Goll, Claire; Marc ChagallBiblio.com
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1946Best.-Nr. 56657Brooklyn: Editions Hemispheres 1946. Hardcover. Good. Quarto. 11 3/4 x 9". INSCRIBED by Goll to French costume designer Marcel Vertes. #51 of 300 numbered copies. Four illustrations printed in blue by Marc Chagall. Blue paper covered boards with paper label are lightly soiled and darkened on edges. Rubbing to spine folds top of spine torn. Rear hinge has 3" crack. Small spot on front end-papers. Editions Hemispheres hardcover
1973Best.-Nr. B38203New York: Tudor Publishing Company 1973. Hardcover. Near Fine/Very Good. With original Chagall lithograph! Hardcover with gray cloth boards in dust jacket 1973 quarto 199pp. illustrated in color. Book near fine with handsome boards and tight binding hint of off-setting to front endpapers otherwise text clean bright and unmarked. DJ VG with toning mild edgewear in plastic wrap. THIS LARGE HEAVY BOOK MAY REQUIRE ADDITIONAL SHIPPING FEES. Tudor Publishing Company hardcover
1972Best.-Nr. 1154151Lucerne S.: Gallerie Rosengart 1972. Paper. Very Good/No Jacket. Wrappers 19 cm unpaginated. 14 color and black & white plates original cover and frotnispiece created specifically for this exhibition in honour of Marc Chagall's 85th birthday summer 1972. Great condition. Cover has light wear but is bright. Binding is tight and inside is clean and unmarked. Gallerie Rosengart unknown
1948Best.-Nr. 1100912Geneva / Paris: Editions des Trois Collines 1948. Book. Illus. by Marc Chagall. Good/Very Good. Soft cover. Limited/Numbered. 8vo - over 7¾" - 9¾" tall. Number 819 of an edition of 2500. Firm many leaves uncut with slight browning glassine wrapper present. Pics available. Editions des Trois Collines Paperback
Best.-Nr. 1258167468.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1967Best.-Nr. 79558New York NY: George Braziller 1967. First Revised Edition. Hardcover. Good. Marc Chagall. xix 1 111 11 pages. Note on fep. Includes Introduction as well as the dimensions of the preparatory drawings The Stained-Glass Windows and the Details. Some scuffing and wear to cover and corners. Minor spine weakness at third color plate restrengthened with glue. Each of the twelve stained-glass windows reproduced is preceded by a preparatory set of drawings and models whose number media dimension and order of presentation are exactly the same in the sequence of each Tribe and are arranged as follows: -------------------------------------------------------------------------------------------------------------Height Width First sketch pencil pen and India ink.7-7/8'' X 5-7/8'' Preparatory drawing India ink and wash.15-7/7-8" X 11 -5/8" First color skitch India ink and watercolor.7-7/8'' X 5-7/8" Small model gouache and collage.8-5/8'' X 18-7/8" Final model gouache and collage.16-1/2'' X 12-1/2" Marc Chagalla born Moïche Zakharovitch Chagalov;7 6 July 1887 - 28 March 1985 was a Russian-French artist of Belarusian Jewish origin. An early modernist he was associated with several major artistic styles and created works in a wide range of artistic formats including painting drawings book illustrations stained glass stage sets ceramic tapestries and fine art prints. Art critic Robert Hughes referred to Chagall as "the quintessential Jewish artist of the twentieth century" though Chagall saw his work as "not the dream of one people but of all humanity". For decades he "had also been respected as the world's pre-eminent Jewish artist". Using the medium of stained glass he produced windows for the cathedrals of Reims and Metz windows for the UN and the Art Institute of Chicago and the Jerusalem Windows in Israel. He also did large-scale paintings including part of the ceiling of the Paris Opéra. He had two basic reputations: as a pioneer of modernism and as a major Jewish artist. He experienced modernism's "golden age" in Paris where "he synthesized the art forms of Cubism Symbolism and Fauvism and the influence of Fauvism gave rise to Surrealism". Yet throughout these phases of his style "he remained most emphatically a Jewish artist whose work was one long dreamy reverie of life in his native village of Vitebsk." In 1960 he began creating stained glass windows for the synagogue of Hebrew University's Hadassah Medical Center in Jerusalem. Leymarie writes that "in order to illuminate the synagogue both spiritually and physically" it was decided that the twelve windows representing the twelve tribes of Israel were to be filled with stained glass. Chagall envisaged the synagogue as "a crown offered to the