy No. IV. Softcover. VG or better glassine jacket with minor chipping few tiny tears no significant loss microscopic at best. Printed oversize wraps with glassine jacket. Half-title. Title-page with woodcut vignette and 4 woodcut illustrations by Marc Chagall. 48 pp. Among Marc Chagall's earliest book illustrations preceded only by appearances in 1914 and 1918. With Andre Breton Soupault was one of the founders of the Surrealist movement: "Soupault's earliest verse collection 'Aquarium' 1917 was published with the help of Guillaume Apollinaire who introduced Soupault to André Breton. In 1919 Soupault Breton and Louis Aragon cofounded the review 'Littérature'. Originally drawn to the anti-rationalism of the Dada movement Soupault soon rejected its nihilism and he and Breton experimented with other revolutionary techniques. One result of their experimentation was the "automatic writing" of the jointly authored 'Les Champs magnétiques' 1920; 'The Magnetic Fields' known as the first major Surrealist work. Soupault soon abandoned automatic writing to produce carefully crafted verses such as those in 'Westwego' 1922 and 'Georgia' 1926. As the Surrealist movement became increasingly dogmatic and political Soupault grew dissatisfied with it and eventually broke with it and Breton" Encyclopedia Britannica online. Exceptionally rare one of 9 such copies. Au Sans Pareil paperback
1962Best.-Nr. 001241New York: George Braziller / Andre Sauret 1962. First American Edition. . Cloth. Very Fine/Very Fine. Marc Chagall. Original red cloth in mylar protected dust jacket housed in publisher's cardboard slipcase. First edition in English. 211 pp. 1 blank 1 1 blank pp. 104 plates 64 of which are in full color 2 original colored lithographs done expressly for this edition. Text and notes by Jean Leymarie; translated by Elaine Desautels; compiled by Andre Sauret. The text was composed by hand and printed by Imprimerie Nationale de France. The 36 preparatory color designs some in twenty colors were transferred to the stones by Charles Sorlier under the direction of Marc Chagall. These designs along with two original lithographs by Chagall were printed by Mourlot Freres. The other reproductions and the binding are by Draeger Freres. In RARE original publishers' cardboard slipcase and protective acetate cover price intact. An exceptionally clean tight and bright copy. Cramer 49 Size: Folio George Braziller / Andre Sauret hardcover
1960Best.-Nr. 3868The Orion Press 1960. 1960 First Edition. 8vo. 173 pp. b/w illustrations. Publishers lime green cloth lettered in yellow. Toned. Jacket chipped at crown of spine toning edge-wear. Very Good in Good dust jacket. In archival mylar sleeve. 1st Edition. Hardcover. Very Good/Good. The Orion Press, 1960. hardcover
1950Best.-Nr. 120562ParisFRANCE/WIESBADEN: Les Éditions Du CHENE.;.EMIL VOLLMER VERLOG. Good. 1950. First Edition. Paperback. 12X14"oversized. good cover crude tape to spine strip.covering bit of cover titles.PLATES & TEXT in VERY GOOD Condition Stiff PaperCovers.Back cover has short tear. Main problem with paper wrapper is a 2" wide strip of solid tape holding the covers together. The covers are iner folded & stiffened with blank paper boards.which may have contributed to excessive wear at spine fold.The plates are OK.#II has been edge trimmed not effecting print & leaving reduced side borders. Interstingly.Plate XII has been numbered XI.Apparently an early print run. THE PRINTS ARE VERY COLORFUL HAVE EXCELLENT RESOLUTION AND ARE CLEAN PRINTS STILL TIPPED TO THE ORIGINAL ; has all 16 plates listed on the VERSEICHNIS DER TAFELN page."Auf Dem Umschlag in Meinem Land 1943" .Verso statement "KLISCHEES VON CLIDHE UNION PARIS; DRUCK DER KUNSTBLAETTER DURCH DIE DRUCKEREI KAPP IN VANVES; DRUCK DES TEXTES DURCH DIE DRUCKERIE.ANDRE TOURNON ET CIE PARIS" ; 16PLATES8pg text pages; verso states PRINTED IN FRANCE COPYRIGHT BY SOCIETY D'EXPLOITATION DES eDITIONS DU CHENE PARIS 1950.ALLE RECHTE VORBEHALTEN". . Les Éditions Du CHENE..;..EMIL VOLLMER VERLOG paperback