Jewish Queen" and the windows as "jewels of translucent fire" she writes. Chagall then devoted the next two years to the task and upon completion in 1961 the windows were exhibited in Paris and then the Museum of Modern Art in New York. They were installed permanently in Jerusalem in February 1962. Each of the twelve windows is approximately 11 feet high and 8 feet 2.4 m wide much larger than anything he had done before. Cogniat considers them to be "his greatest work in the field of stained glass". In 1973 Israel released a 12-stamp set with images of the stained-glass windows. The windows symbolize the twelve tribes of Israel who were blessed by Jacob and Moses in the verses which conclude Genesis and Deuteronomy. In those books notes Leymarie "The dying Moses repeated Jacob's solemn act and in a somewhat different order also blessed the twelve tribes of Israel who were about to enter the land of Canaan. In the synagogue where the windows are distributed in the same way the tribes form a symbolic guard of honor around the tabernacle." Leymarie describes the physical and spiritual significance of the windows: The essence of the Jerusalem Windows lies in color in Chagall's magical ability to animate material and transform it into light. Words do not have the power to describe Chagall's color its spirituality its singing quality its dazzling luminosity its ever more subtle flow and its sensitivity to the inflections of the soul and the transports of the imagination. It is simultaneously jewel-hard and foamy reverberating and penetrating radiating light from an unknown interior. At the dedication ceremony in 1962 Chagall described his feelings about the windows: For me a stained glass window is a transparent partition between my heart and the heart of the world. Stained glass has to be serious and passionate. It is something elevating and exhilarating. It has to live through the perception of light. To read the Bible is to perceive a certain light and the window has to make this obvious through its simplicity and grace. The thoughts have nested in me for many years since the time when my feet walked on the Holy Land when I prepared myself to create engravings of the Bible. They strengthened me and encouraged me to bring my modest gift to the Jewish people-that people that lived here thousands of years ago among the other Semitic peoples. George Braziller hardcover
1974Best.-Nr. N5163Monte Carlo: Sauret 1974. Orig. Cloth with d/j in Box. Fine. Chagall. A fine copy with fine dust jacket in the original box Sauret hardcover
1969Best.-Nr. N5042New York: Tudor 1969. Original Cloth w. Dust Jacket. Fine/Fine. Large 4to. 132pp. WITH AN ORIGINAL COLOUR LITHOGRAPH BY CHAGALL CREATED FOR THIS EDITION. A FINE COPY IN A FINE DUST JACKET Tudor hardcover
2006Best.-Nr. N4979New York: Rizzoli 2006. Original Cloth w. Dust Jacket. Very Good/Good. Folio. 256pp. Folio. Original cloth with dust jacket this with minor repair. A very good clean and fresh copy. Heavy item. Rizzoli hardcover
1968Best.-Nr. N439aParis: Andre Sauret 1968. Original Cloth with d/j. Near Fine. Folio -. Marc Chagall. 179pp. With 2 original lithographs by Chagall. Fine copy with original protective nylon .French text. German edition available at the same price Chagall lithographs volume 3. Andre Sauret hardcover
1995Best.-Nr. N2237Nice: Reunion Des Musees Nationaux 1995. Original Cloth with d/j. Very Good. 4to. Marc Chagall. 181pp.French text. Richly illustrated. Minimal foxing on flyleaves and verso of dust jacket only. Otherwise a very good clean and fresh copy. Reunion Des Musees Nationaux hardcover
1946Best.-Nr. 56658Brooklyn: Editions Hemispheres 1946. Hardcover. Near fine. Quarto. 11 3/4 x 9". One of 300 copies this one initialed "EB". Four illustrations printed in blue by Marc Chagall. Blue paper covered boards with paper label. Nice clean copy. Editions Hemispheres hardcover
Best.-Nr. 5884530like new. unknown
1967Best.-Nr. 017769New York: Harry N Abrams 1967. Presumed FIRST EDITION no other printings listed on the copyright page. Very large square book with glassine wrapper over white cloth with color illustrations. On front end paper are facsimile signatures of artists including Chagall Picasso Klee Nolde Roualt Ernst and Heckel among others. Stunning reproductions several prepared to be framed. Square folio 12.5" x 12.5". Overall a EXCELLENT book in a VERY GOOD brodart protected dust jacket. A good gift. Full Cloth. Near Fine/Very Good. Folio - over 12" - 15" tall. Hardcover. Harry N Abrams Hardcover
1962Best.-Nr. 106581NY:: George Braziller. Fine in Fine dust jacket. 1962. Hardcover. Color and black and white plates throughout including two original color lithographs both in excellent condition. Translated from the French by Elaine Desautels. First edion thus. Fine in a fine dust jacket and fine acetate cover. Housed in a very good small chip at the base of the spine minor edge wear and age toning carboard slipcase.; 211 pages . George Braziller, hardcover
1962Best.-Nr. 100928NY:: George Braziller. Near Fine in Near Fine dust jacket. 1962. Hardcover. Color and black and white plates throughout including two original color lithographs both in excellent condition. Translated from the French by Elaine Desautels. First edion thus. Near fine in a near fine light edge wear with one short closed edge tear price clipped dust jacket and a near fine acetate cover. No slipcase.; 211 pages . George Braziller, hardcover
1949Best.-Nr. 202016Duell Sloan & Pearce 1949. First Edition. Hardcover. Very Good/Very Good. Black cloth boards with yellow lettering under yellow DJ priced at $6 top edge stained red illustrated endpapers plate illustrations 245 pp. Minor splash mark to topstain else a near fine book; DJ has toning to spine panel minor chipping to top corners modest waviness to rear panel. Presents well; first trade edition. A beautiful tribute to Stravinsky who at the time was a recent American citizen and had just begun collaborating with Robert Craft who would help Stravinsky throughout his late career. Duell, Sloan & Pearce hardcover
1979Best.-Nr. 1400214New York: Harry N. Abrams 1979. Hardcover. Quarto 263 pages. In Very Good condition with a Good plus dust jacket. Spine is white with black print. Dust jacket has slight shelf wear small vendor label on rear. Boards in yellow cloth with blue print. Illustrated: color. Oversized books. Additional postage necessary for expedited/international orders. Economy International shipping unavailable due to size/weight restrictions. For international/expedited customers please inquire for rates. NOTE: Shelved in Locked Annex Area Quarto and Folio Case. 1400214. FP New Rockville Stock. Harry N. Abrams hardcover
1972Best.-Nr. 1400215Monaco: Editions André Sauret 1972. Hardcover. Quarto 249 pages. In Very Good condition with a Good dust jacket. Spine is black with white print. Dust jacket in mylar; light wear to top edge. Boards in grey cloth with black print. Illustrated: b&w and color plates. Oversized books. Additional postage necessary for expedited/international orders. Economy International shipping unavailable due to size/weight restrictions. For international/expedited customers please inquire for rates. NOTE: Shelved in Locked Annex Area Quarto and Folio Case. 1400215. FP New Rockville Stock. Editions André Sauret hardcover
1965Best.-Nr. 397980Monte Carlo: AndreÌ Sauret 1965. 1st. Hardcover. Good/Good. Hardcover red cloth covered boards with embossed illustration. 172 pages. 76 black and white photographs. Introduction by Jacques Prevert. 4 original color illustrations and jacket design by Marc Chagall. Text in French. There is some water damage to rear cover and a tan stain to bottom rear of dust jacket. Interior clean great circus photographs. DOMESTIC SHIPPING ONLY. Record # 397980 AndreÌ Sauret hardcover
1988Best.-Nr. 149849PARK LANE 1988 hardback book and dust jacket in near fine condition. Hardcover. Near Fine/Near Fine. PARK LANE hardcover
1983Best.-Nr. 64616Art Books Intl Ltd. Very Good in Very Good dust jacket. 1983. Reprint. Hardcover. 0933516940 . English And French Edition; 15 X 2 X 11 inches; 259 pages . Art Books Intl Ltd hardcover
1986Best.-Nr. 63565Crown. Near Fine in Near Fine dust jacket. 1986. First. Hardcover. 0517564408 . Catalogue Raisonné sixth volume in the series. Color b/w plates. Binding tight and straight inner pages clean and unmarked. Cloth binding clean corners sharp inner pages crisp and clean. Dust Jacket is flap-intact bright and clean now protected within mylar cover.; 260 pages . Crown hardcover
1965Best.-Nr. 54078André Sauret. Very Good in Very Good dust jacket. 1965. First. Hardcover. Includes 2-page frontis litho 6 color lithographs and rear-pocket fold-out layout of the ceiling. Boards tight and straight inner pages crisp and clean. . André Sauret hardcover
1950Best.-Nr. ovs2244Editions de la Revue Verve 1950. First Edition. hardcover. Very Good. 0x0x0. First Edition with 26 full color tipped in plates. Hardcover with dust jacket. Book is in very nice condition text is unmarked and pages are tight. Dust jacket has a tiny chip at top and bottom of spine. Editions de la Revue Verve hardcover
